Trumpet and Orchestra SKU: SU.50010710 For trumpet and Orchestra. ...(+)
Trumpet and Orchestra
SKU: SU.50010710
For trumpet and
Orchestra. Composed
by Stanley Friedman.
Orchestra, Brass,
Trumpet. Study Score.
Seesaw Music Corp
#50010710. Published by
Seesaw Music Corp
(SU.50010710).
Trumpet 2222
2230 timp str C major:
original key I. Allegro
(Sonata-Allegro) II.
Andante (Aria with
Variations) III. Rondo
Full Score and Parts:
available on rental
Trumpet and Piano
(reduction): available
for sale (#50010720)
Composed: 1984 Revised:
2006 Published by: Seesaw
Music Performance
materials available on
rental only:.
Trumpet and Orchestra SKU: BT.EMBZ13012 Für Trompete und Streichorc...(+)
Trumpet and Orchestra
SKU: BT.EMBZ13012
Für Trompete und
Streichorchester.
Composed by Ferenc
Farkas. Score Only.
Composed 1985. 32 pages.
Editio Musica Budapest
#EMBZ13012. Published by
Editio Musica Budapest
(BT.EMBZ13012).
For
Trumpet & String
Orchestra. Composed
by Amy Riebs Mills.
Brass, Trumpet, Strings,
String Ensemble. Full
Score. Subito Music
Corporation #32040120.
Published by Subito Music
Corporation
(SU.32040120).
Also available:
Version for Trumpet &
Piano (Catalog No.
32040010) Version for
Trumpet & Concert Band
(Catalog No.
32040160)Trumpet & String
Orchestra Duration: 14'
Composed: 2017 Published
by: Amy Mills Music, LLC
Virtuoso piece for C or
Bb Trumpet. Trumpet opens
the Dramatic exposition,
sublime middle section
for Bb cornet or
flugelhorn, return to
Trumpet for triumphant
conclusion, appropriate
for professionals and top
level university trumpet
majors. Tonal, uses
modes, Arabic scales,
cadenzas, strong rhythms,
ends on concert high C,
players & audiences will
love it! Difficulty
Level: Solo Trumpet: 4
(Advanced) String
Orchestra 4 (Advanced)
See composer website for
audio sample. Performance
materials available on
rental only: Also
available: Version for
Trumpet & Piano (Catalog
No. 32040010) Version for
Trumpet & Concert Band
(Catalog No. 32040160)
Version for Trumpet &
Orchestra (Catalog No.
32040170).
Trumpet and orchestra SKU: BR.MR-2239B Set of parts. Composed by G...(+)
Trumpet and orchestra
SKU: BR.MR-2239B
Set of parts.
Composed by Giacomo
Antonio Perti. Edited by
Keith Wright and Mark
Latham. Orchestra;
stapled. Musica Rara.
Symphony; Baroque. Score
and parts. 28 pages.
Breitkopf and Haertel #MR
2239b. Published by
Breitkopf and Haertel
(BR.MR-2239B).
ISBN
9790004488478. 9 x 12
inches.
There are
two known manuscript
sources for the present
edition of this sinfonia
avanti l'opera. In the
Dean and Chapter Library
of Durham Cathedral it
appears as the twelfth,
and last, piece in a
collection of late
seventeenth-century
Italian instrumental
music. No composer is
given and identification
was only possible
following the discovery,
in 1993, of a concordant
source in the Biblioteca
Estense, Modena, where
the work appears as the
sinfonia to Perti's opera
L'Inganno scoperto per
Vendetta, first performed
in Venice as part of the
1690/1 season.It is
sometimes hard to
ascertain the original
functional purpose behind
many of the trumpet works
written by composers of
the Bolognese school as
it would appear that some
were used as sonate da
chiesa, to celebrate mass
in the basilica of San
Petronio, Bologna, whilst
also serving as operatic
sinfonie. To confuse the
issue further, there are
several instances of
composers 'borrowing'
each other's works: for
example, it has recently
been discovered that the
Torelli trumpet sinfonia
a 4 catalogued as G4 in
Giegling was used as the
overture to Perti's opera
Nerone fatto Cesare
(1693). So far as the
present edition is
concerned, however,
stylistic considerations
would appear to confirm
that the work is indeed
by Perti and that it was
originally conceived as
the overture to L'Inganno
scoperto per Vendetta. A
couple of clues hint at a
secular raison d'etre:
the Durham source is
marked Serenatto
(presumably a corruption
of serenata, a term often
used in lieu of sinfonia)
and the last movement of
the Modena source is
marked Menuet, a term
more often associated
with sonate da camera
than with works of
ecclesiastical
provenance.Both the
Modena and Durham sources
for the present edition
are virtually
note-perfect and
occasional inaccuracies
were easily corrected by
comparing the sources
with each other and with
the part-books in Durham.
Whilst the Modena source
lacks the second violin
part in the outer
movements it contains
fuller dynamic markings
and tempi indications
than the Durham source
and these have been
followed in the present
edition with no editorial
additions. Notation has
been modernised and, in
the piano reduction
edition, right-hand
arpeggio-figurations
rendered more pianistic.
Parts are provided for
trumpet in D and B flat.
I am grateful to the Dean
and Chapter of Durham and
to the Biblioteca
Estense, Modena, for
providing microfilm of
the manuscripts. I should
also record my thanks to
Keith Wright for
realising the
figured-bass which
appears in the full-score
edition.Mark Latham,
Brancepeth Castle, June
1997.
Concerto for Trumpet and Orchestra. By Franz Joseph Haydn. Edited by Gerlach, So...(+)
Concerto for Trumpet and
Orchestra. By Franz
Joseph Haydn. Edited by
Gerlach, Sonja;Ohmiya,
Makoto. For TroSolo,
Orchestra. B0renreiter
Studienpartituren - Study
scores. Study Score;
Urtext Edition.
Hob.VIIe:1. Published by
Baerenreiter-Taschenparti
turen (German import).
Trumpet and Orchestra SKU: BT.ALHE31679 Composed by Andre Jolivet. Classi...(+)
Trumpet and Orchestra
SKU: BT.ALHE31679
Composed by Andre
Jolivet. Classical. Score
Only. Heugel & Cie
#ALHE31679. Published by
Heugel & Cie
(BT.ALHE31679).
French.
Mesto
- Concitato; Grave;
Giocoso (for Trumpet and
Orchestra - with
reduction for Trumpet and
Piano)
André
Jolivet (1905-1974)
established his love for
composition from a young
age. This
remainedthroughout his
life, and he held the
post of Professor of
Composition from
1966-1970 at Paris
Conservatoire.
Concerto No. 2
For Trumpet was
composed in 1955, and
remains highly
regarded.
Jolivet,himse
lf a cellist, wished to
explore composition for
all instruments, and
therefore has a
considerable number of
works in all fields. The
composer's style is also
known for its
spirituality, and the
desire to associate
theeverydaywith the
magical, and the human
with the universal.
Jolivet draws on
acoustics and atonality,
as heard in
Concerto No. 2
For Trumpet. The
piece requires high,
virtuosic skills due to
its expansive use
ofextended techniques.
For all advanced
trumpeters,
Jolivet provides
an exciting, different
piece for the
instrument's
repertoire.