Arranged by Lawrance. For Tuba unaccompanied. Solo Brass. Very easy-easy. Collection. Published by Brass Wind Publications

Arranged by Lawrance. Solo Brass. Book and CD. Published by Brass Wind Publications (B5.0123BCD).

By Aaron Copland. Arranged by Quincy C. Hilliard. (Tuba). Boosey and Hawkes Chamber Music. Book only. Size 9x12 inches. 16 pages. Published by Boosey & Hawkes.

Tuba (trombone)

SKU: M7.AHW-412

Composed by Bob Stewart. Sheet music. 21 pages. Charles Colin Corp. #AHW 412. Published by Charles Colin Corp. (M7.AHW-412).

English.

In the jazz tradition the Tuba was the bass in the rhythm section up until the mid-twenties. It was then the upright bass replaced the Tuba in many ensembles as the jazz music moved north and continued to develop. After this period the Tuba's roll, as bass in the rhythm section, was at a standstill and did not develop through Swing and Bebop. It wasn't until Cool Jazz of the 1950's when the Tuba was used by Miles Davis and Gil Evans in 'Birth of the Cool' as an ensemble horn. The Tuba, like swimming, is something you can't do any longer than you can hold your breath. In order to maintain a steady beat while playing in the rhythm section I have developed a system of breathing called Pant Breathing. Using this method, the player can maintain a steady beat within the rhythm section, without losing time while taking deep breaths.

By James Froseth. Band Method. Instructional Sacred. Text language: English. 48 pages

By Lawrance. For Tuba unaccompanied. Solo Brass. Very easy-easy. Collection. Published by Brass Wind Publications

Tuba

SKU: FG.55011-626-9

Composed by Jennah Vainio. Playing score. Fennica Gehrman #55011-626-9. Published by Fennica Gehrman (FG.55011-626-9).

ISBN 9790550116269.

Quee n Bee is a solo work for bass tuba or contrabass tuba. It is a continuation of Jennah Vainio's quest to write a solo piece for each of the symphony orchestra's instruments.
The piece starts with a melodic phrase, which is followed by and intersected with, a groove in varying time signatures. In the end the melody line re-emerges to reign supreme.