Violin - intermediate SKU: BT.DHP-1064024-400 For the developing violi...(+)
Violin - intermediate
SKU:
BT.DHP-1064024-400
For the developing
violinist. Arranged
by Gunter Van Rompaey and
Nico Dezaire. De Haske
Study and Play. Studies
and Exercises. Book with
CD. Composed 2006. 72
pages. De Haske
Publications #DHP
1064024-400. Published by
De Haske Publications
(BT.DHP-1064024-400).
ISBN 9789043124621.
9x12 inches.
English-German-French-Dut
ch.
Studies can be
boring - you usually play
them alone and the lack
of rhythm and harmony can
be dispiriting. This very
practical collection
contains the best studies
written throughout two
centuries of violin
education. The studies -
all in the first position
- have been provided with
completely new piano
accompaniments which give
a harmonic and rhythmic
helping hand, so that
practicing becomes more
instructive and more fun.
Each edition within this
concept features two CDs.
For each study there are
three tracks on the CDs:
a demo version, a
play-along version in
normal tempo and one in a
slower, study tempo. The
following technical
skills are included in
the Selected
Studiesprogramme:
Book 2: For the
right hand: string
shifts, staccato, legato,
spiccato; For the left
hand: position work in
the second and third
position; position
shifts, trills.
Violin - intermediate SKU: BT.DHP-1125238-400 Composed by Nico Dezaire. D...(+)
Violin - intermediate
SKU:
BT.DHP-1125238-400
Composed by Nico Dezaire.
De Haske String Technique
Series. Book with CD.
Composed 2012. 56 pages.
De Haske Publications
#DHP 1125238-400.
Published by De Haske
Publications
(BT.DHP-1125238-400).
Violin - intermediate SKU: BT.DHP-1125237-400 Composed by Nico Dezaire. D...(+)
Violin - intermediate
SKU:
BT.DHP-1125237-400
Composed by Nico Dezaire.
De Haske String Technique
Series. Book with CD.
Composed 2012. 56 pages.
De Haske Publications
#DHP 1125237-400.
Published by De Haske
Publications
(BT.DHP-1125237-400).
ISBN 9789043145565.
9x12 inches.
German.
Double
Stopping is a modern
method designed to teach
violinists who are fairly
confident in the 1st
position how to play
dyads on two strings as
well as double stops.
This is achieved through
38 exercises and 37
performance pieces in
various musical styles.
The various dyads and
double stops are offered
in a coherent and
structured way, and
indicated in different
colours. The performance
pieces can be played
without accompaniment,
with CD accompaniment or
as a duet, with the
second violin parts
provided as PDF files on
the CD.English edition:
DHP 1125089-400 Double
Stops for
Violin
Doub
le Stopping is een
eigentijdse methode om
violisten met een ruime
speelervaring in de
eerste positie
samenklanken van twee
snaren en dubbelgrepen te
leren. Dit gebeurt door
middel van 38 oefeningen
en 37 speelstukkenin
diverse muzikale stijlen.
De verschillende
samenklanken en
dubbelgrepen worden
overzichtelijk en
gestructureerd aangeboden
en met verschillende
kleuren aangeduid. De
speelstukken kunnen zowel
onbegeleid , met
cd-begeleiding alsmet een
tweede vioolstem worden
uitgevoerd. De duetten
zijn geleverd als uit te
printen pdf-files op de
cd.Nederlandse uitgave:
DHP 1125236-400
Dubbelgrepen voor
viool
Doppe
lgriffe auf der
Violine richtet sich
an Geigenschüler, die
sich sicher in der ersten
Lage bewegen, und leitet
zum Spiel von
Zusammenklängen mit
zwei Saiten und
Doppelgriffen über.
Anhand von 38 Ã?bungen
und 37 Spielstücken in
verschiedenen Musikstilen
führt diese moderne
Methode übersichtlich
und strukturiert in die
diversen
Zusammenklänge und
Doppelgriffe ein.
Zusätzliche farbige
Markierungen
unterstützen dabei den
Lernprozess. Die
Spielstücke können
sowohl unbegleitet als
auch mit einer zweiten
Geigenstimme gespielt
werden. Die Duette sind
als PDF-Dateien zum
Ausdrucken auf der CD
enthalten.
Violin - intermediate SKU: BT.DHP-1125089-400 Composed by Nico Dezaire. D...(+)
Violin - intermediate
SKU:
BT.DHP-1125089-400
Composed by Nico Dezaire.
De Haske String Technique
Series. Book with CD.
Composed 2012. 56 pages.
De Haske Publications
#DHP 1125089-400.
Published by De Haske
Publications
(BT.DHP-1125089-400).
ISBN 9789043145589.
9x12 inches.
English.
Double
Stopping is a modern
method designed to teach
violinists who are fairly
confident in the 1st
position how to play
dyads on two strings as
well as double stops.
This is achieved through
38 exercises and 37
performance pieces in
various musical styles.
The various dyads and
double stops are offered
in a coherent and
structured way, and
indicated in different
colours. The performance
pieces can be played
without accompaniment,
with CD accompaniment or
as a duet, with the
second violin parts
provided as PDF files on
the CD.
Double
Stopping is een
eigentijdse methode om
violisten met een ruime
speelervaring in de
eerste positie
samenklanken van twee
snaren en dubbelgrepen te
leren. Dit gebeurt door
middel van 38 oefeningen
en 37 speelstukkenin
diverse muzikale stijlen.
De verschillende
samenklanken en
dubbelgrepen worden
overzichtelijk en
gestructureerd aangeboden
en met verschillende
kleuren aangeduid. De
speelstukken kunnen zowel
onbegeleid, met
cd-begeleiding alsmet een
tweede vioolstem worden
uitgevoerd. De duetten
zijn geleverd als uit te
printen pdf-files op de
cd.Nederlandse uitgave:
DHP 1125236-400
Dubbelgrepen voor
viool
Doubl
e Stops for Violin
richtet sich an
Geigenschüler, die
sich sicher in der ersten
Lage bewegen, und leitet
zum Spiel von
Zusammenklängen mit
zwei Saiten und
Doppelgriffen über.
Anhand von 38 Ã?bungen
und 37 Spielstücken in
verschiedenen Musikstilen
führt diese moderne
Methode übersichtlich
und strukturiert in die
diversen
Zusammenklänge und
Doppelgriffe ein.
Zusätzliche farbige
Markierungen
unterstützen dabei den
Lernprozess. Die
Spielstücke können
sowohl unbegleitet als
auch mit einer zweiten
Geigenstimme gespielt
werden. Die Duette sind
als PDF-Dateien zum
Ausdrucken auf der CD
enthalten.Deutschsprachig
e Ausgabe siehe DHP
1125237-400
Doppelgriffe auf
derVioline
Violin - intermediate SKU: BT.DHP-1125236-400 Composed by Nico Dezaire. D...(+)
Violin - intermediate
SKU:
BT.DHP-1125236-400
Composed by Nico Dezaire.
De Haske String Technique
Series. Book with CD.
Composed 2012. 56 pages.
De Haske Publications
#DHP 1125236-400.
Published by De Haske
Publications
(BT.DHP-1125236-400).
ISBN 9789043145572.
9x12 inches.
Dutch.
Double
Stopping is a modern
method designed to teach
violinists who are fairly
confident in the 1st
position how to play
dyads on two strings as
well as double stops.
This is achieved through
38 exercises and 37
performance pieces in
various musical styles.
The various dyads and
double stops are offered
in a coherent and
structured way, and
indicated in different
colours. The performance
pieces can be played
without accompaniment,
with CD accompaniment or
as a duet, with the
second violin parts
provided as PDF files on
the CD.English edition:
DHP 1125089-400 Double
Stops for
Violin
Dubb
elgrepen voor viool -
Double Stopping is
een eigentijdse methode
om violisten met een
ruime speelervaring in de
eerste positie
samenklanken van twee
snaren en dubbelgrepen te
leren. Dit gebeurt door
middel van 38
oefeningenen 37
speelstukken in diverse
muzikale stijlen. De
verschillende
samenklanken en
dubbelgrepen worden
overzichtelijk en
gestructureerd aangeboden
en met verschillende
kleuren aangeduid. De
speelstukken kunnen zowel
onbegeleid,met
cd-begeleiding als met
een tweede vioolstem
worden uitgevoerd. De
duetten zijn geleverd als
uit te printen pdf-files
op de
cd.
Doppelgriff
e auf der Violine
richtet sich an
Geigenschüler, die
sich sicher in der ersten
Lage bewegen, und leitet
zum Spiel von
Zusammenklängen mit
zwei Saiten und
Doppelgriffen über.
Anhand von 38 Ã?bungen
und 37 Spielstücken in
verschiedenen Musikstilen
führt diese moderne
Methode übersichtlich
und strukturiert in die
diversen
Zusammenklänge und
Doppelgriffe ein.
Zusätzliche farbige
Markierungen
unterstützen dabei den
Lernprozess. Die
Spielstücke können
sowohl unbegleitet als
auch mit einer zweiten
Geigenstimme gespielt
werden. Die Duette sind
als PDF-Dateien zum
Ausdrucken auf der CD
enthalten.Deutschsprachig
e Ausgabe siehe DHP
1125237-400
Doppelgriffe aufder
Violine
Indian Concertino Violon [Partition + CD] - Facile De Haske Publications
Composed by George Perlman. De Haske Study and Play. Book with CD. Composed 20...(+)
Composed by George
Perlman.
De Haske Study and Play.
Book
with CD. Composed 2005.
24
pages. De Haske
Publications
#DHP 1053792-400.
Published
by De Haske Publications
For Violin and
Orchestra. Composed
by Behzad Ranjbaran.
Contemporary. Large
Score. With Standard
notation. Composed 1994.
144 pages. Duration 31
minutes. Theodore Presser
Company #416-41366L.
Published by Theodore
Presser Company
(PR.41641366L).
UPC:
680160585755.
From
my early years studying
violin at the Tehran
Music Conservatory, I was
captivated by the sound
of the kamancheh, an
ancient Persian bowed
instrument considered one
of the ancestors to the
modern violin. I was
pleased when the National
Endowment for the Arts
awarded me a grant to
write a violin concerto
as it provided me with an
occasion to rekindle my
fascination with the
kamancheh. The notion of
writing a violin concerto
that would incorporate
the power and brilliance
of a modern instrument
with the delicate and
lyrical character of an
ancient one was simply
irresistible. Moreover,
the inspiration from the
kamancheh also informed
my use of Persian modes,
melodic, and rhythmic
figures. The notes of the
violins open strings (G,
D, A, E) also influenced
many of the melodic and
harmonic elements of my
violin concerto. The
opening tutti is mostly
based on intervals of a
perfect 4th and 5th. The
primary material for each
movement incorporates
notes of two of the open
strings of the violin,
creating a three-note
melodic motif as the
basis of themes: 1 st
movement: A-D-A 2nd
movement: D-G-D 3rd
movement: E-A-E The
overall structure of the
concerto is organic and
cyclical, as themes are
shared between the three
movements. For example,
the main musical idea of
the third movement is a
transformation of the
first movements primary
theme. While the
movements share similar
musical materials, each
one is defined by
distinguishing
characters. The first
movement is conflicted;
alternating between
sections of unabashed
lyricism and unforgiving
ferocity. The second
movement is haunting,
mysterious, and
expressive with long
melodic lines that vary
continuously. It moves
through different moods
and characters including
a reimagining of a
traditional Persian
wedding tune played by
the orchestra (m. 98).
The third movement is
festive in character and
features much brilliant
passagework for the solo
violin. At the climax of
this movement, themes
from the previous
movements re-emerge
simultaneously with
greater intensity,
propelling the concerto
to an energetic finale.
The Concerto was composed
in 1994 and is dedicated
to Joshua Bell. From
my early years studying
violin at the Tehran
Music Conservatory, I was
captivated by the sound
of the kamancheh, an
ancient Persian bowed
instrument considered one
of the ancestors to the
modern violin. I was
pleased when the National
Endowment for the Arts
awarded me a grant to
write a violin concerto
as it provided me with an
occasion to rekindle my
fascination with the
kamancheh. The notion of
writing a violin concerto
that would incorporate
the power and brilliance
of a modern instrument
with the delicate and
lyrical character of an
ancient one was simply
irresistible. Moreover,
the inspiration from the
kamancheh also informed
my use of Persian modes,
melodic, and rhythmic
figures. The notes of the
violinas open strings (G,
D, A, E) also influenced
many of the melodic and
harmonic elements of my
violin concerto. The
opening tutti is mostly
based on intervals of a
perfect 4th and 5th. The
primary material for each
movement incorporates
notes of two of the open
strings of the violin,
creating a three-note
melodic motif as the
basis of themes: 1 st
movement: A-D-A 2nd
movement: D-G-D 3rd
movement: E-A-E The
overall structure of the
concerto is organic and
cyclical, as themes are
shared between the three
movements. For example,
the main musical idea of
the third movement is a
transformation of the
first movementas primary
theme. While the
movements share similar
musical materials, each
one is defined by
distinguishing
characters. The first
movement is conflicted;
alternating between
sections of unabashed
lyricism and unforgiving
ferocity. The second
movement is haunting,
mysterious, and
expressive with long
melodic lines that vary
continuously. It moves
through different moods
and characters including
a reimagining of a
traditional Persian
wedding tune played by
the orchestra (m. 98).
The third movement is
festive in character and
features much brilliant
passagework for the solo
violin. At the climax of
this movement, themes
from the previous
movements re-emerge
simultaneously with
greater intensity,
propelling the concerto
to an energetic finale.
The Concerto was composed
in 1994 and is dedicated
to Joshua Bell. From
my early years studying
violin at the Tehran
Music Conservatory, I was
captivated by the sound
of the kamancheh, an
ancient Persian bowed
instrument considered one
of the ancestors to the
modern violin. I was
pleased when the National
Endowment for the Arts
awarded me a grant to
write a violin concerto
as it provided me with an
occasion to rekindle my
fascination with the
kamancheh. The notion of
writing a violin concerto
that would incorporate
the power and brilliance
of a modern instrument
with the delicate and
lyrical character of an
ancient one was simply
irresistible. Moreover,
the inspiration from the
kamancheh also informed
my use of Persian modes,
melodic, and rhythmic
figures. The notes of the
violin's open strings (G,
D, A, E) also influenced
many of the melodic and
harmonic elements of my
violin concerto. The
opening tutti is mostly
based on intervals of a
perfect 4th and 5th. The
primary material for each
movement incorporates
notes of two of the open
strings of the violin,
creating a three-note
melodic motif as the
basis of themes: 1 st
movement: A-D-A 2nd
movement: D-G-D 3rd
movement: E-A-E The
overall structure of the
concerto is organic and
cyclical, as themes are
shared between the three
movements. For example,
the main musical idea of
the third movement is a
transformation of the
first movement's primary
theme. While the
movements share similar
musical materials, each
one is defined by
distinguishing
characters. The first
movement is conflicted;
alternating between
sections of unabashed
lyricism and unforgiving
ferocity. The second
movement is haunting,
mysterious, and
expressive with long
melodic lines that vary
continuously. It moves
through different moods
and characters including
a reimagining of a
traditional Persian
wedding tune played by
the orchestra (m. 98).
The third movement is
festive in character and
features much brilliant
passagework for the solo
violin. At the climax of
this movement, themes
from the previous
movements re-emerge
simultaneously with
greater intensity,
propelling the concerto
to an energetic finale.
The Concerto was composed
in 1994 and is dedicated
to Joshua Bell. From
my early years studying
violin at the Tehran
Music Conservatory, I was
captivated by the sound
of the kamancheh, an
ancient Persian bowed
instrument considered one
of the ancestors to the
modern violin. I was
pleased when the National
Endowment for the Arts
awarded me a grant to
write a violin concerto
as it provided me with an
occasion to rekindle my
fascination with the
kamancheh. The notionof
writing a violin concerto
that would incorporate
the power and brilliance
of a modern instrument
with the delicate and
lyrical character of an
ancient one was simply
irresistible. Moreover,
the inspiration from the
kamancheh also informed
my use of Persian modes,
melodic, and rhythmic
figures.The notes of the
violin’s open
strings (G, D, A, E) also
influenced many of the
melodic and harmonic
elements of my violin
concerto. The opening
tutti is mostly based on
intervals of a perfect
4th and 5th. The primary
material for each
movement incorporates
notes of two of the open
strings of the violin,
creating a three-note
melodic motif as the
basis of themes:1 st
movement: A-D-A2nd
movement: D-G-D3rd
movement: E-A-EThe
overall structure of the
concerto is organic and
cyclical, as themes are
shared between the three
movements. For example,
the main musical idea of
the third movement is a
transformation of the
first movement’s
primary theme. While the
movements share similar
musical materials, each
one is definedby
distinguishing
characters. The first
movement is conflicted;
alternating between
sections of unabashed
lyricism and
unforgivingferocity. The
second movement is
haunting, mysterious, and
expressive with long
melodic lines that vary
continuously. It moves
through different moods
and characters including
a reimagining of a
traditional Persian
wedding tune played by
the orchestra (m. 98).
The third movement is
festive in character and
features much brilliant
passagework for the solo
violin. At the climax of
this movement, themes
fromthe previous
movements re-emerge
simultaneously with
greater intensity,
propelling the concerto
to an energetic finale.
The Concerto was composed
in 1994 and is dedicated
to Joshua Bell.
For Violin and Fiddle. By Julianna Waller. For Fiddle and Violin. Technique. All...(+)
For Violin and Fiddle. By
Julianna Waller. For
Fiddle and Violin.
Technique. All Styles.
Level:
Beginning-Intermediate.
Book. Size 8.75x11.75.
128 pages. Published by
Mel Bay Publications,
Inc.
Violin SKU: BT.HITPCPTVIOL01 Composed by Bruno Garlej. Collection Rama. B...(+)
Violin
SKU:
BT.HITPCPTVIOL01
Composed by Bruno Garlej.
Collection Rama. Book
with CD. Composed 2014.
96 pages. Hit Diffusion
#HITPCPTVIOL01. Published
by Hit Diffusion
(BT.HITPCPTVIOL01).
Violin - very easy, easy SKU: BT.DHP-1074258-400 Metodo per violino, v...(+)
Violin - very easy, easy
SKU:
BT.DHP-1074258-400
Metodo per violino,
volume 1. Composed by
Graham V. Richardson,
James East, and William
Morris. Speel viool! Book
with CD. Composed 2007.
64 pages. De Haske
Publications #DHP
1074258-400. Published by
De Haske Publications
(BT.DHP-1074258-400).
ISBN 9789043127417.
9x12 inches.
Italian.
Questo
metodo, fondato sui
principi moderni della
pedagogia, è ideale
per essere usato sia da
soli che in gruppo. Con
24 lezioni chiaramente
strutturate, e due CD,
ogni volume è
un'eccelente guida per
tutti gli allievi
violinisti.Suona il
violino! propone una
presentazione chiara e
accattivante, con
esercizi di intonazione e
d'ascolto (con l'ausilio
del CD), esercizi ritmici
e consigli teorici. Il
tutto è arricchito da
canzoni più o meno
conosciute, e duetti.
Giochi e interessanti
informazioni
supplementari rendono il
metodo particolarmente
accattivante.Gli
accompagnamenti al piano
sono disponibili
separatamente. Ognuno die
questi libri contiene un
CD con tuttigli
accompagnamenti
realizzati su un vero
pianoforte a
coda.Volume 1
include:- suonare il
pizzicato - posizioni
delle prime due dita -
velocit dei colpi
d'archetto - suonare il
legato - il cambio di
corde - le prime scale -
armonici - suonare la
doppia corda attraverso
esercizi facilitati -
improvisazione - esercizi
di movimento.
by Craig Duncan. For violin. Building Excellence. All styles. Level: Beginning-I...(+)
by Craig Duncan. For
violin. Building
Excellence. All styles.
Level:
Beginning-Intermediate.
Book. Technique. Size
8.75x11.75. 40 pages.
Published by Mel Bay
Pub., Inc.
Celtic / Irish, Perfect binding, World. Sacred. Book and online audio. 108 pag...(+)
Celtic / Irish, Perfect
binding, World. Sacred.
Book
and online audio. 108
pages.
Mel Bay Publications, Inc
#31036M. Published by Mel
Bay
Publications, Inc
Violin SKU: BT.VOLMB617 Metodo di propedeutica allo studio del violino...(+)
Violin
SKU:
BT.VOLMB617
Metodo
di propedeutica allo
studio del violino.
Composed by
Mariantonietta Lerose.
Method. Book with CD. 64
pages. Volonte e Co
#VOLMB617. Published by
Volonte e Co
(BT.VOLMB617).
ISBN
9788863886177.
Italian.
Nellâ€â
„¢ambito del progetto
sulle 4 corde, innovativo
metodo didattico per
violinisti principianti,
il kids è il libro
rivolto ai piccoli dai 4
ai 7 anni. Il metodo si
apre con una favola sulla
nascita del violino:
l’abete violo, il
folletto liutaio e la
fata crine
accompagneranno il bimbo
in un’avventura
musicale, illustrando le
nozioni teoriche e
pratiche e i giochi. Nel
CD,
l’accompagnamento
al piano per ogni
brano.
Violin SKU: BT.SINF315 44 piccoli pezzi per violino ed altri strumenti...(+)
Violin
SKU:
BT.SINF315
44
piccoli pezzi per violino
ed altri strumenti.
Composed by Lucia Corini.
Book Only. 44 pages.
Sinfonica #SINF315.
Published by Sinfonica
(BT.SINF315).
ISBN
9788884002471.
Cord
e vuote in concerto 44
piccoli pezzi per violino
ed altri strumenti Due
violini a corde vuote -
violino a corde vuote e
chitarra, e strumento
melodico, e pianoforte, e
percussioni, e altri
strumenti in diverse
combinazioni.
Violin SKU: BT.SINF047 Raccolta di composizioni per i primi corsi per ...(+)
Violin
SKU:
BT.SINF047
Raccolta di
composizioni per i primi
corsi per uno e più
violini ed esercizi di
tecnica elementare.
Composed by Andrea Pace.
Studies & Exercises. Book
Only. 40 pages. Sinfonica
#SINF047. Published by
Sinfonica (BT.SINF047).
ISBN 9788884000316.
Italian.
Raccolta
di composizioni per i
primi corsi per uno e
più violini ed esercizi
di tecnica elementare
Composizioni tratte dal
repertorio Barocco,
Classico e Romantico,
trascrizioni ad hoc per
uno, due e tre violini
concepite per una pratica
strumentale che oltre a
favorire un autonomo
approfondimento delle
problematiche strumentali
evidenzia l'importanza
della musica d'insieme.
La parte dedicata alla
pratica musicale è
preceduta da una serie di
esercizi tecnici atti
alla coordinazione delle
componenti
meccaniche.
Violin SKU: BT.SINF241 Composed by Lucia Corini. Method. Book Only. Sinfo...(+)
Violin
SKU:
BT.SINF241
Composed
by Lucia Corini. Method.
Book Only. Sinfonica
#SINF241. Published by
Sinfonica (BT.SINF241).
ISBN 9788884001467.
Italian.
Metodo per
violino con esercizi e
brani per i primi corsi
Il materiale musicale
alterna gli esercizi con
brani d'autore, o tratti
dal repertorio
tradizionale
tendenzialmente
presentati in forma di
duetto o di trio. Dopo
l'ultimo capitolo, basato
sulla serie completa
delle scale e degli
arpeggi, un'appendice
reca informazioni
teoriche sullo strumento.
Il Metodo è utilizzabile
con allievi dagli otto
anni in su. La scelta di
condensare l'argomento e
la sua concezione globale
lo rendono idoneo sia ai
corsi delle scuole ad
Indirizzo Musicale,
scuole Civiche e private
che ai primi anni di
Conservatorio.
(Warm-up Exercises for Tone and Technique for Advanced String Orchestra (Violin)...(+)
(Warm-up Exercises for
Tone and Technique for
Advanced String Orchestra
(Violin)). By Bob
Phillips and Kirk Moss.
Orchestra. For Violin.
This edition: Violin.
Book; Method/Instruction;
SmartMusic; String
Orchestra
Method/Supplement. Sound
Innovations Seri
As a boxed set - including HE.9077, HE.9078, and HE.9079. By Wolfgang Amadeus Mo...(+)
As a boxed set -
including HE.9077,
HE.9078, and HE.9079. By
Wolfgang Amadeus Mozart.
Edited by W.D. Seiffert,
Schmid. STUDY EDITION.
Pages: XIX and 430.
Urtext edition
(Paper-bound). Published
by G. Henle.
Violin - intermediate SKU: BT.DHP-1104881-400 32 pieces to play in thi...(+)
Violin - intermediate
SKU:
BT.DHP-1104881-400
32 pieces to play in
third, second and half
position. Composed by
Nico Dezaire. Book with
CD. Composed 2009. 68
pages. De Haske
Publications #DHP
1104881-400. Published by
De Haske Publications
(BT.DHP-1104881-400).
ISBN 9789043133333.
9x12 inches.
English-German-French-Dut
ch.
Positions 3
- 2 - ½ - a
collection of over 30
pieces, some well-know
and some not to develop
playing between position
3, 2 and ½.
Positions
3-2-½ is een
leerzame en prettige
kennismaking met de
verschillende
vingerstanden zoals die
voorkomen in de derde,
tweede en halve positie.
Deze uitgave is een
logisch vervolg op
Position 3 en
Position 2,waarin
een basis wordt gelegd
voor het spelen in de
derde en tweede positie.
Op het gebied van de
verschillende
vingerstanden en de lees-
en speelvaardigheid gaat
Positions 3-2-½
verder. Het boek bevat 17
oefeningen en32
speelstukken in diverse
stijlen. De
begeleidings-cd maakt het
boek compleet en zorgt
voor extra
speelplezier.
P
ositions 3, 2 and
½ ist die neueste
Ergänzung der Reihe
der Bücher Position
3, Position 2, Positions
4 and 5 sowie
Position Shifts.
Positions 3, 2 and
½ behandelt den
Zusammenhang zwischen den
unterschiedlichen
Tonarten mit bis zu drei
Vorzeichen und den
verschiedenen
Griffmustern in der
dritten und zweiten Lage.
Danach kommt die halbe
Lage an die Reihe. Das
Buch enthält
zahlreiche Ã?bungen und
Spielstücke in
diversen Musikstilen
sowie zwei
Begleit-CDs.
5
pubblicazioni per
apprendere facilmente a
suonare con le prime
posizioni.Positions
3-2-1/2 è il nuovo
libro della serie.
Affronta il cambio di
tonalit fino a tre
alterazioni e i vari
esempi di impugnatura
nella terza e seconda
posizione. Viene quindi
trattata la mezza
posizione. La
pubblicazione, corredata
di due CD, contiene
numerosi esercizi e brani
in vari generi
musicali.