Violin-solo,strings,basso continuo (Violin solo, Strings, Basso continuo)

SKU: BA.BA07566

Twelve Concertos for Violin, Strings and Basso continuo. Composed by Antonio Vivaldi. Edited by Bettina Schwemer. This edition: urtext edition. Paperback. Barenreiter Urtext. Volume I: Concertos I-VI. Score, anthology. Opus 4. Baerenreiter Verlag #BA07566_00. Published by Baerenreiter Verlag (BA.BA07566).

ISBN 9790006544066. 31 x 24.3 cm inches. Preface: Schwemer, Bettina.

Antonio Vivaldiâ??s twelve concertos op. 4 known by the name of â??La Stravaganzaâ? were first mentioned as a collection of â??Concerti a 4â? in the 1711 Foreword of â??Lâ??Estro Armonicoâ? op. 3. Their publication had to wait until 1716, when Estienne Roger issued them in two volumes of six concertos each. However, unlike the original announcement, â??La Stravaganzaâ? is more than a collection of concertos for solo violin with string accompaniment: in five of the concertos the soloist is joined by a second solo violin or even by a solo violoncello (Concerto No. 7).

The many reprints of â??La Stravaganzaâ? bear witness to its popularity and widespread dissemination well into the 1730s. Besides the surviving prints, there is a significant body of handwritten sources containing alternative versions for seven of the concertos. Some of these manuscripts stem from the music library of Johann Georg Pisendel.

This edition of â??La Stravaganzaâ? is not only the first scholarly-critical edition, it is also the only complete edition available. In addition to the twelve concertos handed down in the Roger edition, Bärenreiter offers an additional concerto in full score, piano reduction and parts contained in the 1728 print issued by the English publishers Walsh and Hare, as well as alternative versions (without viola) found in handwritten sources for Concertos No. 6 (Volume 1) and No. 11 (Volume 2).

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- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

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Violin and Basso Continuo. Composed by John Christopher Pepusch. Edited by Gustav Lenzewski and Helmut Degen. This edition: Saddle stitching. Sheet music. Schott. 48 pages. Schott Music #ED 3631. Published by Schott Music (HL.49004217).

Composed by Martino Bitti. Edited by Michael Talbot / Antonio Frige. Full score and parts. Published by Edition HH Music Publishers (HH.HH349-FSP).

By Antonio Vivaldi (1678-1741). Edited by Bernhard Moosbauer. For Violin, Harpsichord (Or Piano), Cello. Score and parts. Op.2. 78 pages. Published by Wiener Urtext/Vienna Urtext

By Johann Georg Pisendel (1687-1755). For Violin, Basso continuo. D-Dur (D major). German title: Violinsonate in D. Part: basso continuo. Language: all languages. 8 pages. Duration 12 minutes. Published by Carus Verlag

By Johann Georg Pisendel (1687-1755). For Violin, Basso continuo. D-Dur (D major). German title: Violinsonate in D. Part: violin. Language: all languages. 12 pages. Duration 12 minutes. Published by Carus Verlag

Composed by Martino Bitti. Edited by Michael Talbot / Antonio Frige. Full score and parts. Published by Edition HH Music Publishers (HH.HH346-FSP).

Composed by Martino Bitti. Edited by Alessandro Borin / Antonio Frige. Full score and parts. Published by Edition HH Music Publishers (HH.HH337-FSP).

(With Marked and Unmarked String Parts). Composed by Johann Baptist Georg Neruda. Edited by Sonja Gerlach and Zdenka Pilková. For Piano, Violin, Basso Continuo. Henle Music Folios. Softcover. G. Henle #HN1049. Published by G. Henle

Violin and basso continuo (V/KL) - intermediate

SKU: HL.49031790

Composed by Kirchhoff. Edited by Walter Serauky. Arranged by Ludwig Bus. This edition: Paperback/Soft Cover. Sheet music. Edition Schott. 84 pages. Schott Music #ED 5061. Published by Schott Music (HL.49031790).

ISBN 9790001132381. 9.0x12.0x0.24 inches.

Kirchhoff was born in Muhlbeck (near Bitterfeld) in 1685 and died in Halle in 1746. He was (like Handel) a pupil of Zachov and in 1714 became Zachov's successor as organist and Director Musices at the Marienkirche in Halle. His violin sonatas, which were praised by Leopold Mozart, are very well suited for use in teaching the violin, as they are skilfully structured around the capabilities of the instrument. Especially recommended for friends of baroque violin music.

Violin and basso continuo (V/KL) - intermediate

SKU: HL.49031789

Composed by Kirchhoff. Edited by Walter Serauky. Arranged by Ludwig Bus. This edition: Paperback/Soft Cover. Sheet music. Edition Schott. 92 pages. Schott Music #ED 5060. Published by Schott Music (HL.49031789).

ISBN 9790001132374. 9.0x12.0x0.253 inches.

Kirchhoff was born in Muhlbeck (near Bitterfeld) in 1685 and died in Halle in 1746. He was (like Handel) a pupil of Zachov and in 1714 became Zachov's successor as organist and Director Musices at the Marienkirche in Halle. His violin sonatas, which were praised by Leopold Mozart, are very well suited for use in teaching the violin, as they are skilfully structured around the capabilities of the instrument. Especially recommended for friends of baroque violin music.

Composed by Martino Bitti. Edited by Michael Talbot / Antonio Frige. Full score and parts. Published by Edition HH Music Publishers (HH.HH345-FSP).

Composed by Martino Bitti. Edited by Michael Talbot / Antonio Frige. Full score and parts. Published by Edition HH Music Publishers (HH.HH342-FSP).

Composed by Martino Bitti. Edited by Michael Talbot / Antonio Frige. Full score and parts. Published by Edition HH Music Publishers (HH.HH341-FSP).

Composed by Martino Bitti. Edited by Michael Talbot / Antonio Frige. Full score and parts. Published by Edition HH Music Publishers (HH.HH343-FSP).

Composed by Martino Bitti. Edited by Michael Talbot / Antonio Frige. Full score and parts. Published by Edition HH Music Publishers (HH.HH340-FSP).

Composed by Martino Bitti. Edited by Michael Talbot / Antonio Frige. Full score and parts. Published by Edition HH Music Publishers (HH.HH348-FSP).

Composed by Martino Bitti. Edited by Michael Talbot / Antonio Frige. Full score and parts. Published by Edition HH Music Publishers (HH.HH347-FSP).

Composed by Giovanni Stefano Carbonelli. Edited by Michael Talbot. For Violin and basso continuo. Full score and parts. 85 40 28(xix) pages. Published by Edition HH Music Publishers

By Giovanni Stefano Carbonelli. Edited by Michael Talbot. For violin and basso continuo. Full score and parts. 74 32 24(xxi) pages. Published by Edition HH Music Publishers

Composed by Martino Bitti. Edited by Michael Talbot / Antonio Frige. Full score and parts. Published by Edition HH Music Publishers (HH.HH387-FSP).

Composed by Martino Bitti. Edited by Alessandro Borin / Michael Talbot. Full score and parts. Published by Edition HH Music Publishers (HH.HH334-FSP).

Critical Edition Score. Composed by Antonio Vivaldi (1678-1741). String. Softcover. 40 pages. Ricordi #PR1440. Published by Ricordi

Composed by Martino Bitti. Edited by Alessandro Borin / Antonio Frige. Full score and parts. Published by Edition HH Music Publishers (HH.HH338-FSP).

Figured Bass Realization by S. Gerlach. By Franz Benda. Edited by S. Gerlach. Violin. Pages: Score = XV and 61 * Vl Part = 32 * Basso Part = 24. Urtext edition-paper bound. Published by G. Henle.

Composed by Martino Bitti. Edited by Michael Talbot / Antonio Frige. Full score and parts. Published by Edition HH Music Publishers (HH.HH351-FSP).

By Johann Paul Westhoff. Edited by Alessandro Bares. For violin and basso continuo. I piaceri del violino. Baroque. Score and set of parts. Published by Musedita Edizioni Musicali

Critical Edition, Paperback Basso Continuo; Violin (Violin)

SKU: HL.50606939

Critical Edition $19.99 Subscriber price. Composed by Antonio Vivaldi. Arranged by ñ, Fabrizio Ammetto, Javier Lupiá, and ez. CRITICAL EDITIONS. Classical. Softcover. 56 pages. Ricordi #PR1457. Published by Ricordi (HL.50606939).

ISBN 9788881921225. UPC: 196288207344. 8.0x10.75x0.159 inches.

In a miscellaneous manuscript in the Este Music Collection belonging to the Österreichische Nationalbibliothek in Vienna, a new sonata for violin and basso continuo by Antonio Vivaldi has recently been identified. Although it has until now been attributed by default to the Bolognese Giuseppe Aldrovandini, by virtue of a heading written (but subsequently rubbed out) by the copyist of the manuscript on one of the pages of the violin part, this sonata has been recognized as an authentic composition by the Red Priest. This work - which can be placed chronologically no later than the middle of the 1710s - represents the most clear-cut example in Vivaldi's music of a “Sonate auf Concertenart”: more specifically, a kind of solo sonata for violin that the Red Priest could perform in order to show off his prowess on that instrument, as signalled by the presence of many passages featuring double stoppingor the use of the ultra-high register.