Chamber Music Violin SKU: PR.144404650 For solo violin. Composed b...(+)
Chamber Music Violin
SKU: PR.144404650
For solo violin.
Composed by Ronald
Caltabiano. Contemporary.
Performance score. With
Standard notation.
Composed 2002. 4 pages.
Duration 4 minutes, 45
seconds. Theodore Presser
Company #144-40465.
Published by Theodore
Presser Company
(PR.144404650).
UPC:
680160030958. 8.5 x 11
inches.
Character
Sketch No. 1 for solo
violin was written in
2002 for the Irving M.
Klein International
String Competition.
Duration: 4' 45.
Chamber Music Violin SKU: PR.144403190 For violin. Composed by Fra...(+)
Chamber Music Violin
SKU: PR.144403190
For violin.
Composed by Francis
Thorne. Contemporary.
Performance Score. With
Standard notation.
Composed 1980. 4 pages.
Duration 9 minutes.
Theodore Presser Company
#144-40319. Published by
Theodore Presser Company
(PR.144403190).
Violin (Violin) SKU: HL.14021026 Composed by Sir Peter Maxwell Davies. Mu...(+)
Violin (Violin)
SKU:
HL.14021026
Composed
by Sir Peter Maxwell
Davies. Music Sales
America. Exam Material.
Songbook . Composed 2000.
4 pages. Chester Music
#CH61785. Published by
Chester Music
(HL.14021026).
8.25x11.5x0.017
inches.
This
unaffected but effective
piece is a homage to the
late Marjorie Linklater,
a much-loved friend from
Orkney, and a charming
set-piece for violinists
of moderate ability. The
slow introductory adagio
serves the function of a
fond elegy, proving the
simple effect of moving
between D minor and D
major. It serves the
songful quality of the
violin, as does the
wistful central episode
of the main sequence; but
an exuberant love of the
dance is the essence of
the allegro, with the
high, bright sonority of
the instrument very much
to the fore. It was first
performed by Julia
Robinson Dean at the St
Magnus Festival, Orkney,
on 21st June 1998.
Arranged for solo violin.
Duration c. 4
minutes.
Pachelbel Canon Violon [Conducteur et Parties séparées] Theodore Presser Co.
For Violin, Viola, and Piano. Composed by Johann Pachelbel (1653-1706). A...(+)
For Violin, Viola, and
Piano. Composed by
Johann Pachelbel
(1653-1706). Arranged by
Daniel Dorff. Baroque.
Score and part(s). With
Standard notation. 10
pages. Duration 4
minutes. Theodore Presser
Company #114-41781.
Published by Theodore
Presser Company
(PR.114417810).
Viola; Violin (Score) SKU: HL.14048077 For Violin and Viola. Compo...(+)
Viola; Violin (Score)
SKU: HL.14048077
For Violin and
Viola. Composed by
Kaija Saariaho. Music
Sales America. Classical.
Softcover. Composed 2016.
Chester Music #CH84645.
Published by Chester
Music (HL.14048077).
ISBN 9781785582660.
9.0x12.0x0.077 inches.
English.
Includes
two copies of the score.
Aure is a work by Kaija
Saariaho for Violin and
Viola, originally
composed as an homage to
Henri Dutilleux's 95th
birthday. Aure was first
performed on 19th August
2011, as part of the
festival 'Les Inouies' in
Arras, France. Lasting
around 4 minutes, these
are Pthes.
(For Solo Violin). By Chen Yi. Solo instrument. For Violin. Premiered by Chen Xi...(+)
(For Solo Violin). By
Chen Yi. Solo instrument.
For Violin. Premiered by
Chen Xi at the 1st
anniversary Prof. Lin
Yaoji memorial concert at
the China National Center
for the Performing Arts
Concert Hall, Beijing,
China. Contemporary. Solo
part. Standard notation.
Duration 4 minutes.
Published by Theodore
Presser Company
Chamber Music Violin SKU: PR.144403340 Composed by Sydney F. Hodkinson. S...(+)
Chamber Music Violin
SKU: PR.144403340
Composed by Sydney F.
Hodkinson. Solo part.
With Standard notation.
Composed 1995. Duration 4
minutes. Theodore Presser
Company #144-40334.
Published by Theodore
Presser Company
(PR.144403340).
Elixir Of Sorrows. Composed by Carter Pann (1972-). Contemporary. Full sc...(+)
Elixir Of Sorrows.
Composed by Carter Pann
(1972-). Contemporary.
Full score (study). With
Standard notation.
Composed 2015. 8 pages.
Duration 4 minutes.
Theodore Presser Company
#114-41751S. Published by
Theodore Presser Company
(PR.11441751S).
Chamber Orchestra; Viola; Violin (Study Score) SKU: HL.14023605 For Vi...(+)
Chamber Orchestra; Viola;
Violin (Study Score)
SKU: HL.14023605
For Violin, Viola and
Chamber Orchestra.
Composed by Michael
Nyman. Music Sales
America. Classical.
Studyscore. Composed
2002. 118 pages. Chester
Music #CH61649. Published
by Chester Music
(HL.14023605).
ISBN
9780711992412.
9.25x12.0x0.38
inches.
Drowning By
Numbers, arranged by the
composer from his
sound-track for the film
by Peter Greenaway for
Violin, Viola, and
Chamber Orchestra. This
work was commissioned by
the London Mozart
Players, and first
performed December 1998
at the Warwick Arts
Centre. Duration 20
minutes. Full Score and
parts are available on
hire from the publishers.
Instrumentation: Solo
Violin, Solo Viola, 2
Flutes, Oboe, Cor
Anglais, 2 B Flat
Clarinets, 2 Bassoons, 2
Horns in F, 2 Trumpets in
C, Bass Trombone, Piano,
Strings (8.6.4.4.2).
Orchestra 2 Bassoons, 2
Clarinets in Bb, 2
Flutes, 2 Oboes, 2
Trombones, 3 Percussion,
3 Trumpets in C, 4 Horns
in F, Bass Clarinet, Bass
Trombone, Piccolo, Solo
Violin, Strings, Timpani
SKU: PR.416414600
For violin and
Orchestra. Composed
by Samuel Adler.
Premiere: Tulsa Symphony
Orchestra, Siwoo Kim,
violin; Tulsa, OK.
Contemporary. Full score.
With Standard notation.
Composed 2012. Duration
20 minutes. Theodore
Presser Company
#416-41460. Published by
Theodore Presser Company
(PR.416414600).
Chamber Music Violin SKU: PR.144405330 For solo violin. Composed b...(+)
Chamber Music Violin
SKU: PR.144405330
For solo violin.
Composed by Francis
Thorne. Contemporary.
Performance Score. With
Standard notation. 4
pages. Duration 9
minutes. Theodore Presser
Company #144-40533.
Published by Theodore
Presser Company
(PR.144405330).
Chamber Music Violin SKU: PR.114418540 For solo violin. Composed b...(+)
Chamber Music Violin
SKU: PR.114418540
For solo violin.
Composed by James
Matheson. -. Premiere:
Jennifer Koh, violin.
Contemporary. Solo part.
With Standard notation.
Composed 2015. 4 pages.
Duration 2 minutes.
Theodore Presser Company
#114-41854. Published by
Theodore Presser Company
(PR.114418540).
ISBN
9781491109779. UPC:
680160642052. 9x12
inches.
James
Matheson's CAPRICCIO was
composed for Jennifer Koh
who premiered it as part
of the 2016 NY
Philharmonic Biennial.
Playing against the
expectations of
flamboyant violin
caprices, Matheson's work
is dramatically, even
eerily quiet throughout
its entirety and inspired
by the arpeggiated
preludes from Bach's
suites. As in the Bach
preludes, Matheson's
study in
motivically-phrased 16th
notes has no marked
tempo, offering
performers a vastly broad
spectrum to express this
quiet exploration. For
advanced violinists.
(Solo Violin). By Samuel Adler. Solo instrument. For Violin. Premiere: Zvi Zeitl...(+)
(Solo Violin). By Samuel
Adler. Solo instrument.
For Violin. Premiere: Zvi
Zeitlin, New York, 1977.
Contemporary. Solo part.
Standard notation.
Composed DECEMBER 1975. 4
pages. Duration 8
minutes. Published by
Carl Fischer . solo
part. contemporary.
Violin solo - Level 6 SKU: KU.GM-1957 For Violin Solo. Composed by...(+)
Violin solo - Level 6
SKU: KU.GM-1957
For Violin Solo.
Composed by Yardani
Torres Maiani. Edited by
Yardani Torres Maiani.
Bach format (230 x 302).
Staple Bound. Solo part.
4 pages. Duration 6
minutes. Edition
Kunzelmann #GM-1957.
Published by Edition
Kunzelmann (KU.GM-1957).
ISBN
9790206208508.
Yaha
iouniis a word that comes
from the Arabic language
and means the light that
shines in the eyes. This
capriccio-shaped piece is
a free interpretation of
the musical style of the
compas moro, literally
translated Moorish
rhythm. Traditional
instruments like rabab or
ney are imitated with a
very peculiar
scordatura.
Orchestra 2 Bassoons, 2
Clarinets in Bb, 2
Flutes, 2 Oboes, 2
Trombones, 3 Percussion,
3 Trumpets in C, 4 Horns
in F, Bass Clarinet, Bass
Trombone, Piccolo, Solo
Violin, Strings, Timpani
SKU: PR.41641460L
For violin and
Orchestra. Composed
by Samuel Adler.
Premiere: Tulsa Symphony
Orchestra, Siwoo Kim,
violin; Tulsa, OK.
Contemporary. Large
Score. With Standard
notation. Composed 2012.
Duration 20 minutes.
Theodore Presser Company
#416-41460L. Published by
Theodore Presser Company
(PR.41641460L).
Orchestra 2 Bassoons, 2 Clarinets (Clarinet II doubles on Bass Clarinet), 2 Oboe...(+)
Orchestra 2 Bassoons, 2
Clarinets (Clarinet II
doubles on Bass
Clarinet), 2 Oboes (Oboe
II doubles on English
Horn), 2 Trombones
(Trombone II doubles on
Bass Trombone), 2
Trumpets in C, 3 Flutes
(Flute III doubles on
Piccolo), 4 Horns in F,
Harp, Piano/Cel, Timpani
SKU: PR.44641253L
For violin and
Orchestra. Composed
by Stephen Jaffe.
Contemporary. Large
Score. With Standard
notation. Composed
Dec-99. Duration 35
minutes. Theodore Presser
Company #446-41253L.
Published by Theodore
Presser Company
(PR.44641253L).
For Violin and
Orchestra. Composed
by Behzad Ranjbaran.
Contemporary. Large
Score. With Standard
notation. Composed 1994.
144 pages. Duration 31
minutes. Theodore Presser
Company #416-41366L.
Published by Theodore
Presser Company
(PR.41641366L).
UPC:
680160585755.
From
my early years studying
violin at the Tehran
Music Conservatory, I was
captivated by the sound
of the kamancheh, an
ancient Persian bowed
instrument considered one
of the ancestors to the
modern violin. I was
pleased when the National
Endowment for the Arts
awarded me a grant to
write a violin concerto
as it provided me with an
occasion to rekindle my
fascination with the
kamancheh. The notion of
writing a violin concerto
that would incorporate
the power and brilliance
of a modern instrument
with the delicate and
lyrical character of an
ancient one was simply
irresistible. Moreover,
the inspiration from the
kamancheh also informed
my use of Persian modes,
melodic, and rhythmic
figures. The notes of the
violins open strings (G,
D, A, E) also influenced
many of the melodic and
harmonic elements of my
violin concerto. The
opening tutti is mostly
based on intervals of a
perfect 4th and 5th. The
primary material for each
movement incorporates
notes of two of the open
strings of the violin,
creating a three-note
melodic motif as the
basis of themes: 1 st
movement: A-D-A 2nd
movement: D-G-D 3rd
movement: E-A-E The
overall structure of the
concerto is organic and
cyclical, as themes are
shared between the three
movements. For example,
the main musical idea of
the third movement is a
transformation of the
first movements primary
theme. While the
movements share similar
musical materials, each
one is defined by
distinguishing
characters. The first
movement is conflicted;
alternating between
sections of unabashed
lyricism and unforgiving
ferocity. The second
movement is haunting,
mysterious, and
expressive with long
melodic lines that vary
continuously. It moves
through different moods
and characters including
a reimagining of a
traditional Persian
wedding tune played by
the orchestra (m. 98).
The third movement is
festive in character and
features much brilliant
passagework for the solo
violin. At the climax of
this movement, themes
from the previous
movements re-emerge
simultaneously with
greater intensity,
propelling the concerto
to an energetic finale.
The Concerto was composed
in 1994 and is dedicated
to Joshua Bell. From
my early years studying
violin at the Tehran
Music Conservatory, I was
captivated by the sound
of the kamancheh, an
ancient Persian bowed
instrument considered one
of the ancestors to the
modern violin. I was
pleased when the National
Endowment for the Arts
awarded me a grant to
write a violin concerto
as it provided me with an
occasion to rekindle my
fascination with the
kamancheh. The notion of
writing a violin concerto
that would incorporate
the power and brilliance
of a modern instrument
with the delicate and
lyrical character of an
ancient one was simply
irresistible. Moreover,
the inspiration from the
kamancheh also informed
my use of Persian modes,
melodic, and rhythmic
figures. The notes of the
violinas open strings (G,
D, A, E) also influenced
many of the melodic and
harmonic elements of my
violin concerto. The
opening tutti is mostly
based on intervals of a
perfect 4th and 5th. The
primary material for each
movement incorporates
notes of two of the open
strings of the violin,
creating a three-note
melodic motif as the
basis of themes: 1 st
movement: A-D-A 2nd
movement: D-G-D 3rd
movement: E-A-E The
overall structure of the
concerto is organic and
cyclical, as themes are
shared between the three
movements. For example,
the main musical idea of
the third movement is a
transformation of the
first movementas primary
theme. While the
movements share similar
musical materials, each
one is defined by
distinguishing
characters. The first
movement is conflicted;
alternating between
sections of unabashed
lyricism and unforgiving
ferocity. The second
movement is haunting,
mysterious, and
expressive with long
melodic lines that vary
continuously. It moves
through different moods
and characters including
a reimagining of a
traditional Persian
wedding tune played by
the orchestra (m. 98).
The third movement is
festive in character and
features much brilliant
passagework for the solo
violin. At the climax of
this movement, themes
from the previous
movements re-emerge
simultaneously with
greater intensity,
propelling the concerto
to an energetic finale.
The Concerto was composed
in 1994 and is dedicated
to Joshua Bell. From
my early years studying
violin at the Tehran
Music Conservatory, I was
captivated by the sound
of the kamancheh, an
ancient Persian bowed
instrument considered one
of the ancestors to the
modern violin. I was
pleased when the National
Endowment for the Arts
awarded me a grant to
write a violin concerto
as it provided me with an
occasion to rekindle my
fascination with the
kamancheh. The notion of
writing a violin concerto
that would incorporate
the power and brilliance
of a modern instrument
with the delicate and
lyrical character of an
ancient one was simply
irresistible. Moreover,
the inspiration from the
kamancheh also informed
my use of Persian modes,
melodic, and rhythmic
figures. The notes of the
violin's open strings (G,
D, A, E) also influenced
many of the melodic and
harmonic elements of my
violin concerto. The
opening tutti is mostly
based on intervals of a
perfect 4th and 5th. The
primary material for each
movement incorporates
notes of two of the open
strings of the violin,
creating a three-note
melodic motif as the
basis of themes: 1 st
movement: A-D-A 2nd
movement: D-G-D 3rd
movement: E-A-E The
overall structure of the
concerto is organic and
cyclical, as themes are
shared between the three
movements. For example,
the main musical idea of
the third movement is a
transformation of the
first movement's primary
theme. While the
movements share similar
musical materials, each
one is defined by
distinguishing
characters. The first
movement is conflicted;
alternating between
sections of unabashed
lyricism and unforgiving
ferocity. The second
movement is haunting,
mysterious, and
expressive with long
melodic lines that vary
continuously. It moves
through different moods
and characters including
a reimagining of a
traditional Persian
wedding tune played by
the orchestra (m. 98).
The third movement is
festive in character and
features much brilliant
passagework for the solo
violin. At the climax of
this movement, themes
from the previous
movements re-emerge
simultaneously with
greater intensity,
propelling the concerto
to an energetic finale.
The Concerto was composed
in 1994 and is dedicated
to Joshua Bell. From
my early years studying
violin at the Tehran
Music Conservatory, I was
captivated by the sound
of the kamancheh, an
ancient Persian bowed
instrument considered one
of the ancestors to the
modern violin. I was
pleased when the National
Endowment for the Arts
awarded me a grant to
write a violin concerto
as it provided me with an
occasion to rekindle my
fascination with the
kamancheh. The notionof
writing a violin concerto
that would incorporate
the power and brilliance
of a modern instrument
with the delicate and
lyrical character of an
ancient one was simply
irresistible. Moreover,
the inspiration from the
kamancheh also informed
my use of Persian modes,
melodic, and rhythmic
figures.The notes of the
violin’s open
strings (G, D, A, E) also
influenced many of the
melodic and harmonic
elements of my violin
concerto. The opening
tutti is mostly based on
intervals of a perfect
4th and 5th. The primary
material for each
movement incorporates
notes of two of the open
strings of the violin,
creating a three-note
melodic motif as the
basis of themes:1 st
movement: A-D-A2nd
movement: D-G-D3rd
movement: E-A-EThe
overall structure of the
concerto is organic and
cyclical, as themes are
shared between the three
movements. For example,
the main musical idea of
the third movement is a
transformation of the
first movement’s
primary theme. While the
movements share similar
musical materials, each
one is definedby
distinguishing
characters. The first
movement is conflicted;
alternating between
sections of unabashed
lyricism and
unforgivingferocity. The
second movement is
haunting, mysterious, and
expressive with long
melodic lines that vary
continuously. It moves
through different moods
and characters including
a reimagining of a
traditional Persian
wedding tune played by
the orchestra (m. 98).
The third movement is
festive in character and
features much brilliant
passagework for the solo
violin. At the climax of
this movement, themes
fromthe previous
movements re-emerge
simultaneously with
greater intensity,
propelling the concerto
to an energetic finale.
The Concerto was composed
in 1994 and is dedicated
to Joshua Bell.
Violin solo SKU: KU.GM-1160 Composed by Remo Lauricella. Edited by Remo L...(+)
Violin solo
SKU:
KU.GM-1160
Composed
by Remo Lauricella.
Edited by Remo
Lauricella. Bach format
(230 x 302). In A Folder.
Solo part. 4 pages.
Duration 9 minutes.
Edition Kunzelmann
#GM-1160. Published by
Edition Kunzelmann
(KU.GM-1160).
Orchestra (2 flutes (2nd
flute doubling piccolo),
2 oboes, 2 clarinets in
bb, 2 bassoons, 4 french
horns in f, 2 trumpets in
c, 2 trombones, 1 bass
trombone, 1 tuba,
percussion 1: small
beijing opera gong,
marimba, tam-tam,
japanese high, wood
block, percussion 2: s)
SKU: PR.416415110
For Violin And
Orchestra. Composed
by Chen Yi. Contemporary.
Full score. With Standard
Notation. Duration 10
minutes. Theodore Presser
Company #416-41511.
Published by Theodore
Presser Company
(PR.416415110).
UPC:
680160621286.
Commi
ssioned by Kennesaw State
University Symphony
Orchestra in 2012,
Chinese Rap for violin
and orchestra is
premiered by Prof. Helen
Kim as the soloist and
the KSUSO led by Prof.
Michael Alexander at
Bailey Center in KSU, GA
on Feb. 17, 2014. The
work is inspired by
Chinese folk musical
story telling, Quyi, in a
form of mixed reciting
and singing style, with
interludes played by
percussion and plucking
instruments in
accompaniment. The folk
musical story telling is
sung in dialects from
different geographic
regions. I mixed all
these elements in a
complex three-part form,
with an introduction, a
cadenza in the middle,
and a coda as the frame
in the structure. The
melodies are delicate and
leisurely, and the
rhythmic parts are
energetic, vivid and
lively. There are big
contrasts between
sections, which are
juxtaposed and connected
smoothly and
congenially. Commissio
ned by Kennesaw State
University Symphony
Orchestra in 2012,Chinese
Rap for violin and
orchestra is premiered by
Prof. Helen Kim as
thesoloist and the KSUSO
led by Prof. Michael
Alexander at Bailey
Center inKSU, GA on Feb.
17, 2014. The work is
inspired by Chinese folk
musical storytelling,
Quyi, in a form of mixed
reciting and singing
style, with
interludesplayed by
percussion and plucking
instruments in
accompaniment. The
folkmusical story telling
is sung in dialects from
different geographic
regions. Imixed all these
elements in a complex
three-part form, with an
introduction, a cadenza
in the middle, and a coda
as the frame in the
structure. The melodies
are delicate and
leisurely, and the
rhythmic parts are
energetic, vivid and
lively. There are big
contrasts between
sections, which are
juxtaposed and connected
smoothly and
congenially.
Violin (Violin) SKU: HL.14028564 Composed by Kaija Saariaho. Music Sales ...(+)
Violin (Violin)
SKU:
HL.14028564
Composed
by Kaija Saariaho. Music
Sales America. Post-1900.
Book [Softcover].
Composed 2004. 4 pages.
Chester Music #CH67023.
Published by Chester
Music (HL.14028564).
ISBN 9781844493203.
8.25x11.75x0.051
inches.
Nocturne
was written in early 1994
and dedicated to the
memory of the Polish
composer, Witold
Lutoslawski. The piece is
an exploration of early
ideas for Kaija
Saariaho's violin
concerto, Graal Theatre,
which was premiered in
London at the 1995 BBC
Promenade Concerts by
Gidon Kremer. The first
performance of Nocturne
was by John Storgards on
16 February 1994 in
Helsinki. Nocturne lasts
around 6 minutes.
Orchestra (2 flutes (2nd
flute doubling piccolo),
2 oboes, 2 clarinets in
bb, 2 bassoons, 4 french
horns in f, 2 trumpets in
c, 2 trombones, 1 bass
trombone, 1 tuba,
percussion 1: small
beijing opera gong,
marimba, tam-tam,
japanese high, wood
block, percussion 2: s)
SKU: PR.41641511L
For Violin And
Orchestra. Composed
by Chen Yi. Contemporary.
Large Score. With
Standard Notation.
Duration 10 minutes.
Theodore Presser Company
#416-41511L. Published by
Theodore Presser Company
(PR.41641511L).
UPC:
680160621293.
Commi
ssioned by Kennesaw State
University Symphony
Orchestra in 2012,
Chinese Rap for violin
and orchestra is
premiered by Prof. Helen
Kim as the soloist and
the KSUSO led by Prof.
Michael Alexander at
Bailey Center in KSU, GA
on Feb. 17, 2014. The
work is inspired by
Chinese folk musical
story telling, Quyi, in a
form of mixed reciting
and singing style, with
interludes played by
percussion and plucking
instruments in
accompaniment. The folk
musical story telling is
sung in dialects from
different geographic
regions. I mixed all
these elements in a
complex three-part form,
with an introduction, a
cadenza in the middle,
and a coda as the frame
in the structure. The
melodies are delicate and
leisurely, and the
rhythmic parts are
energetic, vivid and
lively. There are big
contrasts between
sections, which are
juxtaposed and connected
smoothly and
congenially. Commissio
ned by Kennesaw State
University Symphony
Orchestra in 2012,Chinese
Rap for violin and
orchestra is premiered by
Prof. Helen Kim as
thesoloist and the KSUSO
led by Prof. Michael
Alexander at Bailey
Center inKSU, GA on Feb.
17, 2014. The work is
inspired by Chinese folk
musical storytelling,
Quyi, in a form of mixed
reciting and singing
style, with
interludesplayed by
percussion and plucking
instruments in
accompaniment. The
folkmusical story telling
is sung in dialects from
different geographic
regions. Imixed all these
elements in a complex
three-part form, with an
introduction, a cadenza
in the middle, and a coda
as the frame in the
structure. The melodies
are delicate and
leisurely, and the
rhythmic parts are
energetic, vivid and
lively. There are big
contrasts between
sections, which are
juxtaposed and connected
smoothly and
congenially.
Composed by Karl Ditters
von Dittersdorf. Edited
by Johannes Kirner.
Violin solo. Sacred vocal
music, Masses, Latin.
Single Part, Violin Solo.
Composed circa 1769. KreD
326. 4 pages. Duration 42
minutes. Carus Verlag #CV
27.035/11. Published by
Carus Verlag
(CA.2703511).
ISBN
9790007199166. Key: C
major. Language:
Latin.
Of the 19
Masses by Dittersdorf
which have been handed
down, the present Mass,
which is being published
for the first time,
enjoyed a special
popularity during the
composer's lifetime and
it was even performed for
the coronation of emperor
Franz II in the Frankfurt
Cathedral. This solemn,
prestigious Mass shows
evidence of choral
movements in traditional
contrapuntal church style
as well solo parts with a
modern, cantabile
character. In addition,
the Gloria includes a
lengthy virtuosic violin
solo, which also lends
the work a concertante
character (Dittersdorf
was a professional
violinist). Score and
part available separately
- see item
CA.2703500.
(For Solo Violin). By Samuel Adler. For Violin. Atonality, serialism, memorial, ...(+)
(For Solo Violin). By
Samuel Adler. For Violin.
Atonality, serialism,
memorial, eulogy. Solo
part. Standard notation.
4 pages. Duration 5
minutes. Published by
Theodore Presser Company