10 Great Studies in the Style and Language of Bebop. Composed by Jim Snidero. ...(+)
10 Great Studies in the
Style and Language of
Bebop.
Composed by Jim Snidero.
Brass - B-flat Cornet
(Trumpet) Method or
Collection;
Improvisation;
Method/Instruction; Play-
Along; Technique
Musicianship. Advance
Music.
Jazz. Book; Digital
Download. Advance Music
#01-
ADV14742. Published by
Advance Music
Instrumental Play-Along(r) Series. Composed by Various. Instrumental Play-Alon...(+)
Instrumental
Play-Along(r)
Series. Composed by
Various.
Instrumental Play-Along.
TV,
Movies. Softcover Audio
Online. 16 pages.
Published
by Hal Leonard
Book/Media Online Piano Accompaniment; Trumpet (trumpet & piano) SKU: HL.4904...(+)
Book/Media Online Piano
Accompaniment; Trumpet
(trumpet & piano)
SKU:
HL.49046941
19
Pieces from 5 Centuries
Trumpet and Piano.
Composed by Various.
Edited by Kristin
Thielemann. Brass Solo.
Baroque, Classical,
Modern, Renaissance.
Softcover Media Online.
56 pages. Schott Music
#ED22556D. Published by
Schott Music
(HL.49046941).
ISBN
9783795722005. UPC:
196288087304.
9.0x12.0x0.163
inches.
The Easy
Concert Pieces series
presents easy to
intermediate pieces for
trumpet with piano
accompaniment. Pieces
typical of their era and
suitable for auditions,
public performance,
competitions or
examinations are ordered
according to level of
difficulty in three
volumes. These Easy
Concert Pieces also
provide appealing
additional material for
use in trumpet lessons.
Each piece has been
recorded, both in full
and playback versions
(piano accompaniment).The
audio files can be
downloaded with a voucher
code (in the book). In
addition to the enclosed
part for trumpet in Bb, a
part for trumpet in C
(Schott ED 22555-01) is
available for download at
www.schott-music.com.
Volume 1 (ED 22555)
contains very easy to
easy pieces with a range
up to written c'', with
d'' appearing as a short
top note in just afew
pieces. Simple and
memorable rhythms,
readily playable note
sequences and patterns of
articulation that can be
mastered quickly and
easily make this book
ideal for beginners.
Volume 2 (ED 22556)
contains easy to
intermediate pieces with
a range no higher than
f''. Besides extending
rhythmic scope and
requiring a little more
in terms of phrasing and
articulation, these
pieces will encourage
further exploration of
musical contrasts. Volume
3 (ED 22557) is of medium
difficulty and intended
for players with a
well-developed embouchure
who can play notes up to
written g'', though this
note only appears as a
short top note. Flexible
articulation and legato
playing with a
well-developed dynamic
range are required for
pieces that are longer
than those in the
preceding volumes.
Trumpet Solos. Arranged by Various and ed. Bill Galliford. Instrumental Serie...(+)
Trumpet Solos. Arranged
by
Various and ed. Bill
Galliford. Instrumental
Series; Play-Along;
SmartMusic. Pop
Instrumental
Solos Series. Broadway;
Movie. Book; Digital
Download; Software. 28
pages. Alfred Music #00-
47973. Published by
Alfred
Music
Chamber Music Trumpet SKU: CF.W2686 For Trumpet in B-flat. Compose...(+)
Chamber Music Trumpet
SKU: CF.W2686
For Trumpet in
B-flat. Composed by
Jean-Baptiste Arban.
Edited by Thomas Hooten
Jennifer Marotta. SWS.
Collection - Performance.
With Standard notation.
32 pages. Carl Fischer
Music #W2686. Published
by Carl Fischer Music
(CF.W2686).
ISBN
9781491150948. UPC:
680160908448. 9x12
inches.
This new
edition of Jean Baptiste
Arban's Fourteen
Characteristic Studies
for Trumpet in Bb, edited
by Thomas Hooten and
Jennifer Marotta, was
specifically written to
provide the student with
suitable material with
which to test his powers
of endurance, according
to Arban himself. The
following fourteen
studies have been
specifically written to
provide the student
withsuitable material
with which to test his
powers of endurance. In
taking up these studies,
he willdoubtless be
fatigued, especially at
the outset, by those
numbers requiring an
unusual length ofbreath.
However, through careful
study and experience he
will learn to overcome
the difficultiesand will
acquire the resources
which will enable him to
master this particular
phase of playingwith
ease. As a means to this
end, attention is drawn
to cantabile passages in
particular, whichshould
be played with the utmost
expression, yet at the
same time with as much
modified toneas possible.
On the cornet, as with
the voice, clear tones
may be obtained by
widening thelips and
veiled tones by
contracting them. This
happy circumstance allows
the performer
anopportunity to rest
while still continuing to
play, and at the same
time enables him to
introduceeffective
contrasts into the
execution. It should be
noted that by little
artifices of this kind,
andby skillfully
conserving his resources,
the player will reach the
end of the longest and
mostfatiguing pieces, not
only without difficulty,
but even with a reserve
of strength and
power,which, when brought
to bear on the final
measures of a
performance, never fails
to impress anaudience.At
this point my task as
professor (using the
written instead of the
spoken word) will
end.There are things
which appear clear enough
when stated verbally but
which when written downon
paper cause confusion,
seem obscure, and even
sometimes appear
trivial.There are other
things of such an
elevated and subtle
nature that neither
speech nor wordcan
clearly explain them.
They are felt, they are
conceived, but they are
not to be explained;and
yet these things
constitute the elevated
style, the grand ecole,
which it is my ambition
toestablish for the
cornet, just as they
already exist for singing
and for the various kinds
of otherinstruments.Those
of my readers who are
ambitious and who want to
attain this high level of
perfection,should above
all things, always try to
hear good music well
interpreted. They must
seek out,among singers
and instrumentalists, the
most illustrious models,
and by doing this
purifytheir taste,
develop their sentiments,
and bring themselves as
near as possible to that
which isbeautiful.
Perhaps then the innate
spark which may someday
be destined to
demonstrate theirown
talent, will reveal
itself and render them
worthy of being, in their
turn, cited and
imitatedin the
future.
a due Trompette [Conducteur] Deutscher Verlag für Musik
Trumpet(s) solo SKU: BR.DV-32027 Trumpet Music of the 17th and 18th Ce...(+)
Trumpet(s) solo
SKU:
BR.DV-32027
Trumpet Music of the
17th and 18th
Centuries. Composed
by Kurt (Hrsg.) Janetzky.
Edited by Kurt Janetzky.
Solo instruments;
Softcover. Deutscher
Verlag. Z.T. mit Pauken
und B.c. Baroque period.
Score. 24 pages.
Deutscher Verlag fur
Musik #DV 32027.
Published by Deutscher
Verlag fur Musik
(BR.DV-32027).
ISBN
9790200425192. 9 x 12
inches.
Bicinia -
unaccompanied duos - have
been known to us from the
fifteenth century
onwards. So quite early
on it was customary tu
practise this type of
musical exercise, which
later, especially during
the Romantic period,
achieved great popularity
as the duo or duett.
Equal numbers of this
sort of instrumental duo
were composed for nearly
all wind and string
instruments. On the other
hand, only a small amount
of compositions for two
trumpets have come down
to us. In order to play
any music which
progresses beyond pure
fanfare on a natural
(valueless) trumpet, it
is necessary to make use
of the clarion register
(the top third of the
natural harmonic). And if
such a melody is to be
accompanied by a second
part, only the few
natural notes lying below
it are left, or else this
high register itself,
which calls for great
virtuosity on the part of
the trumpeter. As well as
this, we must remember
the fact that
trumpet-playing was only
allowed for the
trumpeters of a royal
court, army, staff, or
for the field-trumpeter
of a prince, plus a few
council, city, and church
musicians, who were bound
by strict guild and
corporation rules. Thus
in spite of the
preference for its
festive sound, the spread
and handing down of
trumpet music was almost
reduced to nothing under
these circumstances. As
well as this, pride of
place and profession
rivalry and envy amongst
musicians contributed in
large part. In England
the situation was
somewhat freer. Here
pretty little trumpet
duos originated,
including, amongst
others, those written by
Handel for his
master-trumpeter Valentin
Snow and the Royal
Sergeant-trumpeters of
the Shore family. An
especially happy
exception was the diocese
of Olmiitz. Here there
was a capable group of
musicians of the chapel
royal with the
brilliantly talented
group of trumpeters and
the field-trumpeter Pavel
Vajvanovsky, who also
composed himself. These
trumpeters in the service
of his prince-bishop
played many sacred and
secular pieces, all for
several instruments. It
was for them also that
Heinrich Ignaz Franz
Biber wrote the 12 double
trumpet sonatas we
present here. On the
other hand, the
representatives of the
authorities in Germany
ensured strict
observation of all edicts
and regulations. Even the
celebrated Bach-trumpeter
and towm-piper Gottfried
Reiche was never allowed
to be portrayed with a
proper trumpet due to the
priveleges of court and
field trumpeters. In
order to represent him as
one of the greatest
masters of his time and
art, however, the painter
placed an instrument
similar to a
corno-di-caccia in his
hand, together with a
sheet with a small piece
for virtuoso clarion.
When we try in spite of
these difficulties and
adverse circumstances to
gather a collection of
musically valuable and
characteristic examples
of popular pieces for two
trumpets from the
seventeenth and
eighteenth centuries, it
is in the first, place in
order to acquaint modern
trumpeters with something
of the wealth of music,
which can also be well
played on a modern
trumpet with valves. The
originally used trumpets
correspond to modern ones
in the keys of C and D,
but this does not mean
that many of the pieces
cannot be transposed to a
more comfortable
register. On top of this,
we have tried to give a
picture of the baroque
court and field
trumpeter, as well as of
the mysterious clarion
trumpeter, with the help
of musically popular
material. The origin of
most of the pieces used
is no longer clearly
discernable. In most
cases we possess second-
or third-hand copies
which have been handed
down, and show signs of
frequent use. A few cases
where modernization of
the second part obviously
did not take place until
the invention of stops,
have been re-shaped into
their supposed original
form. A series of further
dynamic details were
left, and marked as
optional suggestions in
brackets. Kurt
Janetzky
B-flat Trumpet and Clarinet. Composed by Bob Mintzer. Instrumental Series...(+)
B-flat Trumpet and
Clarinet. Composed by
Bob Mintzer. Instrumental
Series; Play-Along.
Belwin Jazz Play-Along
Series. Jazz. Book; DVD.
60 pages. Belwin Music
#00-43723. Published by
Belwin Music (AP.43723).
Trompette [Partition + Accès audio] Music Minus One
Music Minus One Trumpet. Music Minus One. Dixieland and Play Along. Softcover Au...(+)
Music Minus One Trumpet.
Music Minus One.
Dixieland and Play Along.
Softcover Audio Online.
44 pages. Music Minus One
#MMO3824. Published by
Music Minus One
Composed by Bugs Bower and Mike Carubia. Book; Brass - B-Flat Cornet (Trumpet) M...(+)
Composed by Bugs Bower
and Mike Carubia. Book;
Brass - B-Flat Cornet
(Trumpet) Method or
Collection; Digital
Download; Play-Along;
Technique Musicianship.
Blues; Jazz; Latin; Rock;
Swing. Published by
Alfred Music
(AP.6-782093).
(New Authentic Edition with Accompaniment and Performance CD). By Jean-Baptiste ...(+)
(New Authentic Edition
with Accompaniment and
Performance CD). By
Jean-Baptiste Arban.
Edited by Thomas Hooten,
Jennifer Marotta. For
trumpet. Student book.
436 pages. Published by
Carl Fischer
Chamber Music Piano, Trumpet SKU: CF.W2682 For Trumpet in E and Piano,...(+)
Chamber Music Piano,
Trumpet
SKU:
CF.W2682
For
Trumpet in E and Piano,
S.49. Composed by
Johann Hummel. Edited by
Elisa Koehler. Set of
Score and Parts. With
Standard notation. 36+8
pages. Carl Fischer Music
#W2682. Published by Carl
Fischer Music (CF.W2682).
ISBN 9781491144954.
UPC: 680160902453. 9 x 12
inches. Key: E
major.
Trumpet Instrumental Play- Along Pack. By Billie Eilish. Instrumental Play-Alon...(+)
Trumpet Instrumental
Play-
Along Pack. By Billie
Eilish.
Instrumental Play-Along.
Pop,
Rock. Softcover Audio
Online.
16 pages. Published by
Hal
Leonard
100 Progressive Melodies of 3 to 8 Notes with Piano Accompaniment. Composed by...(+)
100 Progressive Melodies
of 3
to 8 Notes with Piano
Accompaniment. Composed
by
Various. Edited by Andrea
Cappellari. Instrumental
Folio. Classical.
Softcover
Audio Online. Published
by
Ricordi