by Stacy Phillips. For fiddle. All styles, fiddle tunes. Level: Multiple Levels....(+)
by Stacy Phillips. For
fiddle. All styles,
fiddle tunes. Level:
Multiple Levels. Book.
Solos. Size 8.75x11.75.
268 pages. Published by
Mel Bay Pub., Inc.
(Violin). For Violin. Book; CD; Play-Along; String Series. Ultimate Pop Instrume...(+)
(Violin). For Violin.
Book; CD; Play-Along;
String Series. Ultimate
Pop Instrumental Solos
Series. Movie. Grade 2;
Grade 3. 84 pages.
Published by Alfred Music
Publishing
By Bonnie Rideout. For Fiddle. Solos. Encyclopedia. Scottish. Level: Intermediat...(+)
By Bonnie Rideout. For
Fiddle. Solos.
Encyclopedia. Scottish.
Level: Intermediate.
Book. Size 8.75x11.75.
136 pages. Published by
Mel Bay Publications,
Inc.
Chamber Music Violin SKU: PR.144407530 Composed by Lauren Bernofsky. 12 p...(+)
Chamber Music Violin
SKU: PR.144407530
Composed by Lauren
Bernofsky. 12 pages.
Duration 10 minutes, 30
seconds. Merion Music
#144-40753. Published by
Merion Music
(PR.144407530).
ISBN
9781491136614. UPC:
680160687992.
A
violinist herself, Lauren
Bernofsky has described
SONATA FOR SOLO VIOLIN as
drawn from
autobiographical
inspiration, including
gestures from Bachâ??s
beloved Partita in E
Major. Bernofsky opens
with a Preludio movement
whose references to Bach
may be disguised, but
they are surely lurking.
The second movement is
lusciously contrapuntal
with the idiomatic
finesse of a violinist
composing for her own
instrument, while
musically journaling the
emotional pain of living
through 2020. The third
and final movement is
aptly marked
â??white-hot,â? and
the music certainly
is. My SONATA FOR SOLO
VIOLIN was commissioned
by violinist Megan Healy
as part of The Maud
Powell Project, which
celebrated the 100th
anniversary of the
ratification of the 19th
Amendment. The project
included the creation of
five new works for solo
violin inspired by and
dedicated to the memory
of pioneering American
violinist Maud Powell
(1867-1920). Healy
premiered the sonata on
May 8, 2021 at PianoForte
Studios in Chicago.Among
the works Powell most
frequently performed in
her recitals was the
â??Preludioâ?
movement from Bachâ??s E
major Partita, and I
decided to refer to that
music in my own first
movement, also titled
â??Preludio.â? The
beginning subtly reflects
Bachâ??s opening
three-note motive,
wherein the music dips
down a semitone and then
comes back up. This
melodic material returns
throughout the movement
in various forms. I also
refer to Bachâ??s
sixteenth-note dominated
texture, and the gesture
in the third measure,
which outlines a perfect
fifth and then fills it
in with notes that
alternate between a scale
and a pedal tone. The
corresponding passage in
my piece occurs in the
same place, measure 3.
Apart from these
references to Bach, my
sonata is much more
modern sounding,
especially in its
chromatic character.I was
still thinking of
Bachâ??s solo violin
writing while composing
the second movement,
particularly the
polyphonic nature of the
slow movements, where the
melodic interest moves
around between the
voices. Emotionally, I
wanted my movement to
reflect the acute sadness
I had been experiencing
over the political and
social situation in the
United States as I wrote
the piece. I realized
that this is a
historically noteworthy
time in U.S. history,
marked not only by
political unrest, but
also by a challenge to
the very values that I
consider essential to
what makes a person
fundamentally human. I
wanted to create a record
of that pain in my
music.The final movement
is marked
â??White-hot.â? It is
imbued with a relentless,
passionate intensity.
Wanting again to reflect
aspects of our own time,
I included glissandi that
refer to rock music,
specifically the
â??fall-offsâ? I
frequently hear played by
electric guitarists. I
borrowed from another
(completely different)
musical tradition as
well, one that is
near-and-dear to my
heart: Klezmer. Klezmer
(Eastern European Jewish
folk music) is
characterized in part by
scales colored by
augmented seconds, and is
often performed by solo
instrumentalists who
improvise embellishments
like quick grace notes.
The second, more lyrical
theme in this movement is
my nod to Klezmer
style.While this piece is
an homage to Maud Powell,
I also think of it as my
own musical
autobiography, as it
combines some of my
favorite aspects of
music, and is played on
my own instrument.
Forget Me Not Violon [Partition + CD] - Facile Mel Bay
A Collection of 50 Memorable Traditional Irish Tunes. By Seamus Connolly and Lau...(+)
A Collection of 50
Memorable Traditional
Irish Tunes. By Seamus
Connolly and Laurel
Martin. For Fiddle.
Songbook. Celtic/Irish.
Level:
Beginning-Intermediate.
Book/CD Set. Size
8.75x11.75. 136 pages.
Published by Mel Bay
Publications, Inc.
For Violin. Composed by Various. Music Sales America. Classical Period, Broadway...(+)
For Violin. Composed by
Various. Music Sales
America. Classical
Period, Broadway and
Folk. Violin solo book
(no accompaniment,
softcover). 96 pages.
Music Sales #AM33671.
Published by Music Sales
(Newly Composed Fiddle Tunes). Edited by Paul Stewart Cranford. For Fiddle and V...(+)
(Newly Composed Fiddle
Tunes). Edited by Paul
Stewart Cranford. For
Fiddle and Violin.
Transcribed Solos.
Cranford Publications.
Fiddle Tunes.
Intermediate. Book/CD
Set. 112 pages
41 Fiddle Solos. by Natalie MacMaster transcribed by Stacy Phillips. Level: Inte...(+)
41 Fiddle Solos. by
Natalie MacMaster
transcribed by Stacy
Phillips. Level:
Intermediate. Book. Size
8.75x11.75. 64 pages.
Published by Mel Bay
Pub., Inc.
With Guitar Chords. Edited by Paul McNevin. Waltons Irish Music Books. Celtic, I...(+)
With Guitar Chords.
Edited by Paul McNevin.
Waltons Irish Music
Books. Celtic, Irish. 48
pages. Waltons Irish
Music #WM1312CD.
Published by Waltons
Irish Music
A violin method for children. By Egon Sassmannshaus; Kurt Sassmannshaus. Ameri...(+)
A violin method for
children. By Egon
Sassmannshaus; Kurt
Sassmannshaus. American
English translation: Kurt
Sassmannshaus;
Illustrations: Charlotte
Panowsky. For Violin.
Take advantage of our
exclusive introductory
offer now and save 25%
off the regular price -
this special price is
available for a limited
time only. Baerenreiter's
Sassmannshaus. Original
German title: Fruher
Anfang auf der Geige -
Band 2; Eine Violinschule
fur Kinder. Instructional
Method. Method book. Text
language: English. 64
pages. Published by
Baerenreiter Verlag
(German import).
Violin SKU: AP.1-ADV14708 Violin. Composed by Fred Lipsius. Improv...(+)
Violin
SKU:
AP.1-ADV14708
Violin. Composed
by Fred Lipsius.
Improvisation;
Method/Instruction;
Play-Along; String -
Violin Studies or
Collection; Technique
Musicianship. Advance
Music: Reading Key Jazz
Rhythms. Jazz. Book and
Digital Download. Advance
Music #01-ADV14708.
Published by Advance
Music (AP.1-ADV14708).
UPC: 805095147087.
English.
With this
book/audio set you will
learn essential jazz
rhythms first-hand from
world-class professionals
! Reading Key Jazz
Rhythms is a collection
of 24 easy to medium
level jazz etudes, and 24
simplified guide tone
versions of the etudes.
They are ideal for
learning the basic
language of jazz, swing
phrasing, and
articulation. A perfect
tool for preparing for
the jazz ensemble or for
any other
ensemble/orchestra which
performs jazz related
music (pops orchestras,
musical, studio, movie
scores, concert and
marching bands, etc.).
Each etude is based on a
specific rhythm or a
combination of rhythmic
figures. Some etudes
sound like very lyrical
improvised jazz solos,
while others are more
like a melody to a
standard. On the
downloadable audio tracks
the soloist demonstrates
the 24 melodious etudes
together with a
professional rhythm
section. You can also
improvise along with the
play-along tracks using
the chord symbols. The
guide tones are the
essential or defining
notes for each given
chord type. So if
improvising is new to you
and you find yourself
getting lost, you can
always return to a guide
tone and play
rhythmically around it.
Any etude and its
corresponding simplified
guide tone version can be
played together as a duet
(with or without the
audio accompaniment) with
your teacher or a
friend.
Violin SKU: OT.22089 Composed by Tal Weissman. For violin and piano. Clas...(+)
Violin
SKU:
OT.22089
Composed by
Tal Weissman. For violin
and piano. Classical.
Score and Parts. OR-TAV
Music Publications
#22089. Published by
OR-TAV Music Publications
(OT.22089).
8.27 x
11.69 inches.
For
violin and
piano Israeli pianist
Tal Weissman was born in
Haifa in 1972, and began
his musical training at
age four. While a youth,
he performed as a soloist
with most of the
orchestras in Israel,
including the Israel
Philharmonic Orchestra
and the Israel Chamber
Orchestra. He was awarded
an Outstanding Israeli
Competitor at the Arthur
Rubenstein Competition in
1992, and has won prizes
in international piano
competitions in
Europe. In 1995,
Weissman was accepted for
piano studies with the
internationally renowned
pianist and pedagogue
Maria Curcio Diamand in
London. During this
period of study in
London, he was awarded
many prizes and performed
in most of the major
concert venues in
England. In 1999, he made
a concert tour of the
United States. Tal
Weissman returned to
Israel in 2004, where he
teaches piano privately
and continues to perform
both in Israel and
abroad. His compositions
for piano and other
instruments express the
human sprit as it faces
the challenges of the
world.
An introduction to Style and Technique. Edited by Chris Haigh. This edition: ...(+)
An introduction to Style
and
Technique. Edited by
Chris
Haigh. This edition:
Paperback/Soft Cover.
Sheet
music with online
material.
String Method. Beginning
Jazz Violin is a great
way
to learn the basics of
playing the violin in
jazz
style. Classical, Jazz.
Edition with Online audio
file, Softcover Audio
Online. 112 pages. Schott
Music #ED 13906.
Published
by Schott Music
Instrumental Play-Along(r) Series. Composed by Various. Instrumental Play-Alon...(+)
Instrumental
Play-Along(r)
Series. Composed by
Various.
Instrumental Play-Along.
Movies, Children, Disney.
Softcover Audio Online.
Published by Hal Leonard