| Concerto for Bassoon and Orchestra - Violin 1 Violon [Partie séparée] Berben Edizioni Musicali
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| Big Book of Violin Songs Violon [Partition] Hal Leonard
By Various. Instrumental Folio. Softcover. 146 pages. Published by Hal Leonard....(+)
By Various. Instrumental
Folio. Softcover. 146
pages. Published by Hal
Leonard.
(2)$17.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Double Play Violon Theodore Presser Co.
Orchestra Bass Clarinet, Bassoon 1, Bassoon 2, Bongos, Cello, Clarinet, Contraba...(+)
Orchestra Bass Clarinet,
Bassoon 1, Bassoon 2,
Bongos, Cello, Clarinet,
Contrabass, Crotales,
Cymbals, English Horn,
Field Drum, Flute,
Glockenspiel, Horn 1,
Horn 2, Oboe 1, Oboe 2,
Percussion, Piano, Snare
Drum, Triangle, Trumpet,
Vibraphone, Viola and
more. SKU:
PR.416411770 For
Violin, Piano, and
Chamber Orchestra.
Composed by William
Kraft. Full score. With
Standard notation.
Duration 17 minutes.
Theodore Presser Company
#416-41177. Published by
Theodore Presser Company
(PR.416411770). UPC:
680160091508. I was
tempted to call the piece
Throw Back because it
consciously employs
rhythmic and harmonic
approaches characteristic
of the earlier part of
the twentieth century,
much of which plays a
part in forging my
musical personality.
Going along with the
impetus, I have paid
homage by subtly
interpolating stylistic
or actual references to
such unexpected
bedfellows as Scriabin,
Ravel, Debussy, Piston,
Roussel, and Ysaye. I
hope I will be musically
forgiven. In one
continuous movement,
there are three definite
internal sections:
Presto-Largo-Allegro. The
first section opens with
a very soft percussion
cadenza. If the acoustics
allow it, the player will
use sponge pottery
mallets (sponge-headed
mallets employed to
smooth the interior of a
pot as it is being
spin-dried). No matter
how hard the
percussionist strikes the
drums, the dynamic cannot
go above pp (pianissimo).
This cadenza serves as a
basis for the first
movement. The elements of
the cadenza are taken by
the orchestra to make the
first major statement,
similar to the classical
concerto; but rather than
making a restatement, the
soloists, when they come
in, begin with
variational ideas. The
second section is given
over to the soloists, and
is lyrical. The third
section begins with an
alternation between
strict rhythmic pulsation
and free-sounding
timbres, as if reluctant
to leave the second
section behind. The
rhythmic aspect takes
over more and more as the
piece progresses toward
its conclusion. Double
Play was commissioned by
the Saint Paul Chamber
Orchestra with financial
assistance from the
Northwest Area
Foundation. It received
its premiere on January
7, 1983, in St. Paul,
with the St. Paul Chamber
Orchestra; Pinchas
Zukerman, violinist; Marc
Neikrug, piano; and the
composer conducting. $26.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Overture to Henry V Violon Edward B. Marks Music Company
Full Score SKU: HL.367910 For Violin and Orchestra Full Score. Com...(+)
Full Score SKU:
HL.367910 For
Violin and Orchestra Full
Score. Composed by
Michael Ellison. E.B.
Marks. Softcover. 58
pages. Edward B. Marks
Music #MP075013.
Published by Edward B.
Marks Music (HL.367910).
ISBN 9781705140451.
UPC: 840126966787.
11.0x17.0x0.456
inches. Premiere
Slovak Radio Orchestra,
June 30, 1992,
Bratislava, Slovakia,
Robert Black, conductor;
Lydia Forbes, violin.
Henry V is an overture,
but with a violin
protagonist. This is a
concerto, but the density
of interaction between
soloist and orchestra is
far more intense than in
any previous work,
whether classical or
modern. Its form is
somewhat analogous to
sonata, but it middle
sectionbreaks away
completely from what has
come before into an
exhilarating 5-8
ostinato. There is a joy
in dissonance here, an
embracing of pain, and
all the sorrow of
existence, as part a
Gita-like vision of the
horrible, terrifying
beauty of men throwing
themselves into the
slaughter, straining
their utmost in a joyous
‘dance’of mud and
death. As such, the
energy of the piece is
compact, and onfirst
listen, potentially
overwhelming. Metaphors
of the individual coming
out of a society, being
influenced by and then
interacting with that
society, and then finally
leading it are strongly
evoked by this work in a
non-specific, archetypal
way. Winner of Marin
Symphony (CA) Composers
Symposium Competition
(1993). $84.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
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