(Rome, 1700). By Arcangelo Corelli (1653-1713). Edited by Nicolas Fromageot. Vio...(+)
(Rome, 1700). By
Arcangelo Corelli
(1653-1713). Edited by
Nicolas Fromageot. Violon
et basse continue. For
Violin. Facsimiles.
Collection Dominantes.
Grade 0. 228 pages
By Louis Antoine Travenol. Edited by Jean Saint-Arroman. For Violin and continuo...(+)
By Louis Antoine
Travenol. Edited by Jean
Saint-Arroman. For Violin
and continuo. This
edition: Facsimile. La
Musique Francaise
Classique de 1650 a 1800.
Score. 64 pages.
Published by Anne Fuzeau
Productions - France
By Pietro Nardini (1722-1793). Edited by Alessandro Bares. For violin and basso ...(+)
By Pietro Nardini
(1722-1793). Edited by
Alessandro Bares. For
violin and basso
continuo. This edition:
Paperback. I piaceri del
violino. Classical. Score
and set of parts.
Published by Musedita
Edizioni Musicali
Composed by Giovanni Stefano Carbonelli. Edited by Michael Talbot. For Violin an...(+)
Composed by Giovanni
Stefano Carbonelli.
Edited by Michael Talbot.
For Violin and basso
continuo. Full score and
parts. 85 40 28(xix)
pages. Published by
Edition HH Music
Publishers
By Giovanni Stefano Carbonelli. Edited by Michael Talbot. For violin and basso c...(+)
By Giovanni Stefano
Carbonelli. Edited by
Michael Talbot. For
violin and basso
continuo. Full score and
parts. 74 32 24(xxi)
pages. Published by
Edition HH Music
Publishers
Critical Edition
$19.99 Subscriber
price. Composed by
Antonio Vivaldi. Arranged
by ñ, Fabrizio Ammetto,
Javier Lupiá, and ez.
CRITICAL EDITIONS.
Classical. Softcover. 56
pages. Ricordi #PR1457.
Published by Ricordi
(HL.50606939).
ISBN
9788881921225. UPC:
196288207344.
8.0x10.75x0.159
inches.
In a
miscellaneous manuscript
in the Este Music
Collection belonging to
the Österreichische
Nationalbibliothek in
Vienna, a new sonata for
violin and basso continuo
by Antonio Vivaldi has
recently been identified.
Although it has until now
been attributed by
default to the Bolognese
Giuseppe Aldrovandini, by
virtue of a heading
written (but subsequently
rubbed out) by the
copyist of the manuscript
on one of the pages of
the violin part, this
sonata has been
recognized as an
authentic composition by
the Red Priest. This work
- which can be placed
chronologically no later
than the middle of the
1710s - represents the
most clear-cut example in
Vivaldi's music of a
“Sonate auf
Concertenart”: more
specifically, a kind of
solo sonata for violin
that the Red Priest could
perform in order to show
off his prowess on that
instrument, as signalled
by the presence of many
passages featuring double
stoppingor the use of the
ultra-high register.
Composed by Jean Baptiste Senaille (1687-1730). Edited by Alessandro Bares and G...(+)
Composed by Jean Baptiste
Senaille (1687-1730).
Edited by Alessandro
Bares and Giuseppe
Fochesato. For violin and
basso continuo. This
edition: Paperback. I
piaceri del violino.
Baroque. Score and set of
parts. Published by
Musedita Edizioni
Musicali
By Biagio Marini (1587-1663). Edited by Alessandro Bares. For violin and basso c...(+)
By Biagio Marini
(1587-1663). Edited by
Alessandro Bares. For
violin and basso
continuo. This edition:
Paperback. I piaceri del
violino. Early Baroque.
Score and set of parts.
Published by Musedita
Edizioni Musicali
By Johann Christoph Friederich Bach. For Flute and harpsichord, Violin and harps...(+)
By Johann Christoph
Friederich Bach. For
Flute and harpsichord,
Violin and harpsichord,
Harpsichord and violin.
This edition: Facsimile.
Collection FacsiMusic.
Score. 28 pages.
Published by Anne Fuzeau
Productions - France
Composed by Pietro Antonio Locatelli (1695-1764). Edited by Alessandro Bares and...(+)
Composed by Pietro
Antonio Locatelli
(1695-1764). Edited by
Alessandro Bares and
Giuseppe Fochesato. For
violin and basso
continuo. This edition:
Paperback. I piaceri del
violino. Baroque. Score
and set of parts.
Published by Musedita
Edizioni Musicali
Twelve Concertos for
Violin, Strings and Basso
continuo. Composed by
Antonio Vivaldi. Edited
by Bettina Schwemer. This
edition: urtext edition.
Paperback. Barenreiter
Urtext. Volume I:
Concertos I-VI. Score,
anthology. Opus 4.
Baerenreiter Verlag
#BA07566_00. Published by
Baerenreiter Verlag
(BA.BA07566).
ISBN
9790006544066. 31 x 24.3
cm inches. Preface:
Schwemer,
Bettina.
Antonio
Vivaldiâ??s twelve
concertos op. 4 known by
the name of â??La
Stravaganzaâ? were
first mentioned as a
collection of
â??Concerti a 4â? in
the 1711 Foreword of
â??Lâ??Estro
Armonicoâ? op. 3.
Their publication had to
wait until 1716, when
Estienne Roger issued
them in two volumes of
six concertos each.
However, unlike the
original announcement,
â??La Stravaganzaâ?
is more than a collection
of concertos for solo
violin with string
accompaniment: in five of
the concertos the soloist
is joined by a second
solo violin or even by a
solo violoncello
(Concerto No.
7).
The many
reprints of â??La
Stravaganzaâ? bear
witness to its popularity
and widespread
dissemination well into
the 1730s. Besides the
surviving prints, there
is a significant body of
handwritten sources
containing alternative
versions for seven of the
concertos. Some of these
manuscripts stem from the
music library of Johann
Georg
Pisendel.
This
edition of â??La
Stravaganzaâ? is not
only the first
scholarly-critical
edition, it is also the
only complete edition
available. In addition to
the twelve concertos
handed down in the Roger
edition, Bärenreiter
offers an additional
concerto in full score,
piano reduction and parts
contained in the 1728
print issued by the
English publishers Walsh
and Hare, as well as
alternative versions
(without viola) found in
handwritten sources for
Concertos No. 6 (Volume
1) and No. 11 (Volume
2).
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
By Heinrich Ignaz Franz Biber. Edited by Alessandro Bares. For violin in scorda...(+)
By Heinrich Ignaz Franz
Biber. Edited by
Alessandro Bares. For
violin in scordatura
and basso continuo. This
edition: Paperback. I
piaceri del violino.
Baroque. Score and set of
parts. Published by
Musedita Edizioni
Musicali
By Andrea Falconiero. Edited by Alessandro Bares. For strings and basso continuo...(+)
By Andrea Falconiero.
Edited by Alessandro
Bares. For strings and
basso continuo. This
edition: Paperback.
Concerto de' varii
stromenti. Early Baroque.
Score and set of parts.
Published by Musedita
Edizioni Musicali
By Giovanni Antonio Pandolfi Mealli (1660-). Edited by Alessandro Bares. For vio...(+)
By Giovanni Antonio
Pandolfi Mealli (1660-).
Edited by Alessandro
Bares. For violin and
basso continuo. This
edition: Paperback. I
piaceri del violino.
Baroque. Score and set of
parts. Published by
Musedita Edizioni
Musicali
Composed by Bartolomeo Montalbano (1600-1651). Edited by Alessandro Bares. For v...(+)
Composed by Bartolomeo
Montalbano (1600-1651).
Edited by Alessandro
Bares. For violin and
basso continuo. This
edition: Paperback. I
piaceri del violino.
Early Baroque. Score and
set of parts. Published
by Musedita Edizioni
Musicali
By Pietro degli Antonii. Edited by Alessandro Bares. For violin and basso contin...(+)
By Pietro degli Antonii.
Edited by Alessandro
Bares. For violin and
basso continuo. This
edition: Paperback. I
piaceri del violino.
Baroque. Score and set of
parts. Published by
Musedita Edizioni
Musicali
Composed by Dario Castello (1621-). Edited by Alessandro Bares. This edition: Pa...(+)
Composed by Dario
Castello (1621-). Edited
by Alessandro Bares. This
edition: Paperback. I
piaceri del violino.
Early Baroque. Score and
set of parts. Published
by Musedita Edizioni
Musicali (M8.CA-2-SO).
By Johann Paul Westhoff. Edited by Alessandro Bares. For violin and basso contin...(+)
By Johann Paul Westhoff.
Edited by Alessandro
Bares. For violin and
basso continuo. I piaceri
del violino. Baroque.
Score and set of parts.
Published by Musedita
Edizioni Musicali
Composed by Heinrich Ignaz Franz Biber. Edited by Alessandro Bares. For violin a...(+)
Composed by Heinrich
Ignaz Franz Biber. Edited
by Alessandro Bares. For
violin and basso
continuo. This edition:
Paperback. I piaceri del
violino. Baroque. Score
and set of parts.
Published by Musedita
Edizioni Musicali
By Giovanni Antonio Pandolfi Mealli (1660-). Edited by Alessandro Bares. For vio...(+)
By Giovanni Antonio
Pandolfi Mealli (1660-).
Edited by Alessandro
Bares. For violin and
basso continuo. This
edition: Paperback. I
piaceri del violino.
Baroque. Score and set of
parts. Published by
Musedita Edizioni
Musicali
By Francesco Antonio Bonporti (1672-1749). Edited by Alessandro Bares and Giusep...(+)
By Francesco Antonio
Bonporti (1672-1749).
Edited by Alessandro
Bares and Giuseppe
Fochesato. For violin and
basso continuo. This
edition: Paperback. I
piaceri del violino.
Baroque. Score and set of
parts. Published by
Musedita Edizioni
Musicali
Composed by Giovanni Battista Viotti (1755-1824). Edited by Alessandro Bares and...(+)
Composed by Giovanni
Battista Viotti
(1755-1824). Edited by
Alessandro Bares and
Giuseppe Fochesato. For
violin and basso
continuo. This edition:
Paperback. I piaceri del
violino. Classical. Score
and set of parts.
Published by Musedita
Edizioni Musicali