(New Authentic Edition with Accompaniment and Performance CD). Composed by Jean-Baptiste Arban. Edited by Jennifer Marotta; Thomas Hooten. For trumpet. Spiral-bound method book. Published by Carl Fischer

(New Authentic Edition with Accompaniment and Performance CD). By Jean-Baptiste Arban. Edited by Thomas Hooten, Jennifer Marotta. For trumpet. Student book. 436 pages. Published by Carl Fischer

By Jim Hynes. Composed by Michael Davis & Shari Feder. For trumpet. Just Add is 20 original songs and a play-along CD with totally cool tracks and grooves. Book and CD. Bb trumpet edition. 31 pages. Published by Hip-Bone Music. (C20) Level: beginner.

Book/CD Pack. By Christopher Norton. (Trumpet). Boosey and Hawkes Chamber Music. BOOK W/CD. 12 pages. Published by Boosey & Hawkes.

By Michael Davis. Composed by Michael Davis & Shari Feder. For trumpet. Playing your instrument with a friend and a really cool CD - nothing could be better. Book and CD. Bb trumpet edition. 47 pages. Published by Hip-Bone Music. (C40) Level: beginner

Glee for Trumpet (Instrumental Play-Along Book/CD Pack). Instrumental Folio. Softcover with CD. 24 pages. Published by Hal Leonard

(A Fresh Approach). For Trumpet. Brass. Softcover. 84 pages. Schott Music #ED13478. Published by Schott Music

Trumpet

SKU: M7.AHW-1020

Composed by Maury Deutsch. Sheet music. 92 pages. Charles Colin Corp. #AHW 1020. Published by Charles Colin Corp. (M7.AHW-1020).

English.

Maury Deutsch's 'The Extended Trumpet Range' is subtitled 'An approach to utilizing isotonic and isometric techniques from C below bass clef to triple high C.' The first sample image after the cover shows the range he means, and I have to say, a range that big could be VERY useful. This books is long and in depth, taking you through all areas of study surrounding range including theoretical basis of playing, warm ups, modes, isometric drills, pedal tones, and so much more. The writing is precise and specific, laying out a plan of study to help increase your range meaningfully and sizeably.

Chamber Music Trumpet

SKU: CF.W2686

For Trumpet in B-flat. Composed by Jean-Baptiste Arban. Edited by Thomas Hooten Jennifer Marotta. SWS. Collection - Performance. With Standard notation. 32 pages. Carl Fischer Music #W2686. Published by Carl Fischer Music (CF.W2686).

ISBN 9781491150948. UPC: 680160908448. 9x12 inches.

This new edition of Jean Baptiste Arban's Fourteen Characteristic Studies for Trumpet in Bb, edited by Thomas Hooten and Jennifer Marotta, was specifically written to provide the student with suitable material with which to test his powers of endurance, according to Arban himself.
The following fourteen studies have been specifically written to provide the student withsuitable material with which to test his powers of endurance. In taking up these studies, he willdoubtless be fatigued, especially at the outset, by those numbers requiring an unusual length ofbreath. However, through careful study and experience he will learn to overcome the difficultiesand will acquire the resources which will enable him to master this particular phase of playingwith ease. As a means to this end, attention is drawn to cantabile passages in particular, whichshould be played with the utmost expression, yet at the same time with as much modified toneas possible. On the cornet, as with the voice, clear tones may be obtained by widening thelips and veiled tones by contracting them. This happy circumstance allows the performer anopportunity to rest while still continuing to play, and at the same time enables him to introduceeffective contrasts into the execution. It should be noted that by little artifices of this kind, andby skillfully conserving his resources, the player will reach the end of the longest and mostfatiguing pieces, not only without difficulty, but even with a reserve of strength and power,which, when brought to bear on the final measures of a performance, never fails to impress anaudience.At this point my task as professor (using the written instead of the spoken word) will end.There are things which appear clear enough when stated verbally but which when written downon paper cause confusion, seem obscure, and even sometimes appear trivial.There are other things of such an elevated and subtle nature that neither speech nor wordcan clearly explain them. They are felt, they are conceived, but they are not to be explained;and yet these things constitute the elevated style, the grand ecole, which it is my ambition toestablish for the cornet, just as they already exist for singing and for the various kinds of otherinstruments.Those of my readers who are ambitious and who want to attain this high level of perfection,should above all things, always try to hear good music well interpreted. They must seek out,among singers and instrumentalists, the most illustrious models, and by doing this purifytheir taste, develop their sentiments, and bring themselves as near as possible to that which isbeautiful. Perhaps then the innate spark which may someday be destined to demonstrate theirown talent, will reveal itself and render them worthy of being, in their turn, cited and imitatedin the future.