Par RAVEL MAURICE. In 1920 Maurice Ravel was asked by his publisher Durand to contribute to an issue of La Revue Musicale dedicated to Claude Debussy. A supplement included the first movement of Ravel’s Sonata as well as works contributed by Debussy’s friends Stravinsky, Satie, Dukas, Bartok and de Falla to name only a few. This 1st movement of Ravel’s Sonata, of which the autograph is lost, then developed into a large scale four movement chamber music work utilizing a more modern music vocabulary than found in almost any other Ravel composition. Bärenreiter’s scholarly-critical edition, the first ever of this masterpiece, presents the work in two performing scores. It contains anintroduction on the history of the work reflecting Ravel’s work and rehearsals with violinist Hélène Jourdan-Morhange and cellist Maurice Maréchal. Sources for this new edition include the engraved copy, the personal autograph scores (with earlier versions of some passages) which were used to rehearse the work and the first edition scores with emendations by Jourdan-Morhange and Maréchal. Included in the appendix are the original fingerings by the performers which are not found in the first edition. They reflect how Ravel must have heard the work in rehearsals and as such are a document of early 20th century performance practice. First Urtext edition of this work Two performing scores (format 25, 5 x 32, 5 cm) The violoncello part does not allow for page turns in the first movement; therefore the edition includes an additional violoncello part in small print presenting the entire first movement on a double page without a page turn Informative introduction to the genesis of the work (Ger/Eng/Fr) Critical commentary with facsimiles and appendices/ Répertoire / Violon et Violoncelle

An exciting communicative musical journey: These Dialogues have the violin and cello adopting different personalities, temperaments and moods to 'speak' to one another. The titles of the pieces and descriptive headings, such as Chatting, Giggling or Contest, suggest how the pieces may be played.In order to make these ten chamber pieces accessible to students at various different levels, all the duets appear again without markings in the second section of the book, providing an opportunity to experiment with different bowings and fingerings. / Violon Et Violoncelle

Par . 34 pop songs, movie hits, and classic standards arranged for violin and cello. Full scores and individual pull-out parts included. / Date parution : 2022-07-20/ Recueil / Violon et Violoncelle

Par VAN DER PALS LEOPOLD. Duo-sonate, Op. 55 (1922) composed by Leopold van der Pals / Date parution : 2023-10-31/ Répertoire / Violon et Violoncelle

La référence AL20219 de l'éditeur Leduc dont l'auteur célèbre est Boccherini/Bazelaire, qui a pour titre Sonate, a été écrite et composée pour Violon et plus particulièrement pour Violon Et Violoncelle. Cette partition musicale appartient à la catégorie Classique. / Violon Et Violoncelle / Partition

La sonate pour violon et violoncelle a été écrite en 01/01/12 à l'intention de la violoniste suédoise Cecilia Zilliacus et la violoncelliste finlandaise Katti Raitinen, qui l'ont créée cette même année, Elle pourrait porter le sous-titre faisant référence au cinéaste suédois Ingmar Bergman : 'Scènes d'une vie conjugale', puisqu'il s'agit d'un dialogue entre deux personnages, l'un féminin (violon) et l'autre masculin (violoncelle), Durant ce dialogue, avec ses convergences et ses divergences, certaines idées thématiques circulent entre les deux instruments tandis que d'autres sont propres à chacun d'eux, Par un hasard curieux et tout à fait involontaire, le thème des variations qui constitue la dernière partie de l'oeuvre présente le motif du début de l'opéra 'Tristan et Iseult' de Richard Wagner,,, Collection Le Violon Rouge / Violon Et Instruments Divers