For Trumpet. Classical (orchestral). Includes a high-quality printed music score...(+)
For Trumpet. Classical
(orchestral). Includes a
high-quality printed
music score and a compact
disc containing the piano
accompaniment, minus you,
the soloist. Published by
Music Minus One.
The Clifford Brown/Neal Hefti 1955 Recordings Music Minus One Trumpet. By Glenn ...(+)
The Clifford Brown/Neal
Hefti 1955 Recordings
Music Minus One Trumpet.
By Glenn Zottola and
Clifford Brown. By Neal
Hefti and Clifford Brown.
Sheet music with CD.
Music Minus One. Jazz.
Softcover Audio Online.
36 pages. Music Minus One
#MMO12224. Published by
Music Minus One
Santorella Publications' proudly boasts our connection to some of the best studi...(+)
Santorella Publications'
proudly boasts our
connection to some of the
best studio players in
the Los Angeles studio
circuit. Each one of
these great musicians,
when they are not in a
session or performing on
a new movie soundtrack,
are giving lessons to
horn players of all ages.
Santorella Publications
is setting a new trend in
the industry by making it
possible for you to study
with these talented
professionals in a
virtual world with Learn
From A Pro. Chris Tedesco
will walk you through all
23 lessons as if you're
sitting in a studio by
his side. If you went to
Los Angeles and took 23
lessons, it would cost
over $1,000.00. Now you
can Learn "Trumpet" From
A Pro for only $12.95 and
in the privacy of your
own home. Whether you are
an early beginner or an
adult, here is your
chance to fulfill that
dream. Do something for
yourself and learn to
play today with
Santorella's Learn From A
Pro series. About your
private instructor, Chris
Tedesco Chris Tedesco has
distinguished himself as
a soloist, chamber
artist, orchestral and
commercial trumpeter in
Los Angeles for over 20
years. His early
classical training
included studies with
Chuck Lirette of the
Buffalo Philharmonic and
college training with
Gilbert Johnson, (former
principal trumpet of the
Philadelphia
Philharmonic) at the
University of Miami in
Florida. Chris Tedesco's
road travels included
concert tours with the
Glenn Miller Band, Tommy
Dorsey Orchestra, but it
was Cruise Ships that
brought him to Los
Angeles in 1987. Chris
Tedesco can be heard on
the movie soundtracks of
Finding Nemo, Road to
Perdition, Boat Trip, The
Mexican, Best in Show,
Ring of Fire, After the
Storm, Durango Kids,
Winchell, Absolute Power,
Star Trek - First
Contact, Nixon,
Stonebrook, Heaven and
Earth, Cool World and
Lorenzoes Oil. On the
small screen you can hear
his solo Trumpet on the
theme to the hit TV show
"The District" along with
many national TV
commercials. Chris
Tedesco has recorded with
Joe Cocker, Natalie
Merchant, Ellis Hall,
Royal Crown Revue, Pat
Boone, Cher, Brian
Setzer, Dwight Yoakum,
Juan Carlos Quintero,
Thom Rotella, Jump with
Joey, Leslie Paula, Boom
Shaka and for The Disney
Afternoon. For more
information about Chris
Tedesco visit:
www.christedesco.com.
(The Ultimate Guide to Building Tone Technique and Flexibility). By Frank T. Wil...(+)
(The Ultimate Guide to
Building Tone Technique
and Flexibility). By
Frank T. Williams. For
trumpet. Softcover book.
64 pages. Published by
Carl Fischer
Brass.
Score. Yamaha Music Media
#GTW01098118. Published
by Yamaha Music Media
(YM.GTW01098118).
ISBN
9784636981186.
For
those who are looking for
scores written in the
original song keys for
wind and brass, here you
are! In this series,
40 popular J-POP songs
are transposed for each
instrument and can be
played in the same keys
as the original songs.
(For example, if the
original song is in C
major, the score for
trumpet in B-flat is
re-transposed and written
in D major to play in C
major.) It is a great
selection for a live
session with other
instruments such as piano
or guitar. *Please
note: the chord names are
indicated in real tone
notation for all scores
in the series.
Know Before You Blow - Jazz Modes for Trumpet with CD composed by Chris Tedesco....(+)
Know Before You Blow -
Jazz Modes for Trumpet
with CD composed by Chris
Tedesco. For bb trumpet.
This edition: Paperback.
Instructional. Jazz
Method. Book and CD. Text
Language: English. 32
pages. Published by
Santorella Publications
(82 Balanced Lessons). Composed by Harold E. Mitchell. For trumpet. The one ...(+)
(82 Balanced Lessons).
Composed by Harold E.
Mitchell. For trumpet.
The one
and only complete trumpet
method. Method book &
CD. 112
pages. Published by
Santorella
Publications
Bridal Chorus and Wedding March for Trumpet and Piano composed by Mendelssohn an...(+)
Bridal Chorus and Wedding
March for Trumpet and
Piano composed by
Mendelssohn and Wagner.
Arranged by Jonathon
Robbins. For trumpet solo
and piano accompaniment.
Solo with Accompaniment.
Classical. Score and solo
part. Text Language:
English. 4 pages.
Published by Santorella
Publications
a due Trompette [Conducteur] Deutscher Verlag für Musik
Trumpet(s) solo SKU: BR.DV-32027 Trumpet Music of the 17th and 18th Ce...(+)
Trumpet(s) solo
SKU:
BR.DV-32027
Trumpet Music of the
17th and 18th
Centuries. Composed
by Kurt (Hrsg.) Janetzky.
Edited by Kurt Janetzky.
Solo instruments;
Softcover. Deutscher
Verlag. Z.T. mit Pauken
und B.c. Baroque period.
Score. 24 pages.
Deutscher Verlag fur
Musik #DV 32027.
Published by Deutscher
Verlag fur Musik
(BR.DV-32027).
ISBN
9790200425192. 9 x 12
inches.
Bicinia -
unaccompanied duos - have
been known to us from the
fifteenth century
onwards. So quite early
on it was customary tu
practise this type of
musical exercise, which
later, especially during
the Romantic period,
achieved great popularity
as the duo or duett.
Equal numbers of this
sort of instrumental duo
were composed for nearly
all wind and string
instruments. On the other
hand, only a small amount
of compositions for two
trumpets have come down
to us. In order to play
any music which
progresses beyond pure
fanfare on a natural
(valueless) trumpet, it
is necessary to make use
of the clarion register
(the top third of the
natural harmonic). And if
such a melody is to be
accompanied by a second
part, only the few
natural notes lying below
it are left, or else this
high register itself,
which calls for great
virtuosity on the part of
the trumpeter. As well as
this, we must remember
the fact that
trumpet-playing was only
allowed for the
trumpeters of a royal
court, army, staff, or
for the field-trumpeter
of a prince, plus a few
council, city, and church
musicians, who were bound
by strict guild and
corporation rules. Thus
in spite of the
preference for its
festive sound, the spread
and handing down of
trumpet music was almost
reduced to nothing under
these circumstances. As
well as this, pride of
place and profession
rivalry and envy amongst
musicians contributed in
large part. In England
the situation was
somewhat freer. Here
pretty little trumpet
duos originated,
including, amongst
others, those written by
Handel for his
master-trumpeter Valentin
Snow and the Royal
Sergeant-trumpeters of
the Shore family. An
especially happy
exception was the diocese
of Olmiitz. Here there
was a capable group of
musicians of the chapel
royal with the
brilliantly talented
group of trumpeters and
the field-trumpeter Pavel
Vajvanovsky, who also
composed himself. These
trumpeters in the service
of his prince-bishop
played many sacred and
secular pieces, all for
several instruments. It
was for them also that
Heinrich Ignaz Franz
Biber wrote the 12 double
trumpet sonatas we
present here. On the
other hand, the
representatives of the
authorities in Germany
ensured strict
observation of all edicts
and regulations. Even the
celebrated Bach-trumpeter
and towm-piper Gottfried
Reiche was never allowed
to be portrayed with a
proper trumpet due to the
priveleges of court and
field trumpeters. In
order to represent him as
one of the greatest
masters of his time and
art, however, the painter
placed an instrument
similar to a
corno-di-caccia in his
hand, together with a
sheet with a small piece
for virtuoso clarion.
When we try in spite of
these difficulties and
adverse circumstances to
gather a collection of
musically valuable and
characteristic examples
of popular pieces for two
trumpets from the
seventeenth and
eighteenth centuries, it
is in the first, place in
order to acquaint modern
trumpeters with something
of the wealth of music,
which can also be well
played on a modern
trumpet with valves. The
originally used trumpets
correspond to modern ones
in the keys of C and D,
but this does not mean
that many of the pieces
cannot be transposed to a
more comfortable
register. On top of this,
we have tried to give a
picture of the baroque
court and field
trumpeter, as well as of
the mysterious clarion
trumpeter, with the help
of musically popular
material. The origin of
most of the pieces used
is no longer clearly
discernable. In most
cases we possess second-
or third-hand copies
which have been handed
down, and show signs of
frequent use. A few cases
where modernization of
the second part obviously
did not take place until
the invention of stops,
have been re-shaped into
their supposed original
form. A series of further
dynamic details were
left, and marked as
optional suggestions in
brackets. Kurt
Janetzky
Chamber Music Trumpet SKU: CF.W2686 For Trumpet in B-flat. Compose...(+)
Chamber Music Trumpet
SKU: CF.W2686
For Trumpet in
B-flat. Composed by
Jean-Baptiste Arban.
Edited by Thomas Hooten
Jennifer Marotta. SWS.
Collection - Performance.
With Standard notation.
32 pages. Carl Fischer
Music #W2686. Published
by Carl Fischer Music
(CF.W2686).
ISBN
9781491150948. UPC:
680160908448. 9x12
inches.
This new
edition of Jean Baptiste
Arban's Fourteen
Characteristic Studies
for Trumpet in Bb, edited
by Thomas Hooten and
Jennifer Marotta, was
specifically written to
provide the student with
suitable material with
which to test his powers
of endurance, according
to Arban himself. The
following fourteen
studies have been
specifically written to
provide the student
withsuitable material
with which to test his
powers of endurance. In
taking up these studies,
he willdoubtless be
fatigued, especially at
the outset, by those
numbers requiring an
unusual length ofbreath.
However, through careful
study and experience he
will learn to overcome
the difficultiesand will
acquire the resources
which will enable him to
master this particular
phase of playingwith
ease. As a means to this
end, attention is drawn
to cantabile passages in
particular, whichshould
be played with the utmost
expression, yet at the
same time with as much
modified toneas possible.
On the cornet, as with
the voice, clear tones
may be obtained by
widening thelips and
veiled tones by
contracting them. This
happy circumstance allows
the performer
anopportunity to rest
while still continuing to
play, and at the same
time enables him to
introduceeffective
contrasts into the
execution. It should be
noted that by little
artifices of this kind,
andby skillfully
conserving his resources,
the player will reach the
end of the longest and
mostfatiguing pieces, not
only without difficulty,
but even with a reserve
of strength and
power,which, when brought
to bear on the final
measures of a
performance, never fails
to impress anaudience.At
this point my task as
professor (using the
written instead of the
spoken word) will
end.There are things
which appear clear enough
when stated verbally but
which when written downon
paper cause confusion,
seem obscure, and even
sometimes appear
trivial.There are other
things of such an
elevated and subtle
nature that neither
speech nor wordcan
clearly explain them.
They are felt, they are
conceived, but they are
not to be explained;and
yet these things
constitute the elevated
style, the grand ecole,
which it is my ambition
toestablish for the
cornet, just as they
already exist for singing
and for the various kinds
of otherinstruments.Those
of my readers who are
ambitious and who want to
attain this high level of
perfection,should above
all things, always try to
hear good music well
interpreted. They must
seek out,among singers
and instrumentalists, the
most illustrious models,
and by doing this
purifytheir taste,
develop their sentiments,
and bring themselves as
near as possible to that
which isbeautiful.
Perhaps then the innate
spark which may someday
be destined to
demonstrate theirown
talent, will reveal
itself and render them
worthy of being, in their
turn, cited and
imitatedin the
future.
Trumpet, piano (original scoring: trp(2trp),str,bc) SKU: BR.MR-2240 Compo...(+)
Trumpet, piano (original
scoring:
trp(2trp),str,bc)
SKU:
BR.MR-2240
Composed
by Giuseppe Torelli.
Edited by A. Knipschild
and C. I. Sanders. Solo
instruments; Softcover.
Musica Rara. Symphony;
Solo concerto;
Renaissance/early
Baroque; Baroque. Piano
reduction. 40 pages.
Breitkopf and Haertel #MR
2240. Published by
Breitkopf and Haertel
(BR.MR-2240).
ISBN
9790004487884. 9 x 12
inches.
Giuseppe
Torelli was born in
Verona, Italy in 1658. He
was a famous violinist,
teacher, and composer.
His career allowed
travels to Germany and
Vienna, but centered in
Bologna, Italy, where he
was a violinist and
violist in the Accademia
Filarmonica and later,
worked as a musician at
the Basilica San
Petronio. Torelli was an
especially important
figure in the development
of the instrumental
concerto, with particular
emphasis on both the solo
concerto and concerto
grosso forms.The Sinfonia
in D Major (G21) is a
piece originally scored
for one or two trumpets,
first and second solo
violins, first and second
ripieno violins, solo
viola, ripieno viola,
violoncello ripieno,
violoncello continuo,
violone ripieno, and
organo.The exact date of
the composition is not
known, but the work is
presumed to have been
completed in the latter
period. This edition is
based on the autograph
manuscript located in the
musical archives at the
Basilica San Petronio in
Bologna, Italy.
Trumpet SKU: AP.1-ADV1108 Composed by Jack Walrath. Brass - B-flat Cornet...(+)
Trumpet
SKU:
AP.1-ADV1108
Composed
by Jack Walrath. Brass -
B-flat Cornet (Trumpet)
Method or Collection;
Method/Instruction;
Technique Musicianship.
Advance Music. Jazz.
Book. Advance Music
#01-ADV1108. Published by
Advance Music
(AP.1-ADV1108).
UPC:
805095011081.
English.
Solo
transcriptions can be an
interesting document of a
person's style, but are
also so personal and
idiosyncratic that one
can get frustrated in
trying to play them
without mistakes. 20
Melodic Jazz Studies for
Trumpet contains a series
of studies to extend the
playing and reading
techniques, to illustrate
harmonic and melodic
shapes and possibilities,
bolster endurance, and
most of all---train the
ear to hear moving and
often intricate melodic
lines in a musical sense.
These pieces are
structured in a way that
challenges the registers
of the instrument, but
also allows the student
to learn how to pace
him/herself. The shapes
of the line will
naturally show the
practitioner where and
how he/she can rest while
still playing. The
studies could serve as
tutti passage or solis
for brass and/or
saxophones.
Using Singing and Speech as Literal Models for Trumpet Performance. Composed...(+)
Using Singing and Speech
as
Literal Models for
Trumpet
Performance. Composed by
Peter Bond. Score. Carl
Fischer Music #TXT14.
Published by Carl Fischer
Music
(For the Developing Trumpet Student). By Herbert L. Clarke (1867-1945). Edited b...(+)
(For the Developing
Trumpet Student). By
Herbert L. Clarke
(1867-1945). Edited by
Sean O'Loughlin. For
Trumpet in Bb. My First
Series. 32 pages.
Published by Carl Fischer
Chamber Music Piano, Trumpet SKU: CF.W2682 For Trumpet in E and Piano,...(+)
Chamber Music Piano,
Trumpet
SKU:
CF.W2682
For
Trumpet in E and Piano,
S.49. Composed by
Johann Hummel. Edited by
Elisa Koehler. Set of
Score and Parts. With
Standard notation. 36+8
pages. Carl Fischer Music
#W2682. Published by Carl
Fischer Music (CF.W2682).
ISBN 9781491144954.
UPC: 680160902453. 9 x 12
inches. Key: E
major.
Trumpet SKU: AP.40660 Book 1. Edwards-Hovey Method for Cornet o...(+)
Trumpet
SKU:
AP.40660
Book
1. Edwards-Hovey
Method for Cornet or
Trumpet, Book 1 (French
Language Edition).
Composed by Austyn R.
Edwards and Nilo W.
Hovey. This edition:
French. Brass - B-flat
Cornet (Trumpet) Method
or Collection;
Method/Instruction. Book.
Alfred Music #00-40660.
Published by Alfred Music
(AP.40660).