Contemporary Violin
Studies. Composed by
Garth Knox. This edition:
Saddle stitching. Sheet
music. String Method. 20
praxiserprobte
Unterrichtsstunden.
Classical, Etude.
Softcover. Composed 2017.
52 pages. Schott Music
#ED22971. Published by
Schott Music
(HL.49046112).
ISBN
9790001188685. UPC:
842819100164.
9.0x12.0x0.198 inches.
German - English -
French.
Garth Knox
is one of the most
prolific violists of his
generation, and as a
former member of the
Arditti Quartet for
years, he has developed
his love of contemporary
music. He now gives
concerts and organizes
workshops all over the
world. Following his
highly successful Viola
Spaces, he has now
released the Violin
Spaces, concert etudes
for violin, which bring
advanced playing
techniques to advanced
players. The pieces - or
â??spacesâ? - give
each of them a space for
specific techniques, such
as the flageolette,
pizzicato technique (with
10 fingers!) Or glissando
variants. The Violin
Spaces are dedicated to
the violinist Diamanda
Dramm, who worked closely
with the composer during
the development of the
pieces.
For Violin, Oboe &
Guitar. Composed by
Meyer Kupferman. Guitar,
Chamber Music with
Guitar, Chamber Music,
Mixed Ensemble.
Performance Score. Subito
Music Corporation
#80119811. Published by
Subito Music Corporation
(SU.80119811).
Violin, Oboe &
Guitar Composed: 1998
Published by: Soundspells
Productions Includes set
of 3 scores. New
Space (1998) is an 18
minute trio for violin,
oboe, and guitar
(amplified), written for
William Anderson and
Roberto Limón, in
celebration of the births
of their sons.
Solo Violin SKU: SU.29110060 For Solo Violin. Composed by Wynton M...(+)
Solo Violin
SKU:
SU.29110060
For
Solo Violin. Composed
by Wynton Marsalis.
Strings, Violin.
Unaccompanied. Score.
Subito Music Corporation
#29110060. Published by
Subito Music Corporation
(SU.29110060).
1. Sidestep
Reel - In 19th
Century America, the
Afro-Celtic fiddle style
was the centerpiece of
many a dance. Reels and
hornpipes were very
popular forms. Their
repetitive, even-metered
rhythms were easy and fun
to dance to, and their
infectious singable
melodies stayed in the
mind and on the tongue.
More adventurous fiddlers
were given to syncopating
on these forms by
accenting off beats and
by embellishing melodies
with oddmetered note
groupings. Syncopation is
a fundamental rhythmic
attitude of jazz and this
movement is a celebration
of that art. The melodic
language is a home-grown
concoction of commonality
between traditional reels
and hornpipes and the
Baroque, Ragtime and the
quartal concepts of
Modern Jazz. 2. As the
Wind Goes - the
wistful late night song
of a lullabye, a campfire
song, a ballad...a
spiritual. It is sung as
if on the wind, yearning
to experience once again
that which will only ever
again live as memory. 3.
Jones’ Jig -
the Irish Jig, the
African 6/8 bell pattern,
the shuffle rhythm of
jazz and the drum style
of Elvin Jones all play
around with the
relationship of 3 in the
time-space of 2. The
juxtaposition,
negotiation and
reconciliation of these
opposing rhythmic
perspectives create
interesting musical
relationships all over
the globe. 4.
Nicola’s
Strathspey - In the
traditional Strathspey,
improvised
embellishments,
syncopated dotted rhythms
and the use of space
between notes create
expectation, momentum and
surprise. These same
elements and their effect
on the listener are the
same in the blues. It
seems like a natural
marriage. 5. Bye Bye
Breakdown - This is
good ol’, Saturday
night barn dance, hoedown
fiddling. It revels in
the whining cry of open
double stops, in all
types of musical
onomatopoeia from train
sounds to animal calls to
country whistling, and in
the steady 2/4 rhythm
that is as basic as
walking. The harmonic
framework of several
popular fiddle and folk
tunes provide a practical
grid for the cutting of
challenging melodic and
rhythmic figures. It is
designed to tire fiddler
and dancers out. Then we
stomp our way home in
varying states of delight
and disrepair.Solo Violin
Duration: 24' Composed:
2018 Published by: Wynton
Marsalis (administered by
Skayne's Music).
Violin SKU: BT.EMBZ1975 Composed by Tivadar Orszagh. Studies & Exercises....(+)
Violin
SKU:
BT.EMBZ1975
Composed
by Tivadar Orszagh.
Studies & Exercises. Book
Only. Composed 1955. 44
pages. Editio Musica
Budapest #EMBZ1975.
Published by Editio
Musica Budapest
(BT.EMBZ1975).
This is a
revised edition of the
scale studies published
in 1948. It contains the
major and minor scales
used during violin
teaching at elementary
level as well as broken
triads and seventh
chords. Its mission is to
gradually prepare the
player for the volume
''Das Skalensystem by
Carl Flesch, used in
advanced level
teaching.It depends on
the needs of the student
whether to make use of
the fingering suggested
in the music or a
different one: the same
musical patterns can be
realized in many
different ways.
Similarly, bowing,
rhythmic patterns, and
dynamic levels may be
altered according to
taste.As far as
progressions in thirds,
sixths, octaves, and
tenths are concerned,
dueto lack of space only
samples are given here.
Based on these,
transposed versions may
be elaborated
individually.
Violin SKU: HL.50485744 Composed by Tivadar Orszagh. EMB. Method. Book [S...(+)
Violin
SKU:
HL.50485744
Composed
by Tivadar Orszagh. EMB.
Method. Book [Softcover].
Editio Musica Budapest
#Z1975. Published by
Editio Musica Budapest
(HL.50485744).
ISBN
9780634090899. UPC:
073999328691. Bach (23 x
30,2 cm)
inches.
This is a
revised edition of the
scale studies published
in 1948. It contains the
major and minor scales
used during violin
teaching at elementary
level as well as broken
triads and seventh
chords. Its mission is to
gradually prepare the
player for the volume
''Das Skalensystem by
Carl Flesch, used in
advanced level
teaching.It depends on
the needs of the student
whether to make use of
the fingering suggested
in the music or a
different one: the same
musical patterns can be
realized in many
different ways.
Similarly, bowing,
rhythmic patterns, and
dynamic levels may be
altered according to
taste.As far as
progressions in thirds,
sixths, octaves, and
tenths are concerned, due
to lack of space only
samples are given here.
Based on these,
transposed versions may
be elaborated
individually.