Selections from the Student Repertoire. By Barbara Barber and Trudi Post. String...(+)
Selections from the
Student Repertoire. By
Barbara Barber and Trudi
Post. String - Violin
Studies or Collection;
Suzuki. Solos for Young
Violinists. CD. Alfred
Music #00-8011. Published
by Alfred Music
Selections from the Student Repertoire. By Barbara Barber and Trudi Post. String...(+)
Selections from the
Student Repertoire. By
Barbara Barber and Trudi
Post. String - Violin
Studies or Collection;
Suzuki. Solos for Young
Violinists. CD. 4 pages.
Alfred Music #00-8014X.
Published by Alfred Music
Selections from the Student Repertoire. By Barbara Barber and Trudi Post. String...(+)
Selections from the
Student Repertoire. By
Barbara Barber and Trudi
Post. String - Violin
Studies or Collection;
Suzuki. Solos for Young
Violinists. CD. Alfred
Music #00-8012. Published
by Alfred Music
Top Performing Songs and Artists from the Billboard Hot 100 and Billboard Hot...(+)
Top Performing Songs
and Artists from the
Billboard Hot 100 and
Billboard Hot 200 over
the Past 50 years.
Arranged by Various.
Book; CD; Play-Along;
String Series.
Instrumental Solos
Series. Pop. 60 pages.
Published by Alfred Music
(AP.46201).
Composed by Tim Kliphuis. Saddle-stitched, Solos, Alternative Styles, Gypsy. Sty...(+)
Composed by Tim Kliphuis.
Saddle-stitched, Solos,
Alternative Styles,
Gypsy. Style. Book and
online audio. 76 pages.
Mel Bay Publications, Inc
#21539M. Published by Mel
Bay Publications, Inc
Songs and Themes from the Latest Movies and Television Shows (Violin). Arran...(+)
Songs and Themes from the
Latest Movies and
Television
Shows (Violin). Arranged
by
Various. Book; CD; Play-
Along; SmartMusic; String
Series. Alfred's
Instrumental Play-Along.
Movie; Pop; TV. 28 pages.
Published by Alfred Music
Chamber Music Violin SKU: CF.BF131 Composed by Roland Vamos. With Standar...(+)
Chamber Music Violin
SKU: CF.BF131
Composed by Roland Vamos.
With Standard notation.
168 pages. Carl Fischer
Music #BF131. Published
by Carl Fischer Music
(CF.BF131).
ISBN
9781491153765. UPC:
680160911264. 9 x 12
inches.
Inspired by
Clarence Cameron
White’s book The
Violinist’s Daily
Dozen, The
Violinist’s Daily
Sixteen is a collection
of daily exercises
compiled by Roland Vamos.
Intended for student and
professional violinists,
the collection provides
the performer with a
variety of exercises for
daily warm-ups. Mr. Vamos
also focuses on
developing dexterity and
flexibility in the
fingers and joints, the
first and fourth fingers
in particular. Each of
the sixteen exercises is
notated for each of the
four strings, and Vamos
recommends that the
exercises be practiced as
warm-ups, choosing a
different string for each
day of practice.Also
included with the Daily
Sixteen is a
comprehensive set of
studies for developing
fluency with scales and
arpeggios. Mr.
Vamos’ unique
methodology is to begin
with major scales and
arpeggios, followed by
minor scales and
arpeggios, all of which
are notated in two, three
and four octaves.
Alternate fingers are
provided, as well as a
variety of slurred and
mixed bowings using the
three parts of the bow
whenever feasible. It is
a remarkably systematic
approach to performing
scales and arpeggios on
the violin and will
surely benefit students
and professionals
alike. ForewordThis
short hand-setting set of
exercises was inspired by
a book entitled The
Violinist’s Daily
Dozen, conceived by
Clarence Cameron White, a
prominent
African-American
violinist, composer and
arranger who enjoyed the
bulk of his career in the
first half of the
twentieth century.I have
practiced this set of
exercises since I was
twelve years old. It has
served me as a superb
warm-up and hand setting
tool. Over the years, I
have found that there are
some aspects of this
warm-up routine that were
not given sufficient
attention or not
addressed at all.
Consequently, I have
expanded the Daily Dozen
to create a new work
entitled The
Violinist’s Daily
Sixteen.I have also paid
particular attention in
this work as to how these
exercises are to be
practiced. In exercises
one and two, I have
indicated some notes to
be played before the
actual written exercises.
This is to ensure that
the fourth finger will be
over the string in a
position ready to strike
even though it is not
being used. Before
playing exercises three,
four, nine, ten, eleven
and twelve, I have
indicated silent fingers
to be placed on the notes
they would be playing if
they were being used.I
have replaced Mr.
White’s grace
notes with notes of
specific value and have
slowed down the exercises
so that the first joint
(the joint nearest the
string) of each finger
can move with flexibility
and strength. At no time
should the first joint
buckle.In Mr.
White’s version,
the last exercise gave
the first finger some
very valuable backward
extensions. In this
exercise (number 14 in
this book), I caution the
student not to move the
hand along with the first
finger. The hand should
remain in position while
the first finger
independently moves back
and forth.It became
obvious to me that if the
first finger were given
the opportunity to
develop the dexterity
that Mr. White’s
twelfth exercise
emphasizes, the fourth
finger could benefit from
an exercise that gives it
a forward extension.
Consequently, I added
another exercise to
create a Baker’s
Dozen (thirteen).Several
years later, I felt that
the second and third
fingers should also have
an exercise to further
develop their
dexterity…hence
exercise fourteen was
added to create a
“Vamos
Dozen.â€Because the
first finger did not have
sufficient practice in
the development of the
first joint in the
original version, I have
added two exercises to
precede White’s
fifth exercise. After
re-working and
re-numbering these
exercises, I have come up
with a total of sixteen
exercises. It is my
suggestion that these be
practiced as a warm-up,
choosing a different
string each
day.—Roland
VamosEvanston, Illinois
2017Â PrefaceScales are
a means of teaching a
person the fingerboard on
his or her instrument.
The fingers move across
the strings and are
required to make shifts,
all in highly organized
patterns. Scales and
arpeggios are the
foundation upon which our
repertoire is built. Many
scale books have been
written; each one being
organized in its own
specific way. The Flesch
Scale System has been a
standard for many
decades. It is very
comprehensive and
systematic. From the
point of view of
establishing similar
patterns, it has one
drawback: it is organized
by starting with a major
key, followed by its
relative minor, going
through the circle of
fifths. I believe that it
is more profitable to do
only major scales with
their arpeggios first,
going up chromatically,
and then follow them in a
similar way with the
minor scales. In using
this approach, the
similarities in
fingerings between the
various scales are more
apparent. It is also
profitable to have
alternate fingerings
whenever possible. My
approach to scales and
arpeggios includes a
variety of slurred and
mixed bowings using the
three parts of the bow
whenever feasible. These
bowings are not
all-inclusive. Whenever a
particularly awkward
bowing pattern is
encountered in the
repertoire, it can be
practiced as an
additional bowing
variation in the scales
and arpeggios. Â Â I
have chosen to introduce
the three and four octave
scales by teaching two
octave scales across the
strings in one position
going up chromatically
through seven positions;
starting on the first,
second, third, and
finally fourth fingers in
major and melodic
minor.—Roland
VamosEvanston, Illinois
2017.
Edited by Paul Stewart Cranford. Arranged by Melissa Emmons and Brenda Stubbert....(+)
Edited by Paul Stewart
Cranford. Arranged by
Melissa Emmons and Brenda
Stubbert. For Fiddle.
Perfect binding, Solos.
Cranford Publications.
Canadian-Maritime.
Intermediate. Book. 72
pages. Published by
Cranford Publication
Violin SKU: HL.239841 Grades 1-3 (Violin). By Marjory King. Arrang...(+)
Violin
SKU:
HL.239841
Grades
1-3 (Violin). By
Marjory King. Arranged by
Jerry Lanning. Music
Sales America. Classical.
Softcover. Composed 2012.
134 pages. Chester Music
#CH78573. Published by
Chester Music
(HL.239841).
ISBN
9781780382531.
This
collection of 50 popular
tunes has been carefully
arranged and graded to
provide attractive
repertoire for young
violinists. The
familiarity of the
material will stimulate
pupils' enthusiasm and
encourage
theirpractice.
The
technical demands of the
solo part increase
progressively up to the
standard of Associated
Board Grade 3. The piano
accompaniments are simple
yet effective and should
be within the range of
most pianists.
Composed by Craig Duncan. Saddle-stitched. Celtic. Book and online audio. 60...(+)
Composed by Craig Duncan.
Saddle-stitched. Celtic.
Book
and online audio. 60
pages.
Mel Bay Publications, Inc
#30860M. Published by Mel
Bay
Publications, Inc
Violin SKU: BT.9781472920546 Composed by Christopher Hussey. Abracadabra....(+)
Violin
SKU:
BT.9781472920546
Composed by Christopher
Hussey. Abracadabra. Book
with CD. 64 pages.
Collins Music Publishing
#9781472920546. Published
by Collins Music
Publishing
(BT.9781472920546).
ISBN 9781472920546.
English.
Anyone
can take the stage and
stand in the spotlight
with this fun and festive
Christmas repertoire
book. A selection of
popular carols and songs
to complement the
best-selling
Abracadabra
tutorial books, with a CD
ofspecially-arranged
backing tracks in a jazzy
big-band style.
Abracadabra
Christmas: Violin
Showstoppers
provides fantastic
material for lessons in
the lead up to Christmas
and will add glitter and
sparkle to anyChristmas
concert
performance
Violon [Partition] - Intermédiaire Kjos Music Company
By Robert Frost. Edited by Gerald Fischbach. (String Coll/Study). orchestra meth...(+)
By Robert Frost. Edited
by Gerald Fischbach.
(String Coll/Study).
orchestra method. Level:
Intermediate. Music book.
Published by Neil A. Kjos
Music Company.
Violin - intermediate SKU: BT.DHP-1125089-400 Composed by Nico Dezaire. D...(+)
Violin - intermediate
SKU:
BT.DHP-1125089-400
Composed by Nico Dezaire.
De Haske String Technique
Series. Book with CD.
Composed 2012. 56 pages.
De Haske Publications
#DHP 1125089-400.
Published by De Haske
Publications
(BT.DHP-1125089-400).
ISBN 9789043145589.
9x12 inches.
English.
Double
Stopping is a modern
method designed to teach
violinists who are fairly
confident in the 1st
position how to play
dyads on two strings as
well as double stops.
This is achieved through
38 exercises and 37
performance pieces in
various musical styles.
The various dyads and
double stops are offered
in a coherent and
structured way, and
indicated in different
colours. The performance
pieces can be played
without accompaniment,
with CD accompaniment or
as a duet, with the
second violin parts
provided as PDF files on
the CD.
Double
Stopping is een
eigentijdse methode om
violisten met een ruime
speelervaring in de
eerste positie
samenklanken van twee
snaren en dubbelgrepen te
leren. Dit gebeurt door
middel van 38 oefeningen
en 37 speelstukkenin
diverse muzikale stijlen.
De verschillende
samenklanken en
dubbelgrepen worden
overzichtelijk en
gestructureerd aangeboden
en met verschillende
kleuren aangeduid. De
speelstukken kunnen zowel
onbegeleid, met
cd-begeleiding alsmet een
tweede vioolstem worden
uitgevoerd. De duetten
zijn geleverd als uit te
printen pdf-files op de
cd.Nederlandse uitgave:
DHP 1125236-400
Dubbelgrepen voor
viool
Doubl
e Stops for Violin
richtet sich an
Geigenschüler, die
sich sicher in der ersten
Lage bewegen, und leitet
zum Spiel von
Zusammenklängen mit
zwei Saiten und
Doppelgriffen über.
Anhand von 38 Ã?bungen
und 37 Spielstücken in
verschiedenen Musikstilen
führt diese moderne
Methode übersichtlich
und strukturiert in die
diversen
Zusammenklänge und
Doppelgriffe ein.
Zusätzliche farbige
Markierungen
unterstützen dabei den
Lernprozess. Die
Spielstücke können
sowohl unbegleitet als
auch mit einer zweiten
Geigenstimme gespielt
werden. Die Duette sind
als PDF-Dateien zum
Ausdrucken auf der CD
enthalten.Deutschsprachig
e Ausgabe siehe DHP
1125237-400
Doppelgriffe auf
derVioline
Celtic / Irish, Perfect binding, World. Sacred. Book and online audio. 108 pag...(+)
Celtic / Irish, Perfect
binding, World. Sacred.
Book
and online audio. 108
pages.
Mel Bay Publications, Inc
#31036M. Published by Mel
Bay
Publications, Inc
(A violin method for children age four and older). By Egon Sassmannshaus; Kurt S...(+)
(A violin method for
children age four and
older). By Egon
Sassmannshaus; Kurt
Sassmannshaus. For
violin. This edition:
Stapled. Barenreiter's
Sassmannshaus. With a
French text supplement.
Instructional.
Performance score,
Teaching material. Text
Language: English/French.
64/11 pages. Published by
Baerenreiter Verlag
By Stacy Phillips. For Fiddle. Solos. Fiddle Tunes. Level: Beginning-Intermediat...(+)
By Stacy Phillips. For
Fiddle. Solos. Fiddle
Tunes. Level:
Beginning-Intermediate.
Book. Size 8.75x11.75. 72
pages. Published by Mel
Bay Publications, Inc.
As performed by Barbara Barber, Trudi Post. By Barbara Barber. Edited by Judi Go...(+)
As performed by Barbara
Barber, Trudi Post. By
Barbara Barber. Edited by
Judi Gowe. Suzuki Violin:
Compact Disc. 4 pages.
Published by Warner
Brothers.
As performed by Barbara Barber, Trudi Post. By Barbara Barber. Edited by Judi Go...(+)
As performed by Barbara
Barber, Trudi Post. By
Barbara Barber. Edited by
Judi Gowe. Suzuki Violin:
Compact Disc. 4 pages.
Published by Warner
Brothers.
Violin - intermediate SKU: BT.DHP-1185780-400 The World's Most Beautif...(+)
Violin - intermediate
SKU:
BT.DHP-1185780-400
The World's Most
Beautiful Arias with Full
Orchestra Play Along.
Opera or Operetta. Book
with CD. Composed 2018.
36 pages. De Haske
Publications #DHP
1185780-400. Published by
De Haske Publications
(BT.DHP-1185780-400).
ISBN 9789043153836.
English-German-French-Dut
ch.
For over three
hundred years, great
opera singers have held
entire audiences under
their spell. In so doing,
they can call on an
etensive repertoire of
arias by many important
composers. Live at the
Opera now makes this
precious treasure trove
available to
instrumentalists, too.
Twelve of the most
beautiful operatic
melodies of all time have
been specially arranged
for violin and are
performed by the renowned
violinist Maximilian
Lohse. The accompanying
audio is performed by an
authentic opera
orchestra, which also
includes a play-along
version without soloist.
Additionally, this unique
collection also includes
background info and tips
on performance for
theindividual arias.
Al meer dan
driehonderd jaar weten
grote operazangers en
-zangeressen hun publiek
te betoveren. Wanneer ze
voor ons op het podium
staan, vertolken ze
melodieën die behoren
tot de allermooiste van
de klassieke muziek.
Live at the opera
maakt deze schat aan
melodieën nu ook
toegankelijk voor
instrumentalisten: twaalf
Italiaanse
opera-ariaâ??s zijn
speciaal gearrangeerd
voor viool en opgenomen
door de gerenommeerd
violist Maximilian Lohse.
Een echt operaorkest
neemt de begeleiding voor
zijn rekening, die op de
meespeelversie ook zonder
solo-instrumentalist
beschikbaar is. Verder
zijn in deze unieke
collectie
muziekhistorische
achtergrondinformatie bij
iedere aria entips voorde
uitvoering opgenomen.
Schon seit mehr
als dreihundert Jahren
ziehen groÃ?e
Opernsängerinnen ein
ganzes Opernpublikum in
seinen Bann. Dabei
können sie sich aus
einem umfangreichen
Arienrepertoire aus der
Feder zahlreicher
bedeutender Komponisten
bedienen. Live at the
Opera macht diesen
kostbaren Melodienschatz
nun auch
Instrumentalisten
zugänglich: 12 der
schönsten
Opernmelodien aller
Zeiten wurden hier eigens
für Violine
eingerichtet und werden
von dem renommierten
Geiger Maximilian Lohse
vorgespielt. Ein echtes
Opernorchester
übernimmt dabei die
Begleitung, welche
zusätzlich auch in
einer Mitspielversion
ohne den Solisten zur
Verfügung steht.
Hintergrundwissen
undAusführungstipps zu
den einzelnen Arien sind
weitere Pluspunkte dieser
einzigartigen Sammlung.