By Johann Christoph Friederich Bach. For Flute and harpsichord, Violin and harpsichord, Harpsichord and violin. This edition: Facsimile. Collection FacsiMusic. Score. 28 pages. Published by Anne Fuzeau Productions - France

By Angelo Berardi. Edited by Gregorio Carraro. For Violin and Continuo. Early Music. Score and parts. 91 pages. Published by Ut Orpheus

By Giovanni Stefano Carbonelli. Edited by Michael Talbot. For violin and basso continuo. Full score and parts. 74 32 24(xxi) pages. Published by Edition HH Music Publishers

Sadie with 2 Violin Parts (one with editorial annotations) and Cello - for Violin and Basso continuo. By George Frideric Handel. Edited by S. Sadie. Violin. Pages: Score (Piano) = 59 * 2 Vl Parts = each 24 * Vc (Gambe) Part = 19. Urtext edition-paper bound. Published by G. Henle.

For Violin and Continuo. Composed by Various. Edited by Cesare Fertonani. String. Softcover. 168 pages. Ricordi #NR141565. Published by Ricordi

Violin-solo,strings,basso continuo (Violin solo, Strings, Basso continuo)

SKU: BA.BA07566

Twelve Concertos for Violin, Strings and Basso continuo. Composed by Antonio Vivaldi. Edited by Bettina Schwemer. This edition: urtext edition. Paperback. Barenreiter Urtext. Volume I: Concertos I-VI. Score, anthology. Opus 4. Baerenreiter Verlag #BA07566_00. Published by Baerenreiter Verlag (BA.BA07566).

ISBN 9790006544066. 31 x 24.3 cm inches. Preface: Schwemer, Bettina.

Antonio Vivaldiâ??s twelve concertos op. 4 known by the name of â??La Stravaganzaâ? were first mentioned as a collection of â??Concerti a 4â? in the 1711 Foreword of â??Lâ??Estro Armonicoâ? op. 3. Their publication had to wait until 1716, when Estienne Roger issued them in two volumes of six concertos each. However, unlike the original announcement, â??La Stravaganzaâ? is more than a collection of concertos for solo violin with string accompaniment: in five of the concertos the soloist is joined by a second solo violin or even by a solo violoncello (Concerto No. 7).

The many reprints of â??La Stravaganzaâ? bear witness to its popularity and widespread dissemination well into the 1730s. Besides the surviving prints, there is a significant body of handwritten sources containing alternative versions for seven of the concertos. Some of these manuscripts stem from the music library of Johann Georg Pisendel.

This edition of â??La Stravaganzaâ? is not only the first scholarly-critical edition, it is also the only complete edition available. In addition to the twelve concertos handed down in the Roger edition, Bärenreiter offers an additional concerto in full score, piano reduction and parts contained in the 1728 print issued by the English publishers Walsh and Hare, as well as alternative versions (without viola) found in handwritten sources for Concertos No. 6 (Volume 1) and No. 11 (Volume 2).

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

(Violin and Basso Continuo Vol. 2, Nos. 7-12). By Pietro Antonio Locatelli. Edited by Barbara Sciò. String. Softcover. 124 pages