SKU: SU.32020030

Set includes: Piano (full score), Clarinet, Violin partsRich colors and textures breathe in and out, celebrating end-of-life choices.Clarinet, Violin, and Piano Duration: 12'30 Composed: 2014 Published by: Distributed Composer Also available: Study Score - 32020031.

SKU: SU.32020031

Rich colors and textures breathe in and out, celebrating end-of-life choices.Clarinet, Violin, and Piano Duration: 12'30 Composed: 2014 Published by: Distributed Composer Also available: Performance set - 32020030 - (includes Piano (full score), Clarinet, Violin Parts).

SKU: SU.46200090

Clarinet, Violin & Piano Duration: 22' Composed: 1988 Published by: Verdehr Trio Tripartita is a title invented for this score, a piece in three movements for three players. The first movement Elaborations is a sonata-like structure whose ideas evolve out of the harmonic succession heard as the background material of the opening passage. The second and third movements are based on essentially the same scalar and harmonic materials as the first; however, they are somewhat different in their moods and expression, in part because they both incorporate elements derived from popular music idioms of the early part of the twentieth century. The form of the second movement, Dances,is related to the nineteenth century scherzo with two trios; here, the scherzo sections are fast and jazzy,while the more relaxed digressions are, respectively, a ragtime-waltz and a tango. The third movement Blues with Variations follows without pause, and furthermore is linked structurally to the previous movements, since the chord sequence for the blues (and subsequent variations) is the same one employed from the very opening of the work. —William Averitt.

SKU: SU.46200060

Clarinet, Violin & Piano Duration: 16 ' Composed: 1979 Published by: Verdehr Trio Inventions on the Summer Solstice was written for the Verdehr Trio in 1979. It is an evocative work, enhanced by such effects as the spatial modulation of the violin and the second invention, and the addition of claves, maracas, wire brushes used inside the piano, and a toy cricket to augment ensemble’s timbral resources. Michigan State University Press.