The Famous Technical Studies Reorganized by Key. Composed by Herbert L. C...(+)
The Famous Technical
Studies Reorganized by
Key. Composed by
Herbert L. Clarke
(1867-1945). Edited by
Larry Clark. Arranged by
Larry Clark.
Contemporary. Student
book. With Standard
notation. 68 pages. Carl
Fischer #WF00204.
Published by Carl Fischer
(CF.WF204).
Trompette [Partition] - Intermédiaire/avancé Alfred Publishing
(An Intermediate/Advanced Method) Written by Allen Vizzutti. For trumpet. Forma...(+)
(An
Intermediate/Advanced
Method) Written by Allen
Vizzutti. For trumpet.
Format: trumpet studies
book. With introductory
text, instructional text
and standard notation.
Studies. 104 pages. 9x12
inches. Published by
Alfred Publishing.
Trumpet SKU: HU.F0571515436 Trumpet. Arranged by James Rae. Brass, Methods. Pro...(+)
Trumpet
SKU: HU.F0571515436
Trumpet. Arranged by
James Rae. Brass,
Methods. Progressive Jazz
Studies 1. Softcover
Book. 32 pages. Faber
Music #F0571515436.
Published by Faber Music
Trompette [Partition] - Intermédiaire/avancé Jamey Aebersold Jazz
Technical Studies For The Modern Trumpet Player by Pat Harbison (1955-). For tru...(+)
Technical Studies For The
Modern Trumpet Player by
Pat Harbison (1955-). For
trumpet. The FIRST book
to incorporate all modern
jazz scales into
practical daily studies..
Intermediate, advanced.
Book. 80 pages. Published
by Jamey Aebersold Jazz
[Twenty Melodic and Technical Studies for Trumpet]. Composed by Louis Julien ...(+)
[Twenty Melodic and
Technical
Studies for Trumpet].
Composed by Louis Julien
Vannetelbosch. Leduc.
Etude,
Instruction, Classical.
Softcover. 22 pages.
Alphonse
Leduc #AL23632. Published
by
Alphonse Leduc
(Trumpet Studies). By Earl Irons. For Trumpet. Brass Solos and Ensembles - Trump...(+)
(Trumpet Studies). By
Earl Irons. For Trumpet.
Brass Solos and Ensembles
- Trumpet Studies.
Southern Music.
Instructional and
Studies. Grade 3.
Instructional book. 32
pages. Southern Music
Company #B114. Published
by Southern Music Company
By James Ray. For trumpet. Book; Brass - B-Flat Cornet (Trumpet) Method or Colle...(+)
By James Ray. For
trumpet. Book; Brass -
B-Flat Cornet (Trumpet)
Method or Collection;
Method/Instruction. Faber
Edition. Jazz. Published
by Faber Music
Trumpet SKU: HL.48181925 Composed by Pierre Max Dubois. Leduc. Classical....(+)
Trumpet
SKU:
HL.48181925
Composed
by Pierre Max Dubois.
Leduc. Classical.
Softcover. Alphonse Leduc
#AL21973. Published by
Alphonse Leduc
(HL.48181925).
UPC:
888680908706.
9.0x12.0x0.052
inches.
“Fren
ch composer, Pierre Max
Dubois (1930-1995)
significantly contributed
to the wind repertoire.
His 12 Various Studies
for Trumpet was published
in 1959 and remains
prominent in the
instrument's study
repertoire. Dubois' 12
Various Studies addresses
elements of articulation,
chromaticism, rhythm,
scales, intervals, breath
control, performance
directions, dynamics,
range, ornamentation, and
variations in time and
key signatures, amongst
other aspects. 12 Various
Studies is essential to
the advanced trumpeter to
ensure a high standard of
technical
progression.â€.
Trumpet SKU: AP.1-ADV1108 Composed by Jack Walrath. Brass - B-flat Cornet...(+)
Trumpet
SKU:
AP.1-ADV1108
Composed
by Jack Walrath. Brass -
B-flat Cornet (Trumpet)
Method or Collection;
Method/Instruction;
Technique Musicianship.
Advance Music. Jazz.
Book. Advance Music
#01-ADV1108. Published by
Advance Music
(AP.1-ADV1108).
UPC:
805095011081.
English.
Solo
transcriptions can be an
interesting document of a
person's style, but are
also so personal and
idiosyncratic that one
can get frustrated in
trying to play them
without mistakes. 20
Melodic Jazz Studies for
Trumpet contains a series
of studies to extend the
playing and reading
techniques, to illustrate
harmonic and melodic
shapes and possibilities,
bolster endurance, and
most of all---train the
ear to hear moving and
often intricate melodic
lines in a musical sense.
These pieces are
structured in a way that
challenges the registers
of the instrument, but
also allows the student
to learn how to pace
him/herself. The shapes
of the line will
naturally show the
practitioner where and
how he/she can rest while
still playing. The
studies could serve as
tutti passage or solis
for brass and/or
saxophones.
Trompette [Partition] - Intermédiaire Alfred Publishing
An Intermediate/Advanced Method. Brass - B-Flat Cornet (Trumpet) Method or Colle...(+)
An Intermediate/Advanced
Method. Brass - B-Flat
Cornet (Trumpet) Method
or Collection;
Method/Instruction;
Technique Musicianship.
Instructional. Trumpet
instructional book. With
introductory text,
instructional text and
performance notes. 128
pages. Published by
Alfred Music
Trumpet SKU: HL.48182949 Composed by H. Chavanne. Leduc. Classical. Softc...(+)
Trumpet
SKU:
HL.48182949
Composed
by H. Chavanne. Leduc.
Classical. Softcover. 28
pages. Alphonse Leduc
#AL24725. Published by
Alphonse Leduc
(HL.48182949).
UPC:
888680864484.
9.0x12.25x0.101
inches.
Twenty-five
studies of virtuosity,
Vol.1 is the first volume
of a series of two for
Cornet or Trumpet by
Henri Chavanne. Written
for advanced players to
maintain and develop
their virtuosity, it
features the studies 1 to
13. The book includes
some descriptions and
advice to practise each
study correctly. Each
study is approximately
two pages long.
Twenty-five studies of
virtuosity, Vol.1 is a
must-have for the
advanced player who would
like to develop their
skill to evolve toward to
a more professional
level..
Chamber Music Trumpet SKU: CF.W2686 For Trumpet in B-flat. Compose...(+)
Chamber Music Trumpet
SKU: CF.W2686
For Trumpet in
B-flat. Composed by
Jean-Baptiste Arban.
Edited by Thomas Hooten
Jennifer Marotta. SWS.
Collection - Performance.
With Standard notation.
32 pages. Carl Fischer
Music #W2686. Published
by Carl Fischer Music
(CF.W2686).
ISBN
9781491150948. UPC:
680160908448. 9x12
inches.
This new
edition of Jean Baptiste
Arban's Fourteen
Characteristic Studies
for Trumpet in Bb, edited
by Thomas Hooten and
Jennifer Marotta, was
specifically written to
provide the student with
suitable material with
which to test his powers
of endurance, according
to Arban himself. The
following fourteen
studies have been
specifically written to
provide the student
withsuitable material
with which to test his
powers of endurance. In
taking up these studies,
he willdoubtless be
fatigued, especially at
the outset, by those
numbers requiring an
unusual length ofbreath.
However, through careful
study and experience he
will learn to overcome
the difficultiesand will
acquire the resources
which will enable him to
master this particular
phase of playingwith
ease. As a means to this
end, attention is drawn
to cantabile passages in
particular, whichshould
be played with the utmost
expression, yet at the
same time with as much
modified toneas possible.
On the cornet, as with
the voice, clear tones
may be obtained by
widening thelips and
veiled tones by
contracting them. This
happy circumstance allows
the performer
anopportunity to rest
while still continuing to
play, and at the same
time enables him to
introduceeffective
contrasts into the
execution. It should be
noted that by little
artifices of this kind,
andby skillfully
conserving his resources,
the player will reach the
end of the longest and
mostfatiguing pieces, not
only without difficulty,
but even with a reserve
of strength and
power,which, when brought
to bear on the final
measures of a
performance, never fails
to impress anaudience.At
this point my task as
professor (using the
written instead of the
spoken word) will
end.There are things
which appear clear enough
when stated verbally but
which when written downon
paper cause confusion,
seem obscure, and even
sometimes appear
trivial.There are other
things of such an
elevated and subtle
nature that neither
speech nor wordcan
clearly explain them.
They are felt, they are
conceived, but they are
not to be explained;and
yet these things
constitute the elevated
style, the grand ecole,
which it is my ambition
toestablish for the
cornet, just as they
already exist for singing
and for the various kinds
of otherinstruments.Those
of my readers who are
ambitious and who want to
attain this high level of
perfection,should above
all things, always try to
hear good music well
interpreted. They must
seek out,among singers
and instrumentalists, the
most illustrious models,
and by doing this
purifytheir taste,
develop their sentiments,
and bring themselves as
near as possible to that
which isbeautiful.
Perhaps then the innate
spark which may someday
be destined to
demonstrate theirown
talent, will reveal
itself and render them
worthy of being, in their
turn, cited and
imitatedin the
future.