Violoncello - Level 5 SKU: BA.BA11071 Composed by Matthias Pintscher. In ...(+)
Violoncello - Level 5
SKU: BA.BA11071
Composed by Matthias
Pintscher. In a folder.
Part II of the cycle
Profiles of Light.
Performance score.
Composed 2015. 4 pages.
Baerenreiter Verlag
#BA11071_00. Published by
Baerenreiter Verlag
(BA.BA11071).
ISBN
9790006562015. 42 x 29.7
cm inches.
“Now
II” is the second part
of a triptych of chamber
pieces entitled
“Profiles of Light”.
The first part is written
for solo piano (Now I, BA
11073), the second for
unaccompanied cello. The
two instruments are then
combined in the
concluding third part,
Uriel (BA
11013).
All three
pieces were inspired by
the Abstract
Expressionist paintings
of the American artist
Barnett Newman. Newman's
work has had a formative
impact on Matthias
Pintscher's artistic
philosophy: what does it
mean to reduce things to
essentials while seeking
maximum immediacy of
expression? Several of
Newman's paintings have a
radiant light of uncommon
intensity, yet resembling
a dark illumination. The
same sort of thing is
found in the late works
of Franz Schubert, where
a comparable profundity
and retrospective
yearning likewise shine
through the surface of
even the brightest
tonalities.
This
is a piece about
resonances, about the
inward and outward givens
of existence, about life
itself: 'I find the cello
a highly suitable
instrument for depicting
such existential
conditions'.
The world's first rhythmic primer for violinists, violists, and cellists!. By Ju...(+)
The world's first
rhythmic primer for
violinists, violists, and
cellists!. By Julie Lyonn
Lieberman. DVD. DVD .
Size 5.25x7.5 inches.
Published by Huiksi Music
Company.
Violin SKU: HL.14014552 Composed by Werner Hauck. Music Sales America. Ge...(+)
Violin
SKU:
HL.14014552
Composed
by Werner Hauck. Music
Sales America. German
Language only. Book
[Softcover]. 116 pages.
Music Sales #BOE3501.
Published by Music Sales
(HL.14014552).
ISBN
9783920127101.
A
comprehensive and
scientific guide to
developing and employing
Vibrato in your Violin
playing. Werner Hauck
analyses many different
Vibrato techniques that
achieve a variety of
lyrical and 'human'
qualities to illuminate
melodies, including a
close look at some of the
prominant Vibrato methods
of the past and a
detailed guide to the
origins of Vibrato in the
human singing voice. He
examines many contasting
musical examples, giving
guidance upon exactly how
to articulate an
effective Vibrato that is
appropriate in capturing
and expressing the inner
character of the
music.
