By Various. For Trumpet. Santorella Publications is the place to shop for quality instrumental arrangements. Our acute sensitivity to detail, range restrictions and physical limitations of the younger players as well as our incredibly talented composer's staff has contributed to the success of our titles. Breaking into an industry ruled by giants was a significant task and without your help, may have been impossible. But, we have you, the teacher, student, performer, hobbyist or novice, to be grateful to for assisting us in reaching this goal. It is now our turn to give back to a receptive audience that has been supportive since the beginning. Our gift to you is Santorella Singles, Volume 1, a remarkable collection of the six titles that provided our foundation; Pachelbel's Canon In D / Bach's Jesu, Joy of Man's Desiring / Scott Joplin's Entertainer Beethoven's Fur Elise / Ode to Joy / Moonlight Sonata / for Trumpet and Piano All six arrangements are beautifully packaged in an attractive "band type" folder and if sold separately, these arrangements are valued in excess of $47. We are now offering them all, in pure form, for just $29.95. This is our way of saying thank you for making everything possible. All arrangements are sold separately and although arranged specifically for trumpet and piano, they are certainly suitable for clarinet as well.

By Various. Arranged by David Marlatt. For Trumpet and Keyboard. Brass - B-Flat Cornet (Trumpet) Method or Collection. Renaissance. Book

By Various. Arranged by David Marlatt. For Trumpet and Keyboard. Brass - B-Flat Cornet (Trumpet) Method or Collection. Renaissance. Book

SKU: HL.48024944

Trumpet and Piano. Composed by Jonathan Freeman-Attwood and Thomas Oehler. Boosey & Hawkes Chamber Music. Softcover. 114 pages. Boosey & Hawkes #M060136528. Published by Boosey & Hawkes (HL.48024944).

ISBN 9781784545543. UPC: 840126946819. 9.25x12.0x0.337 inches.

If there was ever a composer in the modern era from whom instrumentalists would hanker for a sonata or concerto, Richard Strauss must be right up there. His wide-ranging orchestral and operatic creations bleed with gloriously idiomatic writing for every instrument, and yet only the piano, violin, clarinet (in tandem with the bassoon), oboe and horn can really claim to have bespoke solo works from the composer's seamlessly productive pen, and collectively they form only a small proportion of the composer's output. No mere transcription, this three-movement Sonata after Richard Strauss extends well beyond a redeployment of the composer's music to fit a new idiom, filling the gaping chasm of 'serious' late-Romantic recital material for trumpet players, to be performed in toto or as Drei Konzertstücke. Thomas Oehler and Jonathan Freeman-Attwood have drawn on a wide range of Strauss's works to create the new offering, including the Violin Sonata, Von den Hinterweltlern (Also sprach Zarathustra), the Serenade for Winds ('From an invalid's workshop') and Zerbinetta's Aria (Ariadne auf Naxos).