By Johann Sebastian Bach. Edited by Forbes. For Violin, Violoncello. Canon alla duodecima (in contrapunto alla quinta) and 2 Canons per augmentationem (in contrario motu); BWV 1080. Published by C.F. Peters.

Arrangement for Violoncello and Piano. By Johannes Brahms. Arranged by Cord Garben. (Cello). String. Book only. Published by Sikorski.

Violin and cello

SKU: NR.89306

For violin and vcello, 2003. Composed by Carlos Peron Cano. String instruments. Score. Composed 2003. Noten Roehr #89306. Published by Noten Roehr (NR.89306).

Violin and Cello

SKU: BT.MUSM570360130

Composed by Thomas Simaku. Score Only. 9 pages. University of York Music Press #MUSM570360130. Published by University of York Music Press (BT.MUSM570360130).

English.

For Violin and Cello. Published 2008. Dedicated to Peter Sheppard Skaerved and Neil Heyde. This music was composed during my DAAD residency in Berlin in October — November 2007. If I were to describe it in one sentence, I would say that it is based on the idea of 'two things seen/heard as one'. a2 (a due) is a well-known term to musicians; it is often found in orchestral scores indicating a given passage that is to be played by two instruments of the same family. Although violin and cello could well be regarded as 'first cousins' of the string family, the literal implementation of the term a2 as a 'compositional strategy' would have been too much (!) for a piece of chamber music consisting of no more than two players. Not surprisingly, this never happens in this work; in fact, the opposite is true: regardless of how it appears on paper (i.e. on one or two staves), the music for each instrument is constantly based on two layers. This musical 'interpretation' of the title gives an indication as to how the textural format of the piece operates. However, this was by no means the only thought that 'preoccupied' my mind whilst composing this music. Berlin made a profound impression on me. The remnants of the wall in Bernauer Straße and the cobbled two-stone line tracing the wall across where it once stood — a clear reminder of what not so long ago there were two different worlds in one city — provoked a strikingly dramatic effect. Border, death-strip, killing, and escape to freedom had a particularly evocative resonance, especially of the time when I lived for three years in a remote town in Southern Albania right at the border with Greece. There, there was a nameless road whose destination the authorities did not want you to know, but the locals called it the 'death-road'. In no way programmatic, in this context, the extra-musical dimension of the principal idea is very much part of the piece. Here, the musical and extra-musical interpretations cannot easily be separated, for they are two parts of the same thing: a2. As if to add another dimension to this idea, there are two versions of this piece: for viola & cello and violin & cello. The first version was premiéred by Garth Knox and Rohan de Saram at the 2008 Intrasonus Festival in Venice..

Violin and cello

SKU: NR.96869

Pour violon et violoncelle, 1942. Composed by Emile Goue. String instruments. Score. Composed 1942. Noten Roehr #96869. Published by Noten Roehr (NR.96869).

Violin and cello

SKU: NR.40149

Para violin y violoncello, 1933. Composed by Salvador Contreras. String instruments. Score. Noten Roehr #40149. Published by Noten Roehr (NR.40149).

Violin and cello

SKU: NR.44837

Für Violine und Cello, 1994. Composed by Violeta Dinescu. String instruments. Score. Composed 1994. Noten Roehr #44837. Published by Noten Roehr (NR.44837).

Violin and cello

SKU: NR.86824

Für Violine und Violoncello, 1994. Composed by Perihan Onder-Ridder. String instruments. Score. Composed 1994. Noten Roehr #86824. Published by Noten Roehr (NR.86824).

Violin and cello

SKU: NR.108734

Für Violine und Cello, 2008. Composed by Violeta Dinescu. String instruments. Score. Noten Roehr #108734. Published by Noten Roehr (NR.108734).

Violin and cello

SKU: NR.44845

Violine und Cello, 1985 1985. Composed by Violeta Dinescu. String instruments. Score. Composed 1985. Noten Roehr #44845. Published by Noten Roehr (NR.44845).