Composed by Martino Bitti. Edited by Michael Talbot / Antonio Frige. Full score and parts. Published by Edition HH Music Publishers (HH.HH351-FSP).

Composed by Martino Bitti. Edited by Michael Talbot / Antonio Frige. Full score and parts. Published by Edition HH Music Publishers (HH.HH347-FSP).

Composed by Martino Bitti. Edited by Michael Talbot/Antonio Frige. Full score and parts. Published by Edition HH Music Publishers (HH.HH350-FSP).

Composed by Martino Bitti. Edited by Michael Talbot / Antonio Frige. Full score and parts. Published by Edition HH Music Publishers (HH.HH349-FSP).

Composed by Martino Bitti. Edited by Alessandro Borin / Antonio Frige. Full score and parts. Published by Edition HH Music Publishers (HH.HH339-FSP).

Composed by Martino Bitti. Edited by Alessandro Borin / Antonio Frige. Full score and parts. Published by Edition HH Music Publishers (HH.HH337-FSP).

Composed by George Frideric Handel, edited by Philipp Hinnenthal. For violin, basso continuo and keyboard. Urtext of the Halle Handel Edition. Includes full score and set of performance parts. With solo part, basso continuo part, keyboard realization, performance notes and introductory text. Baroque. 142 pages. 9x12 inches. Published by Baerenreiter-Ausgaben.

Violin and basso continuo - easy

SKU: HL.49044305

B minor. Composed by Gottfried Kirchhoff. Edited by Walter Serauky. This edition: Saddle stitching. Sheet music. String. Softcover. 24 pages. Schott Music #VLB181. Published by Schott Music (HL.49044305).

ISBN 9790001195331. UPC: 841886020832. 9.0x12.0x0.075 inches.

By Johann Christoph Friederich Bach. For Flute and harpsichord, Violin and harpsichord, Harpsichord and violin. This edition: Facsimile. Collection FacsiMusic. Score. 28 pages. Published by Anne Fuzeau Productions - France

Sadie with 2 Violin Parts (one with editorial annotations) and Cello - for Violin and Basso continuo. By George Frideric Handel. Edited by S. Sadie. Violin. Pages: Score (Piano) = 59 * 2 Vl Parts = each 24 * Vc (Gambe) Part = 19. Urtext edition-paper bound. Published by G. Henle.

Composed by Giovanni Stefano Carbonelli. Edited by Michael Talbot. For Violin and basso continuo. Full score and parts. 85 40 28(xix) pages. Published by Edition HH Music Publishers

By Giovanni Stefano Carbonelli. Edited by Michael Talbot. For violin and basso continuo. Full score and parts. 74 32 24(xxi) pages. Published by Edition HH Music Publishers

(BWV 1021, BWV 1023, BWV 1026) Composed by Johann Sebastian Bach (1685-1750), arranged by Meniker Zvi, edited by Andrew Manze, Peter Wollny. Score; Set of Parts; Urtext Edition for violin and basso continuo. Published by Baerenreiter-Ausgaben (German import).

By A. Vivaldi (1678-1741). For Violin. DOWANI Urtext 3 Tempi Play Along - Violin. Artist: Alexey Bruni - Violin; Konstantin Krimets - Conductor; Leonid Ogrintschuk - Piano; Russian Philharmonic Orchestra - Orchestra accompaniment. Level: Intermediate. Sheet Music with CD (3 Tempi Play Along). Published by Dowani International.

Composed by Henricus Albicastro (1700-1706). Edited by Michael Talbot / Andrew Woolley. Full score and parts. Published by Edition HH Music Publishers (HH.HH427-FSP).

By Antonio Vivaldi (1678-1741). Edited by Bernhard Moosbauer. For Violin, Harpsichord (Or Piano), Cello. Score and parts. Op.2. 78 pages. Published by Wiener Urtext/Vienna Urtext

Composed by Giuseppe Tartini (1692-1770). Edited by Agnese Pavanello. This edition: Urtext edition. Score and parts. Published by Baerenreiter Verlag

Violin-solo,strings,basso continuo (Violin solo, Strings, Basso continuo)

SKU: BA.BA07566

Twelve Concertos for Violin, Strings and Basso continuo. Composed by Antonio Vivaldi. Edited by Bettina Schwemer. This edition: urtext edition. Paperback. Barenreiter Urtext. Volume I: Concertos I-VI. Score, anthology. Opus 4. Baerenreiter Verlag #BA07566_00. Published by Baerenreiter Verlag (BA.BA07566).

ISBN 9790006544066. 31 x 24.3 cm inches. Preface: Schwemer, Bettina.

Antonio Vivaldiâ??s twelve concertos op. 4 known by the name of â??La Stravaganzaâ? were first mentioned as a collection of â??Concerti a 4â? in the 1711 Foreword of â??Lâ??Estro Armonicoâ? op. 3. Their publication had to wait until 1716, when Estienne Roger issued them in two volumes of six concertos each. However, unlike the original announcement, â??La Stravaganzaâ? is more than a collection of concertos for solo violin with string accompaniment: in five of the concertos the soloist is joined by a second solo violin or even by a solo violoncello (Concerto No. 7).

The many reprints of â??La Stravaganzaâ? bear witness to its popularity and widespread dissemination well into the 1730s. Besides the surviving prints, there is a significant body of handwritten sources containing alternative versions for seven of the concertos. Some of these manuscripts stem from the music library of Johann Georg Pisendel.

This edition of â??La Stravaganzaâ? is not only the first scholarly-critical edition, it is also the only complete edition available. In addition to the twelve concertos handed down in the Roger edition, Bärenreiter offers an additional concerto in full score, piano reduction and parts contained in the 1728 print issued by the English publishers Walsh and Hare, as well as alternative versions (without viola) found in handwritten sources for Concertos No. 6 (Volume 1) and No. 11 (Volume 2).

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

By Jean-Marie Leclair (1697-1764). Edited by Jean Saint-Arroman, Philippe Lescat. Violin and continuo / Flute and continuo / Trios. For Violin, Flute, Viol. Facsimiles. La Musique Francaise Classique de 1650 a 1800. Grade 0. 104 pages. Published by Anne Fuzeau Productions - France

(Rome, 1700). By Arcangelo Corelli (1653-1713). Edited by Nicolas Fromageot. Violon et basse continue. For Violin. Facsimiles. Collection Dominantes. Grade 0. 228 pages

Composed by Arcangelo Corelli (1653-1713). Edited by Bernhard Moosbauer. Arranged by Bernhard Moosbauer. Baroque. Full score and 2 parts. With Standard notation. 112 pages. Wiener Urtext/Vienna Urtext #UT50235. Published by Wiener Urtext/Vienna Urtext

Violin and basso continuo (harpsichord, piano); cello (viola da gamba) ad libitum - advanced

SKU: HL.49015131

No. 1 A major / No. 6 F minor. Composed by Simon Leduc. Edited by Elma Doflein. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. 54 pages. Schott Music #ED 4708. Published by Schott Music (HL.49015131).

ISBN 9790001054539. 9.0x12.0x0.16 inches.

By George Frideric Handel (1685-1759). For Violin and Harpsichord. Baroque; Chamber. Intermediate. Full score, part and 2 Play-Along CDs. Published by Recorder JP

By Arcangelo Corelli (1653-1713). For Violin and Harpsichord. Baroque, Chamber. Intermediate. Full score, part and 2 Play-Along CDs. Published by Recorder JP

Critical Edition, Paperback Basso Continuo; Violin (Violin)

SKU: HL.50606939

Critical Edition $19.99 Subscriber price. Composed by Antonio Vivaldi. Arranged by ñ, Fabrizio Ammetto, Javier Lupiá, and ez. CRITICAL EDITIONS. Classical. Softcover. 56 pages. Ricordi #PR1457. Published by Ricordi (HL.50606939).

ISBN 9788881921225. UPC: 196288207344. 8.0x10.75x0.159 inches.

In a miscellaneous manuscript in the Este Music Collection belonging to the Österreichische Nationalbibliothek in Vienna, a new sonata for violin and basso continuo by Antonio Vivaldi has recently been identified. Although it has until now been attributed by default to the Bolognese Giuseppe Aldrovandini, by virtue of a heading written (but subsequently rubbed out) by the copyist of the manuscript on one of the pages of the violin part, this sonata has been recognized as an authentic composition by the Red Priest. This work - which can be placed chronologically no later than the middle of the 1710s - represents the most clear-cut example in Vivaldi's music of a “Sonate auf Concertenart”: more specifically, a kind of solo sonata for violin that the Red Priest could perform in order to show off his prowess on that instrument, as signalled by the presence of many passages featuring double stoppingor the use of the ultra-high register.

By Giovanni Maria Bononcini. Edited by Alessandro Bares. For violin and basso continuo. This edition: Paperback. I piaceri del violino. Baroque. Score and set of parts. Published by Musedita Edizioni Musicali

Figured Bass Realization by S. Gerlach. By Franz Benda. Edited by S. Gerlach. Violin. Pages: Score = XV and 61 * Vl Part = 32 * Basso Part = 24. Urtext edition-paper bound. Published by G. Henle.

By Francesco Maria Veracini (1690-1768). For Violin and Harpsichord. Baroque; Chamber. Intermediate. Full score, part and Play-Along CD. Published by Recorder JP

Composed by Henricus Albicastro (1700-1706). Edited by Michael Talbot / Andrew Woolley. Full score and parts. Duration 9 minutes. Published by Edition HH Music Publishers (HH.HH415-FSP).