Violin Duets in the First Finger Pattern. By Sheila Nelson. (Violin). Boosey an...(+)
Violin Duets in the First
Finger Pattern. By Sheila
Nelson. (Violin). Boosey
and Hawkes Chamber Music.
Size 9x12 inches. 8
pages. Published by
Boosey & Hawkes.
With chords suitable for all melody instruments. By Dave Mallinson. For Fiddle. ...(+)
With chords suitable for
all melody instruments.
By Dave Mallinson. For
Fiddle. Songbook. Mally's
Presents. Celtic/Irish.
Level:
Beginning-Intermediate.
Book. Size 8.75x11.75. 44
pages. Published by Mel
Bay Publications, Inc.
The Orchestra Musician's CD-ROM Library, Volume 10. By Various. For Violin. The ...(+)
The Orchestra Musician's
CD-ROM Library, Volume
10. By Various. For
Violin. The Orchestra
Musician's CD-ROM
Library. CD-ROM only. 8
pages. Published by Hal
Leonard.
Violin - Grade 3.5 SKU: AP.50645 Composed by Mark Wood. Sheet; Solo. Mark...(+)
Violin - Grade 3.5
SKU: AP.50645
Composed by Mark Wood.
Sheet; Solo. Mark Wood
Series. Rock. Score. 8
pages. Alfred Music
#00-50645. Published by
Alfred Music (AP.50645).
ISBN 9781470652548.
UPC: 038081574998.
English.
Fireball
was originally composed
for the television
broadcast of the bike
race, Tour de France, for
CBS Sports. The footage
that inspired the
composer featured dozens
of bike racers at top
speed racing down a
mountain road. The stress
and competition forces
the riders into extremely
dangerous situations
reflected in the
music.
64 Pieces for Violin. By Pete Cooper. For Fiddle. Solos. Celtic/Irish. Level: In...(+)
64 Pieces for Violin. By
Pete Cooper. For Fiddle.
Solos. Celtic/Irish.
Level: Intermediate.
Book/CD Set. Size
8.75x11.75. 56 pages.
Published by Mel Bay
Publications, Inc.
By Bonnie Rideout. For Fiddle. Solos. Encyclopedia. Scottish. Level: Intermediat...(+)
By Bonnie Rideout. For
Fiddle. Solos.
Encyclopedia. Scottish.
Level: Intermediate.
Book. Size 8.75x11.75.
136 pages. Published by
Mel Bay Publications,
Inc.
by Stacy Phillips. For fiddle. All styles, fiddle tunes. Level: Multiple Levels....(+)
by Stacy Phillips. For
fiddle. All styles,
fiddle tunes. Level:
Multiple Levels. Book.
Solos. Size 8.75x11.75.
268 pages. Published by
Mel Bay Pub., Inc.
(Violin Easy Instrumental Play-Along Book with Online Audio Tracks). By Various....(+)
(Violin Easy Instrumental
Play-Along Book with
Online Audio Tracks). By
Various. For Violin
(Violin). Easy
Instrumental Play-Along.
Softcover. 8 pages.
Published by Hal Leonard
Violin, Oboe, Cello & Piano SKU: SU.32040060 For Violin, Oboe, Cello &...(+)
Violin, Oboe, Cello &
Piano
SKU:
SU.32040060
For
Violin, Oboe, Cello &
Piano. Composed by
Amy Riebs Mills. Chamber
Music, Piano
Quartet/Quintet. Score &
Parts. Subito Music
Corporation #32040060.
Published by Subito Music
Corporation
(SU.32040060).
Violin, Oboe,
Cello & Piano Duration:
6' Composed: 2012
Published by: Amy Mills
Music, LLC 3 movements I.
Seven Toes Down II. En
Pointe III. Muddy Boots
This charming suite has
three short movements,
each with its own
character. The suite
bursts open with
breathless energy. Seven
Toes Down is modal, in
7/8 time, with people
dancing in bare feet on
bare ground, so
vigorously that it kicks
up the dust. En Pointe
opens with a lovely
waltz, then it focuses in
on the tiny, delicate
movements of a ballerina
high up on her toes.
Muddy Boots is big strong
guys, covered with dirt
from a hard day of work,
practicing one-upmanship.
Different players have
the chance to show what
they can do, surrounded
by their friends. Then we
catch another glimpse of
the ballerina before
closing playfully with
Seven Toes Down.
Difficulty Level: 4
(Advanced) See composer
website for audio
sample.
Wood's Bolero Violon - Intermédiaire/avancé Alfred Publishing
Violin - Grade 4 SKU: AP.50644 Composed by Joseph Baldassare and Mark Woo...(+)
Violin - Grade 4
SKU:
AP.50644
Composed by
Joseph Baldassare and
Mark Wood. MakeMusic
Cloud; Sheet; Solo. Mark
Wood Series. Rock. Score.
8 pages. Alfred Music
#00-50644. Published by
Alfred Music (AP.50644).
Partita Violon SATB, Orchestre OR-TAV Music Publications
Violin SKU: OT.22090 Composed by Daniel Akiva. For violin solo. Classical...(+)
Violin
SKU:
OT.22090
Composed by
Daniel Akiva. For violin
solo. Classical. Score.
OR-TAV Music Publications
#22090. Published by
OR-TAV Music Publications
(OT.22090).
ISBN
9789655050738. 8.27 x
11.69
inches.
Daniel
Akiva's Partita for
violin solo consists of
six movements based
loosely on music of the
Sephardic Jews. It was
written for students as
performance material, and
dedicated to them.
Contents: Liturgical
Song Prayer
Supplication
Dance Kaddish
Supplication Daniel
Akiva is a composer,
performer, and educator
whose performances on
guitar and lute have won
great acclaim. Mr. Akiva
graduated from the Rubin
Academy of Music in
Jerusalem in 1981, where
he studied classical
guitar with Haim Asulin
and composition with Haim
Alexander. In 1987 he
completed his studies at
the Geneva Conservatorium
in Switzerland where he
studied lute with
Jonathon Rubin and
composition with Jean
Ballisa. For many years,
he headed the Music
Department at the WIZO
High School for the Arts
in Haifa, which he
founded in 1986, and
served as the Artistic
Director of the Guitar
Gems Festival from
2006-2019. As part of his
work at WIZO High School,
he has developed a method
for teaching free
improvisation that has
been incorporated into
the music program at the
school. Mr. Akiva has
appeared in concert as a
guitarist and lutist and
given master classes in
Israel, Europe, Russia,
the United States, and
Latin America. Daniel
Akiva’s
compositional output
includes works for solo
instruments, chamber
ensembles, choir, voice
and guitar, piano, and
chamber orchestra. His
works have been recorded
on twelve CDs, the latest
of which, Malchut, was
issued by OR-TAV in
2014. A native of
Haifa whose family has
lived in Israel for over
five hundred years, he
was steeped in the
Sephardic
(Jewish-Spanish)
tradition from his youth.
Much of his compositional
output has been devoted
to a dialogue with the
music of the Sephardic
Jews. Daniel Akiva has
also maintained a
creative dialogue over
many years with the poets
and writers Amnon
Shamash, Rivka Miriam,
and Avner Peretz.
Solo Violin SKU: SU.29110060 For Solo Violin. Composed by Wynton M...(+)
Solo Violin
SKU:
SU.29110060
For
Solo Violin. Composed
by Wynton Marsalis.
Strings, Violin.
Unaccompanied. Score.
Subito Music Corporation
#29110060. Published by
Subito Music Corporation
(SU.29110060).
1. Sidestep
Reel - In 19th
Century America, the
Afro-Celtic fiddle style
was the centerpiece of
many a dance. Reels and
hornpipes were very
popular forms. Their
repetitive, even-metered
rhythms were easy and fun
to dance to, and their
infectious singable
melodies stayed in the
mind and on the tongue.
More adventurous fiddlers
were given to syncopating
on these forms by
accenting off beats and
by embellishing melodies
with oddmetered note
groupings. Syncopation is
a fundamental rhythmic
attitude of jazz and this
movement is a celebration
of that art. The melodic
language is a home-grown
concoction of commonality
between traditional reels
and hornpipes and the
Baroque, Ragtime and the
quartal concepts of
Modern Jazz. 2. As the
Wind Goes - the
wistful late night song
of a lullabye, a campfire
song, a ballad...a
spiritual. It is sung as
if on the wind, yearning
to experience once again
that which will only ever
again live as memory. 3.
Jones’ Jig -
the Irish Jig, the
African 6/8 bell pattern,
the shuffle rhythm of
jazz and the drum style
of Elvin Jones all play
around with the
relationship of 3 in the
time-space of 2. The
juxtaposition,
negotiation and
reconciliation of these
opposing rhythmic
perspectives create
interesting musical
relationships all over
the globe. 4.
Nicola’s
Strathspey - In the
traditional Strathspey,
improvised
embellishments,
syncopated dotted rhythms
and the use of space
between notes create
expectation, momentum and
surprise. These same
elements and their effect
on the listener are the
same in the blues. It
seems like a natural
marriage. 5. Bye Bye
Breakdown - This is
good ol’, Saturday
night barn dance, hoedown
fiddling. It revels in
the whining cry of open
double stops, in all
types of musical
onomatopoeia from train
sounds to animal calls to
country whistling, and in
the steady 2/4 rhythm
that is as basic as
walking. The harmonic
framework of several
popular fiddle and folk
tunes provide a practical
grid for the cutting of
challenging melodic and
rhythmic figures. It is
designed to tire fiddler
and dancers out. Then we
stomp our way home in
varying states of delight
and disrepair.Solo Violin
Duration: 24' Composed:
2018 Published by: Wynton
Marsalis (administered by
Skayne's Music).