Clarinet, Violin & Piano SKU: SU.46200070 For Clarinet, Violin & Piano...(+)
Clarinet, Violin & Piano
SKU: SU.46200070
For Clarinet, Violin &
Piano. Composed by
Charles Hoag. Chamber
Music, Piano Trio,
Woodwinds, Clarinet.
Score & Parts. Subito
Music Corporation
#46200070. Published by
Subito Music Corporation
(SU.46200070).
Clarinet,
Violin & Piano Duration:
5 ' Composed: 1990
Published by: Verdehr
Trio Commissioned to have
an nineteenth-century
flavor, Hoag chose for
this work to reach back
to the uniquely American
perspective of the rag.
Michigan State University
Press.
Jasper Drag Violon, Clarinette, Piano (trio) Schott
(Violin, Clarinet, and Piano). Composed by Alvin Singleton. For Clarinet, Piano,...(+)
(Violin, Clarinet, and
Piano). Composed by Alvin
Singleton. For Clarinet,
Piano, Violin (Score and
Parts). Ensemble. 36
pages. Schott Music
#ED30053. Published by
Schott Music
Afternoon Cakewalk Violon, Clarinette, Piano (trio) [Conducteur et Parties séparées] Edward B. Marks Music Company
Clarinet, Violin & Piano SKU: SU.80602860 For Clarinet, Violin & Piano...(+)
Clarinet, Violin & Piano
SKU: SU.80602860
For Clarinet, Violin &
Piano. Composed by
William Bolcom. Chamber
Music, Piano Trio. Score
& Parts. Edward B. Marks
Music #80602860.
Published by Edward B.
Marks Music
(SU.80602860).
Clarinet,
Violin & Piano Composed:
1979 Published by: E.B.
Marks Arrangements by
William Bolcom of rags by
Chauvin, Joplin, Lamb,
Scott and himself.
Tripartita Violon, Clarinette, Piano (trio) [Conducteur et Parties séparées] Subito Music
Clarinet, Violin & Piano SKU: SU.46200090 For Clarinet, Violin & Piano...(+)
Clarinet, Violin & Piano
SKU: SU.46200090
For Clarinet, Violin &
Piano. Composed by
William Averitt. Chamber
Music, Piano Trio. Score
& Parts. Subito Music
Corporation #46200090.
Published by Subito Music
Corporation
(SU.46200090).
Clarinet,
Violin & Piano Duration:
22' Composed: 1988
Published by: Verdehr
Trio Tripartita is a
title invented for this
score, a piece in three
movements for three
players. The first
movement Elaborations is
a sonata-like structure
whose ideas evolve out of
the harmonic succession
heard as the background
material of the opening
passage. The second and
third movements are based
on essentially the same
scalar and harmonic
materials as the first;
however, they are
somewhat different in
their moods and
expression, in part
because they both
incorporate elements
derived from popular
music idioms of the early
part of the twentieth
century. The form of the
second movement,
Dances,is related to the
nineteenth century
scherzo with two trios;
here, the scherzo
sections are fast and
jazzy,while the more
relaxed digressions are,
respectively, a
ragtime-waltz and a
tango. The third movement
Blues with Variations
follows without pause,
and furthermore is linked
structurally to the
previous movements, since
the chord sequence for
the blues (and subsequent
variations) is the same
one employed from the
very opening of the work.
—William
Averitt.