SKU: HL.48180105

UPC: 888680794972. 9x12 inches.

Georges Catherine (1872-1958) is best remembered as a prolific violinist in the orchestra of the Paris Opera. However, he was also a prominent teacher and his Complete Study of the Violin has aided the development of violin technique since its publication in 1948. The first volume, Study of the Mechanism of the Bow considers all bow markings found in music, and substantial notes on how to address each technique. Each bowing technique is accompanied by a sizeable exercise in order to practise and perfect the technique. Comprising 42 detailed bowing studies, Study of the Mechanism of the Bow from Complete Study of the Violin by violin virtuoso, Georges Catherine cannot be missed by aspiring players of the instrument.

SKU: HL.14045639

ISBN 9788438701157. Spanish.

SKU: HL.14045618

ISBN 9788438701140. Spanish.

SKU: HL.48181472

UPC: 888680842581. 9.0x12.0x0.141 inches.

M. Hauchard: Exercices de Mecanisme Vol.2 (Violin solo).

SKU: FZ.5826

ISBN 9790230658263. 24.00 x 33.00 cm inches.

These early music methods are in facsimile in three books. Bartolomeo BISMANTOVA - Francesco GEMINIANI (1-2) - Giuseppe TARTINI (1) - Carlo TESSARINI (1) - Aurelio VIRGILIANO - Gasparo ZANNETTI. Table of contents: Virgiliano Aurelio: Il dolcimelo d'Aurelio Virgiliano - c. 1600. Zannetti Gasparo: Il scolaro di Gasparo Zannetti - 1645. Bismantova Bartolomeo: Compendio musicale - 1677. Tessarini Carlo: Gramatica di musica - 1741. Tartini Giuseppe: L'Arte del arco - 1748. Geminiani Francesco: A treatise of good taste - 1749. Geminiani Francesco: The art of playing on the violin - 1751. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of copies from: - National Library of Paris (France). - Civico Museo Bibiografico Musicale of Bologna (Italy). - Municipal Library of Reggio Emilia (Italy).
- Gemeente Museum of The Hague (Netherlands). Anne Fuzeau Classique propose the complete theoretic documentation, methods, classical music scores on the violin.

SKU: JK.01914

UPC: 093285019140.

The long-awaited and highly requested solo violin arrangement of Consider the Lilies is finally here! Jason Tonioli put his graceful touch to the piece that has impacted the hearts of people all around the world. The contemplative mood of this setting will be a beautiful addition to any funeral, sacrament meeting, church service, baptism, or sacred service. As recorded by Jason Tonioli and John Knudson. Violin part and Piano Accompaniment included.

Composer : Roger Hoffman
Arranger: Jason Tonioli
Difficulty: Intermediate
Matthew 6:28.

Positions 3 - 2 - ½ - a collection of over 30 pieces, some well-know and some not to develop playing between position 3, 2 and ½.

Positions 3-2-½ is een leerzame en prettige kennismaking met de verschillende vingerstanden zoals die voorkomen in de derde, tweede en halve positie. Deze uitgave is een logisch vervolg op Position 3 en Position 2,waarin een basis wordt gelegd voor het spelen in de derde en tweede positie. Op het gebied van de verschillende vingerstanden en de lees- en speelvaardigheid gaat Positions 3-2-½ verder. Het boek bevat 17 oefeningen en32 speelstukken in diverse stijlen. De begeleidings-cd maakt het boek compleet en zorgt voor extra speelplezier.

P ositions 3, 2 and ½ ist die neueste Ergänzung der Reihe der Bücher Position 3, Position 2, Positions 4 and 5 sowie Position Shifts. Positions 3, 2 and ½ behandelt den Zusammenhang zwischen den unterschiedlichen Tonarten mit bis zu drei Vorzeichen und den verschiedenen Griffmustern in der dritten und zweiten Lage. Danach kommt die halbe Lage an die Reihe. Das Buch enthält zahlreiche �bungen und Spielstücke in diversen Musikstilen sowie zwei Begleit-CDs.

Cet ouvrage est consacré l´étude des relations entre les tonalités dont lâ??armature présente jusquâ?? 3 dièses ou 3 bémols et les différents schémas de doigts en troisièmes et deuxième positions. Un chapitre entier est réservé lâ??étude de la demi-position. Positions 3-2-½ contient 17 exercices et 32 pièces variées avec accompagnement sur 2 compact discs.

5 pubblicazioni per apprendere facilmente a suonare con le prime posizioni.Positions 3-2-1/2 è il nuovo libro della serie. Affronta il cambio di tonalit fino a tre alterazioni e i vari esempi di impugnatura nella terza e seconda posizione. Viene quindi trattata la mezza posizione. La pubblicazione, corredata di due CD, contiene numerosi esercizi e brani in vari generi musicali.

SKU: LM.P00632

SKU: FG.55011-637-5

This collection of performing pieces for violin and piano is a supplement to the Colourstrings Violin ABC Book G2: Third Position and can be used individually as a repertoire book as well. The volume G of the Colourstrings Violin ACB tutors by Geza Szilvay studies every position of the violin in a separate volume. It offers art-pedagogical material in order to read confidently in the positions, to master the shifting movements and to understand why and when to use a particular position. Piano accompaniments of this publication are included in Colourstrings Violin ABC: Piano accompaniments for the books G1, G2 & G2 supplement (ISMN 9790550116467).

SKU: HL.50499695

ISBN 979080148853. 9.0x12.0x0.063 inches. Andras Szollosy; Mihaly Barta.

Andras Szollosy (1921-2007) was one of the most significant Hungarian composers of the second half of the 20th century, yet his oeuvre has not become as well-known as that of Gyorgy Ligeti, two years his junior, or of Gyorgy Kurtag, five years his junior. Szollosy did not compose many works and he was strict about which of them he would allow to go public. As a younger colleague of his once remarked: He only composed his good works. Szollosy's Sonata for Solo Violin, which was written at the age of 26 and was publicly performed only in 2006, almost 60 years after its composition, fell victim to his self-criticism. Although the model of Bartok's Sonata for Solo Violin of just three years earlier was obviously on the young composer's mind, he was no epigone of the great master. From the aspect of both composition and instrumental technique, the 11-minute Sonata for Solo Violin represents exacting and prominent music, and is a remarkable piece among works written for the violin in 20th-century Hungarian music. The score of the posthumously published work was edited by the soloist of its world premiere, Michael Barta.

SKU: PO.UME10

ISBN 9781877564901.

The Sonata for Solo Violin (1969) demonstrates the consummate craftsmanship and refinement in Carr's writing. Central to this work is an exploration of the melodic and expressive possibilities of the violin within the framework of a 12-tone system. A variety of meticulous bowing articulations are juxtaposed against one another throughout the four contrasting movements of the work. The score also calls for extreme dynamic and registral changes, which adds to its virtuosic and challenging appeal as a highly expressive work. It is also intriguing to study as a representative 12-tone work in considering the reception of European modernism within New Zealand composition during the late 1960s.

SKU: HL.50565826

STRSOL inches. French.

Perpetuel, Beyrouth-Jerusalem and Arminia are collected in the present edition for violin solo.

Bechara El-Khoury, the Franco-Lebanese composer and poet was born in Beirut on March 18, 1957. His artistic gifts were revealed very early. Hecompleted his musical training in Lebanon with Hagop Arslanian and groomed himself into becoming an accomplished composer, pianist, conductor, chorus-master and poet. He was celebrated as a child prodigy, with some hundred musical compositionswritten between 1969 -- when he was only twelve -- and 1978.

His compositions are dominated by symphonic and concertante writings, his works being the expression of humanism based on an underlyingChristian spirituality. (Gerald Hugon).

SKU: M7.BRP-264

SKU: HL.50565834

Tarab premiered by David Grimal in le Volcan, Scene Nationale du Havre, on April 23rd 2010. Born in 1948 in Rome, Philippe Hersant studied music at the Paris Conservatory, notably in the composition class of Andre Jolivet, before residing at the Casa Velasquez from 1970 to 1972 and then at the Villa Medici from 1978 to 1980. Since 1973 he has been a producer for radio broadcasts with France Musiques . Refusing to play tricks with history, Philippe Hersant has forged a language that extends the course of Western music as a whole, and, without ever seeking to establish a school, he was one of the first of his generation to place himself, once more, in the domain of tonality and modality. He does not, for all that, banish all neo-classical tendencies. On the contrary, he champions the mannerism and the deep subjectivity of his memory as sources and guides to creation.