For Trumpet in Bb and Piano, S. 49. Composed by Johann Nepomuk Hummel (1778-1837). Edited by Elisa Koehler. Arranged by Elisa Koehler. Romantic. Score and part(s). With Standard notation. 36 8 pages. Carl Fischer #W002681. Published by Carl Fischer (CF.W2681).

Really Easy Jazzin' About (Trumpet and Piano) by Pam Wedgewood. For trumpet and piano. Book; Brass - B-Flat Cornet (Trumpet) Method or Collection; Method/Instruction. Faber Edition: Jazzin' About. Jazz. Difficulty: easy. Instrumental solo book. Standard notation and piano accompaniment. 24 pages. Published by Faber Music

Trumpet, piano

SKU: BR.MR-2239A

Piano reduction. Composed by Giacomo Antonio Perti. Edited by Mark Latham. Arranged by Mark Latham. Solo instruments; Softcover. Musica Rara. Symphony; Baroque. Piano reduction. 8 pages. Breitkopf and Haertel #MR 2239a. Published by Breitkopf and Haertel (BR.MR-2239A).

ISBN 9790004487877. 9 x 12 inches.

There are two known manuscript sources for the present edition of this sinfonia avanti l'opera. In the Dean and Chapter Library of Durham Cathedral it appears as the twelfth, and last, piece in a collection of late seventeenth-century Italian instrumental music. No composer is given and identification was only possible following the discovery, in 1993, of a concordant source in the Biblioteca Estense, Modena, where the work appears as the sinfonia to Perti's opera L'Inganno scoperto per Vendetta, first performed in Venice as part of the 1690/1 season.It is sometimes hard to ascertain the original functional purpose behind many of the trumpet works written by composers of the Bolognese school as it would appear that some were used as sonate da chiesa, to celebrate mass in the basilica of San Petronio, Bologna, whilst also serving as operatic sinfonie. To confuse the issue further, there are several instances of composers 'borrowing' each other's works: for example, it has recently been discovered that the Torelli trumpet sinfonia a 4 catalogued as G4 in Giegling was used as the overture to Perti's opera Nerone fatto Cesare (1693). So far as the present edition is concerned, however, stylistic considerations would appear to confirm that the work is indeed by Perti and that it was originally conceived as the overture to L'Inganno scoperto per Vendetta. A couple of clues hint at a secular raison d'etre: the Durham source is marked Serenatto (presumably a corruption of serenata, a term often used in lieu of sinfonia) and the last movement of the Modena source is marked Menuet, a term more often associated with sonate da camera than with works of ecclesiastical provenance.Both the Modena and Durham sources for the present edition are virtually note-perfect and occasional inaccuracies were easily corrected by comparing the sources with each other and with the part-books in Durham. Whilst the Modena source lacks the second violin part in the outer movements it contains fuller dynamic markings and tempi indications than the Durham source and these have been followed in the present edition with no editorial additions. Notation has been modernised and, in the piano reduction edition, right-hand arpeggio-figurations rendered more pianistic. Parts are provided for trumpet in D and B flat. I am grateful to the Dean and Chapter of Durham and to the Biblioteca Estense, Modena, for providing microfilm of the manuscripts. I should also record my thanks to Keith Wright for realising the figured-bass which appears in the full-score edition.Mark Latham, Brancepeth Castle, June 1997.

(Very First Solos for Trumpet with Piano Accompaniment). Arranged by Christopher Gunning and Graham Lyons. For Trumpet & Piano. Book; Brass - B-Flat Cornet (Trumpet) Method or Collection; Method/Instruction. Faber Edition. Elementary. Published by Faber Music

Trumpet

SKU: HL.48182309

Composed by Henri Tomasi. Leduc. Classical. Softcover. 16 pages. Alphonse Leduc #AL23434. Published by Alphonse Leduc (HL.48182309).

UPC: 888680839765. 9.0x12.0x0.07 inches.

“Comp osed by Henri Tomasi, this version of Holy week in Cuzco is arranged for Trumpet and Piano (or Organ). Dedicated to Maurice André, this piece is difficult and requires the skills of an advanced Trumpet player. This work sounds really nice and would work very well for a recital. It is divided in three main movements, the third one being a repetition of the main theme (first movement). Henri Tomasi also composed a variety of concerti for Alto Saxophone and for Trombone, as well as some ballades.”.

SKU: HL.48024944

Trumpet and Piano. Composed by Jonathan Freeman-Attwood and Thomas Oehler. Boosey & Hawkes Chamber Music. Softcover. 114 pages. Boosey & Hawkes #M060136528. Published by Boosey & Hawkes (HL.48024944).

ISBN 9781784545543. UPC: 840126946819. 9.25x12.0x0.337 inches.

If there was ever a composer in the modern era from whom instrumentalists would hanker for a sonata or concerto, Richard Strauss must be right up there. His wide-ranging orchestral and operatic creations bleed with gloriously idiomatic writing for every instrument, and yet only the piano, violin, clarinet (in tandem with the bassoon), oboe and horn can really claim to have bespoke solo works from the composer's seamlessly productive pen, and collectively they form only a small proportion of the composer's output. No mere transcription, this three-movement Sonata after Richard Strauss extends well beyond a redeployment of the composer's music to fit a new idiom, filling the gaping chasm of 'serious' late-Romantic recital material for trumpet players, to be performed in toto or as Drei Konzertstücke. Thomas Oehler and Jonathan Freeman-Attwood have drawn on a wide range of Strauss's works to create the new offering, including the Violin Sonata, Von den Hinterweltlern (Also sprach Zarathustra), the Serenade for Winds ('From an invalid's workshop') and Zerbinetta's Aria (Ariadne auf Naxos).

By John Hartmann. Arranged by Tim Justus. For Trumpet and Keyboard. Brass - B-Flat Cornet (Trumpet) Solo; Solo. Heritage of the Cornet. 20th Century. Part(s). Duration 00:02:34