Par SUZUKI SHINICHI. Performed by Koji Toyoda. / Pédagogie / Accessoire / Violon

Par BRUCE-WEBER RENATE. Il Violino Felice is a Violin method for beginners by Renate Bruce-Weber, offering musically interesting and engaging materials, as well as a progressive and gradual path allowing beginners to acquire the necessary skills and techniques. Many of the songs used in the book have been taken from the popular repertoire, and are often appear twice or more, at different levels of technical difficulty. The idea of this is that developing an awareness of playing with others is essential, so the multiple parts allow pianists to play and create music together. / Pédagogie / Recueil / Violon

Par BACH JOHANN SEBASTIAN. Without any doubt J.S. Bach’s cycle of the three Sonatas and Partitas BWV 1001-1006 represents one of the pinnacles of classical European music. According to C.P.E. Bach a contemporary voice stated that there was „nothing more accomplished in order to become a good violinist“ than his father’s works. The cycle reflects the entire harmonic and polyphonic musical universe of Bach’s time, so masterfully composed that it can be rendered within the limited framework of but a single instrument – the violin. The new publication of the Sonatas and Partitas BWV 1001-1006 (BA 5256) constitutes a complete revision of our older edition (BA 5116). The musical text has been edited by Peter Wollny and represents the most up-to-date state of research as published in the New Bach Edition – Revised (NBArev), volume BA 5937-01. The edition is mainly based on Bach’s unusually clear autograph which is considered among the most beautiful manuscripts by the composer. All relevant secondary sources have been taken into consideration in order to clarify ambiguities. These include five contemporary copies, including one by Anna Magdalena Bach, and four manuscripts from the late 18th and early 19th centuries. The musical text has been newly engraved with a clear and generous layout, whereby page turns and pagination have been retained from the previous edition. This allows the straightforward navigation between a copy of the previous and this new edition. The detailed Preface (Ger/Eng) provides information on the genesis of the Sonatas and Partitas, their context and the sources./ Répertoire / Violon

Par CORELLI ARCANGELO. While the value of authenticity in the performance of Baroque music is now widely appreciated, many players still feel daunted by the task of realising the unadorned melodies and basses of Corelli’s Op. 5 Violin Sonatas in their original form. Fortunately, Gustav Jensen’s edition of these works provides an ideal solution to the problem. Carefully fingered and bowed, with the continuo sensitively arranged for harpsichord or modern piano, it presents the notated elements of a spirited and musically satisfying reading, while still leaving room for performers to shape their own interpretation. This volume includes sonatas No. 7 and No. 10 – both composed on the sonata dacamera pattern – and the celebrated La folia variations with which Corelli concluded his collection. Fiery and virtuosic, they have remained a favourite item in the violinist’s repertoire since their publication in Rome in 1700. The solo violin part is also included on a separate insert./ Répertoire / Violon et Clavier

Giuseppe Tartini (1692 - 1770) Quattro Sonate per Violino - Sonata Il Trillo del Diavolo (Bg5) per VL/BC - Sonata Didone Abbandonata (Bg10) per VL/BC - Sonata Senti lo Mare per (Be1) per VL/VC - Sonata La mia Filli (Ba3) per VL solo A cura di / Edited by Federico e Giovanni Guglielmo La pubblicazione è composta da: - Partitura - Parte di violino secondo le fonti originale - Parte di Violino con revisione violinistica - Parte del Basso La straordinaria riscoperta in tempi moderni della musica di Antonio Vivaldi è stata strettamente connessa sin dagli anni cinquanta dello scorso secolo alla meritoria prima edizione (più o meno completa) da parte dell'Istituto Italiano Antonio Vivaldi fondato da Antonio Fanna. In seguito, oltre ad avere pubblicato quasi la totalità delle composizioni del Prete Rosso l'Istituto veneziano ha corretto e attualizzato le sue più antiche edizioni alla luce delle nuove conquiste musicologiche e con una precisa attenzione a quelle che erano le istanze che provenivano dagli esecutori 'storicamente informati'. Giuseppe Tartini non ha goduto di altrettanta fortuna. Dopo alcune edizioni assai poco accurate (si potrebbe parlare piuttosto di reinterpretazioni, quali furono tra le altre quelle del leggendario violinista Fritz Kreisler e di Riccardo Zandonai), legate prevalentemente alla sopravvivenza ottocentesca di alcuni brani (in particolare il Trillo del Diavolo, la Didone Abbandonata e le variazioni L'Arte dell'Arco) nel corso del XX secolo poche edizioni davvero attendibili sono state date alle stampe, in primis quelle della collana a cura di Edoardo Farina e Claudio Scimone (Le opere di Giuseppe Tartini, Carisch) ma anche grazie all'azione isolata di violinisti (Giovanni Guglielmo) e musicologi (Enrica Bojan e Agnese Pavanello). Ancora oggi siamo ben lontani dalla possibilità di avere una moderna e completa edizione dell'opere del Maestro delle Nazioni anche se grazie all'instancabile lavoro di Sergio Durante e con l'istituzione del 'Comitato Tartini 2020' si intravedono nuovi slanci e grandi opportunità. La mancanza di edizioni attendibili per gli interpreti si è sovente riverberata sulle esecuzioni - fossero queste inserite in saggi scolastici, concorsi internazionali o recital dei più noti virtuosi - al punto che è stato quasi impossibile liberare le opere tartiniane da tutta una serie di istrionismi e di stilemi ottocenteschi che ormai si erano profondamente radicati alla percezione di queste opere. La presente edizione mira quindi non tanto a fornire una nuova edizione critica (talune, ottime, già esistono) di queste quattro Sonate che sono state scelte per la loro notorietà, rappresentatività e bellezza quanto piuttosto a garantire agli interpreti, siano essi giovani studenti o affermati professionisti, un testo coerente e corretto. Per questo motivo in aggiunta ad una parte di violino priva di segni interpretativi abbiamo ritenuto utile introdurre una seconda parte di violino con diteggiature ed indicazioni dinamiche che potranno essere di giovamento sia per gli interpreti 'tradizionali' che per quelli interessati alle prassi esecutive storiche. Federico Guglielmo

Edited By Renato Zanettovich. Par KAYSER HEINRICH ERNST. All 36 studies for violin from H. E. Kayser combined in one volume. This revision of the Studies by Kayser will help beginners get used to adopting rational fingerings right from the start. However complicated they may seem at first sight, rational fi ngerings actually provide more reliable solutions, even to the minor technical problems encountered in these elementary studies. Some passages use the second position (sometimes to avoidunnecessary extensions) on the assumption that anyone using these studies will already have begun to practise the positions. The fi ngerings placed in brackets are either more demanding or given as an alternative; the teacher will be able to guide thestudent as to which option to choose. Finally, I have prefaced almost all the studies with preparatory exercises and variants ( from the preface by Renato Zanettovich). / Niveau : Facile à Intermédiaire / Etudes et exercices / Date parution : 1905-07-05/ Etude / Violon

A special double-CD bumper compilation. Twenty-one chart hits, ballads, film themes and classic songs in melody line arrangements for Violin with specially recorded backing tracks. Includes music by Moby, Destiny\'s Child, Abba and tunes from the films \'Ocean\'s 11\', \'Moulin Rouge\' and \'Chocolat\'. / Violon

Par SCHENCK JOHANN. 4 Sonatas for Solo Viol by Schenck. Sonata V in E minor Sonata VI in A minor (from ; L'Echo du Danube Op. 9) Sonata IV in A minor Sonata V in D minor (from the Viennese Codex 16598. 3)/ Recueil / Viole de Gambe

Six Sonatas For Violin Solo. Par BACH JOHANN SEBASTIAN (TR.BRAHMS JOHANNES). Revision faithfully reconstructed, according to the autograph manuscript, with suggestions for interpretation and fingering by the eminent violinist and teacher Rodolfo Lipizer. Preface and introduction in Italian, French, English and German. / Niveau : Difficile / Répertoire / Violon

This huge collection offers instrumentalists the chance to play 101 classical themes, including: Ave Maria (Bach/Gounod and Schubert) - Bist du bei mir (You Are with Me) (Stözel) - Canon in D (Pachelbel) - Clair de Lune (Debussy) - Dance of the Sugar Plum Fairy (Txhaikovsky) - 1812 Overture (Tchaikovsky) - Eine Kleine Nachtmusik (' Serenade”), First Movement Excerpt (Mozart) - The Flight of the Bumble Bee (Rimsky-Korsakov) - Funeral March of a Marionette (Gounod) - Für Elise (Beethoven) - Gymnopedie No. 1 (Satie) - Jesu, Joy of Mans Desiring (Bach) - Lullaby (Brahms) - Minuet in G (Bach) - Ode to Joy (Beethoven) - Piano Sonata in C (Mozart) - Pie Jesu (Fauré) - Rondeau (Mouret) - Swan Lake (Tchaikovsky) - Wedding March (Mendelssohn) - William Tell Overture (Rossini) - and many more./ Recueil / Violon

Par SUZUKI SHINICHI. The Suzuki philosophy is based upon the idea that children can learn music in the same manner they do their native language, through repetitive listening. This listening is then followed up with 1) Individual Instruction with a trained Suzuki teacher 2) Group lessons on a bi-weekly / weekly basis 3) Parent Involvement 4) Encouragement. Students begin lessons as early as two years old and through repetition of small and enjoyable steps begin building a music vocabulary / Méthode en anglais / Méthode / Violon

11 Christmas classics. Par ILES NIKKI. Violin Jazz on a Winter's Night is a Christmas album of stylish, swinging arrangements. Favourite Christmas carols and songs receive the complete jazz treatment, guaranteeing an authentic jazz sound, and a range of styles from Nat King Cole to John Coltrane. Violin Jazz On A Winter's Night features 11 Christmas classics, arranged for violinists at an intermediate level (Grades 4-7) by Nikki Iles. The pieces in this collection cover a wide range of styles, from swing to contemporary, and draw influence from some of the greatest jazz musicians of all time, including Frank Sinatra, Bill Evans, Vince Mendoza and Diana Krall. While paying homage to American Christmas jazz, Violin Jazz On A Winter's Night also reflects a European tradition and includes stylish, swinging arrangements of time-honoured classics such as In The Bleak Mid-Winter. Rhythm, embellishment, grooves and solos are all carefully notated and the expertise of the arranger, a celebrated jazz musician and composer, guarantees an authentic jazz sound. This book comes complete with a CD of full performances and backing tracks, recorded by violinist Ros Stephen and Nikki Iles, to help with interpretation and feel. / Niveau : Très Avancé / Recueil / Violon

Allerheiligentag V. Par LINJAMA JYRKI. The material for Jyrki Linjama's Allerheiligentag cycle is a Finnish folk chorale for All Saints' Day (no. 146 in the Finnish Hymn Book). The first work in the cycle is a string trio (2007), the second a piece for orchestra (2009), and the fourth and fifth are solo works for viola da gamba (2018) and Sonata for violin solo (2019). The composer tells: 'The choice of topic and material was originally influenced by the place where the string trio would be premiered ? the old church on the island of Seili (Själö) in the Turku archipelago. The bleak history of the mental hospital on the island invited images of suffering and death. I got so attached to the fine, bleak melody that this series of works began to emerge.' Lasting 17 minutes, the sonata for solo violin has three movements, all of them embracing the folk choral material and Béla Bartók?s influence in different ways. It was premiered by Kaija Saarikettu at the Kaustinen Chamber Music Festival in 2020. / Date parution : 2022-05-31/ Répertoire / Violon

Par DONT JACOB. with original fingering and bowing by the composer -additional markings and practical comments by Antje Weithaas / Rahmer, Dominik / Etude / Violon Solo