By George Frideric Handel. Edited by Marx, Hans Joachim. For Violin 1/Violin 2. Single Part; Urtext Edition. HWV deest. Duration 16'. Published by Baerenreiter-Ausgaben (German import). (BA4248 74)

By Gottfried Heinrich Stolzel. Edited by Gottfried Gille. For Violin 1. Single Part. Published by Baerenreiter-Ausgaben (German import). (BA6388 74)

Chamber Music Violin

SKU: CF.BF115

Composed by Johann Sebastian Bach. Edited by Rachel Barton Pine. SWS. Collection. With Standard notation. 80 pages. Carl Fischer Music #BF115. Published by Carl Fischer Music (CF.BF115).

ISBN 9781491150993. UPC: 680160908493. 9x12 inches.

Johann Sebastian Bach’s (1685—1750) SixSonatas and Partitas have captivated violinistsfor centuries. Rachel Barton Pine—havingspent decades studying the music of Bach,his contemporaries, and his predecessors—now offers this unparalleled edition completewith detailed historical notes, performancesuggestions, and downloadable study materialsincluding a new Urtext edition and a speciallyprepared manuscript. Pine’s interpretationis informed by thorough historical study, which has been polished byyears of performance insight, but also encourages those studying Bach’srepertoire to craft their own unique interpretation of these timelessmasterpieces. This edition closely follows Pine’s critically acclaimed 2016recording “Testament: Complete Sonatas and Partitas for Solo Violin byJ.S. Bach” (Avie 2360) making it an invaluable resource for any student,teacher, or performer enthralled with J.S. Bach’s long standing legacy.Ms. Pine holds the distinction of being the only American and youngestperson to win the gold medal at the J.S. Bach International ViolinCompetition in Leipzig, Germany, 1992.
here is no one right way to play Bach. More thanalmost any repertoire, each individual’s interpretation isas unique as their personality. Though I have spent decadesstudying Bach’s music as well as that of his contemporariesand predecessors, my final rationale for artisticdecisions is often taste and instinct. Every violinist whoundertakes a lifetime’s journey with this incredible repertoireis continually discovering new ideas. Thus, theopinions on the following pages may evolve over time.However, everything in the sheet music closely follows my2016 recording “Testament: Complete Sonatas and Partitasfor Solo Violin by J.S. Bach” (Avie 2360), which I trulyfeel represents the culmination of my exploration intothese extraordinary works.In choosing to present this edition, my hope is thatyou will find useful solutions to challenges of fingering,bowing, and polyphony, and helpful information aboutphrasing. I have also included additional dynamic suggestionswith the hope that trying these ideas will help inspireyou to discover your own. All of these markings aredesigned to work with a baroque violin and baroque bow,a modern violin and baroque bow, or a modern violinand modern bow. While the information in this editionis unusually dense, there is much that I did not include,such as lifts, breaths, articulations, whether to play on oroff the string, metronome markings, details of timing,and emphases other than hemiolas.I offer this book to you in the spirit of Bach: “SoliDeo Gloria.”.

(for Violin). By Various. For Violin. Instrumental Solo. Softcover. 114 pages. Published by Hal Leonard

SATB vocal soli, SATB choir, 2 oboes, 2 clarinets, 2 trombones, timpani, violin solo, 2 violins, basso continuo

SKU: CA.2703511

Composed by Karl Ditters von Dittersdorf. Edited by Johannes Kirner. Violin solo. Sacred vocal music, Masses, Latin. Single Part, Violin Solo. Composed circa 1769. KreD 326. 4 pages. Duration 42 minutes. Carus Verlag #CV 27.035/11. Published by Carus Verlag (CA.2703511).

ISBN 9790007199166. Key: C major. Language: Latin.

Of the 19 Masses by Dittersdorf which have been handed down, the present Mass, which is being published for the first time, enjoyed a special popularity during the composer's lifetime and it was even performed for the coronation of emperor Franz II in the Frankfurt Cathedral. This solemn, prestigious Mass shows evidence of choral movements in traditional contrapuntal church style as well solo parts with a modern, cantabile character. In addition, the Gloria includes a lengthy virtuosic violin solo, which also lends the work a concertante character (Dittersdorf was a professional violinist). Score and part available separately - see item CA.2703500.