Instrumental Play-Along. Composed by Various. Instrumental Play-Along. Christian, General Worship, Hymns, Sacred. Softcover Audio Online. 24 pages. Published by Hal Leonard

Written by David Reiner, Peter Anick. For fiddle. Includes fiddle songbook and examples CD. With standard notation, bowings, black and white photos and introductory text. Folk. 184 pages. 9.25x11.75 inches. Published by Mel Bay Publications, Inc.

For Violin. By Various. Instrumental Folio. Pop, Standards. Softcover. Published by Hal Leonard

For Violin. Classical (duets). Contains printed music score and a compact disc featuring all the works in split-channel stereo, with the first violin on the right channel, the second violin on the left. By adjusting the balance, the soloist can remove either violin and play the other. Published by Music Minus One.

By William Bay. For violin. Solos. Fun With. Folk. Level: Beginning. Book. Size 8.75x11.75. 32 pages. Published by Mel Bay Publications, Inc.

For Violin Instrumental Play-Along Pack. Composed by Various. Instrumental Play-Along. Disney and Play Along. Softcover Audio Online. With standard notation and standard notation. 24 pages. Published by Hal Leonard

For Violin. By Various. Instrumental Folio. Softcover. 160 pages. Published by Hal Leonard

Concert Pieces for Teaching Beginning Strings. By Doris Gazda; Henry Purcell; James Pierpont. Arranged by Doris Gazda. For Violin I, Violin II. This edition: Violin. Student Book. 16 pages. Published by Carl Fischer.

Violin. Composed by Lin- Manuel Miranda (1980-). Instrumental Play-Along. Softcover Audio Online. 16 pages. Published by Hal Leonard

By Douglas F Smith. Violin. Sacred instrumental. Published by Lorenz Publishing Company.

100 Solos. Pop and Rock. Book Only. Composed 2005. 96 pages. Music Sales #MUSAM33671. Published by Music Sales

Composed by Roland Vamos. With Standard notation. 72 pages. Carl Fischer #BF00067. Published by Carl Fischer

Arranged and edited by James Tanguay. For Fiddle and Violin. Solos. Christmas. Level: Beginning-Intermediate. Book. Size 8.75x11.75. 32 pages. Published by Mel Bay Publications, Inc.

Composed by J.P.and Dupont I. Leduc. Classical. Softcover. 24 pages. Alphonse Leduc #AL29495. Published by Alphonse Leduc

Arranged by William Zinn. For Violin 2. String Orchestra Collection. Book. Published by Alfred Publishing.

For Violin. By Various. Instrumental Folio. Classics, Pop. Softcover. Published by Hal Leonard

For Violin. By Various. Instrumental Folio. Christmas. Softcover. 96 pages. Published by Hal Leonard

by Burton Isaac. For fiddle. Bluegrass, fiddle tunes. Level: Intermediate. Book. Solos. Size 8.75x11.75. 48 pages. Published by Mel Bay Pub., Inc.

Orchestra (2 flutes (2nd flute doubling piccolo), 2 oboes, 2 clarinets in bb, 2 bassoons, 4 french horns in f, 2 trumpets in c, 2 trombones, 1 bass trombone, 1 tuba, percussion 1: small beijing opera gong, marimba, tam-tam, japanese high, wood block, percussion 2: s)

SKU: PR.416415110

For Violin And Orchestra. Composed by Chen Yi. Contemporary. Full score. With Standard Notation. Duration 10 minutes. Theodore Presser Company #416-41511. Published by Theodore Presser Company (PR.416415110).

UPC: 680160621286.

Commi ssioned by Kennesaw State University Symphony Orchestra in 2012, Chinese Rap for violin and orchestra is premiered by Prof. Helen Kim as the soloist and the KSUSO led by Prof. Michael Alexander at Bailey Center in KSU, GA on Feb. 17, 2014. The work is inspired by Chinese folk musical story telling, Quyi, in a form of mixed reciting and singing style, with interludes played by percussion and plucking instruments in accompaniment. The folk musical story telling is sung in dialects from different geographic regions. I mixed all these elements in a complex three-part form, with an introduction, a cadenza in the middle, and a coda as the frame in the structure. The melodies are delicate and leisurely, and the rhythmic parts are energetic, vivid and lively. There are big contrasts between sections, which are juxtaposed and connected smoothly and congenially.
Commissio ned by Kennesaw State University Symphony Orchestra in 2012,Chinese Rap for violin and orchestra is premiered by Prof. Helen Kim as thesoloist and the KSUSO led by Prof. Michael Alexander at Bailey Center inKSU, GA on Feb. 17, 2014. The work is inspired by Chinese folk musical storytelling, Quyi, in a form of mixed reciting and singing style, with interludesplayed by percussion and plucking instruments in accompaniment. The folkmusical story telling is sung in dialects from different geographic regions. Imixed all these elements in a complex three-part form, with an introduction, a cadenza in the middle, and a coda as the frame in the structure. The melodies are delicate and leisurely, and the rhythmic parts are energetic, vivid and lively. There are big contrasts between sections, which are juxtaposed and connected smoothly and congenially.

Orchestra (2 flutes (2nd flute doubling piccolo), 2 oboes, 2 clarinets in bb, 2 bassoons, 4 french horns in f, 2 trumpets in c, 2 trombones, 1 bass trombone, 1 tuba, percussion 1: small beijing opera gong, marimba, tam-tam, japanese high, wood block, percussion 2: s)

SKU: PR.41641511L

For Violin And Orchestra. Composed by Chen Yi. Contemporary. Large Score. With Standard Notation. Duration 10 minutes. Theodore Presser Company #416-41511L. Published by Theodore Presser Company (PR.41641511L).

UPC: 680160621293.

Commi ssioned by Kennesaw State University Symphony Orchestra in 2012, Chinese Rap for violin and orchestra is premiered by Prof. Helen Kim as the soloist and the KSUSO led by Prof. Michael Alexander at Bailey Center in KSU, GA on Feb. 17, 2014. The work is inspired by Chinese folk musical story telling, Quyi, in a form of mixed reciting and singing style, with interludes played by percussion and plucking instruments in accompaniment. The folk musical story telling is sung in dialects from different geographic regions. I mixed all these elements in a complex three-part form, with an introduction, a cadenza in the middle, and a coda as the frame in the structure. The melodies are delicate and leisurely, and the rhythmic parts are energetic, vivid and lively. There are big contrasts between sections, which are juxtaposed and connected smoothly and congenially.
Commissio ned by Kennesaw State University Symphony Orchestra in 2012,Chinese Rap for violin and orchestra is premiered by Prof. Helen Kim as thesoloist and the KSUSO led by Prof. Michael Alexander at Bailey Center inKSU, GA on Feb. 17, 2014. The work is inspired by Chinese folk musical storytelling, Quyi, in a form of mixed reciting and singing style, with interludesplayed by percussion and plucking instruments in accompaniment. The folkmusical story telling is sung in dialects from different geographic regions. Imixed all these elements in a complex three-part form, with an introduction, a cadenza in the middle, and a coda as the frame in the structure. The melodies are delicate and leisurely, and the rhythmic parts are energetic, vivid and lively. There are big contrasts between sections, which are juxtaposed and connected smoothly and congenially.

Composed by Tim Kliphuis. Saddle-stitched, Solos, Alternative Styles, Gypsy. Style. Book and online audio. 76 pages. Mel Bay Publications, Inc #21539M. Published by Mel Bay Publications, Inc

Composed by Gene Clarke. Saddle-stitched. Made Easy. Book. 28 pages. Mel Bay Publications, Inc #30689. Published by Mel Bay Publications, Inc

Orchestra Bass Clarinet, Bassoon 1, Bassoon 2, Bongos, Cello, Clarinet, Contrabass, Crotales, Cymbals, English Horn, Field Drum, Flute, Glockenspiel, Horn 1, Horn 2, Oboe 1, Oboe 2, Percussion, Piano, Snare Drum, Triangle, Trumpet, Vibraphone, Viola and more.

SKU: PR.416411770

For Violin, Piano, and Chamber Orchestra. Composed by William Kraft. Full score. With Standard notation. Duration 17 minutes. Theodore Presser Company #416-41177. Published by Theodore Presser Company (PR.416411770).

UPC: 680160091508.

I was tempted to call the piece Throw Back because it consciously employs rhythmic and harmonic approaches characteristic of the earlier part of the twentieth century, much of which plays a part in forging my musical personality. Going along with the impetus, I have paid homage by subtly interpolating stylistic or actual references to such unexpected bedfellows as Scriabin, Ravel, Debussy, Piston, Roussel, and Ysaye. I hope I will be musically forgiven. In one continuous movement, there are three definite internal sections: Presto-Largo-Allegro. The first section opens with a very soft percussion cadenza. If the acoustics allow it, the player will use sponge pottery mallets (sponge-headed mallets employed to smooth the interior of a pot as it is being spin-dried). No matter how hard the percussionist strikes the drums, the dynamic cannot go above pp (pianissimo). This cadenza serves as a basis for the first movement. The elements of the cadenza are taken by the orchestra to make the first major statement, similar to the classical concerto; but rather than making a restatement, the soloists, when they come in, begin with variational ideas. The second section is given over to the soloists, and is lyrical. The third section begins with an alternation between strict rhythmic pulsation and free-sounding timbres, as if reluctant to leave the second section behind. The rhythmic aspect takes over more and more as the piece progresses toward its conclusion. Double Play was commissioned by the Saint Paul Chamber Orchestra with financial assistance from the Northwest Area Foundation. It received its premiere on January 7, 1983, in St. Paul, with the St. Paul Chamber Orchestra; Pinchas Zukerman, violinist; Marc Neikrug, piano; and the composer conducting.

Composed by Cindy Moyer. Strings Methods. Secular. Published by Galaxy Music Corporation

For Violin. By Various. Instrumental Folio. Pop. Softcover. 72 pages. Published by Hal Leonard