By Franz Schubert. Arranged by Gordon Cherry. For Trombone and Piano. Romantic L...(+)
By Franz Schubert.
Arranged by Gordon
Cherry. For Trombone and
Piano. Romantic Lieder.
Level:
intermediate/advanced.
Full score and parts.
Published by Cherry
Classics.
Trombone and Piano - Advanced SKU: CY.CC3136 Composed by John W. Ware. Cl...(+)
Trombone and Piano -
Advanced
SKU:
CY.CC3136
Composed by
John W. Ware. Classical.
Score and Parts. Cherry
Classics #CC3136.
Published by Cherry
Classics (CY.CC3136).
ISBN 9790530111055.
8.5 x 11 in
inches.
This fine
work has sat dormant for
many years and has now
come to light thanks to
the efforts of Charlie
Vernon, Bass Trombonist
of the Chicago Symphony,
who performed this
virtuoso work as a young
performer. The concerto
is in the standard three
movement form: Fast,
slow, fast. This
publication is a
reduction from the
original orchestral
version (to be released
at some point in the
future). Here is a
description of the
Concerto by the composer,
John W. Ware. I started
on the trombone concerto
in my junior year
studying composition at
Indiana University. While
working on it, I learned
of an opportunity to make
it sort of a thesis piece
(though students didn't
write a thesis in
composition while an
undergrad). The original
version was for trombone
with string orchestra,
and it was performed by
the IU String Orchestra,
conducted by Dr. Arthur
Corra, with Robert Priez,
trombone, as part of my
senior composition
recital. I thought the
performance was quite
good (Priez played
extraordinarily well),
and the piece received a
newspaper review in the
Indiana Daily Student, in
which the reviewer wrote
that the work was almost
too exciting. I thought
at the time that he had
given me and my music a
fine compliment. I made a
piano version of the
accompaniment, shortening
and tightening the first
movement, for
performances in 1966; I
made a second revision in
1967 for a performance by
E. J. Eaton, trombonist
at the University of
Tennessee at Martin,
arriving at the form in
which the work exists
now. The first movement
is in fairly normal
sonata-allegro form, in
the key of A minor. It
alternates between
assertive and more
thoughtful moods. There
is no introduction; the
soloist enters
immediately and dominates
much of the movement. The
main theme is--by some
manipulation--a source
for most of the other
themes, and all of the
themes are used in close
proximity to each other,
including contrapuntal
combinations, especially
near the end. Originally
the movement included a
lengthy fugato, now much
shortened and including a
stretto that builds and
subsides before a cadenza
leading to a coda based
on both the principal and
secondary themes. Key
relations in this
movement, as in the other
two, are quite free and
often chromatic, with
frequent third-relations;
but returns to the tonic
at the end are emphatic.
The writing is
challenging for both
soloist and accompanist;
the piece is substantial,
requiring technique and
stamina. The second
movement is in F minor
and is also built on both
contrast and close
relationships between the
main and secondary
themes. The main theme is
heard in the piano part
before the soloist
enters. The mood is more
lyric than in the first
movement, but with
dramatic episodes also.
In this movement are some
definite derivations from
themes in the first
movement. The ending is a
sort of lengthened shadow
of the opening. The
finale returns to A
minor, with themes
slightly related to
polonaise rhythms, but
with strong echoes of
first-movement themes.
Here, too, dramatic and
lyric episodes alternate,
with dotted rhythms
frequently propelling the
music forward. The
introduction is a brief
and simple preparation
for the solo entry. Later
in the movement, a very
brief, slightly slower
section is soon overtaken
by the original tempo.
Toward the end, there is
a second cadenza, again
leading to a swift and
energetic coda. The work
is about 20 minutes in
length and is appropriate
for advanced
performers.
5 Easy
Pieces. Composed by
Hermann Regner. This
edition: Saddle
stitching. Sheet music.
Edition Schott. Das fangt
ja gut an ist eine kleine
Sammlung von leichten
Stucken fur Posaune mit
Klavierbegleitung. Die
funf kurzen Stucke eignen
sich hervorragend als
Erganzung zum Unterricht
und fur Jugend musiziert.
Die Stucke sind sehr
melodisch und verwenden
einfac. Classical.
Softcover. Composed 2008.
12 pages. Schott Music
#ED20689. Published by
Schott Music
(HL.49018958).
ISBN
9790001169127.
Apar
t from numerous
publications in the field
of music education, the
music teacher and
composer Hermann Regner
(1928-2008) contributed
considerably to the brass
repertoire, such as
material for wind
orchestra and wind band.
Influenced by his studies
with Carl Orff, he paid
special attention to the
fusion of instrumental
education and
contemporary music. A
matter of particular
concern for him was to
write practical, easily
playable new music for
children, young people
and amateur musicians -
music that takes the
technical competence of
beginners into account
and motivates them to
concern themselves with
new sounds, rhythms and
playing techniques. 'All
begins well' is a small
collection of easy pieces
for trombone with piano
accompaniment. The five
short pieces are a
perfect addition to
instrument lessons and
'Jugend musiziert'. The
pieces are very melodic,
using simple keys (F
major, B flat major, E
flat major) which are
easy to play by the
trombone, and they cover
a compass from B flat to
E flat1.
Composed by Richard Wagner (1813-1883). Arranged by Ralph Sauer. German Romantic...(+)
Composed by Richard
Wagner (1813-1883).
Arranged by Ralph Sauer.
German Romantic. Solo
part and piano
accompaniment. Published
by Cherry Classics
(CY.CC2627).
By Johann Sebastian Bach (1685-1750). Arranged by David Marlatt. For Trombone an...(+)
By Johann Sebastian Bach
(1685-1750). Arranged by
David Marlatt. For
Trombone and Keyboard.
Brass - Trombone Solo;
Masterworks; Solo.
Baroque. Part(s).
Duration 00:03:50
Trombone and Piano SKU: BT.EMBZ14176 Composed by Gyorgy Kurtag. Contempor...(+)
Trombone and Piano
SKU: BT.EMBZ14176
Composed by Gyorgy
Kurtag. Contemporary
Music. Book Only.
Composed 1999. 16 pages.
Editio Musica Budapest
#EMBZ14176. Published by
Editio Musica Budapest
(BT.EMBZ14176).
Arise, My Soul Arise Trombone et Piano [Conducteur et Parties séparées] - Intermédiaire David E. Smith Publications
Composed by Charles Wesley. Arranged by Dana F. Everson. For trombone solo with ...(+)
Composed by Charles
Wesley. Arranged by Dana
F. Everson. For trombone
solo with piano
accompaniment.
Traditional. Main key:
Ab, Bb. Sacred
instrumental music. Grade
3.5. Score and parts.
Composed 2013. Duration
2'15 . Published by David
E. Smith
By Charles François Gounod. Arranged by David Marlatt. For Trombone and Keyboar...(+)
By Charles François
Gounod. Arranged by David
Marlatt. For Trombone and
Keyboard. Brass -
Trombone Solo;
Masterworks; Solo.
Romantic. Part(s).
Duration 00:06:00
17 Solos, Duets and play-along CD on Christmas favorites. Arranged and edited by...(+)
17 Solos, Duets and
play-along CD on
Christmas favorites.
Arranged and edited by
Karen Khanagov. For
Trombone. play along. My
Very Best Christmas.
Christmas. Level:
Beginning. Book/CD Set.
Size 8.75x11.75. 88
pages. Published by Mel
Bay Publications, Inc.
Trombone and Piano. Composed by Igor Stravinsky (1882- 1971). Edited by Danie...(+)
Trombone and Piano.
Composed
by Igor Stravinsky
(1882-
1971). Edited by
Daniel-Ben
Pienaar and Jonathan
Freeman-
Attwood. Boosey &
Hawkes
Chamber Music. Classical.
Softcover. Boosey &
Hawkes
#M060133749. Published by
Boosey & Hawkes
By George Gershwin (1898-1937). Arranged by Bob Elkjer. Solo. For trombone solo....(+)
By George Gershwin
(1898-1937). Arranged by
Bob Elkjer. Solo. For
trombone solo. With
piano. As recorded by
Joseph Alessi on the
Summit recording
'Trombonastics'. Duration
Approx. 9:00
