Violin

SKU: FZ.5827

Serie IV - Italy 1600-1800. Edited by Alessandro Moccia. This edition: Facsimile. Methodes & Traites. Score. Published by Anne Fuzeau Productions - France (FZ.5827).

ISBN 9790230658270. 24.00 x 33.00 cm inches.

These early music methods are in facsimile in three books.
Anonyme - Bartolomeo CAMPAGNOLI (1) - Francesco GALEAZZI - Pietro LEONE- Antonio LOLLI - Vicenzo PANERAI- Giovanni Batista RANGONI - Pietro SIGNORETTI - Giuseppe TARTINI (2-3) - Carlo TESSARINI (2-3) - Carlo ZUCCARI. Table of contents: Tessarini Carlo: Nouvelle methode pour apprendre par theorie - c. 1760. Zuccari Carlo: The tru method of playing - 1762. Tessarini Carlo: An accurate method - 1765. Leone Pietro: Methode raisonnee - 1768. Tartini Giuseppe: Lettera del defonto signor Giuseppe Tartini - 1770. Tartini Giuseppe: Traite des agremens - 1771. Signoretti Pietro: Methode contenant les principes - 1777. Panerai Vicenzo: Principi di musica - c. 1780. Anonyme: Riflessioni d'un professore - 1780. Lolli Antonio: L'ecole du violon en quatuor - c. 1784. Rangoni Giovanni Batista: Saggio sul gusto della musica - 1790. Campagnoli Batolomeo: L'art d'inventer a l'improviste - c. 1790. Galeazzi Francesco: Elementi teorico-pratici - 1796. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of copies from: - National Library of Paris (France). - British Library of London (England). - Civico Museo Bibliografico Musicale of Bologna (Italy). - Conservatory Library of Music Benedetto Marcello of Venice (Italy). - Staatlische Hochschule fur Musik und darstellende Kunst of Berlin (Germany). - Conservatory Library of Music Giuseppe Verdi of Milan (Italy). Anne Fuzeau Classique propose the complete theoretic documentation, methods, classical music scores on the violin.

Collection for solo violin. With bowings. 44 pages. Published by Alfred Publishing.

Violin

SKU: FZ.6370

Serie VII - Germany-Austria - 1600-1800. Edited by Siegbert Rampe, Dominik Sackmann. This edition: Facsimile. Methodes & Traites. Score. Published by Anne Fuzeau Productions - France (FZ.6370).

ISBN 9790049063708. 24.00 x 33.00 cm inches.

These early music methods are in facsimile in four books. Hans GERLE - Matthias KELZ - Johann Jacob PRINNER - Georg MUFFAT (1) - Daniel SPEER - Georg MUFFAT (2) - Joseph Friederich Bernhard Caspar MAJER - Johann Philipp EISEL - Maurus BUOHL - ANONYME. Table of contents: Gerle Hans: Musica und Tablatur, auff die Instrument der kleinen und grossen Geygen - 1546. Kelz Matthias: Epidigma Harmoniae Novae - 1669. Prinner Johann Jacob: Musicalischer Schlissl - 1677. Muffat Georg: SUAVIORIS HARMONIAE INSTRUMENTALIS - 1695. Speer Daniel: Grund-richtiger Kurz-Leicht-und Nothiger jetzt Wol-vermehrter Unterricht der Musicalishen Kunst - 1697. Muffat Georg: EXQUISITORIS HARMONIAE INSTRUMENTALIS - 1701. Majer Joseph Friederich Bernhard Caspar: MUSEUM MUSICUM THEORETICO PRACTICUM - 1732. Eisel Johann Philipp: Musicus autodidactos - 1738. Buohl Maurus: Ein neues durch die Musicalische Combination - 1756. Anonyme: Rudimenta Panduristae - 1770. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of copies from: - National Library of Paris (France). - Congress Library of Washington (USA). - University Library of Uppsala (Sweden). - British Library of London (England). - Stadtarchiv of Constancy (Germany). - National Library of Wien (Austria). Anne Fuzeau Classique propose the complete theoretic documentation, methods, classical music scores on the violin.

Chamber Music Violin

SKU: PR.144407380

Composed by Ellen Taaffe Zwilich. Performance Score. 4 pages. Duration 4 minutes. Merion Music #144-40738. Published by Merion Music (PR.144407380).

ISBN 9781491133903. UPC: 680160683475. 9 x 12 inches.

In her powerful Foreword to the music, violinist Kelly Hall-Tompkins has written: “There are great works which give voice to important moments for generations, and this is one of them.” The tragedy of Elijah McClain’s murder has moved us all, and for many musicians the image of this gentle young man playing his violin for kittens at an animal shelter has added a poignant extra layer. Zwilich was a professional violinist before turning exclusively to composing, and A LITTLE VIOLIN MUSIC is a memorial from the heart of one violinist to another.
[THESE NOTES MAY NOT BE REPRODUCED OUTSIDE OF THE PUBLICATION; OK TO QUOTE A BIT AND GIVE AUTHOR CREDIT]We often research important pieces of music to gain some glimpse into the mind of the composer by understanding the times in which a piece was written. The times that brought this piece into being, 2020, has been a year like no other in our lifetimes.With the suffering of a once in a century pandemic raging in ever higher waves, and millions of people around the world confined to their homes with a shared attention span for the first time in generations, we watched in horror the 8 minute 46 second killing of George Floyd, a man previously unknown to us, but now unwillingly joining a long list of names of unarmed African Americans killed by police. The anguished backlash of citizens around the world, from Japan to New Zealand to Germany to the United States, of every age, color, and creed, has rallied for weeks and months on end to demand enough and that “Black Lives Matter.”And yet, in the midst of it all is an America starkly divided against itself with some defiantly pushing back, emboldened by authoritarian-style government actions against its own citizens occurring all over the country. It is against this backdrop that we ever had a chance to know of Elijah McClain. Here in quarantine I sometimes practice my scales in front of the news. And one day the mirror image looking back at me from the screen was a slight young man, warm, affable brown eyes, and also a violin under his chin. The newsreel-style camera pan so familiar now, I knew the only reason we were gazing upon his unfamous face was that he too had been killed by police nearly a year before. But the revelation of it in the broadcast hit me particularly hard.Ellen Taaffe Zwilich, who is not only one of the great composers of our time, is also a dear friend, and called me the next day, also deeply saddened by the news. It was from Ellen that I learned that Elijah used to play for the kittens at the local animal shelter so they wouldn’t be lonely. This kind, gentle soul was aggressively taken into police custody while saying, “I am an introvert. Please respect the boundaries that I am speaking... I’m going home.” He was never seen alive again.Ellen and I spoke of the sadness and the injustice of this several times. She felt a powerful calling to contribute something in a statement and the result is the piece you now hold in your hands. I am deeply honored to be the dedicatee of the piece, to have worked together with Ellen on some of the final details, and to pen this score note. As an invited alumna of the Eastman School of Music, I premiered the work for their virtual event on Diversity and Inclusion. Each time I play it, there is a persistent lump in my throat because Ellen has captured something poignant and powerful here.There are great works which give voice to important moments for generations, and this is one of them. We humbly offer this piece in memory of Elijah McClain.Foreword © 2021 by Kelly Hall-Tompkins. Used by permission.

Violin

SKU: FZ.6391

Serie VII - Germany-Austria - 1600-1800. Edited by Siegbert Rampe, Dominik Sackmann. This edition: Facsimile. Methodes & Traites. Score. Published by Anne Fuzeau Productions - France (FZ.6391).

ISBN 9790049063913. 24.00 x 33.00 cm inches.

These early music methods are in facsimile in four books. George Simon LoHLEIN - Johann Friedrich REICHARDT (2) - Karl TAUBER VON TAUBERFURT. Table of contents: Lohlein George Simon: Anweisung zum Violinspielen - 1774. Reichardt Johann Friederich: Schreiben uber die Berlinische Musik - 1775. Reichardt Johann Friederich: Antwort Schreiben eines Ton-Kunstler - 1782. Reichardt Johann Friederich: Ueber die Pflichten des Ripien-Violonisten - 1776. Tauber Von Tauberfurt Karl: Uiber meine Violine - 1780. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of copies from: - British Library of London (England). - Royal Library of Brussels (Belgium). Anne Fuzeau Classique propose the complete theoretic documentation, methods, classical music scores on the violin.

Violin

SKU: FZ.6392

Serie VII - Germany-Austria - 1600-1800. Edited by Siegbert Rampe, Dominik Sackmann. This edition: Facsimile. Methodes & Traites. Score. Published by Anne Fuzeau Productions - France (FZ.6392).

ISBN 9790049063920. 24.00 x 33.00 cm inches.

These early music methods are in facsimile in four books. Francesco GEMINIANI - Giuseppe TARTINI - F. A. W. ANONYME - Johann Adam HILLER - Ignaz SCHWEIGL (2) - George Simon LoHLEIN. Table of contents: Geminiani Francesco: Grundliche Anleitung oder Violin Schule 1782. Tartini Giuseppe: Brief des Joseph Tartini an Magdalena Lombardini 1786. Anonyme: Anmerkungen uber die Violin und den Violinspieler 1788. Hiller Johann Adam: Anweisung zum Violinspielen, fur Schulen, und zum Selbstunterrichte c. 1792. Schweigl Ignaz: Grundlehre der Violin. Erster Theil 1794. Schweigl Ignaz: Grundlehre der Violin. Zweiter Theil 1795. Lohlein George Simon: George Simon Lohlein's Anweisung zum Violinspielen (. . . ) mit Verbesserungen und Zusatzen - 1797. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of copies from: - British Library of London (England). - Royal Library of Brussels (Belgium). - Bayerische Staatsbibliothek of Munich (Germany). Anne Fuzeau Classique propose the complete theoretic documentation, methods, classical music scores on the violin.

By Giuseppe Tartini (1692-1770). Violin solo. For Violin. Facsimiles. Collection FacsiMusic. Grade 0. 16 pages. Published by Anne Fuzeau Productions - France

(From Playford's Dancing Master). Edited by Jeremy Barlow. For Violin. Book; Solo; String - Violin Studies or Collection. Faber Edition. Multicultural. Intermediate. Published by Faber Music

Violin

SKU: OT.22089

Composed by Tal Weissman. For violin and piano. Classical. Score and Parts. OR-TAV Music Publications #22089. Published by OR-TAV Music Publications (OT.22089).

8.27 x 11.69 inches.

For violin and piano
Israeli pianist Tal Weissman was born in Haifa in 1972, and began his musical training at age four. While a youth, he performed as a soloist with most of the orchestras in Israel, including the Israel Philharmonic Orchestra and the Israel Chamber Orchestra. He was awarded an Outstanding Israeli Competitor at the Arthur Rubenstein Competition in 1992, and has won prizes in international piano competitions in Europe.
In 1995, Weissman was accepted for piano studies with the internationally renowned pianist and pedagogue Maria Curcio Diamand in London. During this period of study in London, he was awarded many prizes and performed in most of the major concert venues in England. In 1999, he made a concert tour of the United States.
Tal Weissman returned to Israel in 2004, where he teaches piano privately and continues to perform both in Israel and abroad. His compositions for piano and other instruments express the human sprit as it faces the challenges of the world.

Fiddle Tunes for the Beginning Violinist. From the creators of Barrage. For Fiddle. Solos. Swath Publishing. Bluegrass and Country. Level: Beginning. Book/CD Set. Size 8.75x11.75. 56 pages. Published by Swath Publishing.

Violin

SKU: HL.239841

Grades 1-3 (Violin). By Marjory King. Arranged by Jerry Lanning. Music Sales America. Classical. Softcover. Composed 2012. 134 pages. Chester Music #CH78573. Published by Chester Music (HL.239841).

ISBN 9781780382531.

This collection of 50 popular tunes has been carefully arranged and graded to provide attractive repertoire for young violinists. The familiarity of the material will stimulate pupils' enthusiasm and encourage theirpractice.

The technical demands of the solo part increase progressively up to the standard of Associated Board Grade 3. The piano accompaniments are simple yet effective and should be within the range of most pianists.

Violin

SKU: FZ.6371

Serie VII - Germany-Austria- 1600-1800. Edited by Siegbert Rampe, Dominik Sackmann. This edition: Facsimile. Methodes & Traites. Score. Published by Anne Fuzeau Productions - France (FZ.6371).

ISBN 9790049063715. 24.00 x 33.00 cm inches.

These early music methods are in facsimile in four books. Leopold MOZART. Table of contents: Mozart Leopold: Versuch einer grundlichen Violinschule - 1756. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the National Library of London (England). Anne Fuzeau Classique propose the complete theoretic documentation, methods, classical music scores on the violin.

SKU: HL.50603675

For Solo Violin. Composed by Patrick Marcland. Violin. Softcover. Chester Music #CH80850. Published by Chester Music (HL.50603675).

ISBN 9781705128138. UPC: 840126952919.

The original music Walk for one dancer and violinist was commissioned by Compagnie Trans. The four pieces that compose this sonata are from the performance piece Laurence Marthouret choreographed for a dancer and a violinist, entitled Walk, and interpreted by Sona Khochafian in 2001. The project originated from a shared conception of the two art forms, an equal collaboration between choreographic and musical composition. Its central idea was to utilize Laban's choreographic notation system, which accompanies and parallels the musical notation, allowing for an extreme precision in the playing out of the dance-music relationship. Largely cut and recomposed to arrive at this concert version, Walk-Sonata still maintains its four discreet parts, the four sides of a square of the choreographic composition and is therefore strongly linked to the original choreography. This is discernible not only in the formal four movement structure, but also in the music's multiple rhythms, dynamics and phrasing, which are consistently, if not tightly, joined to the dance gesture. Walk-Sonata is dedicated to Sona Khochafian and Laurence Marthouret.

Arranged by Roland Kernen. De Haske Play-Along Book. Softcover with CD. 64 pages. De Haske Publications #1074268400. Published by De Haske Publications

Composed by Aaron Weinstein. For fiddle. Saddle-stitched, Violin; Fiddle; Solo; Alternative Styles; Solos/Tunebooks; Music Styles and Regions; Jazz. Jazz. Intermediate. Book. Published by Mel Bay Publications, Inc

By Various Composers. Arranged by Jonathan Stock. Schott. Size 9x12 inches. 33 pages. Published by Schott.

Book/CD Pack. By Julie Lyonn Lieberman. (Violin). Fretted. BOOK W/CD. 144 pages. Published by Huiksi Music Company.

Chamber Music Violin

SKU: PO.UME10

Composed by Edwin Carr. Sws. Performance Score. Promethean Editions #UME10. Published by Promethean Editions (PO.UME10).

ISBN 9781877564901.

The Sonata for Solo Violin (1969) demonstrates the consummate craftsmanship and refinement in Carr's writing. Central to this work is an exploration of the melodic and expressive possibilities of the violin within the framework of a 12-tone system. A variety of meticulous bowing articulations are juxtaposed against one another throughout the four contrasting movements of the work. The score also calls for extreme dynamic and registral changes, which adds to its virtuosic and challenging appeal as a highly expressive work. It is also intriguing to study as a representative 12-tone work in considering the reception of European modernism within New Zealand composition during the late 1960s.