Violin-solo,strings,basso continuo (Violin solo, Strings, Basso continuo)

SKU: BA.BA07566

Twelve Concertos for Violin, Strings and Basso continuo. Composed by Antonio Vivaldi. Edited by Bettina Schwemer. This edition: urtext edition. Paperback. Barenreiter Urtext. Volume I: Concertos I-VI. Score, anthology. Opus 4. Baerenreiter Verlag #BA07566_00. Published by Baerenreiter Verlag (BA.BA07566).

ISBN 9790006544066. 31 x 24.3 cm inches. Preface: Schwemer, Bettina.

Antonio Vivaldiâ??s twelve concertos op. 4 known by the name of â??La Stravaganzaâ? were first mentioned as a collection of â??Concerti a 4â? in the 1711 Foreword of â??Lâ??Estro Armonicoâ? op. 3. Their publication had to wait until 1716, when Estienne Roger issued them in two volumes of six concertos each. However, unlike the original announcement, â??La Stravaganzaâ? is more than a collection of concertos for solo violin with string accompaniment: in five of the concertos the soloist is joined by a second solo violin or even by a solo violoncello (Concerto No. 7).

The many reprints of â??La Stravaganzaâ? bear witness to its popularity and widespread dissemination well into the 1730s. Besides the surviving prints, there is a significant body of handwritten sources containing alternative versions for seven of the concertos. Some of these manuscripts stem from the music library of Johann Georg Pisendel.

This edition of â??La Stravaganzaâ? is not only the first scholarly-critical edition, it is also the only complete edition available. In addition to the twelve concertos handed down in the Roger edition, Bärenreiter offers an additional concerto in full score, piano reduction and parts contained in the 1728 print issued by the English publishers Walsh and Hare, as well as alternative versions (without viola) found in handwritten sources for Concertos No. 6 (Volume 1) and No. 11 (Volume 2).

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- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

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Violin and Basso Continuo. Composed by John Christopher Pepusch. Edited by Gustav Lenzewski and Helmut Degen. This edition: Saddle stitching. Sheet music. Schott. 48 pages. Schott Music #ED 3631. Published by Schott Music (HL.49004217).

Critical Edition Score. Composed by Antonio Vivaldi (1678-1741). String. Softcover. 40 pages. Ricordi #PR1440. Published by Ricordi

By Antonio Vivaldi (1678-1741). Edited by Bernhard Moosbauer. For Violin, Harpsichord (Or Piano), Cello. Score and parts. Op.2. 78 pages. Published by Wiener Urtext/Vienna Urtext

Violin and basso continuo (V/KL) - intermediate

SKU: HL.49031790

Composed by Kirchhoff. Edited by Walter Serauky. Arranged by Ludwig Bus. This edition: Paperback/Soft Cover. Sheet music. Edition Schott. 84 pages. Schott Music #ED 5061. Published by Schott Music (HL.49031790).

ISBN 9790001132381. 9.0x12.0x0.24 inches.

Kirchhoff was born in Muhlbeck (near Bitterfeld) in 1685 and died in Halle in 1746. He was (like Handel) a pupil of Zachov and in 1714 became Zachov's successor as organist and Director Musices at the Marienkirche in Halle. His violin sonatas, which were praised by Leopold Mozart, are very well suited for use in teaching the violin, as they are skilfully structured around the capabilities of the instrument. Especially recommended for friends of baroque violin music.

Violin and basso continuo (V/KL) - intermediate

SKU: HL.49031789

Composed by Kirchhoff. Edited by Walter Serauky. Arranged by Ludwig Bus. This edition: Paperback/Soft Cover. Sheet music. Edition Schott. 92 pages. Schott Music #ED 5060. Published by Schott Music (HL.49031789).

ISBN 9790001132374. 9.0x12.0x0.253 inches.

Kirchhoff was born in Muhlbeck (near Bitterfeld) in 1685 and died in Halle in 1746. He was (like Handel) a pupil of Zachov and in 1714 became Zachov's successor as organist and Director Musices at the Marienkirche in Halle. His violin sonatas, which were praised by Leopold Mozart, are very well suited for use in teaching the violin, as they are skilfully structured around the capabilities of the instrument. Especially recommended for friends of baroque violin music.

Composed by Martino Bitti. Edited by Michael Talbot / Antonio Frige. Full score and parts. Published by Edition HH Music Publishers (HH.HH346-FSP).

Composed by Martino Bitti. Edited by Michael Talbot / Antonio Frige. Full score and parts. Published by Edition HH Music Publishers (HH.HH387-FSP).

Composed by Martino Bitti. Edited by Alessandro Borin / Michael Talbot. Full score and parts. Published by Edition HH Music Publishers (HH.HH334-FSP).

Figured Bass Realization by S. Gerlach. By Franz Benda. Edited by S. Gerlach. Violin. Pages: Score = XV and 61 * Vl Part = 32 * Basso Part = 24. Urtext edition-paper bound. Published by G. Henle.

Composed by Martino Bitti. Edited by Michael Talbot / Antonio Frige. Full score and parts. Published by Edition HH Music Publishers (HH.HH341-FSP).

By Johann Paul Westhoff. Edited by Alessandro Bares. For violin and basso continuo. I piaceri del violino. Baroque. Score and set of parts. Published by Musedita Edizioni Musicali