Chamber Music Violin

SKU: CF.BF115

Composed by Johann Sebastian Bach. Edited by Rachel Barton Pine. SWS. Collection. With Standard notation. 80 pages. Carl Fischer Music #BF115. Published by Carl Fischer Music (CF.BF115).

ISBN 9781491150993. UPC: 680160908493. 9x12 inches.

Johann Sebastian Bach’s (1685—1750) SixSonatas and Partitas have captivated violinistsfor centuries. Rachel Barton Pine—havingspent decades studying the music of Bach,his contemporaries, and his predecessors—now offers this unparalleled edition completewith detailed historical notes, performancesuggestions, and downloadable study materialsincluding a new Urtext edition and a speciallyprepared manuscript. Pine’s interpretationis informed by thorough historical study, which has been polished byyears of performance insight, but also encourages those studying Bach’srepertoire to craft their own unique interpretation of these timelessmasterpieces. This edition closely follows Pine’s critically acclaimed 2016recording “Testament: Complete Sonatas and Partitas for Solo Violin byJ.S. Bach” (Avie 2360) making it an invaluable resource for any student,teacher, or performer enthralled with J.S. Bach’s long standing legacy.Ms. Pine holds the distinction of being the only American and youngestperson to win the gold medal at the J.S. Bach International ViolinCompetition in Leipzig, Germany, 1992.
here is no one right way to play Bach. More thanalmost any repertoire, each individual’s interpretation isas unique as their personality. Though I have spent decadesstudying Bach’s music as well as that of his contemporariesand predecessors, my final rationale for artisticdecisions is often taste and instinct. Every violinist whoundertakes a lifetime’s journey with this incredible repertoireis continually discovering new ideas. Thus, theopinions on the following pages may evolve over time.However, everything in the sheet music closely follows my2016 recording “Testament: Complete Sonatas and Partitasfor Solo Violin by J.S. Bach” (Avie 2360), which I trulyfeel represents the culmination of my exploration intothese extraordinary works.In choosing to present this edition, my hope is thatyou will find useful solutions to challenges of fingering,bowing, and polyphony, and helpful information aboutphrasing. I have also included additional dynamic suggestionswith the hope that trying these ideas will help inspireyou to discover your own. All of these markings aredesigned to work with a baroque violin and baroque bow,a modern violin and baroque bow, or a modern violinand modern bow. While the information in this editionis unusually dense, there is much that I did not include,such as lifts, breaths, articulations, whether to play on oroff the string, metronome markings, details of timing,and emphases other than hemiolas.I offer this book to you in the spirit of Bach: “SoliDeo Gloria.”.

Composed by Various. Instrumental Solo. Softcover. 88 pages. Published by Hal Leonard

by Craig Duncan. First Lessons. Level: Beginning. Book/CD Set. Size 8.75x11.75. 32 pages. Published by Mel Bay Pub., Inc.

Violin - Grade 6

SKU: TL.TCL014948

Repertoire. CD. Trinity College London #TCL 014948. Published by Trinity College London (TL.TCL014948).

ISBN 9780857364678.

This audio CD contains exam pieces on the Trinity College London Violin syllabus for 2016-2019, featuring renowned violinist, Ofer Falk. (alternative pieces are not included). In addition to full recordings of each piece, the CD also includes 'minus one' style backing tracks, allowing students to practise with the piano accompaniment played by Peter Wild.
These recordings are not definitive but may be employed as an aid to preparation for Trinity College London examinations.

Violin - Grade 7

SKU: TL.TCL014955

Repertoire. CD. Trinity College London #TCL 014955. Published by Trinity College London (TL.TCL014955).

ISBN 9780857364685.

This audio CD contains exam pieces on the Trinity College London Violin syllabus for 2016-2019, featuring renowned violinist, Ofer Falk. (alternative pieces are not included). In addition to full recordings of each piece, the CD also includes 'minus one' style backing tracks, allowing students to practise with the piano accompaniment played by Peter Wild.
These recordings are not definitive but may be employed as an aid to preparation for Trinity College London examinations.

Violin Play-Along Pack. Composed by Franz Schubert (1797-1828). Sheet music. Music Minus One. Classical. Softcover Audio Online. 24 pages. Music Minus One #MMO3130. Published by Music Minus One

Violin - Grade 6

SKU: TL.TCL014689

Repertoire. Trinity College London #TCL 014689. Published by Trinity College London (TL.TCL014689).

ISBN 9780857364418.

Sele cted pieces for Trinity College London violin exams for 2016-2019, expertly graded and edited by leading music educators. This item contains both the full score and violin part.

Violin - Beginning

SKU: MB.30932M

Duets and Ensemble, Saddle-stitched. Keyboard Accompaniment. Book/insert/online audio. 72 pages. Mel Bay Publications, Inc #30932M. Published by Mel Bay Publications, Inc (MB.30932M).

ISBN 9781513466255. 8.75x11.75 inches.

First Lessons Violin Duets contains 47 violin duets for beginning through easy level performance. Duet violin parts and a piano accompaniment part for all the tunes presented in Mel Bay?s First Lessons Violin are included. This versatile duet book works hand in hand with First Lessons Violin, Suzuki and other violin methods. It is useful for violin classes, ensembles, recitals, and performances.This book has accompanying online audio of the duets. The two violin parts are split right and left so that the violinist may perform either part with the recording by changing the stereo balance. Includes access to online audio.

Chamber Music Violin

SKU: PR.144407530

Composed by Lauren Bernofsky. 12 pages. Duration 10 minutes, 30 seconds. Merion Music #144-40753. Published by Merion Music (PR.144407530).

ISBN 9781491136614. UPC: 680160687992.

A violinist herself, Lauren Bernofsky has described SONATA FOR SOLO VIOLIN as drawn from autobiographical inspiration, including gestures from Bachâ??s beloved Partita in E Major. Bernofsky opens with a Preludio movement whose references to Bach may be disguised, but they are surely lurking. The second movement is lusciously contrapuntal with the idiomatic finesse of a violinist composing for her own instrument, while musically journaling the emotional pain of living through 2020. The third and final movement is aptly marked â??white-hot,â? and the music certainly is.
My SONATA FOR SOLO VIOLIN was commissioned by violinist Megan Healy as part of The Maud Powell Project, which celebrated the 100th anniversary of the ratification of the 19th Amendment. The project included the creation of five new works for solo violin inspired by and dedicated to the memory of pioneering American violinist Maud Powell (1867-1920). Healy premiered the sonata on May 8, 2021 at PianoForte Studios in Chicago.Among the works Powell most frequently performed in her recitals was the â??Preludioâ? movement from Bachâ??s E major Partita, and I decided to refer to that music in my own first movement, also titled â??Preludio.â? The beginning subtly reflects Bachâ??s opening three-note motive, wherein the music dips down a semitone and then comes back up. This melodic material returns throughout the movement in various forms. I also refer to Bachâ??s sixteenth-note dominated texture, and the gesture in the third measure, which outlines a perfect fifth and then fills it in with notes that alternate between a scale and a pedal tone. The corresponding passage in my piece occurs in the same place, measure 3. Apart from these references to Bach, my sonata is much more modern sounding, especially in its chromatic character.I was still thinking of Bachâ??s solo violin writing while composing the second movement, particularly the polyphonic nature of the slow movements, where the melodic interest moves around between the voices. Emotionally, I wanted my movement to reflect the acute sadness I had been experiencing over the political and social situation in the United States as I wrote the piece. I realized that this is a historically noteworthy time in U.S. history, marked not only by political unrest, but also by a challenge to the very values that I consider essential to what makes a person fundamentally human. I wanted to create a record of that pain in my music.The final movement is marked â??White-hot.â? It is imbued with a relentless, passionate intensity. Wanting again to reflect aspects of our own time, I included glissandi that refer to rock music, specifically the â??fall-offsâ? I frequently hear played by electric guitarists. I borrowed from another (completely different) musical tradition as well, one that is near-and-dear to my heart: Klezmer. Klezmer (Eastern European Jewish folk music) is characterized in part by scales colored by augmented seconds, and is often performed by solo instrumentalists who improvise embellishments like quick grace notes. The second, more lyrical theme in this movement is my nod to Klezmer style.While this piece is an homage to Maud Powell, I also think of it as my own musical autobiography, as it combines some of my favorite aspects of music, and is played on my own instrument.

Repertoire. Trinity College London #TCL 014863. Published by Trinity College London (TL.TCL014863).

Violin - Grade 8

SKU: TL.TCL014962

Repertoire. CD. Trinity College London #TCL 014962. Published by Trinity College London (TL.TCL014962).

ISBN 9780857364692.

This audio CD contains exam pieces on the Trinity College London Violin syllabus for 2016-2019, featuring renowned violinist, Ofer Falk. (alternative pieces are not included). In addition to full recordings of each piece, the CD also includes 'minus one' style backing tracks, allowing students to practise with the piano accompaniment played by Peter Wild.
These recordings are not definitive but may be employed as an aid to preparation for Trinity College London examinations.

(Violin Part). Composed by Dr. Shinichi Suzuki. For Violin. This edition: Revised. Book; CD; Method/Instruction; String - Violin (Suzuki); Suzuki. Suzuki Violin School. 32 pages. Published by Alfred Music

(Violin Part). Composed by William Preucil, Jr. and Shinichi Suzuki. For Violin. This edition: Revised. Book; Method/Instruction; String - Violin (Suzuki); Suzuki. Suzuki Violin School. Published by Alfred Music

(Piano Acc.). Composed by Dr. Shinichi Suzuki. For Violin. This edition: Revised. Book; Method/Instruction; String - Violin (Suzuki); Suzuki. Suzuki Violin School. 40 pages. Published by Alfred Music

(Revised Edition). By Franz Liszt (1811-1886). For Solo Violin. 32 pages. Published by Carl Fischer

(Violin Part). For violin. Method/Instruction; SmartMusic; String - Violin (Suzuki). Suzuki Violin School. Instructional and Technique. Instructional book. 28 pages. Published by Alfred Music Publishing

(Violin Part). Composed by Dr. Shinichi Suzuki. For Violin. This edition: Revised. Book; Method/Instruction; String - Violin (Suzuki); Suzuki. Suzuki Violin School. 36 pages. Published by Alfred Music

(Violin Part). Composed by Dr. Shinichi Suzuki. For Violin. This edition: Revised. Book; CD; Method/Instruction; String - Violin (Suzuki); Suzuki. Suzuki Violin School. 36 pages. Published by Alfred Music

By Koji Toyoda. Arranged by Dr. Shinichi Suzuki. This edition: Performance/Accompaniment CD. Method/Instruction; String - Violin (Suzuki); Suzuki. Suzuki Violin School. Instructional and Technique. Performance CD. 1 pages. Alfred Music #00-0918. Published by Alfred Music

Written by Dr. Shinichi Suzuki. Instructional book for violin. With fingerings, instructional text and introductory text. Text language English, Japanese, French, German, Spanish. 24 pages. Published by Alfred Publishing.

12 Pieces from the Classical Era in Easy Swing Arrangements Violin Book/CD. By Various. Arranged by Mark Armstrong. This edition: ED13101. String Solo. Edition with CD. 32 pages. Published by Schott.