Composed by Martino Bitti. Edited by Alessandro Borin / Michael Talbot. Full score and parts. Published by Edition HH Music Publishers (HH.HH334-FSP).

Composed by Henricus Albicastro (1700-1706). Edited by Michael Talbot / Andrew Woolley. Full score and parts. Duration 9 minutes. Published by Edition HH Music Publishers (HH.HH415-FSP).

Composed by Martino Bitti. Edited by Michael Talbot / Antonio Frige. Full score and parts. Published by Edition HH Music Publishers (HH.HH387-FSP).

Composed by Martino Bitti. Edited by Michael Talbot / Antonio Frige. Full score and parts. Published by Edition HH Music Publishers (HH.HH344-FSP).

Composed by Henricus Albicastro (1700-1706). Edited by Michael Talbot / Andrew Woolley. Full score and parts. Duration c. 8 minutes. Published by Edition HH Music Publishers (HH.HH418-FSP).

Figured Bass Realization by S. Gerlach. By Franz Benda. Edited by S. Gerlach. Violin. Pages: Score = XV and 61 * Vl Part = 32 * Basso Part = 24. Urtext edition-paper bound. Published by G. Henle.

By Jean Marie Leclair. Edited by Hugo Ruf. For Violin Solo. Nagels Musik-Archiv. Single Part. Op. 7/5. Published by Nagels Musik-Archiv (German import). (NMA209 77)

Critical Edition, Paperback Basso Continuo; Violin (Violin)

SKU: HL.50606939

Critical Edition $19.99 Subscriber price. Composed by Antonio Vivaldi. Arranged by ñ, Fabrizio Ammetto, Javier Lupiá, and ez. CRITICAL EDITIONS. Classical. Softcover. 56 pages. Ricordi #PR1457. Published by Ricordi (HL.50606939).

ISBN 9788881921225. UPC: 196288207344. 8.0x10.75x0.159 inches.

In a miscellaneous manuscript in the Este Music Collection belonging to the Österreichische Nationalbibliothek in Vienna, a new sonata for violin and basso continuo by Antonio Vivaldi has recently been identified. Although it has until now been attributed by default to the Bolognese Giuseppe Aldrovandini, by virtue of a heading written (but subsequently rubbed out) by the copyist of the manuscript on one of the pages of the violin part, this sonata has been recognized as an authentic composition by the Red Priest. This work - which can be placed chronologically no later than the middle of the 1710s - represents the most clear-cut example in Vivaldi's music of a “Sonate auf Concertenart”: more specifically, a kind of solo sonata for violin that the Red Priest could perform in order to show off his prowess on that instrument, as signalled by the presence of many passages featuring double stoppingor the use of the ultra-high register.

Sonata in A minor TWV 41:a2; Sonata in G major TWV 41:G4. By Georg Philipp Telemann. Edited by Max Seiffert. For Violin/Flute, Basso Continuo. Playing Score; Set of Parts; Urtext Edition (paperbound). Published by Baerenreiter-Ausgaben (German import).