(Violin). For Violin.
Book; CD; Play-Along;
String Series.
Instrumental Solos
Series. Pop; Pop/Rock.
Grade 2; Grade 3. 52
pages. Published by
Alfred Music
Critical Edition Violin Solo Part. Composed by Erich Wolfgang Korngold (1897- ...(+)
Critical Edition Violin
Solo
Part. Composed by Erich
Wolfgang Korngold (1897-
1957). LKM Music.
Classical.
Softcover. Lauren Keiser
Music Publishing
#S510015.
Published by Lauren
Keiser
Music Publishing
Your favourite ABRSM violin exam pieces. Composed by Penny Stirling. ABRS...(+)
Your favourite ABRSM
violin exam pieces.
Composed by Penny
Stirling. ABRSM Exam
Pieces. 48 pages.
Published by ABRSM
(Associated Board of the
Royal Schools of Music)
(A3.9781848499355).
Violin - Beginning SKU: MB.99292FM Composed by Craig Duncan. Saddle-stitc...(+)
Violin - Beginning
SKU: MB.99292FM
Composed by Craig Duncan.
Saddle-stitched,
Classical, French
Language, Children and
Young Beginner, Method,
Folk. First Lessons.
Style. Book and online
audio. 32 pages. Mel Bay
Publications, Inc
#99292FM. Published by
Mel Bay Publications, Inc
(MB.99292FM).
Ensemble; Violin (Score) SKU: HL.50600895 For Violin Solo and Ensemble...(+)
Ensemble; Violin (Score)
SKU: HL.50600895
For Violin Solo and
Ensemble. Composed by
Bella, Má, and
té. Contemporary
Music. EMB. Classical.
Softcover. 44 pages.
Duration ca 10'. Editio
Musica Budapest #Z14924.
Published by Editio
Musica Budapest
(HL.50600895).
ISBN
9790080149249.
12.25x9.25x0.405 inches.
Mate Bella.
Trance
means an altered state of
mind in which a person
becomes capable of
communicating with
spirits by the means of a
ritual. Echo like sounds
have a significant role
in the piece, they were
achieved by aleatoric as
well as metric materials.
Our prehistoric ancestors
experienced echo as a
side effect of rituals
they performed, basically
they heard the echo of
their own voices but they
believed these sounds
came from their
ancestors. As 2013 was
the 90th anniversary of
Gyorgy Ligeti's birth, my
piece pays respect to his
musical heritage. In this
regard the piece
references Ligeti's
artistic aesthetics and
in some cases uses direct
musical quotations.(Mate
Bella, 2013)The work won
first prize at the 2013
New Hungarian Music Forum
In memoriam Gyorgy Ligeti
composer's competition in
chamber music category.
It was premiered by
Katalin Kokas and the
Hungarian Radio Symphony
Orchestra conducted by
Gergely Vajda on 25
September 2013 in
Budapest.
Violin SKU: HL.50499695 First edition. By Barta. By Andras Szollos...(+)
Violin
SKU:
HL.50499695
First
edition. By Barta. By
Andras Szollosy. Edited
by Barta Mihaly. 20th
Century. EMB. Classical,
Contemporary. Softcover.
Composed 2014. 8 pages.
Editio Musica Budapest
#Z14885. Published by
Editio Musica Budapest
(HL.50499695).
ISBN
979080148853.
9.0x12.0x0.063 inches.
Andras Szollosy; Mihaly
Barta.
Andras
Szollosy (1921-2007) was
one of the most
significant Hungarian
composers of the second
half of the 20th century,
yet his oeuvre has not
become as well-known as
that of Gyorgy Ligeti,
two years his junior, or
of Gyorgy Kurtag, five
years his junior.
Szollosy did not compose
many works and he was
strict about which of
them he would allow to go
public. As a younger
colleague of his once
remarked: He only
composed his good works.
Szollosy's Sonata for
Solo Violin, which was
written at the age of 26
and was publicly
performed only in 2006,
almost 60 years after its
composition, fell victim
to his self-criticism.
Although the model of
Bartok's Sonata for Solo
Violin of just three
years earlier was
obviously on the young
composer's mind, he was
no epigone of the great
master. From the aspect
of both composition and
instrumental technique,
the 11-minute Sonata for
Solo Violin represents
exacting and prominent
music, and is a
remarkable piece among
works written for the
violin in 20th-century
Hungarian music. The
score of the posthumously
published work was edited
by the soloist of its
world premiere, Michael
Barta.
Chamber Music Violin SKU: PR.144407530 Composed by Lauren Bernofsky. 12 p...(+)
Chamber Music Violin
SKU: PR.144407530
Composed by Lauren
Bernofsky. 12 pages.
Duration 10 minutes, 30
seconds. Merion Music
#144-40753. Published by
Merion Music
(PR.144407530).
ISBN
9781491136614. UPC:
680160687992.
A
violinist herself, Lauren
Bernofsky has described
SONATA FOR SOLO VIOLIN as
drawn from
autobiographical
inspiration, including
gestures from Bachâ??s
beloved Partita in E
Major. Bernofsky opens
with a Preludio movement
whose references to Bach
may be disguised, but
they are surely lurking.
The second movement is
lusciously contrapuntal
with the idiomatic
finesse of a violinist
composing for her own
instrument, while
musically journaling the
emotional pain of living
through 2020. The third
and final movement is
aptly marked
â??white-hot,â? and
the music certainly
is. My SONATA FOR SOLO
VIOLIN was commissioned
by violinist Megan Healy
as part of The Maud
Powell Project, which
celebrated the 100th
anniversary of the
ratification of the 19th
Amendment. The project
included the creation of
five new works for solo
violin inspired by and
dedicated to the memory
of pioneering American
violinist Maud Powell
(1867-1920). Healy
premiered the sonata on
May 8, 2021 at PianoForte
Studios in Chicago.Among
the works Powell most
frequently performed in
her recitals was the
â??Preludioâ?
movement from Bachâ??s E
major Partita, and I
decided to refer to that
music in my own first
movement, also titled
â??Preludio.â? The
beginning subtly reflects
Bachâ??s opening
three-note motive,
wherein the music dips
down a semitone and then
comes back up. This
melodic material returns
throughout the movement
in various forms. I also
refer to Bachâ??s
sixteenth-note dominated
texture, and the gesture
in the third measure,
which outlines a perfect
fifth and then fills it
in with notes that
alternate between a scale
and a pedal tone. The
corresponding passage in
my piece occurs in the
same place, measure 3.
Apart from these
references to Bach, my
sonata is much more
modern sounding,
especially in its
chromatic character.I was
still thinking of
Bachâ??s solo violin
writing while composing
the second movement,
particularly the
polyphonic nature of the
slow movements, where the
melodic interest moves
around between the
voices. Emotionally, I
wanted my movement to
reflect the acute sadness
I had been experiencing
over the political and
social situation in the
United States as I wrote
the piece. I realized
that this is a
historically noteworthy
time in U.S. history,
marked not only by
political unrest, but
also by a challenge to
the very values that I
consider essential to
what makes a person
fundamentally human. I
wanted to create a record
of that pain in my
music.The final movement
is marked
â??White-hot.â? It is
imbued with a relentless,
passionate intensity.
Wanting again to reflect
aspects of our own time,
I included glissandi that
refer to rock music,
specifically the
â??fall-offsâ? I
frequently hear played by
electric guitarists. I
borrowed from another
(completely different)
musical tradition as
well, one that is
near-and-dear to my
heart: Klezmer. Klezmer
(Eastern European Jewish
folk music) is
characterized in part by
scales colored by
augmented seconds, and is
often performed by solo
instrumentalists who
improvise embellishments
like quick grace notes.
The second, more lyrical
theme in this movement is
my nod to Klezmer
style.While this piece is
an homage to Maud Powell,
I also think of it as my
own musical
autobiography, as it
combines some of my
favorite aspects of
music, and is played on
my own instrument.
(Opus 22 in D Minor). By Henri Wieniawski; edited by Zakhar Bron. For Violin. So...(+)
(Opus 22 in D Minor). By
Henri Wieniawski; edited
by Zakhar Bron. For
Violin. Solos. AMA
Verlag. Classic. Level:
Intermediate. Book. Size
9x12. 72 pages. Published
by AMA Verlag. ISBN
3932587847.
Violin & Viola SKU: SU.29120130 For Violin & Viola. Composed by To...(+)
Violin & Viola
SKU:
SU.29120130
For
Violin & Viola.
Composed by Todd Mason.
Strings, Violin, Strings,
Viola. Score & Parts.
Subito Music Corporation
#29120130. Published by
Subito Music Corporation
(SU.29120130).
Premiered at
Brigham Young University
and comissioned by Duo
Novae, Los Angeles
composer Todd Mason wrote
his Duo for Violin &
Viola in 2023. Mason
says: The Duo was a
chance to explore the
wide range of textures,
harmonic worlds and
emotions of just one
violin & one viola. This
piece spans many energy
states with a kind of
Bartókian chromaticism
mixed with a bit of an
East Indian feel in some
sections. The work is in
one-movement and keeps
driving forward from the
first notes to the end!
This piece was recently
admitted into the
prestigious William
Primrose International
Archive at Brigham Young
University.Violin & Viola
Duration: 8' Composed:
2023 Published by: Todd
Mason.
Full Score SKU: HL.367910 For Violin and Orchestra Full Score. Com...(+)
Full Score
SKU:
HL.367910
For
Violin and Orchestra Full
Score. Composed by
Michael Ellison. E.B.
Marks. Softcover. 58
pages. Edward B. Marks
Music #MP075013.
Published by Edward B.
Marks Music (HL.367910).
ISBN 9781705140451.
UPC: 840126966787.
11.0x17.0x0.456
inches.
Premiere
Slovak Radio Orchestra,
June 30, 1992,
Bratislava, Slovakia,
Robert Black, conductor;
Lydia Forbes, violin.
Henry V is an overture,
but with a violin
protagonist. This is a
concerto, but the density
of interaction between
soloist and orchestra is
far more intense than in
any previous work,
whether classical or
modern. Its form is
somewhat analogous to
sonata, but it middle
sectionbreaks away
completely from what has
come before into an
exhilarating 5-8
ostinato. There is a joy
in dissonance here, an
embracing of pain, and
all the sorrow of
existence, as part a
Gita-like vision of the
horrible, terrifying
beauty of men throwing
themselves into the
slaughter, straining
their utmost in a joyous
‘dance’of mud and
death. As such, the
energy of the piece is
compact, and onfirst
listen, potentially
overwhelming. Metaphors
of the individual coming
out of a society, being
influenced by and then
interacting with that
society, and then finally
leading it are strongly
evoked by this work in a
non-specific, archetypal
way. Winner of Marin
Symphony (CA) Composers
Symposium Competition
(1993).
(For Solo Violin). By Chen Yi. Solo instrument. For Violin. Premiered by Chen Xi...(+)
(For Solo Violin). By
Chen Yi. Solo instrument.
For Violin. Premiered by
Chen Xi at the 1st
anniversary Prof. Lin
Yaoji memorial concert at
the China National Center
for the Performing Arts
Concert Hall, Beijing,
China. Contemporary. Solo
part. Standard notation.
Duration 4 minutes.
Published by Theodore
Presser Company
(Violin Solo). Composed by Ursula Mamlok. For Violin (Violin). Boosey and Hawkes...(+)
(Violin Solo). Composed
by Ursula Mamlok. For
Violin (Violin). Boosey
and Hawkes Chamber Music.
Softcover. 8 pages.
Boosey and Hawkes
#M202532478. Published by
Boosey and Hawkes
Violin SKU: BT.HITPCPTVIOL01 Composed by Bruno Garlej. Collection Rama. B...(+)
Violin
SKU:
BT.HITPCPTVIOL01
Composed by Bruno Garlej.
Collection Rama. Book
with CD. Composed 2014.
96 pages. Hit Diffusion
#HITPCPTVIOL01. Published
by Hit Diffusion
(BT.HITPCPTVIOL01).
Orchestra (2 flutes (2nd
flute doubling piccolo),
2 oboes, 2 clarinets in
bb, 2 bassoons, 4 french
horns in f, 2 trumpets in
c, 2 trombones, 1 bass
trombone, 1 tuba,
percussion 1: small
beijing opera gong,
marimba, tam-tam,
japanese high, wood
block, percussion 2: s)
SKU: PR.416415110
For Violin And
Orchestra. Composed
by Chen Yi. Contemporary.
Full score. With Standard
Notation. Duration 10
minutes. Theodore Presser
Company #416-41511.
Published by Theodore
Presser Company
(PR.416415110).
UPC:
680160621286.
Commi
ssioned by Kennesaw State
University Symphony
Orchestra in 2012,
Chinese Rap for violin
and orchestra is
premiered by Prof. Helen
Kim as the soloist and
the KSUSO led by Prof.
Michael Alexander at
Bailey Center in KSU, GA
on Feb. 17, 2014. The
work is inspired by
Chinese folk musical
story telling, Quyi, in a
form of mixed reciting
and singing style, with
interludes played by
percussion and plucking
instruments in
accompaniment. The folk
musical story telling is
sung in dialects from
different geographic
regions. I mixed all
these elements in a
complex three-part form,
with an introduction, a
cadenza in the middle,
and a coda as the frame
in the structure. The
melodies are delicate and
leisurely, and the
rhythmic parts are
energetic, vivid and
lively. There are big
contrasts between
sections, which are
juxtaposed and connected
smoothly and
congenially. Commissio
ned by Kennesaw State
University Symphony
Orchestra in 2012,Chinese
Rap for violin and
orchestra is premiered by
Prof. Helen Kim as
thesoloist and the KSUSO
led by Prof. Michael
Alexander at Bailey
Center inKSU, GA on Feb.
17, 2014. The work is
inspired by Chinese folk
musical storytelling,
Quyi, in a form of mixed
reciting and singing
style, with
interludesplayed by
percussion and plucking
instruments in
accompaniment. The
folkmusical story telling
is sung in dialects from
different geographic
regions. Imixed all these
elements in a complex
three-part form, with an
introduction, a cadenza
in the middle, and a coda
as the frame in the
structure. The melodies
are delicate and
leisurely, and the
rhythmic parts are
energetic, vivid and
lively. There are big
contrasts between
sections, which are
juxtaposed and connected
smoothly and
congenially.
Orchestra (2 flutes (2nd
flute doubling piccolo),
2 oboes, 2 clarinets in
bb, 2 bassoons, 4 french
horns in f, 2 trumpets in
c, 2 trombones, 1 bass
trombone, 1 tuba,
percussion 1: small
beijing opera gong,
marimba, tam-tam,
japanese high, wood
block, percussion 2: s)
SKU: PR.41641511L
For Violin And
Orchestra. Composed
by Chen Yi. Contemporary.
Large Score. With
Standard Notation.
Duration 10 minutes.
Theodore Presser Company
#416-41511L. Published by
Theodore Presser Company
(PR.41641511L).
UPC:
680160621293.
Commi
ssioned by Kennesaw State
University Symphony
Orchestra in 2012,
Chinese Rap for violin
and orchestra is
premiered by Prof. Helen
Kim as the soloist and
the KSUSO led by Prof.
Michael Alexander at
Bailey Center in KSU, GA
on Feb. 17, 2014. The
work is inspired by
Chinese folk musical
story telling, Quyi, in a
form of mixed reciting
and singing style, with
interludes played by
percussion and plucking
instruments in
accompaniment. The folk
musical story telling is
sung in dialects from
different geographic
regions. I mixed all
these elements in a
complex three-part form,
with an introduction, a
cadenza in the middle,
and a coda as the frame
in the structure. The
melodies are delicate and
leisurely, and the
rhythmic parts are
energetic, vivid and
lively. There are big
contrasts between
sections, which are
juxtaposed and connected
smoothly and
congenially. Commissio
ned by Kennesaw State
University Symphony
Orchestra in 2012,Chinese
Rap for violin and
orchestra is premiered by
Prof. Helen Kim as
thesoloist and the KSUSO
led by Prof. Michael
Alexander at Bailey
Center inKSU, GA on Feb.
17, 2014. The work is
inspired by Chinese folk
musical storytelling,
Quyi, in a form of mixed
reciting and singing
style, with
interludesplayed by
percussion and plucking
instruments in
accompaniment. The
folkmusical story telling
is sung in dialects from
different geographic
regions. Imixed all these
elements in a complex
three-part form, with an
introduction, a cadenza
in the middle, and a coda
as the frame in the
structure. The melodies
are delicate and
leisurely, and the
rhythmic parts are
energetic, vivid and
lively. There are big
contrasts between
sections, which are
juxtaposed and connected
smoothly and
congenially.
Chamber Music violin, viola SKU: PR.114419730 For violin and Viola...(+)
Chamber Music violin,
viola
SKU:
PR.114419730
For
violin and Viola.
Composed by Chen Yi. Sws.
Set of Score and Parts.
8+2+2 pages. Duration
2:30. Theodore Presser
Company #114-41973.
Published by Theodore
Presser Company
(PR.114419730).
ISBN
9781491132333. UPC:
680160681686. 9 x 12
inches.
Chen Yi
describes the cheery
interplay of HAPPY TUNE
as: “When one
instrument plays a
livelymelody, the other
plays a vivid rhythmic
pattern in the
accompaniment. The pair
of string
instrumentsimitates the
sound of primitive
Chinese folk song
singing, as well as the
Chinese traditional
windinstrument sheng, a
mouth pipe organ.â€
Published as a shared
score and extracted
parts, and writtenas a
celebration piece
honoring the 25th
anniversary of the Great
Lakes Chamber Music
Festival. Composed to
celebrate the 25th
Anniversary of the Great
Lakes Chamber Music
Festival, my violin and
viola duet HAPPY TUNE was
written for Kim
Kashkashian and Tien-Hsin
Cindy Wu, and premiered
at the festival on June
16, 2018.I fondly
remember being invited by
the GLCMF (directed by
Prof. James Tocco) to be
the dual Stone
Composers-in-Residence
with my husband Zhou
Long, along with the
Stone Composer Fellow
Nicholas Omiccioli in
2011. We had a dozen of
our chamber works
performed excellently by
the outstanding chamber
ensembles and musicians
during the week, meeting
enthusiastic audiences
and supporters of new
music in various venues
at the festival. The
experience was truly
inspiring, and I created
HAPPY TUNE to honor the
GLCMF, with hopes to
carry on the high spirit
in our new music
society.In this duet,
when one instrument plays
a lively melody, the
other plays a vivid
rhythmic pattern in the
accompaniment. The pair
of string instruments
imitates the sound of
primitive Chinese folk
song singing, as well as
the Chinese traditional
wind instrument sheng, a
mouth pipe organ.
Chamber Music Violin, Violoncello SKU: PR.11441691S For Violin And Vio...(+)
Chamber Music Violin,
Violoncello
SKU:
PR.11441691S
For
Violin And
Violoncello. Composed
by Shulamit Ran.
Premiered in Kneisel
Hall, Maine.
Contemporary. Score. With
Standard notation.
Composed October 13 2011.
20 pages. Duration 15
minutes. Theodore Presser
Company #114-41691S.
Published by Theodore
Presser Company
(PR.11441691S).
UPC:
680160631261. 9 x 12
inches.
Two
disparate instruments
begin in their own
voices, slowly become
aware of each other, play
off of each other, play
together, become close.
The analogy to a human
relationship (though not
one specific type of
relationship) between two
people that either are,
or become, extremely
close, fraught with all
the complexity,
contradictions, and
degrees of emotion that
an ever-evolving close
relationship engenders,
was indeed on my mind
throughout the
compositional process,
says Ran. A Due spans a
wide range of emotional
content from fully
immersed musicians.
Chamber Music Clarinet, Contrabass, Percussion, Piano, Violin, tenor Saxophone <...(+)
Chamber Music Clarinet,
Contrabass, Percussion,
Piano, Violin, tenor
Saxophone
SKU:
PR.114413040
For
violin, Bb Clarinet, Bb
Tenor Saxophone, Double
Bass, Piano, and
Percussion. Composed
by Chen Yi. Saddle.
Premiered at Kerrytown
Concert House in Ann
Arbor, MI. Contemporary.
Set of Score and Parts.
With Standard notation.
Composed 2006.
16+3+2+2+2+3+2 pages.
Duration 5 minutes.
Theodore Presser Company
#114-41304. Published by
Theodore Presser Company
(PR.114413040).
UPC:
680160571628. 8.5 x 11
inches.
Commissione
d by the Opus 21
ensemble, this mixed
sextet is a musical
realization of Chinese
clay figurines of the
Eastern Han (25-220
A.D.). Shapes of the
enraptured storyteller,
the vivid acrobat, and
the moving dancers are in
highly exaggerated forms
and postures, in large
and sweeping movements
— the innocent and
bold images symbolize the
strength, motion, and
speed, as the beauty of
the crude and primitive
power of humanity in its
conquest of the material
world. The mixed
sextet The Han Figurines
is a musical realization
of my impression of the
Chinese clay figurines of
the Eastern Han (25-220
A.D.). Â Have you seen
the shapes of the
enraptured storyteller,
the vivid acrobat, and
the moving dancers with
long sleeves? Â They
are in highly exaggerated
forms and postures, in
large and sweeping
movements — the
innocent and bold images
symbolize the strength,
motion, and speed.
 It’s the
beauty of the crude and
primitive power of
humanity in its conquest
of the material
world.—Chen
Yi.
Violin SKU: HL.48023884 For Violin. Composed by Ursula Mamlok. Boo...(+)
Violin
SKU:
HL.48023884
For
Violin. Composed by
Ursula Mamlok. Boosey &
Hawkes Chamber Music.
Classical. Softcover. 6
pages. Bote & Bock
#M202534540. Published by
Bote & Bock
(HL.48023884).
9.25x12.0x0.053
inches.
This
composition for solo
violin was written in
1987 for the violinist
Roger Zahab who performed
the world premiere in New
York. As is typical of
Ursula Mamlok, the work
of about 5 minutes'
duration is very short.
In one movement, divided
into five short sections,
she sums up her musical
cause in an extremely
virtuoso manner: A
powerful opening theme,
which varies several
times, is followed by a
quiet, lyrical passage
which uses similar
musical ideas, however.
In the following, the
formal contrast
disappears due to the
increasing fusion of
opening theme and slower
episode before the main
theme is taken up again
in the final section in a
very dramatic form.
Chamber Music Clarinet, Contrabass, Percussion, Piano, Violin, tenor Saxophone <...(+)
Chamber Music Clarinet,
Contrabass, Percussion,
Piano, Violin, tenor
Saxophone
SKU:
PR.11441304S
For
violin, Bb Clarinet, Bb
Tenor Saxophone, Double
Bass, Piano, and
Percussion. Composed
by Chen Yi. Premiered at
Kerrytown Concert House
in Ann Arbor, MI.
Contemporary. Full score.
With Standard notation.
Composed 2006. 16 pages.
Duration 5 minutes.
Theodore Presser Company
#114-41304S. Published by
Theodore Presser Company
(PR.11441304S).
UPC:
680160620357. 8.5 x 11
inches.
The mixed
sextet The Han Figurines
is a musical realization
of my impression of the
Chinese clay figurines of
the Eastern Han (25-220
A.D.). Have you seen the
shapes of the enraptured
storyteller, the vivid
acrobat, and the moving
dancers with long
sleeves? They are in
highly exaggerated forms
and postures, in large
and sweeping movements --
the innocent and bold
images symbolize the
strength, motion, and
speed. It's the beauty of
the crude and primitive
power of humanity in its
conquest of the material
world. --Chen Yi. The
mixed sextet The Han
Figurines is a musical
realization of my
impression of the Chinese
clay figurines of the
Eastern Han (25-220
A.D.). Â Have you seen
the shapes of the
enraptured storyteller,
the vivid acrobat, and
the moving dancers with
long sleeves? Â They
are in highly exaggerated
forms and postures, in
large and sweeping
movements — the
innocent and bold images
symbolize the strength,
motion, and speed.
 It’s the
beauty of the crude and
primitive power of
humanity in its conquest
of the material
world.—Chen
Yi.
Violin SKU: HL.242899 Violin Solo Part. Composed by Philip Glass. ...(+)
Violin
SKU:
HL.242899
Violin
Solo Part. Composed
by Philip Glass. Music
Sales America. Classical.
Softcover. Composed 2017.
24 pages. Chester Music
#DU1116501. Published by
Chester Music
(HL.242899).
UPC:
888680953126. 9x12.25
inches.
This is the
violin solo part of
Philip Glass's wonderful
Violin Concerto No.
2 “American
Four Seasons.” The
piece was commissioned by
Toronto Symphony
Orchestra and London
Philharmonic Orchestra,
among others, the world
premiere was held in
Toronto on December 9th
2009, conducted by Peter
Oundjian. At this
premiere, the violinist
was Robert McDuffie, for
whom the Concerto was
composed. During the
summer and autumn of
2009, Glass composed this
work after many years of
exchanges with McDuffie.
His idea of creating a
work that would be
influenced by, and an
accompaniment to
Vivaldi's The Four
Seasons.
Interestingly, Glass has
provided no indication in
the score of where each
season falls, making it
open for interpretation
by the performers or the
audience.
Orchestra Bass Clarinet,
Bassoon 1, Bassoon 2,
Bongos, Cello, Clarinet,
Contrabass, Crotales,
Cymbals, English Horn,
Field Drum, Flute,
Glockenspiel, Horn 1,
Horn 2, Oboe 1, Oboe 2,
Percussion, Piano, Snare
Drum, Triangle, Trumpet,
Vibraphone, Viola and
more.
SKU:
PR.416411770
For
Violin, Piano, and
Chamber Orchestra.
Composed by William
Kraft. Full score. With
Standard notation.
Duration 17 minutes.
Theodore Presser Company
#416-41177. Published by
Theodore Presser Company
(PR.416411770).
UPC:
680160091508.
I was
tempted to call the piece
Throw Back because it
consciously employs
rhythmic and harmonic
approaches characteristic
of the earlier part of
the twentieth century,
much of which plays a
part in forging my
musical personality.
Going along with the
impetus, I have paid
homage by subtly
interpolating stylistic
or actual references to
such unexpected
bedfellows as Scriabin,
Ravel, Debussy, Piston,
Roussel, and Ysaye. I
hope I will be musically
forgiven. In one
continuous movement,
there are three definite
internal sections:
Presto-Largo-Allegro. The
first section opens with
a very soft percussion
cadenza. If the acoustics
allow it, the player will
use sponge pottery
mallets (sponge-headed
mallets employed to
smooth the interior of a
pot as it is being
spin-dried). No matter
how hard the
percussionist strikes the
drums, the dynamic cannot
go above pp (pianissimo).
This cadenza serves as a
basis for the first
movement. The elements of
the cadenza are taken by
the orchestra to make the
first major statement,
similar to the classical
concerto; but rather than
making a restatement, the
soloists, when they come
in, begin with
variational ideas. The
second section is given
over to the soloists, and
is lyrical. The third
section begins with an
alternation between
strict rhythmic pulsation
and free-sounding
timbres, as if reluctant
to leave the second
section behind. The
rhythmic aspect takes
over more and more as the
piece progresses toward
its conclusion. Double
Play was commissioned by
the Saint Paul Chamber
Orchestra with financial
assistance from the
Northwest Area
Foundation. It received
its premiere on January
7, 1983, in St. Paul,
with the St. Paul Chamber
Orchestra; Pinchas
Zukerman, violinist; Marc
Neikrug, piano; and the
composer conducting.
Sonaatti sooloviululle
- Allerheiligentag V.
Composed by Jyrki
Linjama. Classical,
contemporary. Book.
Fennica Gehrman
#55011-770-9. Published
by Fennica Gehrman
(FG.55011-770-9).
ISBN
9790550117709.
The
material for Jyrki
Linjama's
Allerheiligentag cycle is
a Finnish folk chorale
for All Saints' Day (no.
146 in the Finnish Hymn
Book). The first work in
the cycle is a string
trio (2007), the second a
piece for orchestra
(2009), and the fourth
and fifth are solo works
for viola da gamba (2018)
and Sonata for violin
solo (2019). The composer
tells: The choice of
topic and material was
originally influenced by
the place where the
string trio would be
premiered – the
old church on the island
of Seili (Själö) in
the Turku archipelago.
The bleak history of the
mental hospital on the
island invited images of
suffering and death. I
got so attached to the
fine, bleak melody that
this series of works
began to emerge.
Chamber Music Violin SKU: PR.114418540 For solo violin. Composed b...(+)
Chamber Music Violin
SKU: PR.114418540
For solo violin.
Composed by James
Matheson. -. Premiere:
Jennifer Koh, violin.
Contemporary. Solo part.
With Standard notation.
Composed 2015. 4 pages.
Duration 2 minutes.
Theodore Presser Company
#114-41854. Published by
Theodore Presser Company
(PR.114418540).
ISBN
9781491109779. UPC:
680160642052. 9x12
inches.
James
Matheson's CAPRICCIO was
composed for Jennifer Koh
who premiered it as part
of the 2016 NY
Philharmonic Biennial.
Playing against the
expectations of
flamboyant violin
caprices, Matheson's work
is dramatically, even
eerily quiet throughout
its entirety and inspired
by the arpeggiated
preludes from Bach's
suites. As in the Bach
preludes, Matheson's
study in
motivically-phrased 16th
notes has no marked
tempo, offering
performers a vastly broad
spectrum to express this
quiet exploration. For
advanced violinists.
Violin SKU: HL.50600991 For Violin. Composed by Gerald Resch. Stri...(+)
Violin
SKU:
HL.50600991
For
Violin. Composed by
Gerald Resch. String.
Classical. Softcover. 4
pages. Sikorski #SIK8854.
Published by Sikorski
(HL.50600991).
8.25x11.75x0.056
inches.
The brief
solo violin piece
“Quasi una
siciliana†by
Gerald Resch was given
its world premiere on 15
December 2016 during the
course of a Christmas
concert by the ensemble
'Wiener Collage' at the
Arnold Schönberg
Centre in Vienna. The
work vaguely refers to
the character of pastoral
baroque Christmas music,
hinting at aspects of its
conventions. Marianna
Oczkowska, who
comprehensively advised
Gerald Resch during the
composition of this
piece, was the soloist at
the world premiere.
Violin - easy SKU: HL.44011234 Fingerings, scales and triads. Comp...(+)
Violin - easy
SKU:
HL.44011234
Fingerings, scales and
triads. Composed by
Nico Dezaire. De Haske
Play-Along Book.
Softcover with CD.
Composed 2012. De Haske
Publications #1125312.
Published by De Haske
Publications
(HL.44011234).
Position 1 covers the
four fingerings of the
first position. The
connection between these
fingerings and the
different keys - up to
three sharps or flats -
is also dealt with. The
book features 38
exercises for the various
fingerings, sevenscale
and triad exercises, and
68 attractive performance
pieces in a range of
musical styles. The
performance pieces can be
played with CD
accompaniment (demo and
play-along tracks are
featured on CDs 1 and 2)
or with piano
accompaniment. The
pianoaccompaniments can
be found on CD 2 in PDF
form.
In
Position 1 worden
alle vingerstellingen
binnen de 1e positie
geleerd aan de hand van
grepenschema's,
oefeningen en
speelstukken. Verder
wordt het verband gelegd
tussen de verschillende
vingerstellingen in
toonladders endrieklanken
in de 1e positie over 2
oktaven. De 68
speelstukken kunnen met
cd-begeleiding worden
gespeeld, of met
live-pianobegeleidingen.
Deze worden als pdf
geleverd op de 2
bijbehorende cd's. De
vertrouwde afwisseling
van nieuwestukken,
arrangementen van
klassieke thema's en
volksliedjes ontbreekt
uiteraard niet!
In
Position 1 geht es
um die vier Griffarten
der ersten Lage. Diese
Griffarten werden auch
mit den verschiedenen
Tonarten - mit bis zu
drei Kreuzen oder Bs -
verknupft. Das Buch
umfasst 38 Ubungen fur
die verschiedenen
Griffe,sieben Tonleiter-
und Dreiklangsubungen
sowie 68 reizvolle
Vortragstucke in einer
ganzen Palette an
Musikstilen. Die
Vortragstucke konnen zu
den Begleitungen auf den
beiden CDs (die Demo- und
Mitspielversionen
enthalten), aber auch mit
einemPianisten gespielt
werden. Die
Klavierstimmen sind im
PDF-Format zum Ausdrucken
auf der CD
enthalten.
Posi
tion 1 couvre les
quatre doigtes de la
premiere position et
examine le rapport entre
ces doigtes et les
differentes tonalites -
jusqua trois dieses ou
bemols. Cet ouvrage
contient 38 exercices
pour les divers doigtes,
7exercices de gammes et
de triades, et 68
morceaux de concert dans
une diversite de styles.
Ces morceaux peuvent etre
executes avec
l'accompagnement du CD,
mais aussi accompagnes au
piano. Des versions
integrales et de
demonstration figurent
surles CD 1 et 2, ce
dernier comprenant aussi
les partitions du piano
sous forme de fichiers
PDF.
Position
1 affronta le quattro
diteggiature della prima
posizione. La
pubblicazione contiene 38
esercizi per le varie
posizioni, sette scale e
terze, come anche 68
accattivanti brani in
vari stili musicali da
suonare in pubblico.
Questipossono essere
eseguiti sia con lausilio
dei 2 CD inclusi (traccia
demo e traccia
play-along), sia con
l'accompagnamento di un
pianista. Le parti del
piano, contenute sul
secondo CD, sono
scaricabili in formato
PDF.
For Violin,
Violoncello, Vibraphone
and Piano. Composed
by Joby Talbot. Music
Sales America. Classical.
Book [Softcover].
Composed 2016. Chester
Music #CH70059. Published
by Chester Music
(HL.14048254).
8.5x12.0
inches.
Released in
2005, the album Once
Around The Sun is the
outcome of Joby Talbot's
residency with Classic
FM. During his year in
residence, Talbot
composed a new piece of
music each month, scored
for up to five
instruments. The
resulting twelve
compositions were then
premiered on Classic FM
and were recorded on CD.
February - The Arctic
Circle was the second
piece to be composed and
is scored here for
Ensemble (Violin, Cello,
Vibraphone and
Piano).