Douze Cahiers D'Etudes Revues, Annotées et Doigtées Par Mathieu Crickboom. Par CRICKBOOM MATHIEU. The masters of the violin have left us an inheritance of numerous books of remarkable studies and caprices. But the very abundance of this precious inheritance makes that an important part of it remains without profit, because it is impossible for the pupils to acquire or study these few thousands studies scattered in fifty big volumes. Very frequently, however, these studies are not classified in a progressive manner. Result of an inspiration which the pedagogical spirit could not always dominate or guide as it liked to, the first studies address themselves sometimes to the pupils who conjugate yet their first shifts with the most easy bow strokes, while the last are always of transcendent difficulty. Whatever be the chosen studies, once the first step is sourmounted, the pupils must do great efforts to realize imperfectly and in divided movements, difficulties which are beyond them. The result of this is: a considerable loss of time and sometimes even much discouragement. It follows at all events, that instead of practising fifty or sixty caprice studies in one year's time, the pupils can hardly study thirty. It is the desire to remedy these multiple inconveniences, that has incited us to realize the present work and in order to accomplish it to search in the greatest works of the masters, the elements the most apt to insure rapidly to the young violinists, the most complete mecanism of the left hand and bow. These exceedingly numerous and diverse elements chosen in the old editions, have been re-examined, fingered and sometimes the nuances (shades) set by us, with the most care and then classified by degrees from the second to the eight year of study in a progressive manner. These books of studies will not bear their fruits however, unless the work is regulated from the second to the fifth year of teaching, by a good method and appropriated exercises. The studies cannot in reality during this period, replace neither a method nor the exercises, they have to be considered rather as an amplified rehearsal of elements learned elsewhere but still badly assimilated./ Méthode / Violon

Ces fabuleuses collections pour les joueurs de fonctionnalité de niveaux tous les 21 doivent savent chansons bluegrass and instrus, créés spécialement pour les joueurs de l'apprentissage par des artistes du genre. L'artiste joue un solo de base que les Etats de la mélodie de la mélodie, puis une improvisation plus aventureuse et chaque solo est transcrit en détail. Le CD fournit les versions audio des solos, ainsi que plusieurs pistes rythmique joué au tempo modéré pour le simple jeu-long. Cette grande série vous aidera à bâtir votre répertoire and obtenir votre licks en forme, donc vous pouvez briller dans votre prochaine exécution ou jam session ! / Violon

100 Irlandais Dance Tunes et Airs, sélectionnés par Matt Cranitch. Cette collection contient une sélection variée d'airs connus largement joués et moindre, divisé en rythmes de danse différents : double turluttes, diapositives, glissement turluttes, polkas, bobines, hornpipes, de définir des danses et des airs. La gamme des airs conviennent particulièrement pour le violon, mais peut être utilisé sur d'autres instruments. / Violon

Beautiful American Airs and Ballads. Par DUNCAN CRAIG. Beautiful American Airs and Ballads is a collection of 23 traditional American melodies that are particularly suited to being played on the fiddle. These are heartfelt tunes from the Revolutionary War and the Civil War eras along with Appalachian love songs and gems from the 19th and early 20th centuries. The arrangements include stylistic 'fiddle” phrasing and variations. Each of the tunes includes the fiddle melody with guitar accompaniment. Includes access to online audio. / Niveau : Intermédiaire / Recueil / Fiddle

for Violin. Instrumentalists will love this jam-packed collection of 101 holiday favorites!/ Recueil / Violon