The Famous Technical Studies Reorganized by Key. Composed by Herbert L. C...(+)
The Famous Technical
Studies Reorganized by
Key. Composed by
Herbert L. Clarke
(1867-1945). Edited by
Larry Clark. Arranged by
Larry Clark.
Contemporary. Student
book. With Standard
notation. 68 pages. Carl
Fischer #WF00204.
Published by Carl Fischer
(CF.WF204).
Brass.
Score. Yamaha Music Media
#GTW01098118. Published
by Yamaha Music Media
(YM.GTW01098118).
ISBN
9784636981186.
For
those who are looking for
scores written in the
original song keys for
wind and brass, here you
are! In this series,
40 popular J-POP songs
are transposed for each
instrument and can be
played in the same keys
as the original songs.
(For example, if the
original song is in C
major, the score for
trumpet in B-flat is
re-transposed and written
in D major to play in C
major.) It is a great
selection for a live
session with other
instruments such as piano
or guitar. *Please
note: the chord names are
indicated in real tone
notation for all scores
in the series.
Chamber Music Piano, Trumpet SKU: CF.W2682 For Trumpet in E and Piano,...(+)
Chamber Music Piano,
Trumpet
SKU:
CF.W2682
For
Trumpet in E and Piano,
S.49. Composed by
Johann Hummel. Edited by
Elisa Koehler. Set of
Score and Parts. With
Standard notation. 36+8
pages. Carl Fischer Music
#W2682. Published by Carl
Fischer Music (CF.W2682).
ISBN 9781491144954.
UPC: 680160902453. 9 x 12
inches. Key: E
major.
Trumpet SKU: SP.TS035 Composed by Robert Tarchara and Tony Santorella. Co...(+)
Trumpet
SKU:
SP.TS035
Composed by
Robert Tarchara and Tony
Santorella. Collection;
Sacred. Book and CD.
Santorella Publications
#TS035. Published by
Santorella Publications
(SP.TS035).
ISBN
9781585603237. UPC:
649571100353.
Spiri
tual enlightenment is at
the heart of this sacred
collection from
Santorella Publications.
Inspirational Hymns for
Trumpet arranged by Tony
Santorella and Jonathon
Robbins features
thirty-three well known
hymns written
specifically for brass
and reed instruments and
includes a piano
accompaniment CD. Each
piece is edited and
arranged in a comfortable
key and range for wind
players of any level. A
great addition to any
church music library,
this assortment of sacred
titles is sure to bring
the congregation to its
feet with songs of
praise. Written in
accommodating keys for
Bb, Eb, C treble and C
bass clef instruments,
now everyone can sing His
praise and worship in
song. Includes: Nearer My
God To Thee - Fairest
Lord Jesus - Where He
Leads Me - O God, Our
Help in Ages Past - Rock
of Ages - There is a
Happy Land - Holy, Holy,
Holy - Lead Kindly Light
- Faith of Our Fathers -
The Little Brown Church
in the Vale - A Mighty
Fortress is Our God -
Hark! The Vesper Hymn is
Stealing - Abide With Me
- Now The Day is Over -
Praise God From Whom All
Blessings Flow - The Lord
is My Shepherd - Blest
The Tie That Binds -
Eternal Father, Strong to
Save (The Navy Hymn) -
Bringing in The Sheaves -
Jesus Loves Me - Evening
Prayer - Jesus, Lover of
My Soul - Prayer of
Thanksgiving - Softly Now
The Light of Day - When I
Survey The Wond'rous
Cross - I Need Thee Every
Hour - He Leadeth Me -
Jesus, Saviour, Pilot Me
- Let The Lower Lights Be
Burning - Stand Up For
Jesus - God Be With You
'Till We Meet Again -
Amazing Grace.
Trumpet(s) solo SKU: BR.DV-32027 Trumpet Music of the 17th and 18th Ce...(+)
Trumpet(s) solo
SKU:
BR.DV-32027
Trumpet Music of the
17th and 18th
Centuries. Composed
by Kurt (Hrsg.) Janetzky.
Edited by Kurt Janetzky.
Solo instruments;
Softcover. Deutscher
Verlag. Z.T. mit Pauken
und B.c. Baroque period.
Score. 24 pages.
Deutscher Verlag fur
Musik #DV 32027.
Published by Deutscher
Verlag fur Musik
(BR.DV-32027).
ISBN
9790200425192. 9 x 12
inches.
Bicinia -
unaccompanied duos - have
been known to us from the
fifteenth century
onwards. So quite early
on it was customary tu
practise this type of
musical exercise, which
later, especially during
the Romantic period,
achieved great popularity
as the duo or duett.
Equal numbers of this
sort of instrumental duo
were composed for nearly
all wind and string
instruments. On the other
hand, only a small amount
of compositions for two
trumpets have come down
to us. In order to play
any music which
progresses beyond pure
fanfare on a natural
(valueless) trumpet, it
is necessary to make use
of the clarion register
(the top third of the
natural harmonic). And if
such a melody is to be
accompanied by a second
part, only the few
natural notes lying below
it are left, or else this
high register itself,
which calls for great
virtuosity on the part of
the trumpeter. As well as
this, we must remember
the fact that
trumpet-playing was only
allowed for the
trumpeters of a royal
court, army, staff, or
for the field-trumpeter
of a prince, plus a few
council, city, and church
musicians, who were bound
by strict guild and
corporation rules. Thus
in spite of the
preference for its
festive sound, the spread
and handing down of
trumpet music was almost
reduced to nothing under
these circumstances. As
well as this, pride of
place and profession
rivalry and envy amongst
musicians contributed in
large part. In England
the situation was
somewhat freer. Here
pretty little trumpet
duos originated,
including, amongst
others, those written by
Handel for his
master-trumpeter Valentin
Snow and the Royal
Sergeant-trumpeters of
the Shore family. An
especially happy
exception was the diocese
of Olmiitz. Here there
was a capable group of
musicians of the chapel
royal with the
brilliantly talented
group of trumpeters and
the field-trumpeter Pavel
Vajvanovsky, who also
composed himself. These
trumpeters in the service
of his prince-bishop
played many sacred and
secular pieces, all for
several instruments. It
was for them also that
Heinrich Ignaz Franz
Biber wrote the 12 double
trumpet sonatas we
present here. On the
other hand, the
representatives of the
authorities in Germany
ensured strict
observation of all edicts
and regulations. Even the
celebrated Bach-trumpeter
and towm-piper Gottfried
Reiche was never allowed
to be portrayed with a
proper trumpet due to the
priveleges of court and
field trumpeters. In
order to represent him as
one of the greatest
masters of his time and
art, however, the painter
placed an instrument
similar to a
corno-di-caccia in his
hand, together with a
sheet with a small piece
for virtuoso clarion.
When we try in spite of
these difficulties and
adverse circumstances to
gather a collection of
musically valuable and
characteristic examples
of popular pieces for two
trumpets from the
seventeenth and
eighteenth centuries, it
is in the first, place in
order to acquaint modern
trumpeters with something
of the wealth of music,
which can also be well
played on a modern
trumpet with valves. The
originally used trumpets
correspond to modern ones
in the keys of C and D,
but this does not mean
that many of the pieces
cannot be transposed to a
more comfortable
register. On top of this,
we have tried to give a
picture of the baroque
court and field
trumpeter, as well as of
the mysterious clarion
trumpeter, with the help
of musically popular
material. The origin of
most of the pieces used
is no longer clearly
discernable. In most
cases we possess second-
or third-hand copies
which have been handed
down, and show signs of
frequent use. A few cases
where modernization of
the second part obviously
did not take place until
the invention of stops,
have been re-shaped into
their supposed original
form. A series of further
dynamic details were
left, and marked as
optional suggestions in
brackets. Kurt
Janetzky
Soprano solo & organ/strings & org. cont., & optional solo trumpet (tpt, org, st...(+)
Soprano solo &
organ/strings & org.
cont., & optional solo
trumpet (tpt, org, str) -
Moderately Difficult
SKU:
OU.9780193526372
Composed by George
Frideric Handel. Arranged
by John Rutter. Voice &
Piano. Vocal score. 8
pages. Duration 2.5'.
Oxford University Press
#9780193526372. Published
by Oxford University
Press (OU.9780193526372).
ISBN 9780193526372. 11
x 7 inches.
For
soprano solo and organ
(or strings and organ
continuo), with optional
solo trumpet The work is
here arranged for
performance by soprano
and organ (or strings and
organ continuo), with or
without solo trumpet, in
the slightly lower key of
C major. The orchestral
score and instrumental
parts are available for
purchase.
Trumpet Tutor Trompette EMB (Editio Musica Budapest)
Trumpet (TRUMPET SOLO) SKU: HL.50487644 Composed by Eva Nagyivan, Frigyes...(+)
Trumpet (TRUMPET SOLO)
SKU: HL.50487644
Composed by Eva Nagyivan,
Frigyes Varasdy, and
Istvan Sztan. EMB. Volume
3. Method, Tutor. Book
Only. Editio Musica
Budapest #Z13492.
Published by Editio
Musica Budapest
(HL.50487644).
ISBN
9790080134924. Bach (23 x
30,2 cm) inches.
Hungarian, English,
German.
The third
volume of the present
trumpet tutor comprising
the subjectmatter of the
third form of music
schools is built upon the
former two ones. It
consists of three parts:
a) everyday exercises, b)
exercises in the
previously studied keys
c) scale exercises.
Trumpet (Trumpet) SKU: HL.48185554 Composed by Armando Ghidoni. Leduc. Cl...(+)
Trumpet (Trumpet)
SKU:
HL.48185554
Composed
by Armando Ghidoni.
Leduc. Classical.
Softcover. Alphonse Leduc
#AL29208. Published by
Alphonse Leduc
(HL.48185554).
Written for C
Trumpet or Cornet and
Piano, Evocation by
Armando Ghidoni lasts 3
minutes. This easy piece
is composed in G and F
keys, with only 2 flats.
The tempo is quite slow
(63) while the rhythm is
not complicated. This
really nice work will
delight young players and
can be used in recitals.
Armando Ghidoni is a
French composer with
Italian origins who plays
Saxophone and Flute. He
has been edited since
1989 by Alphonse
Leduc..
Trumpet SKU: BT.EMBZ13492 Composed by Eva Nagyivan, Frigyes Varasdy, and ...(+)
Trumpet
SKU:
BT.EMBZ13492
Composed
by Eva Nagyivan, Frigyes
Varasdy, and Istvan
Sztan. EMB Music Lesson -
Methods. Method. Book
Only. Composed 1990. 96
pages. Editio Musica
Budapest #EMBZ13492.
Published by Editio
Musica Budapest
(BT.EMBZ13492).
English-German-Hungari
an.
The third
volume of the present
trumpet tutor comprising
the subjectmatter of the
third form of music
schools is built upon the
former two ones. It
consists of three parts:
a) everyday exercises, b)
exercises in the
previously studied keys
c) scale exercises.