Violin

SKU: BT.PB1192

Jazz. Book with CD. 47 pages. Paul Beuscher #PB1192. Published by Paul Beuscher (BT.PB1192).

French.

Amadeus - Jalousie - La Chanson d'Orphée - Laurence d'Arabie - Les Enfants du Pirée - Les Feuilles mortes - Marche turque - Moulin rouge - Plaisir d'amour - Que reste-t-il de nos amours ? - Rêverie - Roses de Picardie - Serenade - Singin'in the Rain - Un violon sur le toit.

100 Solos. Pop and Rock. Book Only. Composed 2005. 96 pages. Music Sales #MUSAM33671. Published by Music Sales

Orchestra (2 flutes (2nd flute doubling piccolo), 2 oboes, 2 clarinets in bb, 2 bassoons, 4 french horns in f, 2 trumpets in c, 2 trombones, 1 bass trombone, 1 tuba, percussion 1: small beijing opera gong, marimba, tam-tam, japanese high, wood block, percussion 2: s)

SKU: PR.416415110

For Violin And Orchestra. Composed by Chen Yi. Contemporary. Full score. With Standard Notation. Duration 10 minutes. Theodore Presser Company #416-41511. Published by Theodore Presser Company (PR.416415110).

UPC: 680160621286.

Commi ssioned by Kennesaw State University Symphony Orchestra in 2012, Chinese Rap for violin and orchestra is premiered by Prof. Helen Kim as the soloist and the KSUSO led by Prof. Michael Alexander at Bailey Center in KSU, GA on Feb. 17, 2014. The work is inspired by Chinese folk musical story telling, Quyi, in a form of mixed reciting and singing style, with interludes played by percussion and plucking instruments in accompaniment. The folk musical story telling is sung in dialects from different geographic regions. I mixed all these elements in a complex three-part form, with an introduction, a cadenza in the middle, and a coda as the frame in the structure. The melodies are delicate and leisurely, and the rhythmic parts are energetic, vivid and lively. There are big contrasts between sections, which are juxtaposed and connected smoothly and congenially.
Commissio ned by Kennesaw State University Symphony Orchestra in 2012,Chinese Rap for violin and orchestra is premiered by Prof. Helen Kim as thesoloist and the KSUSO led by Prof. Michael Alexander at Bailey Center inKSU, GA on Feb. 17, 2014. The work is inspired by Chinese folk musical storytelling, Quyi, in a form of mixed reciting and singing style, with interludesplayed by percussion and plucking instruments in accompaniment. The folkmusical story telling is sung in dialects from different geographic regions. Imixed all these elements in a complex three-part form, with an introduction, a cadenza in the middle, and a coda as the frame in the structure. The melodies are delicate and leisurely, and the rhythmic parts are energetic, vivid and lively. There are big contrasts between sections, which are juxtaposed and connected smoothly and congenially.

Orchestra (2 flutes (2nd flute doubling piccolo), 2 oboes, 2 clarinets in bb, 2 bassoons, 4 french horns in f, 2 trumpets in c, 2 trombones, 1 bass trombone, 1 tuba, percussion 1: small beijing opera gong, marimba, tam-tam, japanese high, wood block, percussion 2: s)

SKU: PR.41641511L

For Violin And Orchestra. Composed by Chen Yi. Contemporary. Large Score. With Standard Notation. Duration 10 minutes. Theodore Presser Company #416-41511L. Published by Theodore Presser Company (PR.41641511L).

UPC: 680160621293.

Commi ssioned by Kennesaw State University Symphony Orchestra in 2012, Chinese Rap for violin and orchestra is premiered by Prof. Helen Kim as the soloist and the KSUSO led by Prof. Michael Alexander at Bailey Center in KSU, GA on Feb. 17, 2014. The work is inspired by Chinese folk musical story telling, Quyi, in a form of mixed reciting and singing style, with interludes played by percussion and plucking instruments in accompaniment. The folk musical story telling is sung in dialects from different geographic regions. I mixed all these elements in a complex three-part form, with an introduction, a cadenza in the middle, and a coda as the frame in the structure. The melodies are delicate and leisurely, and the rhythmic parts are energetic, vivid and lively. There are big contrasts between sections, which are juxtaposed and connected smoothly and congenially.
Commissio ned by Kennesaw State University Symphony Orchestra in 2012,Chinese Rap for violin and orchestra is premiered by Prof. Helen Kim as thesoloist and the KSUSO led by Prof. Michael Alexander at Bailey Center inKSU, GA on Feb. 17, 2014. The work is inspired by Chinese folk musical storytelling, Quyi, in a form of mixed reciting and singing style, with interludesplayed by percussion and plucking instruments in accompaniment. The folkmusical story telling is sung in dialects from different geographic regions. Imixed all these elements in a complex three-part form, with an introduction, a cadenza in the middle, and a coda as the frame in the structure. The melodies are delicate and leisurely, and the rhythmic parts are energetic, vivid and lively. There are big contrasts between sections, which are juxtaposed and connected smoothly and congenially.

Chamber Music violin, viola

SKU: PR.114419730

For violin and Viola. Composed by Chen Yi. Sws. Set of Score and Parts. 8+2+2 pages. Duration 2:30. Theodore Presser Company #114-41973. Published by Theodore Presser Company (PR.114419730).

ISBN 9781491132333. UPC: 680160681686. 9 x 12 inches.

Chen Yi describes the cheery interplay of HAPPY TUNE as: “When one instrument plays a livelymelody, the other plays a vivid rhythmic pattern in the accompaniment. The pair of string instrumentsimitates the sound of primitive Chinese folk song singing, as well as the Chinese traditional windinstrument sheng, a mouth pipe organ.” Published as a shared score and extracted parts, and writtenas a celebration piece honoring the 25th anniversary of the Great Lakes Chamber Music Festival.
Composed to celebrate the 25th Anniversary of the Great Lakes Chamber Music Festival, my violin and viola duet HAPPY TUNE was written for Kim Kashkashian and Tien-Hsin Cindy Wu, and premiered at the festival on June 16, 2018.I fondly remember being invited by the GLCMF (directed by Prof. James Tocco) to be the dual Stone Composers-in-Residence with my husband Zhou Long, along with the Stone Composer Fellow Nicholas Omiccioli in 2011. We had a dozen of our chamber works performed excellently by the outstanding chamber ensembles and musicians during the week, meeting enthusiastic audiences and supporters of new music in various venues at the festival. The experience was truly inspiring, and I created HAPPY TUNE to honor the GLCMF, with hopes to carry on the high spirit in our new music society.In this duet, when one instrument plays a lively melody, the other plays a vivid rhythmic pattern in the accompaniment. The pair of string instruments imitates the sound of primitive Chinese folk song singing, as well as the Chinese traditional wind instrument sheng, a mouth pipe organ.

Book 1. By Christian Heinrich Hohmann. Arranged by Louis Bostelmann. (Violin). String Method. Size 9x12 inches. 64 pages. Published by G. Schirmer, Inc.

Edited by Paul Stewart Cranford. Arranged by Melissa Emmons. For Fiddle. Solos. Cranford Publications. Canadian-Maritime. Intermediate. Book. 80 pages

A Sequenced Guide to American Fiddling (Violin). Composed by Crystal Plohman Wiegman, Renata Bratt, and Bob Phillips. Book; CD; Method/Instruction; String Orchestra Method/Supplement. Folk; Traditional. 48 pages. Published by Alfred Music

Arranged by Kerstin Wartberg. For Violin. String - Violin (Suzuki). Book and CD. 60 pages. Published by Alfred Publishing.

(Popular Classics for Advanced Ensemble or Solo Performance). Arranged by Doris Preucil. For Violin. String - Violin Studies or Collection. Masterwork. 6 (grade 6). Book and CD. 160 pages. Published by Alfred Music Publishing

By Donald Martino. For Violin. This edition: Part. Contemporary Classical. Contemporary Classical. Level: Conservatory. Sheet Music. Published by Dantalian, Inc.

Violin Play-Along Volume 18. Composed by Various. Violin Play-Along. Hymns, Sacred. Softcover Audio Online. 24 pages. Published by Hal Leonard

Arranged by Kerstin Wartberg. For Violin. String - Violin (Suzuki). Book & CD. 56 pages. Published by Alfred Publishing.

Written by Kerstin Wartberg. Instructional book and accompaniment CD for violin. Series: Suzuki Method. Text language English, French, Spanish. 32 pages. Published by Alfred Publishing.

Arranged by Kerstin Wartberg. For Violin. String - Violin (Suzuki). Book and CD. 68 pages. Published by Alfred Publishing.

Violin

SKU: AP.28075GER

Macht alle mit! (German Language Edition). Arranged by Kerstin Wartberg. This edition: German. String - Violin (Suzuki); Suzuki. Book and CD. Alfred Music #00-28075GER. Published by Alfred Music (AP.28075GER).

ISBN 9780739047682. UPC: 038081307572. German.

The Step by Step series is a collection of exercise books/CDs for violin based on the Mother-Tongue approach. From the very beginning, it will provide a solid foundation in instrumental technique for the Suzuki Method and traditional approaches in private lessons or group settings. The focus is on teaching correct, child-appropriate practice habits that range from listening, singing, and dancing to playing music. The ideas presented, including information for parents and practice tips, should stimulate daily practice and also make it more effective. German edition.

Arranged by Deborah Greenblatt. For fiddle. Rounds Fiddle. Book. Published by Greenblatt and Seay.

Violin Solo. Composed by Charles Dancla (1817-1907). Edited by Wolfgang Birtel. Arranged by Ulrike Dierick. String. Softcover. 72 pages. Schott Music #ED22313. Published by Schott Music

A Sequenced Guide to American Fiddling (Viola). Composed by Crystal Plohman Wiegman, Renata Bratt, and Bob Phillips. Book; CD; Method/Instruction; String Orchestra Method/Supplement. Folk; Traditional. 48 pages. Published by Alfred Music

Written by Kerstin Wartberg. Instructional book and accompaniment CD for violin. Series: Suzuki Method. Text language English, French, Spanish. 24 pages. Published by Alfred Publishing.

Arranged by Kerstin Wartberg. For Violin. String - Violin (Suzuki). CD. 64 pages. Published by Alfred Publishing.

Violin

SKU: HL.14014552

Composed by Werner Hauck. Music Sales America. German Language only. Book [Softcover]. 116 pages. Music Sales #BOE3501. Published by Music Sales (HL.14014552).

ISBN 9783920127101.

A comprehensive and scientific guide to developing and employing Vibrato in your Violin playing. Werner Hauck analyses many different Vibrato techniques that achieve a variety of lyrical and 'human' qualities to illuminate melodies, including a close look at some of the prominant Vibrato methods of the past and a detailed guide to the origins of Vibrato in the human singing voice. He examines many contasting musical examples, giving guidance upon exactly how to articulate an effective Vibrato that is appropriate in capturing and expressing the inner character of the music.

Violin

SKU: FG.55011-724-2

Composed by Harri Wessman. Classical. Score. Fennica Gehrman #55011-724-2. Published by Fennica Gehrman (FG.55011-724-2).

ISBN 9790550117242.

Harr i Wessman (b. 1949) composed Three Caprices for Konstantin Weitz in 1994. The work for violin solo opens with Bach-like Vivace, which is followed by a singing Larghetto. The final Allegro is a movement of energetic character, which on account of its melody and its clusters of chords is reminiscent of compositions by Bartok for violin or viola.

Violin

SKU: HL.49047499

Violin. Composed by Toshio Hosokawa. String Solo. Classical. Softcover. 12 pages. Duration 540 seconds. Schott Music #SJ1218. Published by Schott Music (HL.49047499).

ISBN 9784890665433. UPC: 196288308232.

For me, music has its origins in Shamanism. Shamans communicate with a world we cannot see in our daily lives through singing. Exstasis means to go beyond oneself, the desire to leave the order of ordinary life and depart from the ego. It is also the uncontrollable impulsive urge to sink into the murky depths of chaos. Toshio Hosokawa.