(Eight Pieces with Three Orchestrations for Young Players with Performance CD). By Pierre D'Archet Barbara Adams. Edited by Dorothy A. Straub. Arranged by Robert Genualdi Dorothy A. Straub. For Violin. Solo part. Standard notation. 12 pages

By Antonio Vivaldi. Arranged by Orszagh Nagy. EMB. 20 pages. Published by Editio Musica Budapest.

(Violin). For Violin. Book; CD; Play-Along; String Series. Instrumental Solos Series. Pop; Pop/Rock. Grade 2; Grade 3. 52 pages. Published by Alfred Music

(Violin). For Violin. Book; CD; Play-Along; String Series. Easy Instrumental Solos. Pop; Rock. Grade 2; Grade 3. 28 pages. Published by Alfred Music

(Sequential Repertoire for Solo Strings or String Ensemble). By Laurie Scott, Winifred Crock, and William Dick. For Violin. String Orchestra Method/Supplement. Book & CD. 36 pages. Published by Alfred Music Publishing

(Violin). For Violin. Book; CD; Play-Along; String Series. Easy Instrumental Solos. Grade 2; Grade 3. 48 pages. Published by Alfred Music

Composed by Carol Ann Wheeler. Squareback saddle stitch, Country, Bluegrass, Method, Children and Young Beginner. Style. Book and online audio. 104 pages. Mel Bay Publications, Inc #95279M. Published by Mel Bay Publications, Inc

Chamber Music Violin

SKU: CF.BF131

Composed by Roland Vamos. With Standard notation. 168 pages. Carl Fischer Music #BF131. Published by Carl Fischer Music (CF.BF131).

ISBN 9781491153765. UPC: 680160911264. 9 x 12 inches.

Inspired by Clarence Cameron White’s book The Violinist’s Daily Dozen, The Violinist’s Daily Sixteen is a collection of daily exercises compiled by Roland Vamos. Intended for student and professional violinists, the collection provides the performer with a variety of exercises for daily warm-ups. Mr. Vamos also focuses on developing dexterity and flexibility in the fingers and joints, the first and fourth fingers in particular. Each of the sixteen exercises is notated for each of the four strings, and Vamos recommends that the exercises be practiced as warm-ups, choosing a different string for each day of practice.Also included with the Daily Sixteen is a comprehensive set of studies for developing fluency with scales and arpeggios. Mr. Vamos’ unique methodology is to begin with major scales and arpeggios, followed by minor scales and arpeggios, all of which are notated in two, three and four octaves. Alternate fingers are provided, as well as a variety of slurred and mixed bowings using the three parts of the bow whenever feasible. It is a remarkably systematic approach to performing scales and arpeggios on the violin and will surely benefit students and professionals alike.
ForewordThis short hand-setting set of exercises was inspired by a book entitled The Violinist’s Daily Dozen, conceived by Clarence Cameron White, a prominent African-American violinist, composer and arranger who enjoyed the bulk of his career in the first half of the twentieth century.I have practiced this set of exercises since I was twelve years old. It has served me as a superb warm-up and hand setting tool. Over the years, I have found that there are some aspects of this warm-up routine that were not given sufficient attention or not addressed at all. Consequently, I have expanded the Daily Dozen to create a new work entitled The Violinist’s Daily Sixteen.I have also paid particular attention in this work as to how these exercises are to be practiced. In exercises one and two, I have indicated some notes to be played before the actual written exercises. This is to ensure that the fourth finger will be over the string in a position ready to strike even though it is not being used. Before playing exercises three, four, nine, ten, eleven and twelve, I have indicated silent fingers to be placed on the notes they would be playing if they were being used.I have replaced Mr. White’s grace notes with notes of specific value and have slowed down the exercises so that the first joint (the joint nearest the string) of each finger can move with flexibility and strength. At no time should the first joint buckle.In Mr. White’s version, the last exercise gave the first finger some very valuable backward extensions. In this exercise (number 14 in this book), I caution the student not to move the hand along with the first finger. The hand should remain in position while the first finger independently moves back and forth.It became obvious to me that if the first finger were given the opportunity to develop the dexterity that Mr. White’s twelfth exercise emphasizes, the fourth finger could benefit from an exercise that gives it a forward extension. Consequently, I added another exercise to create a Baker’s Dozen (thirteen).Several years later, I felt that the second and third fingers should also have an exercise to further develop their dexterity…hence exercise fourteen was added to create a “Vamos Dozen.”Because the first finger did not have sufficient practice in the development of the first joint in the original version, I have added two exercises to precede White’s fifth exercise. After re-working and re-numbering these exercises, I have come up with a total of sixteen exercises. It is my suggestion that these be practiced as a warm-up, choosing a different string each day.—Roland VamosEvanston, Illinois 2017 PrefaceScales are a means of teaching a person the fingerboard on his or her instrument. The fingers move across the strings and are required to make shifts, all in highly organized patterns. Scales and arpeggios are the foundation upon which our repertoire is built. Many scale books have been written; each one being organized in its own specific way. The Flesch Scale System has been a standard for many decades. It is very comprehensive and systematic. From the point of view of establishing similar patterns, it has one drawback: it is organized by starting with a major key, followed by its relative minor, going through the circle of fifths. I believe that it is more profitable to do only major scales with their arpeggios first, going up chromatically, and then follow them in a similar way with the minor scales. In using this approach, the similarities in fingerings between the various scales are more apparent. It is also profitable to have alternate fingerings whenever possible. My approach to scales and arpeggios includes a variety of slurred and mixed bowings using the three parts of the bow whenever feasible. These bowings are not all-inclusive. Whenever a particularly awkward bowing pattern is encountered in the repertoire, it can be practiced as an additional bowing variation in the scales and arpeggios.    I have chosen to introduce the three and four octave scales by teaching two octave scales across the strings in one position going up chromatically through seven positions; starting on the first, second, third, and finally fourth fingers in major and melodic minor.—Roland VamosEvanston, Illinois 2017.

Violin SKU: HU.F0571510140 Arranged by Paul De Keyser. Strings, Methods. Violin Study Time (solo violin). Softcover Book. 20 pages. Faber Music #F0571510140. Published by Faber Music (HU.F0571510140). 12 x 9 x 0.1 inches.

Arranged by John Davies and Paul Harris. Strings, Methods. Softcover Book. 16 pages. Faber Music #F0571511678. Published by Faber Music

Four Concertos for Violin, Strings and Continuo Score. By Antonio Vivaldi. Arranged by Akos Fodor. EMB. Size 5.5x8 inches. 84 pages. Published by Editio Musica Budapest.

By Georg Philipp Telemann. Arranged by Guglielmo Sabatini. For Violin and Strings. Published by Wiltshire Music/Cor Publishing Co.

Violin - Entry

SKU: YM.GPW01096337

Strings. Combination. Sheet music. Yamaha Music Media #GPW01096337. Published by Yamaha Music Media (YM.GPW01096337).

ISBN 9784636963373.

16 short arranged pieces. Kids enjoy them as warm-up, solo, or duet with friends and teachers.
16Shou Le Qu Pian Duan . Rang Hai Zi Men Xiang Shou He Peng You Huo Lao Shi Yi Qi Re Shen , Du Zou , Zhong Zou De Le Qu .

0. Sunny and Cloudy; 1. Hug Shichao(Let's Hug); 2. Brahms's Symphony No.1; . 3La Cucaracha; 4. Yankee Doodle; 5. Old MacDonald Had a Farm; 6. Happy Birthday to You; 7. Wagner's Wedding March; 8. Hasty Santa Claus; 9. Ode to Joy; 10. Dvorak's Symphony From the New World; 11. My Neighbor Totoro; 12. Doraemon no Uta(Doraemon Main Theme); 13. Supercalifragilisticexpia lidocious; 14. Edelweiss; 15. Edelweis(for Quartet)
0. Qing Lang Duo Yun Lian Xi Qu ; 1. Gei Wo Bao Bao (Let's Hug); 2. Bo La Mu Si De Di Yi Jiao Xiang Qu ; 3. Zhang Lang Ge ; 4. Yang Ji *Du De Er ; 5. Lao Mai Ke Tang Na You Ge Nong Chang ; 6. Sheng Ri Kuai Le Ge ; 7. Wa Ge Na De Hun Li Jin Xing Qu ; 8. Cong Mang De Sheng Dan Lao Ren ; 9. Huan Le Song ; 10. De Wo Xia Ke Jiao Xiang Qu Zi Xin Da Lu ; 11. Lin Jia De Long Mao ; 12. Chi La AMeng Zhi Ge (Doraemon Main Theme); 13. Supercalifragilisticexpia lidocious; 14. Xue Rong Hua ; 15. Xue Rong Hua (Si Zhong Zou Yong ).

Violin. Essential Elements String Method. Size 9x12 inches. 48 pages. Published by Hal Leonard.

Strings - Beginning

SKU: MB.30879M

Saddle-stitched. Sacred. Book and online audio. Mel Bay Publications, Inc #30879M. Published by Mel Bay Publications, Inc (MB.30879M).

ISBN 9781513476544. 8.75X11.75 inches.

This collection of traditional hymns is designed for solo violin, duets, or groups. The arrangements are not difficult but are well-done musically. The pieces are ideal for offertories and for ensembles where rehearsal time is limited. The author encourages the more advanced violinists to add ornamentation where desired. Includes online audio, performed by Karen Khanagov on piano and William Khanagov on violin, that will aid in practice and interpretation for performance. In his words, This collection is ideal for developing freedom while playing and for bringing ones spirit into the music.

SKU: SU.00220210

Strings, Violin. CD (PDF Scores). CD Sheet Music #00220210. Published by CD Sheet Music (SU.00220210).

The CD Sheet Musicâ?¢ collection brings together over 350 works by 83 composers for violin solo, violin and piano, and 2 violins from all periods and at all levels of technical proficiency. Composers include: Albéniz, Bach, Bartók, Beethoven, Boccherini, Brahms, Bruch, Busoni, Chaminade, Chopin, Corelli, Debussy, DvoÅ?ák, Elgar, de Falla, Fauré, Franck, Gluck, Godard, Granados, Handel, Haydn, Janáček, Kodály, Kreisler (36 arrangements and original works), Lalo, Liszt, Massenet, Mendelssohn, Milhaud, Mozart, Paganini, Purcell, Rachmaninoff, Ravel, Saint-Saëns, Sarasate, Satie, Schubert, Schumann, Sibelius, Stravinsky, Suk, Tartini, Tchaikovsky, Telemann, Vieuxtemps, Viotti, Wieniawski and Ysaÿe, among others Also includes composer biographies and related articles from the 1911 edition of Grove's Dictionary of Music and Musicians 2600 pages Companion collections for violin include: Violin Concertos (#00220549); Violin Methods and Studies(#00220546); Violin Sonatas (#00220548). Each is a comprehensive collection in its own right; together they encompass a unique and comprehensive anthology of music for the violin.

Please note, customers using Macintosh computers running macOS Catalina (version 10.5) have reported hardware compatibility issues with this product. If you encounter these issues, we recommend copying the entire contents of the disk to a contained folder on a thumb drive or other storage device for use on your Mac.

Composed by Larry McCabe. This edition: perfect binding. Easiest for Children. Book and online audio. 32 pages. Published by Mel Bay Publications, Inc