Composed by Howard Shore, edited by Bill Gallifor, Jeannette DeLisa. For violin solo and piano accompaniment. Includes violin/piano book and accompaniment CD. With solo part and piano accompaniment. Movies. 80 pages. 9x12 inches. Published by Warner Brothers.

Composed by John Williams. For violin. Includes instrumental solo book and accompaniment CD. With standard notation. Movies. 9x12 inches. Published by Warner Brothers.

Chamber Music Violin

SKU: CF.BF131

Composed by Roland Vamos. With Standard notation. 168 pages. Carl Fischer Music #BF131. Published by Carl Fischer Music (CF.BF131).

ISBN 9781491153765. UPC: 680160911264. 9 x 12 inches.

Inspired by Clarence Cameron White’s book The Violinist’s Daily Dozen, The Violinist’s Daily Sixteen is a collection of daily exercises compiled by Roland Vamos. Intended for student and professional violinists, the collection provides the performer with a variety of exercises for daily warm-ups. Mr. Vamos also focuses on developing dexterity and flexibility in the fingers and joints, the first and fourth fingers in particular. Each of the sixteen exercises is notated for each of the four strings, and Vamos recommends that the exercises be practiced as warm-ups, choosing a different string for each day of practice.Also included with the Daily Sixteen is a comprehensive set of studies for developing fluency with scales and arpeggios. Mr. Vamos’ unique methodology is to begin with major scales and arpeggios, followed by minor scales and arpeggios, all of which are notated in two, three and four octaves. Alternate fingers are provided, as well as a variety of slurred and mixed bowings using the three parts of the bow whenever feasible. It is a remarkably systematic approach to performing scales and arpeggios on the violin and will surely benefit students and professionals alike.
ForewordThis short hand-setting set of exercises was inspired by a book entitled The Violinist’s Daily Dozen, conceived by Clarence Cameron White, a prominent African-American violinist, composer and arranger who enjoyed the bulk of his career in the first half of the twentieth century.I have practiced this set of exercises since I was twelve years old. It has served me as a superb warm-up and hand setting tool. Over the years, I have found that there are some aspects of this warm-up routine that were not given sufficient attention or not addressed at all. Consequently, I have expanded the Daily Dozen to create a new work entitled The Violinist’s Daily Sixteen.I have also paid particular attention in this work as to how these exercises are to be practiced. In exercises one and two, I have indicated some notes to be played before the actual written exercises. This is to ensure that the fourth finger will be over the string in a position ready to strike even though it is not being used. Before playing exercises three, four, nine, ten, eleven and twelve, I have indicated silent fingers to be placed on the notes they would be playing if they were being used.I have replaced Mr. White’s grace notes with notes of specific value and have slowed down the exercises so that the first joint (the joint nearest the string) of each finger can move with flexibility and strength. At no time should the first joint buckle.In Mr. White’s version, the last exercise gave the first finger some very valuable backward extensions. In this exercise (number 14 in this book), I caution the student not to move the hand along with the first finger. The hand should remain in position while the first finger independently moves back and forth.It became obvious to me that if the first finger were given the opportunity to develop the dexterity that Mr. White’s twelfth exercise emphasizes, the fourth finger could benefit from an exercise that gives it a forward extension. Consequently, I added another exercise to create a Baker’s Dozen (thirteen).Several years later, I felt that the second and third fingers should also have an exercise to further develop their dexterity…hence exercise fourteen was added to create a “Vamos Dozen.”Because the first finger did not have sufficient practice in the development of the first joint in the original version, I have added two exercises to precede White’s fifth exercise. After re-working and re-numbering these exercises, I have come up with a total of sixteen exercises. It is my suggestion that these be practiced as a warm-up, choosing a different string each day.—Roland VamosEvanston, Illinois 2017 PrefaceScales are a means of teaching a person the fingerboard on his or her instrument. The fingers move across the strings and are required to make shifts, all in highly organized patterns. Scales and arpeggios are the foundation upon which our repertoire is built. Many scale books have been written; each one being organized in its own specific way. The Flesch Scale System has been a standard for many decades. It is very comprehensive and systematic. From the point of view of establishing similar patterns, it has one drawback: it is organized by starting with a major key, followed by its relative minor, going through the circle of fifths. I believe that it is more profitable to do only major scales with their arpeggios first, going up chromatically, and then follow them in a similar way with the minor scales. In using this approach, the similarities in fingerings between the various scales are more apparent. It is also profitable to have alternate fingerings whenever possible. My approach to scales and arpeggios includes a variety of slurred and mixed bowings using the three parts of the bow whenever feasible. These bowings are not all-inclusive. Whenever a particularly awkward bowing pattern is encountered in the repertoire, it can be practiced as an additional bowing variation in the scales and arpeggios.    I have chosen to introduce the three and four octave scales by teaching two octave scales across the strings in one position going up chromatically through seven positions; starting on the first, second, third, and finally fourth fingers in major and melodic minor.—Roland VamosEvanston, Illinois 2017.

By Cassia Harvey. Edited by Judith Harvey. For violin. Instructional; string techniques. Method book. 45 pages

Violin (Violin)

SKU: HL.50605509

Violin. Composed by Kay Charlton. Warwick Music. Softcover Audio Online. Warwick Music #WARWED014. Published by Warwick Music (HL.50605509).

Violin - Medium/Easy

SKU: JK.09177

Arranged by Brent Jorgensen. Difficulty Easy Medium, Instrumental Violin, Piano Choir, God the Father, Gospel, Jesus Christ - Savior, Peace, Service. Christian, Inspirational. Jackman Music Corporation #09177. Published by Jackman Music Corporation (JK.09177).

Psalm 119:165, Psalm 119:97-104.

Violin obbligatos to accompany Hymnplicity Ward Choir Book 10 (#01769). Created to add color and warmth to the arrangements.
Arrangem ents in this packet:
Come, O Thou King of Kings
Count Your Blessings
Each Life that Touches Ours for Good
Israel, Israel God Is Calling
Now Let Us Rejoice
Sweet Is the Peace the Gospel Brings
Arranger: Brent Jorgensen
Difficulty: Medium/Easy
Reference: Psalm 119:165, Psalm 119:97-104.

By Franz Joseph Haydn (1732-1809). Edited by Howard Chandler Robbins Landon; Karl Heinz Fussl; Christa Landon. For violin 2. This edition: Paperback, Urtext edition. Paperback. Urtext from: Joseph Haydn Werke, G. Henle Verlag Munich. Single part. Hob. XXII:9. Published by Baerenreiter Verlag

By Franz Joseph Haydn. Edited by Howard Chandler Robbins Landon; Karl Heinz Fussl; Christa Landon. For Violin 1. Single Part (paperbound). Hob.XXII:9. Published by Baerenreiter-Ausgaben (German import). (BA4652 74)

By Cassia Harvey. Edited by Judith Harvey. For violin. Instructional; string techniques. Method book. 49 pages

By John Williams. For violin. String Series. Pop Instrumental Solo Series. Play Along. Level: Level 2-3 (grade 2-3). Book and CD. 104 pages. Published by Alfred Publishing.

Edited by Paul Stewart Cranford. Arranged by Melissa Emmons and Brenda Stubbert. For Fiddle. Perfect binding, Solos. Cranford Publications. Canadian-Maritime. Intermediate. Book. 72 pages. Published by Cranford Publication

compiled by Dr. Ed Whitcomb. For Fiddle. songbook. Canadian. Level: Beginning-Intermediate. Book. Size 8.75x11.75. 224 pages. Published by Mel Bay Publications, Inc.

Violin Play-Along Volume 62. Composed by John Williams. Violin Play-Along. Softcover Audio Online. 16 pages. Published by Hal Leonard (HL.157650).

Music from All Nine Films. Composed by John Williams. Instrumental Play-Along. Disney, Movies. Softcover Audio Online. 24 pages. Published by Hal Leonard

(Newly Composed Fiddle Tunes). Edited by Paul Stewart Cranford. For Fiddle and Violin. Transcribed Solos. Cranford Publications. Fiddle Tunes. Intermediate. Book/CD Set. 112 pages

(24 Solos from Around the World). Arranged by Edward Huws Jones. Boosey and Hawkes Chamber Music. Book with CD. 48 pages. Boosey and Hawkes #M051106400. Published by Boosey and Hawkes

For Violin. Composed by Arthur Binder and Otto M. Schwarz. Duration 135 seconds. Hal Leonard #SDP135-22. Published by Hal Leonard

Violin. Composed by Otto M. Schwarz. Duration 135 seconds. Hal Leonard #SDP039.20. Published by Hal Leonard

As performed by Barbara Barber, Trudi Post. By Barbara Barber. Edited by Judi Gowe. Suzuki Violin: Compact Disc. 4 pages. Published by Warner Brothers.

Edited by Zoby Perez. Instrumental collection (violin). Published by Warner Brothers.

Performed by Linda Perry, arranged by Shinichi Suzuki. Format: floppy disk/CD-ROM. Instructional and technique. Published by Warner Brothers.

Performed by David Nadien, arranged by Shinichi Suzuki. Format: performance CD. Instructional and technique. 5.5x5 inches. Published by Warner Brothers.

Edited by Zoby Perez. Instrumental collection (violin). Level: 2 - 3. 20 pages. Published by Warner Brothers.

As performed by Barbara Barber, Trudi Post. By Barbara Barber. Edited by Judi Gowe. Suzuki Violin: Compact Disc. 4 pages. Published by Warner Brothers.

Violin. Composed by John Williams. String Series. Instrumental Series. Movies. Instrumental solo book. 20 pages. Alfred Music #00-0066B. Published by Alfred Music

(Violin). For Violin. Book; CD; Play-Along; String Series. Pop Instrumental Solo Series. Video Game. Grade 2; Grade 2.5; Grade 3. 64 pages. Published by Alfred Music Publishing

Edited by Patrick Sky. For fiddle. All styles. Level: Multiple Levels. Book. Songbook. Size 8.75x11.75. 176 pages. Published by Mel Bay Pub., Inc.

Violin - early intermediate

SKU: BT.DOW-04703-400

Composed by Josef Hofer. Kompendium. Educational Tool. Book with CD. Dowani #DOW 04703-400. Published by Dowani (BT.DOW-04703-400).

ISBN 9783905476873. International.

1 E. R. Zähler: Plauderstündchen - Schülerstimme2 E. R. Zähler: Plauderstündchen - Lehrerstimme3 G. E. Duld: Warten - Schülerstimme4 G. E. Duld: Warten - Lehrerstimme

Bei den Kompendien für Violine handelt es sich nicht um eine Schule im herkömmlichen Sinn, sondern um eine didaktisch orientierte Sammlung von Übungen und Stücken. Die Kompendien orientieren sich an den traditionellen Schulen von Küchler,Doflein, Rolland und anderen berühmten Pädagogen, sind aber inhaltlich und von der Aufmachung her an die heutige Zeit angepasst: Neben kleinen Musikstücken findet man Tonleiter- und Dreiklangübungen sowie Etüdchen“, zu jedem Band gibt es zwei CDszum Mitspielen, verschiedene Aufkleber erinnern die Schüler an wichtige Dinge - und wer genügend Stücke geübt hat, erhält am Ende jedes Bandes zur Belohnung ein Zeugnis. Die Kompendienkönnen als eigenes Lehrwerk, aber auch ergänzend zu anderenInstrumentalschule n für Streicher verwendet werden. Das Besondere an den Kompendien ist, dass die Schüler alle Stücke und Übungen tatsächlich durcharbeiten und dadurch sehr schnell Fortschritte machen. .1 E. R. Zähler: Plauderstündchen - Schülerstimme2 E. R. Zähler: Plauderstündchen - Lehrerstimme3 G. E. Duld: Warten - Schülerstimme4 G. E. Duld: Warten - Lehrerstimme.