Violin - intermediate SKU: BT.DHP-1185780-400 The World's Most Beautif...(+)
Violin - intermediate
SKU:
BT.DHP-1185780-400
The World's Most
Beautiful Arias with Full
Orchestra Play Along.
Opera or Operetta. Book
with CD. Composed 2018.
36 pages. De Haske
Publications #DHP
1185780-400. Published by
De Haske Publications
(BT.DHP-1185780-400).
ISBN 9789043153836.
English-German-French-Dut
ch.
For over three
hundred years, great
opera singers have held
entire audiences under
their spell. In so doing,
they can call on an
etensive repertoire of
arias by many important
composers. Live at the
Opera now makes this
precious treasure trove
available to
instrumentalists, too.
Twelve of the most
beautiful operatic
melodies of all time have
been specially arranged
for violin and are
performed by the renowned
violinist Maximilian
Lohse. The accompanying
audio is performed by an
authentic opera
orchestra, which also
includes a play-along
version without soloist.
Additionally, this unique
collection also includes
background info and tips
on performance for
theindividual arias.
Al meer dan
driehonderd jaar weten
grote operazangers en
-zangeressen hun publiek
te betoveren. Wanneer ze
voor ons op het podium
staan, vertolken ze
melodieën die behoren
tot de allermooiste van
de klassieke muziek.
Live at the opera
maakt deze schat aan
melodieën nu ook
toegankelijk voor
instrumentalisten: twaalf
Italiaanse
opera-ariaâ??s zijn
speciaal gearrangeerd
voor viool en opgenomen
door de gerenommeerd
violist Maximilian Lohse.
Een echt operaorkest
neemt de begeleiding voor
zijn rekening, die op de
meespeelversie ook zonder
solo-instrumentalist
beschikbaar is. Verder
zijn in deze unieke
collectie
muziekhistorische
achtergrondinformatie bij
iedere aria entips voorde
uitvoering opgenomen.
Schon seit mehr
als dreihundert Jahren
ziehen groÃ?e
Opernsängerinnen ein
ganzes Opernpublikum in
seinen Bann. Dabei
können sie sich aus
einem umfangreichen
Arienrepertoire aus der
Feder zahlreicher
bedeutender Komponisten
bedienen. Live at the
Opera macht diesen
kostbaren Melodienschatz
nun auch
Instrumentalisten
zugänglich: 12 der
schönsten
Opernmelodien aller
Zeiten wurden hier eigens
für Violine
eingerichtet und werden
von dem renommierten
Geiger Maximilian Lohse
vorgespielt. Ein echtes
Opernorchester
übernimmt dabei die
Begleitung, welche
zusätzlich auch in
einer Mitspielversion
ohne den Solisten zur
Verfügung steht.
Hintergrundwissen
undAusführungstipps zu
den einzelnen Arien sind
weitere Pluspunkte dieser
einzigartigen Sammlung.
Violin SKU: BT.HITPCPTVIOL01 Composed by Bruno Garlej. Collection Rama. B...(+)
Violin
SKU:
BT.HITPCPTVIOL01
Composed by Bruno Garlej.
Collection Rama. Book
with CD. Composed 2014.
96 pages. Hit Diffusion
#HITPCPTVIOL01. Published
by Hit Diffusion
(BT.HITPCPTVIOL01).
Chamber Music Violin SKU: CF.BF115 Composed by Johann Sebastian Bach. Edi...(+)
Chamber Music Violin
SKU: CF.BF115
Composed by Johann
Sebastian Bach. Edited by
Rachel Barton Pine. SWS.
Collection. With Standard
notation. 80 pages. Carl
Fischer Music #BF115.
Published by Carl Fischer
Music (CF.BF115).
ISBN
9781491150993. UPC:
680160908493. 9x12
inches.
Johann
Sebastian Bach’s
(1685—1750)
SixSonatas and Partitas
have captivated
violinistsfor centuries.
Rachel Barton
Pine—havingspent
decades studying the
music of Bach,his
contemporaries, and his
predecessors—now
offers this unparalleled
edition completewith
detailed historical
notes,
performancesuggestions,
and downloadable study
materialsincluding a new
Urtext edition and a
speciallyprepared
manuscript. Pine’s
interpretationis informed
by thorough historical
study, which has been
polished byyears of
performance insight, but
also encourages those
studying
Bach’srepertoire
to craft their own unique
interpretation of these
timelessmasterpieces.
This edition closely
follows Pine’s
critically acclaimed
2016recording
“Testament:
Complete Sonatas and
Partitas for Solo Violin
byJ.S. Bach†(Avie
2360) making it an
invaluable resource for
any student,teacher, or
performer enthralled with
J.S. Bach’s long
standing legacy.Ms. Pine
holds the distinction of
being the only American
and youngestperson to win
the gold medal at the
J.S. Bach International
ViolinCompetition in
Leipzig, Germany,
1992. here is no one
right way to play Bach.
More thanalmost any
repertoire, each
individual’s
interpretation isas
unique as their
personality. Though I
have spent
decadesstudying
Bach’s music as
well as that of his
contemporariesand
predecessors, my final
rationale for
artisticdecisions is
often taste and instinct.
Every violinist
whoundertakes a
lifetime’s journey
with this incredible
repertoireis continually
discovering new ideas.
Thus, theopinions on the
following pages may
evolve over time.However,
everything in the sheet
music closely follows
my2016 recording
“Testament:
Complete Sonatas and
Partitasfor Solo Violin
by J.S. Bach†(Avie
2360), which I trulyfeel
represents the
culmination of my
exploration intothese
extraordinary works.In
choosing to present this
edition, my hope is
thatyou will find useful
solutions to challenges
of fingering,bowing, and
polyphony, and helpful
information
aboutphrasing. I have
also included additional
dynamic suggestionswith
the hope that trying
these ideas will help
inspireyou to discover
your own. All of these
markings aredesigned to
work with a baroque
violin and baroque bow,a
modern violin and baroque
bow, or a modern
violinand modern bow.
While the information in
this editionis unusually
dense, there is much that
I did not include,such as
lifts, breaths,
articulations, whether to
play on oroff the string,
metronome markings,
details of timing,and
emphases other than
hemiolas.I offer this
book to you in the spirit
of Bach: “SoliDeo
Gloria.â€.
(A Revolutionary Method for Early-Intermediate Musicians (Violin)). By Bob Phill...(+)
(A Revolutionary Method
for Early-Intermediate
Musicians (Violin)). By
Bob Phillips, Peter
Boonshaft, and Robert
Sheldon. Orchestra. For
Violin. This edition:
Violin. Book; CD; DVD;
Method/Instruction;
String Orchestra
Method/Supplement. Sound
Innovations. 48 pages.
Published by Alfred Music
Publishing
(Learn the Melodies, Techniques and Styles of a Great Tradition). By Lisa ...(+)
(Learn the Melodies,
Techniques and Styles of
a
Great Tradition). By Lisa
Gutkin. Homespun Tapes.
DVD.
Hal Leonard #DVDLSAFI21.
Published by Hal Leonard
SKU: SU.00220546 Strings, Violin. CD (PDF Scores). CD Sheet Music #002205...(+)
SKU: SU.00220546
Strings, Violin. CD (PDF
Scores). CD Sheet Music
#00220546. Published by
CD Sheet Music
(SU.00220546).
This CD Sheet
Musicâ?¢ collection
bring together the
numerous violin methods
and studies from the 18th
and 19th centuries.
Includes works by: Bang,
Hrimaly, Kreutzer, Sevcik
and many more Also
includes relevant
articles from the 1911
edition of Grove's
Dictionary of Music and
Musicians 2000 pages
Companion collections for
violin include: Violin
Concertos(#00220549);
Violin Solos and Duets
(#00220210); Violin
Sonatas (#00220548). Each
is a comprehensive
collection in its own
right; together they
encompass a unique and
comprehensive anthology
of music for the violin.
Please note,
customers using Macintosh
computers running macOS
Catalina (version 10.5)
have reported hardware
compatibility issues with
this product. If you
encounter these issues,
we recommend copying the
entire contents of the
disk to a contained
folder on a thumb drive
or other storage device
for use on your
Mac.
(An Easy Approach to Improvising in Funk, Soul, Latin Folk and Jazz Styles). Edi...(+)
(An Easy Approach to
Improvising in Funk,
Soul, Latin Folk and Jazz
Styles). Edited by Paul
Harvey and Rob Hughes.
For Flute, Violin.
Schott. Book with CD. 32
pages. Schott Music
#ED13373. Published by
Schott Music
100 Progressive Melodies of 3 to 8 Notes with Piano Accompaniment. Composed by...(+)
100 Progressive Melodies
of 3
to 8 Notes with Piano
Accompaniment. Composed
by
Various. Edited by Andrea
Cappellari. Instrumental
Folio. Classical.
Softcover
Audio Online. 36 pages.
Published by Ricordi
Composed by David Reiner. Squareback saddle stitch. Solos. Book and online ...(+)
Composed by David Reiner.
Squareback saddle stitch.
Solos. Book and online
audio. 136 pages. Mel Bay
Publications, Inc
#93818M.
Published by Mel Bay
Publications, Inc
("Original compositions, arrangements, cadenzas, and editions for violin"). By R...(+)
("Original compositions,
arrangements, cadenzas,
and editions for
violin"). By Rachel
Barton Pine. Edited by
Rachel Barton Pine. For
violin solo and piano.
Masters Collection. CD
includes piano
accompaniment as mp3
audio and printable pdf.
Classical. Collection and
CD. Published by Carl
Fischer
Arranged by Carrie L. Stuckert. For fiddle. Saddle-stitched. Made Easy. Beginnin...(+)
Arranged by Carrie L.
Stuckert. For fiddle.
Saddle-stitched. Made
Easy.
Beginning-Intermediate.
Book and online audio.
Published by Mel Bay
Publications, Inc
String Trio SKU: HL.48181148 For Violin, Cello and Harp. Composed ...(+)
String Trio
SKU:
HL.48181148
For
Violin, Cello and
Harp. Composed by
Jacques-Francois Ibert.
Leduc. Classical.
Alphonse Leduc #AL20341.
Published by Alphonse
Leduc (HL.48181148).
UPC: 888680906801.
9.0x12.0x0.15
inches.
Jacques
Ibert (1890-1962) studied
at the Paris
Conservatoire before
embarking upon a
successful composing
career. The composer
wrote for a variety of
instrumentations and his
works remain popular to
this day, Trio for
Violin, Cello and Harp
being no exception.
Composed in 1944, Trio is
suitable to advanced
level violinists,
cellists and harpists.
Ibert was a unique
composer who did not
associate himself with
any particular style. His
music is generally
lighthearted, often
reflecting the composer's
wit and humour.
Containing a variety of
musical aspects and
techniques, and
significantly composed
for an unusual
arrangement of violin and
cello with harp
accompaniment, Ibert's
Trio is an exciting
addition to the advanced
level violin, cello and
harp ensemble
repertoire.
Chamber Music Violin SKU: CF.BF131 Composed by Roland Vamos. With Standar...(+)
Chamber Music Violin
SKU: CF.BF131
Composed by Roland Vamos.
With Standard notation.
168 pages. Carl Fischer
Music #BF131. Published
by Carl Fischer Music
(CF.BF131).
ISBN
9781491153765. UPC:
680160911264. 9 x 12
inches.
Inspired by
Clarence Cameron
White’s book The
Violinist’s Daily
Dozen, The
Violinist’s Daily
Sixteen is a collection
of daily exercises
compiled by Roland Vamos.
Intended for student and
professional violinists,
the collection provides
the performer with a
variety of exercises for
daily warm-ups. Mr. Vamos
also focuses on
developing dexterity and
flexibility in the
fingers and joints, the
first and fourth fingers
in particular. Each of
the sixteen exercises is
notated for each of the
four strings, and Vamos
recommends that the
exercises be practiced as
warm-ups, choosing a
different string for each
day of practice.Also
included with the Daily
Sixteen is a
comprehensive set of
studies for developing
fluency with scales and
arpeggios. Mr.
Vamos’ unique
methodology is to begin
with major scales and
arpeggios, followed by
minor scales and
arpeggios, all of which
are notated in two, three
and four octaves.
Alternate fingers are
provided, as well as a
variety of slurred and
mixed bowings using the
three parts of the bow
whenever feasible. It is
a remarkably systematic
approach to performing
scales and arpeggios on
the violin and will
surely benefit students
and professionals
alike. ForewordThis
short hand-setting set of
exercises was inspired by
a book entitled The
Violinist’s Daily
Dozen, conceived by
Clarence Cameron White, a
prominent
African-American
violinist, composer and
arranger who enjoyed the
bulk of his career in the
first half of the
twentieth century.I have
practiced this set of
exercises since I was
twelve years old. It has
served me as a superb
warm-up and hand setting
tool. Over the years, I
have found that there are
some aspects of this
warm-up routine that were
not given sufficient
attention or not
addressed at all.
Consequently, I have
expanded the Daily Dozen
to create a new work
entitled The
Violinist’s Daily
Sixteen.I have also paid
particular attention in
this work as to how these
exercises are to be
practiced. In exercises
one and two, I have
indicated some notes to
be played before the
actual written exercises.
This is to ensure that
the fourth finger will be
over the string in a
position ready to strike
even though it is not
being used. Before
playing exercises three,
four, nine, ten, eleven
and twelve, I have
indicated silent fingers
to be placed on the notes
they would be playing if
they were being used.I
have replaced Mr.
White’s grace
notes with notes of
specific value and have
slowed down the exercises
so that the first joint
(the joint nearest the
string) of each finger
can move with flexibility
and strength. At no time
should the first joint
buckle.In Mr.
White’s version,
the last exercise gave
the first finger some
very valuable backward
extensions. In this
exercise (number 14 in
this book), I caution the
student not to move the
hand along with the first
finger. The hand should
remain in position while
the first finger
independently moves back
and forth.It became
obvious to me that if the
first finger were given
the opportunity to
develop the dexterity
that Mr. White’s
twelfth exercise
emphasizes, the fourth
finger could benefit from
an exercise that gives it
a forward extension.
Consequently, I added
another exercise to
create a Baker’s
Dozen (thirteen).Several
years later, I felt that
the second and third
fingers should also have
an exercise to further
develop their
dexterity…hence
exercise fourteen was
added to create a
“Vamos
Dozen.â€Because the
first finger did not have
sufficient practice in
the development of the
first joint in the
original version, I have
added two exercises to
precede White’s
fifth exercise. After
re-working and
re-numbering these
exercises, I have come up
with a total of sixteen
exercises. It is my
suggestion that these be
practiced as a warm-up,
choosing a different
string each
day.—Roland
VamosEvanston, Illinois
2017Â PrefaceScales are
a means of teaching a
person the fingerboard on
his or her instrument.
The fingers move across
the strings and are
required to make shifts,
all in highly organized
patterns. Scales and
arpeggios are the
foundation upon which our
repertoire is built. Many
scale books have been
written; each one being
organized in its own
specific way. The Flesch
Scale System has been a
standard for many
decades. It is very
comprehensive and
systematic. From the
point of view of
establishing similar
patterns, it has one
drawback: it is organized
by starting with a major
key, followed by its
relative minor, going
through the circle of
fifths. I believe that it
is more profitable to do
only major scales with
their arpeggios first,
going up chromatically,
and then follow them in a
similar way with the
minor scales. In using
this approach, the
similarities in
fingerings between the
various scales are more
apparent. It is also
profitable to have
alternate fingerings
whenever possible. My
approach to scales and
arpeggios includes a
variety of slurred and
mixed bowings using the
three parts of the bow
whenever feasible. These
bowings are not
all-inclusive. Whenever a
particularly awkward
bowing pattern is
encountered in the
repertoire, it can be
practiced as an
additional bowing
variation in the scales
and arpeggios. Â Â I
have chosen to introduce
the three and four octave
scales by teaching two
octave scales across the
strings in one position
going up chromatically
through seven positions;
starting on the first,
second, third, and
finally fourth fingers in
major and melodic
minor.—Roland
VamosEvanston, Illinois
2017.
SKU: SU.00220548 Strings, Violin. CD (PDF Scores). CD Sheet Music #002205...(+)
SKU: SU.00220548
Strings, Violin. CD (PDF
Scores). CD Sheet Music
#00220548. Published by
CD Sheet Music
(SU.00220548).
This CD Sheet
Musicâ?¢ collection
brings together a wides
range of music for violin
by 28 composers from the
Baroque, Classical and
Romantic periods.
Includes: Bach, Mozart,
Grieg, Mendelssohn and
more Also includes
relevant articles from
the 1911 edition of
Grove's Dictionary of
Music and Musicians 3200
pages Companion
collections for violin
include: Violin Concertos
(#00220549); Violin
Methods and
Studies(#00220546);
Violin Solos and Duets
(#00220210). Each is a
comprehensive collection
in its own right;
together they encompass a
unique and comprehensive
anthology of music for
the violin.
Please
note, customers using
Macintosh computers
running macOS Catalina
(version 10.5) have
reported hardware
compatibility issues with
this product. If you
encounter these issues,
we recommend copying the
entire contents of the
disk to a contained
folder on a thumb drive
or other storage device
for use on your
Mac.
(32 Trios That Can Be Played by Any Combination of String Instruments). By Larry...(+)
(32 Trios That Can Be
Played by Any Combination
of String Instruments).
By Larry Clark. Edited by
Doris Gazda. Arranged by
Larry Clark. For violin.
Violin part. 48 pages.
Published by Carl Fischer
Violin - Beginner/Advanced SKU: AD.ADG245 Composed by Andrew D. Gordon. T...(+)
Violin -
Beginner/Advanced
SKU:
AD.ADG245
Composed by
Andrew D. Gordon. The
Blues Scale. Blues. Book
and digital audio. ADG
Productions #ADG245.
Published by ADG
Productions (AD.ADG245).
ISBN 9781958017357.
UPC: 663389124523. 9 x 12
inches.
The Blues
Scale for Violin is one
of a series by Andrew D.
Gordon is a comprehensive
collection of educational
books that explores the
intricacies, techniques,
and applications of the
blues scale in
contemporary music.
Designed for musicians of
all levels, this series
serves as an
indispensable resource
for guitarists, pianists,
saxophonists, and other
instrumentalists looking
to delve into the
expressive and soulful
world of blues music.
Andrew D. Gordon, an
accomplished musician and
renowned educator,
combines his vast
knowledge and experience
to provide a step-by-step
guide for mastering the
blues scale. Each book in
the series offers a
well-structured
curriculum, progressing
from fundamental concepts
to advanced improvisation
techniques, ensuring a
thorough understanding of
the blues scale's
potential. Through
detailed explanations,
musical examples,
exercises, and play-along
tracks, readers will
embark on a
transformative journey,
gaining fluency and
confidence in playing the
blues. The books cover
various styles showing
how the blues scale can
be used, including ,
jazz, funk , new age,
Latin, pop, gospel, acid
jazz and rock enabling
musicians to expand their
repertoire and adapt
their skills to different
musical contexts. The
Blues Scale series not
only equips musicians
with the technical
aspects of playing the
blues but also emphasizes
the importance of
creativity and personal
expression. Gordon
encourages readers to
develop their
improvisational skills,
providing tools and
strategies to create
unique solos and express
their musical personality
within the framework of
the blues scale. Whether
you are a beginner
seeking to explore the
foundations of the blues
scale or an advanced
player looking to refine
your improvisational
abilities, The Blues
Scale series by Andrew D.
Gordon offers a
comprehensive and
accessible approach to
learning and mastering
the blues. With its clear
instruction, engaging
exercises, and practical
examples, this series is
an invaluable resource
for musicians passionate
about incorporating the
soulful and timeless
sounds of the blues into
their playing.
By Doris Gazda. Edited by Albert Stoutamire. Orchestral Collection/Ensemble. Str...(+)
By Doris Gazda. Edited by
Albert Stoutamire.
Orchestral
Collection/Ensemble.
Strings! Series. Level:
Elementary. Music Book.
Published by Neil A. Kjos
Music Company.