Edited by David Brody. For violin. Format: fake book. With lead melody, chord na...(+)
Edited by David Brody.
For violin. Format: fake
book. With lead melody,
chord names,
instructional text and
performance notes. Folk,
americana and british.
302 pages. 9x12 inches.
Published by Oak
Publications.
(Violin). Arranged by Various. For Violin. Book; CD; Play-Along; String Series. ...(+)
(Violin). Arranged by
Various. For Violin.
Book; CD; Play-Along;
String Series. Top Hits
Instrumental Solos. Pop;
Rock. Grade 2; Grade 3.
28 pages. Published by
Alfred Music
Chamber Music Clarinet, Contrabass, Percussion, Piano, Violin, tenor Saxophone <...(+)
Chamber Music Clarinet,
Contrabass, Percussion,
Piano, Violin, tenor
Saxophone
SKU:
PR.114413040
For
violin, Bb Clarinet, Bb
Tenor Saxophone, Double
Bass, Piano, and
Percussion. Composed
by Chen Yi. Saddle.
Premiered at Kerrytown
Concert House in Ann
Arbor, MI. Contemporary.
Set of Score and Parts.
With Standard notation.
Composed 2006.
16+3+2+2+2+3+2 pages.
Duration 5 minutes.
Theodore Presser Company
#114-41304. Published by
Theodore Presser Company
(PR.114413040).
UPC:
680160571628. 8.5 x 11
inches.
Commissione
d by the Opus 21
ensemble, this mixed
sextet is a musical
realization of Chinese
clay figurines of the
Eastern Han (25-220
A.D.). Shapes of the
enraptured storyteller,
the vivid acrobat, and
the moving dancers are in
highly exaggerated forms
and postures, in large
and sweeping movements
— the innocent and
bold images symbolize the
strength, motion, and
speed, as the beauty of
the crude and primitive
power of humanity in its
conquest of the material
world. The mixed
sextet The Han Figurines
is a musical realization
of my impression of the
Chinese clay figurines of
the Eastern Han (25-220
A.D.). Â Have you seen
the shapes of the
enraptured storyteller,
the vivid acrobat, and
the moving dancers with
long sleeves? Â They
are in highly exaggerated
forms and postures, in
large and sweeping
movements — the
innocent and bold images
symbolize the strength,
motion, and speed.
 It’s the
beauty of the crude and
primitive power of
humanity in its conquest
of the material
world.—Chen
Yi.
Chamber Music Clarinet, Contrabass, Percussion, Piano, Violin, tenor Saxophone <...(+)
Chamber Music Clarinet,
Contrabass, Percussion,
Piano, Violin, tenor
Saxophone
SKU:
PR.11441304S
For
violin, Bb Clarinet, Bb
Tenor Saxophone, Double
Bass, Piano, and
Percussion. Composed
by Chen Yi. Premiered at
Kerrytown Concert House
in Ann Arbor, MI.
Contemporary. Full score.
With Standard notation.
Composed 2006. 16 pages.
Duration 5 minutes.
Theodore Presser Company
#114-41304S. Published by
Theodore Presser Company
(PR.11441304S).
UPC:
680160620357. 8.5 x 11
inches.
The mixed
sextet The Han Figurines
is a musical realization
of my impression of the
Chinese clay figurines of
the Eastern Han (25-220
A.D.). Have you seen the
shapes of the enraptured
storyteller, the vivid
acrobat, and the moving
dancers with long
sleeves? They are in
highly exaggerated forms
and postures, in large
and sweeping movements --
the innocent and bold
images symbolize the
strength, motion, and
speed. It's the beauty of
the crude and primitive
power of humanity in its
conquest of the material
world. --Chen Yi. The
mixed sextet The Han
Figurines is a musical
realization of my
impression of the Chinese
clay figurines of the
Eastern Han (25-220
A.D.). Â Have you seen
the shapes of the
enraptured storyteller,
the vivid acrobat, and
the moving dancers with
long sleeves? Â They
are in highly exaggerated
forms and postures, in
large and sweeping
movements — the
innocent and bold images
symbolize the strength,
motion, and speed.
 It’s the
beauty of the crude and
primitive power of
humanity in its conquest
of the material
world.—Chen
Yi.
Violin (Violin) SKU: HL.14021026 Composed by Sir Peter Maxwell Davies. Mu...(+)
Violin (Violin)
SKU:
HL.14021026
Composed
by Sir Peter Maxwell
Davies. Music Sales
America. Exam Material.
Songbook . Composed 2000.
4 pages. Chester Music
#CH61785. Published by
Chester Music
(HL.14021026).
8.25x11.5x0.017
inches.
This
unaffected but effective
piece is a homage to the
late Marjorie Linklater,
a much-loved friend from
Orkney, and a charming
set-piece for violinists
of moderate ability. The
slow introductory adagio
serves the function of a
fond elegy, proving the
simple effect of moving
between D minor and D
major. It serves the
songful quality of the
violin, as does the
wistful central episode
of the main sequence; but
an exuberant love of the
dance is the essence of
the allegro, with the
high, bright sonority of
the instrument very much
to the fore. It was first
performed by Julia
Robinson Dean at the St
Magnus Festival, Orkney,
on 21st June 1998.
Arranged for solo violin.
Duration c. 4
minutes.
A violin method for children age four and older. Composed by Egon Saßmannshau...(+)
A violin method for
children
age four and older.
Composed
by Egon Saßmannshaus and
Kurt
Sassmannshaus. Stapled.
With a
Chinese text booklet.
Performance score.
Baerenreiter Verlag
#BA10753.
Published by Baerenreiter
Verlag
(A violin method for children age four and older). By Egon Sassmannshaus; Kurt S...(+)
(A violin method for
children age four and
older). By Egon
Sassmannshaus; Kurt
Sassmannshaus. For
violin. This edition:
Stapled. Barenreiter's
Sassmannshaus. With a
French text supplement.
Instructional.
Performance score,
Teaching material. Text
Language: English/French.
64/11 pages. Published by
Baerenreiter Verlag
Score and Parts Mixed Ensemble (Score & Parts) SKU: HL.233289 For Viol...(+)
Score and Parts Mixed
Ensemble (Score & Parts)
SKU: HL.233289
For Violin,
Vibraphone, Piano,
Sustaining Keyboard and
Contrabass. Composed
by John Luther Adams.
Music Sales America.
Classical. Set. Duration
1800 seconds. Chester
Music #CH85987. Published
by Chester Music
(HL.233289).
12.0x9.25x0.43
inches.
Score and
separate parts with
spiral-bound
keyboard/organ part.
Number 5, 1950 was Mark
Rothko's last painting
before the breakthrough
into his mature format.
In it the luminous color
fields of a classic
Rothko are inscribed
across the middle with
three delicate lines.
Describing this painting
and its pivotal position
in Rothko's work, Brian
O'Doherty observes:
'After this, the lines
disappear completely.' In
recent years gesture and
figuration have
disappeared from my
music. What used to be
background has emerged to
become a musical world
composed entirely of
floating color fields. In
this new world I've
changed media, moving
from the orchestra to
smaller combinations of
acoustical instruments
and
electronically-processed
sounds. I still think in
orchestral terms, but
this hybrid medium allows
me to create orchestral
textures for more
practical and readily
available ensembles.
Initially I imagined this
as a kind of monolithic
music -an entire piece as
one rich and complex
sound. Then I came to
hear it as homophonic or
heterophonic. And now -
in this musical world
that I thought was
completely free of lines
- I've come to hear a
polyphony of harmonic
clouds. Maybe the lines
never disappear
completely. Maybe
Christian Wolff was right
when he quipped: 'No
matter what we do, sooner
or later it all sounds
melodic.' - John Luther
Adams.
CD; CD Recording; Masterworks. Naxos My First... Series. 20th Century; Baroque; ...(+)
CD; CD Recording;
Masterworks. Naxos My
First... Series. 20th
Century; Baroque;
Classical; Contemporary;
Masterwork; Romantic.
Beginner. Published by
Alfred Music
