By Louis Antoine Travenol. Edited by Jean Saint-Arroman. For Violin and continuo. This edition: Facsimile. La Musique Francaise Classique de 1650 a 1800. Score. 64 pages. Published by Anne Fuzeau Productions - France

By Johann Christoph Friederich Bach. For Flute and harpsichord, Violin and harpsichord, Harpsichord and violin. This edition: Facsimile. Collection FacsiMusic. Score. 28 pages. Published by Anne Fuzeau Productions - France

By Antonio Vivaldi (1678-1741). Edited by Bernhard Moosbauer. For Violin, Harpsichord (Or Piano), Cello. Score and parts. Op.2. 78 pages. Published by Wiener Urtext/Vienna Urtext

Critical Edition Score. Composed by Antonio Vivaldi (1678-1741). String. Softcover. 40 pages. Ricordi #PR1440. Published by Ricordi

Violin-solo,strings,basso continuo (Violin solo, Strings, Basso continuo)

SKU: BA.BA07566

Twelve Concertos for Violin, Strings and Basso continuo. Composed by Antonio Vivaldi. Edited by Bettina Schwemer. This edition: urtext edition. Paperback. Barenreiter Urtext. Volume I: Concertos I-VI. Score, anthology. Opus 4. Baerenreiter Verlag #BA07566_00. Published by Baerenreiter Verlag (BA.BA07566).

ISBN 9790006544066. 31 x 24.3 cm inches. Preface: Schwemer, Bettina.

Antonio Vivaldiâ??s twelve concertos op. 4 known by the name of â??La Stravaganzaâ? were first mentioned as a collection of â??Concerti a 4â? in the 1711 Foreword of â??Lâ??Estro Armonicoâ? op. 3. Their publication had to wait until 1716, when Estienne Roger issued them in two volumes of six concertos each. However, unlike the original announcement, â??La Stravaganzaâ? is more than a collection of concertos for solo violin with string accompaniment: in five of the concertos the soloist is joined by a second solo violin or even by a solo violoncello (Concerto No. 7).

The many reprints of â??La Stravaganzaâ? bear witness to its popularity and widespread dissemination well into the 1730s. Besides the surviving prints, there is a significant body of handwritten sources containing alternative versions for seven of the concertos. Some of these manuscripts stem from the music library of Johann Georg Pisendel.

This edition of â??La Stravaganzaâ? is not only the first scholarly-critical edition, it is also the only complete edition available. In addition to the twelve concertos handed down in the Roger edition, Bärenreiter offers an additional concerto in full score, piano reduction and parts contained in the 1728 print issued by the English publishers Walsh and Hare, as well as alternative versions (without viola) found in handwritten sources for Concertos No. 6 (Volume 1) and No. 11 (Volume 2).

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Composed by Jean Baptiste Senaille (1687-1730). Edited by Alessandro Bares and Giuseppe Fochesato. For violin and basso continuo. This edition: Paperback. I piaceri del violino. Baroque. Score and set of parts. Published by Musedita Edizioni Musicali

By Francesco Maria Veracini (1690-1768). For Violin and Harpsichord. Baroque; Chamber. Intermediate. Full score, part and Play-Along CD. Published by Recorder JP

Composed by Francesco Geminiani (1687-1762). Edited by Christopher Hogwood. Francesco Geminiani Opera Omnia. Early Music. Score and Parts. 60 pages. Published by Ut Orpheus (UT.PEG-04).

Composed by Francesco Geminiani (1687-1762). Edited by Christopher Hogwood. Francesco Geminiani Opera Omnia. Early Music. Score and Parts. 76 pages. Published by Ut Orpheus (UT.PEG-03).

By Biagio Marini (1587-1663). Edited by Alessandro Bares. For violin and basso continuo. This edition: Paperback. I piaceri del violino. Early Baroque. Score and set of parts. Published by Musedita Edizioni Musicali

By George Frideric Handel (1685-1759). For Violin and Harpsichord. Baroque; Chamber. Intermediate. Full score, part and 2 Play-Along CDs. Published by Recorder JP

Composed by Martino Bitti. Edited by Michael Talbot / Antonio Frige. Full score and parts. Published by Edition HH Music Publishers (HH.HH345-FSP).

Composed by Martino Bitti. Edited by Michael Talbot / Antonio Frige. Full score and parts. Published by Edition HH Music Publishers (HH.HH387-FSP).

Composed by Martino Bitti. Edited by Michael Talbot / Antonio Frige. Full score and parts. Published by Edition HH Music Publishers (HH.HH342-FSP).

By Ruth Schonthal. For violin and Basso continuo. Score and parts. Composed 1996. Duration 3. Published by Furore-Verlag (German import). (fue 2730)
Level: advanced.

By James Oswald. For Violin (Flute) and Continuo. Score and Parts. Published by Ut Orpheus. (CSS 50)

By Pietro Nardini (1722-1793). Edited by Alessandro Bares. For violin and basso continuo. This edition: Paperback. I piaceri del violino. Classical. Score and set of parts. Published by Musedita Edizioni Musicali

Violin and basso continuo

SKU: M7.DOHR-19036

12 Sonatas. Composed by Johann Mattheson. Edited by Roland Steinfeld. Sheet music. Score and parts. 56 pages. MDS (Music Distribution Services) #DOHR 19036. Published by MDS (Music Distribution Services) (M7.DOHR-19036).

ISBN 9790202040362.

By Francesco Maria Veracini (1690-1768). For Violin and Harpsichord. Baroque; Chamber. Intermediate. Full score, part, and Play-Along CD. Published by Recorder JP

By Franz Benda. For Violin and continuo. Score. 29 pages. Published by Anne Fuzeau Productions - France

By Arcangelo Crelli. For Violin and Harpsichord. Baroque; Chamber. Intermediate. Full score, part and Play-Along CD. Published by Recorder JP

Composed by Martino Bitti. Edited by Michael Talbot / Antonio Frige. Full score and parts. Published by Edition HH Music Publishers (HH.HH346-FSP).

By Pietro degli Antonii. Edited by Alessandro Bares. For violin and basso continuo. This edition: Paperback. I piaceri del violino. Baroque. Score and set of parts. Published by Musedita Edizioni Musicali

Composed by Pietro Antonio Locatelli (1695-1764). Edited by Alessandro Bares and Giuseppe Fochesato. For violin and basso continuo. This edition: Paperback. I piaceri del violino. Baroque. Score and set of parts. Published by Musedita Edizioni Musicali

By Antonio Vivaldi (1678-1741). Edited by Alessandro Bares. For violin and basso continuo. This edition: Paperback. Viva Vivaldi. Baroque. Score and set of parts. Published by Musedita Edizioni Musicali

Composed by Martino Bitti. Edited by Michael Talbot / Antonio Frige. Full score and parts. Published by Edition HH Music Publishers (HH.HH341-FSP).

Composed by Martino Bitti. Edited by Michael Talbot / Antonio Frige. Full score and parts. Published by Edition HH Music Publishers (HH.HH343-FSP).

By Johann Sebastian Bach (1685-1750). For Violin and Harpsichord. Baroque; Chamber. Intermediate. Full score, part and Play-Along CD. Published by Recorder JP

Composed by Martino Bitti. Edited by Michael Talbot / Antonio Frige. Full score and parts. Published by Edition HH Music Publishers (HH.HH344-FSP).