First violin (1. Violin) SKU: BA.BA04892-74 Composed by Wolfgang Amadeus ...(+)
First violin (1. Violin)
SKU: BA.BA04892-74
Composed by Wolfgang
Amadeus Mozart. Edited by
Hellmut Federhofer. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. K.
243. 11 pages. Duration
35 minutes. Baerenreiter
Verlag #BA04892_74.
Published by Baerenreiter
Verlag (BA.BA04892-74).
ISBN 9790006459551.
32.5 x 25.5 cm inches.
Key: E-flat
major.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Second violin (2. Violin) SKU: BA.BA04892-75 Composed by Wolfgang Amadeus...(+)
Second violin (2. Violin)
SKU: BA.BA04892-75
Composed by Wolfgang
Amadeus Mozart. Edited by
Hellmut Federhofer. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. K.
243. 15 pages. Duration
35 minutes. Baerenreiter
Verlag #BA04892_75.
Published by Baerenreiter
Verlag (BA.BA04892-75).
ISBN 9790006459568.
32.5 x 25.5 cm inches.
Key: E-flat
major.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Second violin (2. Violin) SKU: BA.BA04763-75 Composed by Wolfgang Amadeus...(+)
Second violin (2. Violin)
SKU: BA.BA04763-75
Composed by Wolfgang
Amadeus Mozart. Edited by
Hellmut Federhofer. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. K.
125. 15 pages. Duration
35 minutes. Baerenreiter
Verlag #BA04763_75.
Published by Baerenreiter
Verlag (BA.BA04763-75).
ISBN 9790006455874.
32.5 x 25.5 cm inches.
Key: B-flat
major.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
First violin (1. Violin) SKU: BA.BA04763-74 Composed by Wolfgang Amadeus ...(+)
First violin (1. Violin)
SKU: BA.BA04763-74
Composed by Wolfgang
Amadeus Mozart. Edited by
Hellmut Federhofer. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. K.
125. 15 pages. Duration
35 minutes. Baerenreiter
Verlag #BA04763_74.
Published by Baerenreiter
Verlag (BA.BA04763-74).
ISBN 9790006455867.
32.5 x 25.5 cm inches.
Key: B-flat
major.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Violin 1 Part Violin 1 (Violin) SKU: HL.51483303 For String Orchestra ...(+)
Violin 1 Part Violin 1
(Violin)
SKU:
HL.51483303
For
String Orchestra Violin 1
Part. Composed by
Antonin Dvorá, Antonin
Dvorak, and k. Edited by
Peter Jost. Henle Music
Folios. Classical.
Softcover. 15 pages. G.
Henle #HN3303. Published
by G. Henle
(HL.51483303).
UPC:
196288207146.
9.25x12.0x0.072
inches.
The
serenade flourished in
Mozart's era, but with
Brahms the genre
experienced a new surge
in popularity in the 19th
century. Dvorák's
cheerful and relaxed op.
22 came into being in
1875, during a very happy
time for him both
professionally and
privately. Heput his
personal stamp on the
five-movement composition
by incorporating stylized
Slavonic dances. The
spirited finale
captivates by restating
themes from the previous
movements. Since its
premiere in 1876 the
work, with its melodic
richness and particular
harmonic modulations, has
enjoyed great acclaim
from audiences and
critics alike. Today it
is among Dvorák's most
popular and most
frequently performed
compositions. As well as
the autograph and printed
editions, the composer's
copy of the printed score
with autograph
corrections and additions
has been consulted for
Henle's Urtext
edition.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages with
a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most
beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Violin 2 Part Violin 2 (Violin) SKU: HL.51483304 For String Orchestra ...(+)
Violin 2 Part Violin 2
(Violin)
SKU:
HL.51483304
For
String Orchestra Violin 2
Part. Composed by
Antonin Dvorá, Antonin
Dvorak, and k. Edited by
Peter Jost. Henle Music
Folios. Classical.
Softcover. 15 pages. G.
Henle #HN3304. Published
by G. Henle
(HL.51483304).
UPC:
196288207153.
9.25x12.0x0.072
inches.
The
serenade flourished in
Mozart's era, but with
Brahms the genre
experienced a new surge
in popularity in the 19th
century. Dvorák's
cheerful and relaxed op.
22 came into being in
1875, during a very happy
time for him both
professionally and
privately. Heput his
personal stamp on the
five-movement composition
by incorporating stylized
Slavonic dances. The
spirited finale
captivates by restating
themes from the previous
movements. Since its
premiere in 1876 the
work, with its melodic
richness and particular
harmonic modulations, has
enjoyed great acclaim
from audiences and
critics alike. Today it
is among Dvorák's most
popular and most
frequently performed
compositions. As well as
the autograph and printed
editions, the composer's
copy of the printed score
with autograph
corrections and additions
has been consulted for
Henle's Urtext
edition.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages with
a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most
beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
First violin (1. Violin) SKU: BA.BA07894-74 Suite for Orchestra. C...(+)
First violin (1. Violin)
SKU: BA.BA07894-74
Suite for
Orchestra. Composed
by Gabriel Faure. Edited
by Robin Tait. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. Opus
112. 8 pages.
Baerenreiter Verlag
#BA07894_74. Published by
Baerenreiter Verlag
(BA.BA07894-74).
ISBN
9790006564200. 32.5 x
25.5 cm inches.
In
the style of commedia
dell'arte
In
1918 Gabriel Faure, then
73 years old, received a
commission from Prince
Albert I of Monaco to
write stage music
invoking the atmosphere
of the commedia
dell'arte. The
four-movement orchestral
suite op. 112, consisting
of Ouverture, Menuet,
Gavotte and Pastorale,
combines previously
unpublished parts of this
stage music. The
Pastorale of 1919 was
Faure's last composition
for orchestra, the
Ouverture originated in a
piece of 1864 for piano
duet and the original
version of the Gavotte
was written for piano as
early as 1869. The
op. 112 orchestral
suite demonstrates how
the composer, now older
and more experienced,
reworked and improved his
earlier
music.
This
scholarly-critical
edition of the
four-movement Masques et
Bergamasques op. 112 is
based on Gabriel Faure
The Complete Works,
Volume IV/2.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Second violin (2. Violin) SKU: BA.BA07894-75 Suite for Orchestra. ...(+)
Second violin (2. Violin)
SKU: BA.BA07894-75
Suite for
Orchestra. Composed
by Gabriel Faure. Edited
by Robin Tait. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. Opus
112. 7 pages.
Baerenreiter Verlag
#BA07894_75. Published by
Baerenreiter Verlag
(BA.BA07894-75).
ISBN
9790006564217. 32.5 x
25.5 cm inches.
In
the style of commedia
dell'arte
In
1918 Gabriel Faure, then
73 years old, received a
commission from Prince
Albert I of Monaco to
write stage music
invoking the atmosphere
of the commedia
dell'arte. The
four-movement orchestral
suite op. 112, consisting
of Ouverture, Menuet,
Gavotte and Pastorale,
combines previously
unpublished parts of this
stage music. The
Pastorale of 1919 was
Faure's last composition
for orchestra, the
Ouverture originated in a
piece of 1864 for piano
duet and the original
version of the Gavotte
was written for piano as
early as 1869. The
op. 112 orchestral
suite demonstrates how
the composer, now older
and more experienced,
reworked and improved his
earlier
music.
This
scholarly-critical
edition of the
four-movement Masques et
Bergamasques op. 112 is
based on Gabriel Faure
The Complete Works,
Volume IV/2.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
First violin (1. Violin) SKU: BA.BA07895-74 Suite for Orchestra. C...(+)
First violin (1. Violin)
SKU: BA.BA07895-74
Suite for
Orchestra. Composed
by Gabriel Faure. Edited
by Robin Tait. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. Opus
80. 8 pages. Baerenreiter
Verlag #BA07895_74.
Published by Baerenreiter
Verlag (BA.BA07895-74).
ISBN 9790006564255.
32.5 x 25.5 cm
inches.
Incidental
music with the famous
Sicilienne
Faure
wrote Pelleas et
Melisande in 1898
originally as incidental
music to Maurice
Maeterlinck's like-named
play. After the premiere
and subsequent
performances, he set
about reworking the
musical material into an
orchestral suite. The
premiere of the
originally three-movement
suite took place in
February 1901 under the
baton of Camille
Chevillard.
In
December 1912, the
four-movement version of
Pelleas et Melisande was
finally premiered. The
additional movement, the
Sicilienne, was taken
from the third interlude
of the incidental music.
This delightful piece
would later become one of
Faure's most popular
compositions and now
exists in countless
arrangements.
BA
$?renreiter's new
scholarly-critical
edition of the
four-movement orchestral
suite Pelleas et
Melisande op. 80 is based
on Gabriel Faure The
Complete Works, Volume
IV/2 which appeared in
2016.
* First
Urtext edition *
Based on Gabriel Faure
The Complete Works *
Score and orchestral
parts in a large format
(25.5 x 32.5 cm).
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Second violin (2. Violin) SKU: BA.BA07895-75 Suite for Orchestra. ...(+)
Second violin (2. Violin)
SKU: BA.BA07895-75
Suite for
Orchestra. Composed
by Gabriel Faure. Edited
by Robin Tait. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. Opus
80. 7 pages. Baerenreiter
Verlag #BA07895_75.
Published by Baerenreiter
Verlag (BA.BA07895-75).
ISBN 9790006564262.
32.5 x 25.5 cm
inches.
Incidental
music with the famous
Sicilienne
Faure
wrote Pelleas et
Melisande in 1898
originally as incidental
music to Maurice
Maeterlinck's like-named
play. After the premiere
and subsequent
performances, he set
about reworking the
musical material into an
orchestral suite. The
premiere of the
originally three-movement
suite took place in
February 1901 under the
baton of Camille
Chevillard.
In
December 1912, the
four-movement version of
Pelleas et Melisande was
finally premiered. The
additional movement, the
Sicilienne, was taken
from the third interlude
of the incidental music.
This delightful piece
would later become one of
Faure's most popular
compositions and now
exists in countless
arrangements.
BA
$?renreiter's new
scholarly-critical
edition of the
four-movement orchestral
suite Pelleas et
Melisande op. 80 is based
on Gabriel Faure The
Complete Works, Volume
IV/2 which appeared in
2016.
* First
Urtext edition *
Based on Gabriel Faure
The Complete Works *
Score and orchestral
parts in a large format
(25.5 x 32.5 cm).
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Violin 1 Part Violin 1 (Parts) SKU: HL.51481551 For String Orchestra V...(+)
Violin 1 Part Violin 1
(Parts)
SKU:
HL.51481551
For
String Orchestra Violin 1
Part. Composed by
Peter Ilich Tchaikovsky.
Edited by Dominik Rahmer.
Henle Music Folios.
Classical. Softcover. 17
pages. G. Henle #HN1551.
Published by G. Henle
(HL.51481551).
UPC:
196288207160.
9.25x12.0x0.082
inches.
Tchaikovsky
spent the summer and
autumn of 1880 at his
sister's country estate
in Kam'ianka, Ukraine,
where he sought peace and
relaxation. But after a
short time the desire to
work took hold of him
again. “I'm
sketching a symphony or
string quintet just now;
I don't know where it's
going yet,†he
wrote to his friend and
patroness Nadezhda von
Meck. In the end it
turned out to be a
Serenade for String
Orchestra, which numbers
among his most beautiful
inspirations and is today
a central work in the
genre. The four movements
captivate with their
diverse moods – be
it the Mozartian first
movement “in the
form of a
sonatinaâ€, the
elegant Waltz, the
melancholy
“Elegia†or
the rousing Finale. For
this new source-critical
edition it was possible
to consult the autograph
in Moscow as well as the
early printed editions
into which Tchaikovsky
sometimes entered a
number of minor
revisions. Clear the
stage for the new
reference edition of this
indispensable work of the
string-orchestra
repertoire!
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages with
a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most
beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Violin 2 Part Violin 2 (Parts) SKU: HL.51481552 For String Orchestra V...(+)
Violin 2 Part Violin 2
(Parts)
SKU:
HL.51481552
For
String Orchestra Violin 2
Part. Composed by
Peter Ilich Tchaikovsky.
Edited by Dominik Rahmer.
Henle Music Folios.
Classical. Softcover. 14
pages. G. Henle #HN1552.
Published by G. Henle
(HL.51481552).
UPC:
196288207177.
9.25x12.0x0.073
inches.
Tchaikovsky
spent the summer and
autumn of 1880 at his
sister's country estate
in Kam'ianka, Ukraine,
where he sought peace and
relaxation. But after a
short time the desire to
work took hold of him
again. “I'm
sketching a symphony or
string quintet just now;
I don't know where it's
going yet,†he
wrote to his friend and
patroness Nadezhda von
Meck. In the end it
turned out to be a
Serenade for String
Orchestra, which numbers
among his most beautiful
inspirations and is today
a central work in the
genre. The four movements
captivate with their
diverse moods – be
it the Mozartian first
movement “in the
form of a
sonatinaâ€, the
elegant Waltz, the
melancholy
“Elegia†or
the rousing Finale. For
this new source-critical
edition it was possible
to consult the autograph
in Moscow as well as the
early printed editions
into which Tchaikovsky
sometimes entered a
number of minor
revisions. Clear the
stage for the new
reference edition of this
indispensable work of the
string-orchestra
repertoire!
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages with
a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most
beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
First violin (1. Violin) SKU: BA.BA07896-74 Composed by Camille Saint-Sae...(+)
First violin (1. Violin)
SKU: BA.BA07896-74
Composed by Camille
Saint-Saens. Edited by
Michael Stegemann. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. Opus
78. 23 pages.
Baerenreiter Verlag
#BA07896_74. Published by
Baerenreiter Verlag
(BA.BA07896-74).
ISBN
9790006563357. 32.5 x
25.5 cm inches. Key: C
minor.
In this work
I gave everything I had
to give. [...] What I did
here I will never do
again. Camille
Saint-Saens was
justifiably proud of his
Symphony No. 3 in C minor
op. 78, dedicated to the
memory of Franz Liszt.
Like Beethoven's Ninth,
this so-called Organ
Symphony was commissioned
by the Philharmonic
Society in London, where
it received its premiere
on 19 May
1886.
In this
first scholarly-critical
edition of the symphony,
a great many
inconsistencies and
mistakes inherent in the
previously used edition
have been unveiled and
corrected.
The
edition of Symphony No. 3
marks the launch of a
large-scale project: the
publication of Camille
Saint-Saens - Complete
Edition of the
Instrumental Works. This
performing Urtext edition
is based on volume BA
10303 from that
series.
* First
scholarly-critical
edition of this famous
symphony based on Camille
Saint-Saens aEUR Complete
Edition of the
Instrumental Works *
Now with separate parts
for all winds *
Orchestral parts in a
large format (25.5 cm x
32.5 cm).
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Second violin (2. Violin) SKU: BA.BA07896-75 Composed by Camille Saint-Sa...(+)
Second violin (2. Violin)
SKU: BA.BA07896-75
Composed by Camille
Saint-Saens. Edited by
Michael Stegemann. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. Opus
78. 27 pages.
Baerenreiter Verlag
#BA07896_75. Published by
Baerenreiter Verlag
(BA.BA07896-75).
ISBN
9790006563364. 32.5 x
25.5 cm inches. Key: C
minor.
In this work
I gave everything I had
to give. [...] What I did
here I will never do
again. Camille
Saint-Saens was
justifiably proud of his
Symphony No. 3 in C minor
op. 78, dedicated to the
memory of Franz Liszt.
Like Beethoven's Ninth,
this so-called Organ
Symphony was commissioned
by the Philharmonic
Society in London, where
it received its premiere
on 19 May
1886.
In this
first scholarly-critical
edition of the symphony,
a great many
inconsistencies and
mistakes inherent in the
previously used edition
have been unveiled and
corrected.
The
edition of Symphony No. 3
marks the launch of a
large-scale project: the
publication of Camille
Saint-Saens - Complete
Edition of the
Instrumental Works. This
performing Urtext edition
is based on volume BA
10303 from that
series.
* First
scholarly-critical
edition of this famous
symphony based on Camille
Saint-Saens aEUR Complete
Edition of the
Instrumental Works *
Now with separate parts
for all winds *
Orchestral parts in a
large format (25.5 cm x
32.5 cm).
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Chorale Setting.
Composed by Georg Philipp
Telemann. Edited by Ute
Poetzsch. Arranged by
Andreas Kohs. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. VWV
1. 6 pages. Baerenreiter
Verlag #BA05897_74.
Published by Baerenreiter
Verlag (BA.BA05897-74).
ISBN 9790006563043.
32.5 x 25.5 cm
inches.
Chorale
settings form a central
part of Telemann's
oeuvre. His 1754 setting
of the church hymn
Christus, der ist mein
Leben, based on Melchoir
Vulpius' melody from the
Hamburg Hymnal, is
especially well-suited to
display his mastery in
depicting the words of
the chorale. The
so-called Ausfullungsbass
(a vocal bass added to
the principal bass in
tutti passages) was
probably necessitated by
the acoustical properties
of Hamburg's
churches.
This
is the first Urtext
edition of this highly
successful chorale
setting which is based on
Georg Philipp Telemann
Musical Works. The score
contains a realisation of
the continuo
part.
* First
Urtext edition based on
Georg Philipp Telemann
Musical Works * An
attractive addition to
the repertoire with a
view to the Telemann Year
2017 * Bilingual
Foreword (Ger/Eng) *
Uncluttered idiomatic
piano reduction.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Chorale Setting.
Composed by Georg Philipp
Telemann. Edited by Ute
Poetzsch. Arranged by
Andreas Kohs. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. VWV
1. 7 pages. Baerenreiter
Verlag #BA05897_75.
Published by Baerenreiter
Verlag (BA.BA05897-75).
ISBN 9790006563067.
32.5 x 25.5 cm
inches.
Chorale
settings form a central
part of Telemann's
oeuvre. His 1754 setting
of the church hymn
Christus, der ist mein
Leben, based on Melchoir
Vulpius' melody from the
Hamburg Hymnal, is
especially well-suited to
display his mastery in
depicting the words of
the chorale. The
so-called Ausfullungsbass
(a vocal bass added to
the principal bass in
tutti passages) was
probably necessitated by
the acoustical properties
of Hamburg's
churches.
This
is the first Urtext
edition of this highly
successful chorale
setting which is based on
Georg Philipp Telemann
Musical Works. The score
contains a realisation of
the continuo
part.
* First
Urtext edition based on
Georg Philipp Telemann
Musical Works * An
attractive addition to
the repertoire with a
view to the Telemann Year
2017 * Bilingual
Foreword (Ger/Eng) *
Uncluttered idiomatic
piano reduction.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Second violin (2. Violin) SKU: BA.BA08966-75 Composed by Charles Francois...(+)
Second violin (2. Violin)
SKU: BA.BA08966-75
Composed by Charles
Francois Gounod. Edited
by Hans Schellevis. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. 15
pages. Baerenreiter
Verlag #BA08966_75.
Published by Baerenreiter
Verlag (BA.BA08966-75).
ISBN 9790006564064.
32.5 x 25.5 cm
inches.
Sacred
works occupy a large part
of Charles Gounod's
oeuvre. It was the Messe
solennelle en l'honneur
de Sainte Cecile that
established his fame as a
church composer. Its
melodic invention and
effective handling of the
orchestra reveal a close
proximity to opera. This
Urtext edition is based
not only on the original
print of 1856 but also on
copyists' manuscripts and
autograph sources.
Rounding off this
well-researched Urtext
edition are an
informative Introduction
and a detailed Critical
Commentary. The edition
is being published to
celebrate the 200th
anniversary of Gounod's
birth.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
First violin (1. Violin) SKU: BA.BA08966-74 Composed by Charles Francois ...(+)
First violin (1. Violin)
SKU: BA.BA08966-74
Composed by Charles
Francois Gounod. Edited
by Hans Schellevis. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. 15
pages. Baerenreiter
Verlag #BA08966_74.
Published by Baerenreiter
Verlag (BA.BA08966-74).
ISBN 9790006564057.
32.5 x 25.5 cm
inches.
Sacred
works occupy a large part
of Charles Gounod's
oeuvre. It was the Messe
solennelle en l'honneur
de Sainte Cecile that
established his fame as a
church composer. Its
melodic invention and
effective handling of the
orchestra reveal a close
proximity to opera. This
Urtext edition is based
not only on the original
print of 1856 but also on
copyists' manuscripts and
autograph sources.
Rounding off this
well-researched Urtext
edition are an
informative Introduction
and a detailed Critical
Commentary. The edition
is being published to
celebrate the 200th
anniversary of Gounod's
birth.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Second violin (2. Violin) SKU: BA.BA09079-75 Composed by Felix Bartholdy ...(+)
Second violin (2. Violin)
SKU: BA.BA09079-75
Composed by Felix
Bartholdy Mendelssohn.
Edited by John Michael
Cooper. This edition:
urtext edition. Stapled.
Barenreiter Urtext.
Single part. Opus 31, MWV
A 9. 7 pages.
Baerenreiter Verlag
#BA09079_75. Published by
Baerenreiter Verlag
(BA.BA09079-75).
ISBN
9790006531400. 32.5 x
25.5 cm inches. Text:
Felix Mendelssohn
Bartholdy.
Latin
text from the Vulgate
(Psalm 113). German text
by Felix Mendelssohn
Bartholdy after Psalm 115
from the Lutheran
Bible.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
First violin (1. Violin) SKU: BA.BA09079-74 Composed by Felix Bartholdy M...(+)
First violin (1. Violin)
SKU: BA.BA09079-74
Composed by Felix
Bartholdy Mendelssohn.
Edited by John Michael
Cooper. This edition:
urtext edition. Stapled.
Barenreiter Urtext.
Single part. Opus 31, MWV
A 9. 7 pages.
Baerenreiter Verlag
#BA09079_74. Published by
Baerenreiter Verlag
(BA.BA09079-74).
ISBN
9790006531394. 32.5 x
25.5 cm inches. Text:
Felix Mendelssohn
Bartholdy.
Latin
text from the Vulgate
(Psalm 113). German text
by Felix Mendelssohn
Bartholdy after Psalm 115
from the Lutheran
Bible.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Second violin (2. Violin) SKU: BA.BA04716-75 Composed by Wolfgang Amadeus...(+)
Second violin (2. Violin)
SKU: BA.BA04716-75
Composed by Wolfgang
Amadeus Mozart. Edited by
Wilhelm Fischer. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. K.
132, No. 19. 11 pages.
Duration 16 minutes.
Baerenreiter Verlag
#BA04716_75. Published by
Baerenreiter Verlag
(BA.BA04716-75).
ISBN
9790006453832. 32.5 x
25.5 cm inches. Key:
E-flat major.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
First violin (1. Violin) SKU: BA.BA04744-74 Composed by Wolfgang Amadeus ...(+)
First violin (1. Violin)
SKU: BA.BA04744-74
Composed by Wolfgang
Amadeus Mozart. Edited by
Hermann Beck. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. K.
184(166a), No. 26.
Duration 9 minutes.
Baerenreiter Verlag
#BA04744_74. Published by
Baerenreiter Verlag
(BA.BA04744-74).
ISBN
9790006455119. 32.5 x
25.5 cm inches. Key:
E-flat major.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
First violin (1. Violin) SKU: BA.BA09165-74 Composed by Wolfgang Amadeus ...(+)
First violin (1. Violin)
SKU: BA.BA09165-74
Composed by Wolfgang
Amadeus Mozart. Edited by
Gerhard Allroggen. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. K.
16, No. 1. 6 pages.
Baerenreiter Verlag
#BA09165_74. Published by
Baerenreiter Verlag
(BA.BA09165-74).
ISBN
9790006528035. 32.5 x
25.5 cm inches. Key:
E-flat major.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Second violin (2. Violin) SKU: BA.BA05311-75 Composed by Wolfgang Amadeus...(+)
Second violin (2. Violin)
SKU: BA.BA05311-75
Composed by Wolfgang
Amadeus Mozart. Edited by
Franz Giegling. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. K.
417, No. 2. 7 pages.
Duration 14 minutes.
Baerenreiter Verlag
#BA05311_75. Published by
Baerenreiter Verlag
(BA.BA05311-75).
ISBN
9790006467112. 32.5 x
25.5 cm inches. Key:
E-flat major.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
First violin (1. Violin) SKU: BA.BA05380-74 Composed by Wolfgang Amadeus ...(+)
First violin (1. Violin)
SKU: BA.BA05380-74
Composed by Wolfgang
Amadeus Mozart. Edited by
Christoph Hellmut
Mahling. This edition:
urtext edition. Stapled.
Barenreiter Urtext.
Single part. K. 190
(166b; K. 6:186 E). 8
pages. Baerenreiter
Verlag #BA05380_74.
Published by Baerenreiter
Verlag (BA.BA05380-74).
ISBN 9790006469802.
32.5 x 25.5 cm inches.
Key: C major.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Second violin (2. Violin) SKU: BA.BA09165-75 Composed by Wolfgang Amadeus...(+)
Second violin (2. Violin)
SKU: BA.BA09165-75
Composed by Wolfgang
Amadeus Mozart. Edited by
Gerhard Allroggen. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. K.
16, No. 1. 7 pages.
Baerenreiter Verlag
#BA09165_75. Published by
Baerenreiter Verlag
(BA.BA09165-75).
ISBN
9790006528042. 32.5 x
25.5 cm inches. Key:
E-flat major.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
First violin (1. Violin) SKU: BA.BA05311-74 Composed by Wolfgang Amadeus ...(+)
First violin (1. Violin)
SKU: BA.BA05311-74
Composed by Wolfgang
Amadeus Mozart. Edited by
Franz Giegling. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. K.
417, No. 2. 7 pages.
Duration 14 minutes.
Baerenreiter Verlag
#BA05311_74. Published by
Baerenreiter Verlag
(BA.BA05311-74).
ISBN
9790006467105. 32.5 x
25.5 cm inches. Key:
E-flat major.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
First violin (1. Violin) SKU: BA.BA04716-74 Composed by Wolfgang Amadeus ...(+)
First violin (1. Violin)
SKU: BA.BA04716-74
Composed by Wolfgang
Amadeus Mozart. Edited by
Wilhelm Fischer. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. K.
132, No. 19. 8 pages.
Duration 16 minutes.
Baerenreiter Verlag
#BA04716_74. Published by
Baerenreiter Verlag
(BA.BA04716-74).
ISBN
9790006453825. 32.5 x
25.5 cm inches. Key:
E-flat major.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Second violin (2. Violin) SKU: BA.BA04744-75 Composed by Wolfgang Amadeus...(+)
Second violin (2. Violin)
SKU: BA.BA04744-75
Composed by Wolfgang
Amadeus Mozart. Edited by
Hermann Beck. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. K.
184(166a), No. 26.
Duration 9 minutes.
Baerenreiter Verlag
#BA04744_75. Published by
Baerenreiter Verlag
(BA.BA04744-75).
ISBN
9790006455126. 32.5 x
25.5 cm inches. Key:
E-flat major.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Second violin (2. Violin) SKU: BA.BA04646-75 Grosse Orgelsolomesse...(+)
Second violin (2. Violin)
SKU: BA.BA04646-75
Grosse
Orgelsolomesse.
Composed by Franz Joseph
Haydn. Edited by James
Dack and Marianne Helms.
This edition: urtext
edition. Stapled. Single
part. Hob. XXII:4.
Baerenreiter Verlag
#BA04646_75. Published by
Baerenreiter Verlag
(BA.BA04646-75).
ISBN
9790006520541. 32.5 x
25.5 cm inches. Key:
E-flat
major.
Urtext from
the G. Henle Complete
Edition of the Works of
Joseph Haydn.
