(Rome, 1700). By Arcangelo Corelli (1653-1713). Edited by Nicolas Fromageot. Vio...(+)
(Rome, 1700). By
Arcangelo Corelli
(1653-1713). Edited by
Nicolas Fromageot. Violon
et basse continue. For
Violin. Facsimiles.
Collection Dominantes.
Grade 0. 228 pages
By Louis Antoine Travenol. Edited by Jean Saint-Arroman. For Violin and continuo...(+)
By Louis Antoine
Travenol. Edited by Jean
Saint-Arroman. For Violin
and continuo. This
edition: Facsimile. La
Musique Francaise
Classique de 1650 a 1800.
Score. 64 pages.
Published by Anne Fuzeau
Productions - France
Composed by Henricus Albicastro (1700-1706). Edited by Michael Talbot / Andrew W...(+)
Composed by Henricus
Albicastro (1700-1706).
Edited by Michael Talbot
/ Andrew Woolley. Full
score and parts.
Duration 9 minutes.
Published by Edition HH
Music Publishers
(HH.HH415-FSP).
By Johann Georg Pisendel (1687-1755). For Violin, Basso continuo. D-Dur (D major...(+)
By Johann Georg Pisendel
(1687-1755). For Violin,
Basso continuo. D-Dur (D
major). German title:
Violinsonate in D. Part:
basso continuo. Language:
all languages. 8 pages.
Duration 12 minutes.
Published by Carus Verlag
Composed by Henricus Albicastro (1700-1706). Edited by Michael Talbot/ Andrew Wo...(+)
Composed by Henricus
Albicastro (1700-1706).
Edited by Michael Talbot/
Andrew Woolley. Duration
8 minutes. Published by
Edition HH Music
Publishers
(HH.HH416-FSP).
Twelve Concertos for
Violin, Strings and Basso
continuo. Composed by
Antonio Vivaldi. Edited
by Bettina Schwemer. This
edition: urtext edition.
Paperback. Barenreiter
Urtext. Volume I:
Concertos I-VI. Score,
anthology. Opus 4.
Baerenreiter Verlag
#BA07566_00. Published by
Baerenreiter Verlag
(BA.BA07566).
ISBN
9790006544066. 31 x 24.3
cm inches. Preface:
Schwemer,
Bettina.
Antonio
Vivaldiâ??s twelve
concertos op. 4 known by
the name of â??La
Stravaganzaâ? were
first mentioned as a
collection of
â??Concerti a 4â? in
the 1711 Foreword of
â??Lâ??Estro
Armonicoâ? op. 3.
Their publication had to
wait until 1716, when
Estienne Roger issued
them in two volumes of
six concertos each.
However, unlike the
original announcement,
â??La Stravaganzaâ?
is more than a collection
of concertos for solo
violin with string
accompaniment: in five of
the concertos the soloist
is joined by a second
solo violin or even by a
solo violoncello
(Concerto No.
7).
The many
reprints of â??La
Stravaganzaâ? bear
witness to its popularity
and widespread
dissemination well into
the 1730s. Besides the
surviving prints, there
is a significant body of
handwritten sources
containing alternative
versions for seven of the
concertos. Some of these
manuscripts stem from the
music library of Johann
Georg
Pisendel.
This
edition of â??La
Stravaganzaâ? is not
only the first
scholarly-critical
edition, it is also the
only complete edition
available. In addition to
the twelve concertos
handed down in the Roger
edition, Bärenreiter
offers an additional
concerto in full score,
piano reduction and parts
contained in the 1728
print issued by the
English publishers Walsh
and Hare, as well as
alternative versions
(without viola) found in
handwritten sources for
Concertos No. 6 (Volume
1) and No. 11 (Volume
2).
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Composed by Henricus Albicastro (1700-1706). Edited by Michael Talbot / Andrew W...(+)
Composed by Henricus
Albicastro (1700-1706).
Edited by Michael Talbot
/ Andrew Woolley. Full
score and parts. Duration
c. 9 minutes. Published
by Edition HH Music
Publishers
(HH.HH417-FSP).
By Antonio Vivaldi (1678-1741). Edited by Bernhard Moosbauer. For Violin, Harpsi...(+)
By Antonio Vivaldi
(1678-1741). Edited by
Bernhard Moosbauer. For
Violin, Harpsichord (Or
Piano), Cello. Score and
parts. Op.2. 78 pages.
Published by Wiener
Urtext/Vienna Urtext
By Johann Georg Pisendel (1687-1755). For Violin, Basso continuo. D-Dur (D major...(+)
By Johann Georg Pisendel
(1687-1755). For Violin,
Basso continuo. D-Dur (D
major). German title:
Violinsonate in D. Part:
violin. Language: all
languages. 12 pages.
Duration 12 minutes.
Published by Carus Verlag
(With Marked and Unmarked String Parts). Composed by Johann Baptist Georg Neruda...(+)
(With Marked and Unmarked
String Parts). Composed
by Johann Baptist Georg
Neruda. Edited by Sonja
Gerlach and Zdenka
Pilková. For Piano,
Violin, Basso Continuo.
Henle Music Folios.
Softcover. G. Henle
#HN1049. Published by G.
Henle