Tripartita Violon, Clarinette, Piano (trio) Subito Music
Clarinet, Violin & Piano SKU: SU.46200090 For Clarinet, Violin & Piano...(+)
Clarinet, Violin & Piano
SKU: SU.46200090
For Clarinet, Violin &
Piano. Composed by
William Averitt. Chamber
Music, Piano Trio. Score
& Parts. Subito Music
Corporation #46200090.
Published by Subito Music
Corporation
(SU.46200090).
Clarinet,
Violin & Piano Duration:
22' Composed: 1988
Published by: Verdehr
Trio Tripartita is a
title invented for this
score, a piece in three
movements for three
players. The first
movement Elaborations is
a sonata-like structure
whose ideas evolve out of
the harmonic succession
heard as the background
material of the opening
passage. The second and
third movements are based
on essentially the same
scalar and harmonic
materials as the first;
however, they are
somewhat different in
their moods and
expression, in part
because they both
incorporate elements
derived from popular
music idioms of the early
part of the twentieth
century. The form of the
second movement,
Dances,is related to the
nineteenth century
scherzo with two trios;
here, the scherzo
sections are fast and
jazzy,while the more
relaxed digressions are,
respectively, a
ragtime-waltz and a
tango. The third movement
Blues with Variations
follows without pause,
and furthermore is linked
structurally to the
previous movements, since
the chord sequence for
the blues (and subsequent
variations) is the same
one employed from the
very opening of the work.
—William
Averitt.
Pathways Violon, Clarinette, Piano (trio) Subito Music
Clarinet, Violin & Piano SKU: SU.46200030 For Clarinet, Violin & Piano...(+)
Clarinet, Violin & Piano
SKU: SU.46200030
For Clarinet, Violin &
Piano. Composed by
David Alpher. Chamber
Music, Piano Trio. Score
& Parts. Subito Music
Corporation #46200030.
Published by Subito Music
Corporation
(SU.46200030).
Clarinet,
Violin & Piano Published
by: Verdehr Trio Pathways
is nominally in three
movements, to be played
without pause almost
forming one large
movement with three large
sections. The first (in a
flexible sonata form) and
third operate within a
pervasive romanticism.
The second explores other
directions atop
continuous alternation
between 4/8 and 5/8
measures. Michigan State
University Press.