99 Traditional Pieces. Composed by Pete Cooper. Arranged by Pete Cooper. This ed...(+)
99 Traditional Pieces.
Composed by Pete Cooper.
Arranged by Pete Cooper.
This edition: Saddle
stitching. Sheet music
with CD. Edition Schott.
Diese Ausgabe enthalt 99
traditionelle englische
Geigenmelodien. Der Band
ist versehen mit Akkorden
und Hinweisen zur
Bogenfuhrung. Ausserdem
ist ihm eine CD von Pete
Cooper beigelegt. Folk,
Classical, English.
Edition/Softcover with
CD. 12758. 68 pages.
Schott Music #ED12758.
Published by Schott Music
Classic Rock Violon [Partition + Accès audio] - Facile Hal Leonard
(Violin Easy Instrumental Play-Along Book with Online Audio Tracks). By Various....(+)
(Violin Easy Instrumental
Play-Along Book with
Online Audio Tracks). By
Various. For Violin
(Violin). Easy
Instrumental Play-Along.
Softcover Audio Online.
12 pages. Published by
Hal Leonard
For Violin. Book; CD; Play-Along; String Series. Pop Instrumental Solo Series. R...(+)
For Violin. Book; CD;
Play-Along; String
Series. Pop Instrumental
Solo Series. Rock. Grade
2; Grade 2.5; Grade 3. 84
pages. Published by
Alfred Music Publishing
Violin SKU: FZ.5851 Serie I - France 1600-1800. Edited by Philippe...(+)
Violin
SKU:
FZ.5851
Serie I -
France 1600-1800.
Edited by Philippe
Lescat, Jean
Saint-Arroman. This
edition: Facsimile.
Methodes & Traites.
Score. Published by Anne
Fuzeau Productions -
France (FZ.5851).
ISBN
9790049058513. 24.00 x
33.00 cm
inches.
These early
music methods are in
facsimile in four books.
Anonyme (1-2) - Michel
CORRETTE (2) - LABADENS
(1) - L'ABBE LE FILS -
Jean-Benjamin de LABORDE
- Theodore-Jean TARADE.
Table of contents:
Anonyme: Maniere de
graduer un violon - 1771.
Observation sur la
maniere de graduer un
violon. Labadens:
Nouvelle methode pour
apprendre a jouer du
violon - 1772. L'Abbe Le
Fils: Principes de violon
pour apprendre le doigte
- 1772. Tarade
Theodore-Jean: Traite du
violon - 1774. Laborde
Jean-Benjamin de: Essai
sur la musique ancienne
et moderne - 1780.
Corrette Michel: L'art de
se perfectionner - 1782.
Collection supervised by
the musicologist Jean
Saint-Arroman, professor
at the Conservatoire
National Superieur de
Musique et de Danse of
Paris and at the CEFEDEM
Ile de France (Training
Centre for Music
Teachers). He is the
author of the majority of
our prefaces and has also
been involved in library
searches. Facsimile of
copies from: - British
Library of London
(England). - National
Library of Paris
(France). - In Philippe
Lescat's Collection. Anne
Fuzeau Classique propose
the complete theoretic
documentation, methods,
classical music scores on
the violin.
Violin SKU: FZ.5852 Serie I - France 1600-1800. Edited by Philippe...(+)
Violin
SKU:
FZ.5852
Serie I -
France 1600-1800.
Edited by Philippe
Lescat, Jean
Saint-Arroman. This
edition: Facsimile.
Methodes & Traites.
Score. Published by Anne
Fuzeau Productions -
France (FZ.5852).
ISBN
9790230658522. 24.00 x
33.00 cm
inches.
These early
music methods are in
facsimile in four books.
Anonyme (3-4) - Louis,
L'aine BORNET - Joseph
DEMAR - Louis-Antoine
DURIEU - Encyclopedie
methodique - LABADENS (2)
- J. J. O. de
MEUDE-MONPAS. Table of
contents: Anonyme: La
parfaite connoissance -
1782. Bornet Louis,
l'aine: Nouvelle methode
de violon - 1786.
Meude-Monpas J. J. O. de:
Dictionnaire de musique -
1787. Encyclopedie
methodique: Article sur
les outils de lutherie et
complements a
l'Encyclopedie de Diderot
- 1788. Anonyme:
Principes pour apprendre
facilement - c. 1790.
Labadens: Nouvelle
methode pour apprendre a
jouer du violon - 1790.
Durieu Louis-Antoine:
Methode de violon - 1794.
Demar Joseph: Nouvelle
methode abregee - c.
1797. Collection
supervised by the
musicologist Jean
Saint-Arroman, professor
at the Conservatoire
National Superieur de
Musique et de Danse of
Paris and at the CEFEDEM
Ile de France (Training
Centre for Music
Teachers). He is the
author of the majority of
our prefaces and has also
been involved in library
searches. Facsimile of
copies from:- British
Library of London
(England). - National
Library of Paris
(France). Anne Fuzeau
Classique propose the
complete theoretic
documentation, methods,
classical music scores on
the violin.
Score and Parts Mixed Ensemble (Score & Parts) SKU: HL.233289 For Viol...(+)
Score and Parts Mixed
Ensemble (Score & Parts)
SKU: HL.233289
For Violin,
Vibraphone, Piano,
Sustaining Keyboard and
Contrabass. Composed
by John Luther Adams.
Music Sales America.
Classical. Set. Duration
1800 seconds. Chester
Music #CH85987. Published
by Chester Music
(HL.233289).
12.0x9.25x0.43
inches.
Score and
separate parts with
spiral-bound
keyboard/organ part.
Number 5, 1950 was Mark
Rothko's last painting
before the breakthrough
into his mature format.
In it the luminous color
fields of a classic
Rothko are inscribed
across the middle with
three delicate lines.
Describing this painting
and its pivotal position
in Rothko's work, Brian
O'Doherty observes:
'After this, the lines
disappear completely.' In
recent years gesture and
figuration have
disappeared from my
music. What used to be
background has emerged to
become a musical world
composed entirely of
floating color fields. In
this new world I've
changed media, moving
from the orchestra to
smaller combinations of
acoustical instruments
and
electronically-processed
sounds. I still think in
orchestral terms, but
this hybrid medium allows
me to create orchestral
textures for more
practical and readily
available ensembles.
Initially I imagined this
as a kind of monolithic
music -an entire piece as
one rich and complex
sound. Then I came to
hear it as homophonic or
heterophonic. And now -
in this musical world
that I thought was
completely free of lines
- I've come to hear a
polyphony of harmonic
clouds. Maybe the lines
never disappear
completely. Maybe
Christian Wolff was right
when he quipped: 'No
matter what we do, sooner
or later it all sounds
melodic.' - John Luther
Adams.
Orchestra Bass Clarinet,
Bassoon 1, Bassoon 2,
Bongos, Cello, Clarinet,
Contrabass, Crotales,
Cymbals, English Horn,
Field Drum, Flute,
Glockenspiel, Horn 1,
Horn 2, Oboe 1, Oboe 2,
Percussion, Piano, Snare
Drum, Triangle, Trumpet,
Vibraphone, Viola and
more.
SKU:
PR.416411770
For
Violin, Piano, and
Chamber Orchestra.
Composed by William
Kraft. Full score. With
Standard notation.
Duration 17 minutes.
Theodore Presser Company
#416-41177. Published by
Theodore Presser Company
(PR.416411770).
UPC:
680160091508.
I was
tempted to call the piece
Throw Back because it
consciously employs
rhythmic and harmonic
approaches characteristic
of the earlier part of
the twentieth century,
much of which plays a
part in forging my
musical personality.
Going along with the
impetus, I have paid
homage by subtly
interpolating stylistic
or actual references to
such unexpected
bedfellows as Scriabin,
Ravel, Debussy, Piston,
Roussel, and Ysaye. I
hope I will be musically
forgiven. In one
continuous movement,
there are three definite
internal sections:
Presto-Largo-Allegro. The
first section opens with
a very soft percussion
cadenza. If the acoustics
allow it, the player will
use sponge pottery
mallets (sponge-headed
mallets employed to
smooth the interior of a
pot as it is being
spin-dried). No matter
how hard the
percussionist strikes the
drums, the dynamic cannot
go above pp (pianissimo).
This cadenza serves as a
basis for the first
movement. The elements of
the cadenza are taken by
the orchestra to make the
first major statement,
similar to the classical
concerto; but rather than
making a restatement, the
soloists, when they come
in, begin with
variational ideas. The
second section is given
over to the soloists, and
is lyrical. The third
section begins with an
alternation between
strict rhythmic pulsation
and free-sounding
timbres, as if reluctant
to leave the second
section behind. The
rhythmic aspect takes
over more and more as the
piece progresses toward
its conclusion. Double
Play was commissioned by
the Saint Paul Chamber
Orchestra with financial
assistance from the
Northwest Area
Foundation. It received
its premiere on January
7, 1983, in St. Paul,
with the St. Paul Chamber
Orchestra; Pinchas
Zukerman, violinist; Marc
Neikrug, piano; and the
composer conducting.
Chamber Ensemble (Study Score) SKU: HL.49046391 For Violin, Cello, Nor...(+)
Chamber Ensemble (Study
Score)
SKU:
HL.49046391
For
Violin, Cello,
Northumbrian pipes,
Hammond Organ and
Orchestr. Composed by
Jon Lord. Edited by Paul
Mann. Study Score.
Classical. Softcover. 146
pages. Duration 3420
seconds. Schott Music
#ED23177. Published by
Schott Music
(HL.49046391).
ISBN
9781540086549. UPC:
842819108696.
The
general inspiration for
the music was an idea of
Durham, garnered from two
or three short visits and
a reading of a short
history - so a sort of
Durham of the mind, a
stylized Durham; 'my'
Durham, if you will,
imagined into music.
However, the
defininginspiration for
the piece was the
Cathedral. My first visit
to Durham in 2001 saw me
standing open-mouthed on
Palace Green, and then in
silent awe as I walked
into that formidable
magnificence inside. Most
of the themes came from
the days immediately
following my first
experience of this
extraordinary, inspiring
building. The feeling
that the very stones and
pillars themselves are
imbued with centuries of
prayer, withpeople's joy,
grief, despair, even
anger; gratitude and
hope. As the tunes and
chords and sounds started
to organize themselves in
my mind and onto
manuscript paper, I
realized that I was
writing a sort of day in
the life of Durham, and
that the Cathedral
wouldbe its beginning,
would be in its middle,
and would be at its
ending. The piece
consists of six
'pictures' arranged into
three parts - the
morning, afternoon and
evening of this imaginary
Durham city. Jon Lord,
2017.
Violin SKU: HL.50600994 For Violin Solo. Composed by Johannes X. S...(+)
Violin
SKU:
HL.50600994
For
Violin Solo. Composed
by Johannes X.
Schachtner. String.
Classical. Softcover. 8
pages. Sikorski #SIK8823.
Published by Sikorski
(HL.50600994).
8.0x11.75x0.055
inches.
Commissione
d by
Leopold-Mozart-Kuratorium
Augsburg e.V. as partner
of the Augsburg
University in cooperation
with the Mozartbüro of
the City of Augsburg
“Anthologies were
important during Leopold
Mozart's lifetime. All
knowledge was to be
collected and made
available, and Mozart's
'Versuch einer
gründlichen
Violinschule' (A Treatise
on the Fundamental
Principles of Violin
Playing) is also to be
regarded in this context.
My 'Florilegium' (the
Latin word for
'Anthology' –
'Blossom Collection')
follows this tradition. I
thus collected more or
less loose 'blossoms':
individual turns of
phrase and gestures from
Leopold Mozart's Violin
Treatise, as well as from
books that include the
extended techniques of
violin playing in use
today. I attempted to
organize this 'blossom
collection' – in a
double sense of word
– during the
course of the
compositional process and
to transfer them into my
own language. Ultimately
the idea was to create an
album piece that would
allow the sound of the
violin to blossom in its
various facets ...
including prickly
thorns!†(Johannes
X. Schachtner).
(Complete Violin I and II Parts to 74 Orchestral Masterworks on CD-ROM) For viol...(+)
(Complete Violin I and II
Parts to 74 Orchestral
Masterworks on CD-ROM)
For violin I and violin
II. Includes CD-ROM
(Windows and Mac). With
standard notation.
Classical. Series: The
Orchestra Musician's
CD-ROM Library. 9x12
inches. Published by Hal
Leonard.
Violin, Viola, Cello and Piano - Grade 4 SKU: HL.14042729 For Violin I...(+)
Violin, Viola, Cello and
Piano - Grade 4
SKU:
HL.14042729
For
Violin I, Violin II,
Viola, Violoncel og
Klaver. Composed by
Niels Viggo Bentzon.
Music Sales America.
Classical. Softcover.
Composed 2013. Edition
Wilhelm Hansen #WH31867A.
Published by Edition
Wilhelm Hansen
(HL.14042729).
ISBN
9788759881996.
Part
s for Niels Viggo
Bentzon's Kvintet For
Violin I, Violin II,
Viola, Violoncel og
Klaver Opus 196 .
For
Violin, Cello and
Piano. Composed by
Lera Auerbach. Ensemble.
Classical. Softcover. 52
pages. Sikorski #SIK8820.
Published by Sikorski
(HL.50600530).
UPC:
888680704391.
8.25x12.0x0.198
inches.
“I
like the idea of
exploring the dramatic,
ritualistic side of
music. In The Mirror With
Three Faces, one can look
at three different faces
or roles of the same
person or at three
distinct personalities
– each with its
own face. Each character
(i.e. instrument) may be
isolated, in conflict, or
in harmony with others
and itself. This trio
explores individuality
and ensemble, harmony and
conflict, one in three or
three in one –
that is the ambiguous
nature of this work,
structured in the form of
a triptych.†(Lera
Auerbach).
Composed by Tim Kliphuis. Saddle-stitched, Solos, Alternative Styles, Gypsy. Sty...(+)
Composed by Tim Kliphuis.
Saddle-stitched, Solos,
Alternative Styles,
Gypsy. Style. Book and
online audio. 76 pages.
Mel Bay Publications, Inc
#21539M. Published by Mel
Bay Publications, Inc
Sonaatti sooloviululle
- Allerheiligentag V.
Composed by Jyrki
Linjama. Classical,
contemporary. Book.
Fennica Gehrman
#55011-770-9. Published
by Fennica Gehrman
(FG.55011-770-9).
ISBN
9790550117709.
The
material for Jyrki
Linjama's
Allerheiligentag cycle is
a Finnish folk chorale
for All Saints' Day (no.
146 in the Finnish Hymn
Book). The first work in
the cycle is a string
trio (2007), the second a
piece for orchestra
(2009), and the fourth
and fifth are solo works
for viola da gamba (2018)
and Sonata for violin
solo (2019). The composer
tells: The choice of
topic and material was
originally influenced by
the place where the
string trio would be
premiered – the
old church on the island
of Seili (Själö) in
the Turku archipelago.
The bleak history of the
mental hospital on the
island invited images of
suffering and death. I
got so attached to the
fine, bleak melody that
this series of works
began to emerge.
Piano Accompaniment; Violin (Score and Solo Part) SKU: HL.14048195 For...(+)
Piano Accompaniment;
Violin (Score and Solo
Part)
SKU:
HL.14048195
For
Violin and Piano
Accompaniment.
Composed by Franz Lehar.
Arranged by Esther
Bobrova Lange. Music
Sales America. Classical.
Softcover. 28 pages.
Edition Wilhelm Hansen
#WH32875. Published by
Edition Wilhelm Hansen
(HL.14048195).
ISBN
9788759838525.
8.0x12.0x0.108
inches.
3 Pieces
from Franz Lehar's
operetta Die Lustige
Witwe/The Merry Widow.
Arranged for Violin and
Piano by conductor Esther
Bobrova Lange. These
arrangements are based
upon the song texts of
the operetta and the
character of the music.
The famous melodies are
equally balanced between
violin and piano.
Further, I have enlarged
the arrangements with
both rhythmical and
melodious variations in
the style of Franz Lehar.
The bowing in the violin
part is written by Arne
Balk-Moeller, associate
violin professor at the
Southern Danish National
Academy of Music, who
also took into
consideration the text
and the music of the
operetta. The nuances and
articulations in both
violin and piano are
written according to the
original vocal score.
(Esther Bobrova
Lange).
