Orchestra Bass Clarinet,
Bassoon 1, Bassoon 2,
Bongos, Cello, Clarinet,
Contrabass, Crotales,
Cymbals, English Horn,
Field Drum, Flute,
Glockenspiel, Horn 1,
Horn 2, Oboe 1, Oboe 2,
Percussion, Piano, Snare
Drum, Triangle, Trumpet,
Vibraphone, Viola and
more.
SKU:
PR.416411770
For
Violin, Piano, and
Chamber Orchestra.
Composed by William
Kraft. Full score. With
Standard notation.
Duration 17 minutes.
Theodore Presser Company
#416-41177. Published by
Theodore Presser Company
(PR.416411770).
UPC:
680160091508.
I was
tempted to call the piece
Throw Back because it
consciously employs
rhythmic and harmonic
approaches characteristic
of the earlier part of
the twentieth century,
much of which plays a
part in forging my
musical personality.
Going along with the
impetus, I have paid
homage by subtly
interpolating stylistic
or actual references to
such unexpected
bedfellows as Scriabin,
Ravel, Debussy, Piston,
Roussel, and Ysaye. I
hope I will be musically
forgiven. In one
continuous movement,
there are three definite
internal sections:
Presto-Largo-Allegro. The
first section opens with
a very soft percussion
cadenza. If the acoustics
allow it, the player will
use sponge pottery
mallets (sponge-headed
mallets employed to
smooth the interior of a
pot as it is being
spin-dried). No matter
how hard the
percussionist strikes the
drums, the dynamic cannot
go above pp (pianissimo).
This cadenza serves as a
basis for the first
movement. The elements of
the cadenza are taken by
the orchestra to make the
first major statement,
similar to the classical
concerto; but rather than
making a restatement, the
soloists, when they come
in, begin with
variational ideas. The
second section is given
over to the soloists, and
is lyrical. The third
section begins with an
alternation between
strict rhythmic pulsation
and free-sounding
timbres, as if reluctant
to leave the second
section behind. The
rhythmic aspect takes
over more and more as the
piece progresses toward
its conclusion. Double
Play was commissioned by
the Saint Paul Chamber
Orchestra with financial
assistance from the
Northwest Area
Foundation. It received
its premiere on January
7, 1983, in St. Paul,
with the St. Paul Chamber
Orchestra; Pinchas
Zukerman, violinist; Marc
Neikrug, piano; and the
composer conducting.
In cor piu non mi sento M.S. 44 Violin Solo. Composed by Nicolo Paganini (17...(+)
In cor piu non mi sento
M.S.
44 Violin Solo. Composed
by
Nicolo Paganini
(1782-1840).
Edited by Italo Vescovo.
String Solo. Classical.
Softcover. 40 pages.
Ricordi
#NR14183100. Published by
Ricordi
Violin Solo. Composed by Charles Dancla (1817-1907). Edited by Wolfgang Birt...(+)
Violin Solo. Composed by
Charles Dancla
(1817-1907).
Edited by Wolfgang
Birtel.
Arranged by Ulrike
Dierick.
String. Softcover. 72
pages.
Schott Music #ED22313.
Published by Schott Music
For Violin (Violin). String Solos and Ensembles - Violin Method/Studies. Souther...(+)
For Violin (Violin).
String Solos and
Ensembles - Violin
Method/Studies. Southern
Music. Grade 1. 48 pages.
Southern Music Company
#B196. Published by
Southern Music Company
Composed
by Melanie Kyle. Mungo
Monster's. Book.
Published by Kevin Mayhew
Publishers (KV.3612511).
ISBN
9781848676497.
<
b>Hi, I'm Mungo Monster!
Welcome to my first
violin book! Along with
your tutor, I will teach
you how to play the
violin, step-by-step. So,
let's get started... if
you're brave
enough!
Desi
gned to nurture both
confidence and
independence in beginner
violinists by teaching
them how to read notes,
rather than relying upon
finger numbers written in
by the teacher. The book
progresses steadily with
each chapter introducing
a new finger at a time,
as well
as:
