Violin SKU: BT.9781408114612 Composed by Peter Davey. Abracadabra. Method...(+)
Violin
SKU:
BT.9781408114612
Composed by Peter Davey.
Abracadabra. Method. Book
with CD. 64 pages.
Collins Music Publishing
#9781408114612. Published
by Collins Music
Publishing
(BT.9781408114612).
ISBN 9781408114612.
English.
Now in a
third edition,
Abracadabra Violin
has a fresh and
contemporary new look and
is the perfect book for
pupil and
teacher.
This
title offers an identical
selection of repertoire
to the other books in
theAbracadabra Strings
series, so they can be
used in any combination
for group or whole class
lessons and mixed
ensemble performances.
Used alone, they remain
ideal for individual
tuition.
With
tunes you know and want
toplay, carefully graded
in 20 learning steps,
this new edition of the
popular tutor also
includes duets, trios and
teacher's parts. Clear
fingering and bowing
diagrams and concise
theory explanations help
to teach
thefundamentalsof the
instrument, and each new
technical aspect is
reinforced by several
pieces using that
particular
technique.
Abra
cadabra Violin now
also includes two CDs of
performance and backing
tracks, featuringselected
orchestral backings.
Recorded by Frank Almond, Concertmaster of the Milwaukee Symphony. By Frank Almo...(+)
Recorded by Frank Almond,
Concertmaster of the
Milwaukee Symphony. By
Frank Almond. By Various.
String Solo. Classical.
Softcover Audio Online.
48 pages. Published by G.
Schirmer
Cello; Piano Accompaniment; Violin (Score & Parts) SKU: HL.50600840 Fo...(+)
Cello; Piano
Accompaniment; Violin
(Score & Parts)
SKU:
HL.50600840
For
Violin, Violoncello and
Piano. Composed by
Gerald Resch. String
Ensemble. Classical.
Softcover. 36 pages.
Sikorski #SIK8824.
Published by Sikorski
(HL.50600840).
8.25x11.75x0.097
inches.
The work
was composed for the
Haydn Chamber Ensemble
commissioned by the
Haydnfestspiele
Eisenstadt
(Kammermusikzyklus 2015).
Supported by the
Österreichisches
Bundesministerium für
Unterricht, Kunst und
Kultur. Gerald Resch
comments on
“Sostenutoâ€
as follows: “The
Haydn Chamber Ensemble
approached me with their
request for a piano trio
referring to the
'romantic' aspect of
Joseph Haydn. His D-major
Piano Trio, Hob.XV/24 is
a wonderful example of
how Haydn opened a door
onto a new era during the
last decade of his
productivity. The initial
impulse for 'Sostenuto'
was my confrontation with
Haydn's D-major Piano
Trio.â€.