Second violin (2. Violin) SKU: BA.BA04646-75 Grosse Orgelsolomesse...(+)
Second violin (2. Violin)
SKU: BA.BA04646-75
Grosse
Orgelsolomesse.
Composed by Franz Joseph
Haydn. Edited by James
Dack and Marianne Helms.
This edition: urtext
edition. Stapled. Single
part. Hob. XXII:4.
Baerenreiter Verlag
#BA04646_75. Published by
Baerenreiter Verlag
(BA.BA04646-75).
ISBN
9790006520541. 32.5 x
25.5 cm inches. Key:
E-flat
major.
Urtext from
the G. Henle Complete
Edition of the Works of
Joseph Haydn.
First violin (1. Violin) SKU: BA.BA04646-74 Grosse Orgelsolomesse....(+)
First violin (1. Violin)
SKU: BA.BA04646-74
Grosse
Orgelsolomesse.
Composed by Franz Joseph
Haydn. Edited by James
Dack and Marianne Helms.
This edition: urtext
edition. Stapled. Single
part. Hob. XXII:4.
Baerenreiter Verlag
#BA04646_74. Published by
Baerenreiter Verlag
(BA.BA04646-74).
ISBN
9790006520534. 32.5 x
25.5 cm inches. Key:
E-flat
major.
Urtext from
the G. Henle Complete
Edition of the Works of
Joseph Haydn.
Second violin (2. Violin) SKU: BA.BA08966-75 Composed by Charles Francois...(+)
Second violin (2. Violin)
SKU: BA.BA08966-75
Composed by Charles
Francois Gounod. Edited
by Hans Schellevis. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. 15
pages. Baerenreiter
Verlag #BA08966_75.
Published by Baerenreiter
Verlag (BA.BA08966-75).
ISBN 9790006564064.
32.5 x 25.5 cm
inches.
Sacred
works occupy a large part
of Charles Gounod's
oeuvre. It was the Messe
solennelle en l'honneur
de Sainte Cecile that
established his fame as a
church composer. Its
melodic invention and
effective handling of the
orchestra reveal a close
proximity to opera. This
Urtext edition is based
not only on the original
print of 1856 but also on
copyists' manuscripts and
autograph sources.
Rounding off this
well-researched Urtext
edition are an
informative Introduction
and a detailed Critical
Commentary. The edition
is being published to
celebrate the 200th
anniversary of Gounod's
birth.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
First violin (1. Violin) SKU: BA.BA08966-74 Composed by Charles Francois ...(+)
First violin (1. Violin)
SKU: BA.BA08966-74
Composed by Charles
Francois Gounod. Edited
by Hans Schellevis. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. 15
pages. Baerenreiter
Verlag #BA08966_74.
Published by Baerenreiter
Verlag (BA.BA08966-74).
ISBN 9790006564057.
32.5 x 25.5 cm
inches.
Sacred
works occupy a large part
of Charles Gounod's
oeuvre. It was the Messe
solennelle en l'honneur
de Sainte Cecile that
established his fame as a
church composer. Its
melodic invention and
effective handling of the
orchestra reveal a close
proximity to opera. This
Urtext edition is based
not only on the original
print of 1856 but also on
copyists' manuscripts and
autograph sources.
Rounding off this
well-researched Urtext
edition are an
informative Introduction
and a detailed Critical
Commentary. The edition
is being published to
celebrate the 200th
anniversary of Gounod's
birth.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
First violin (1. Violin) SKU: BA.BA08841-74 Composed by Claude Debussy. E...(+)
First violin (1. Violin)
SKU: BA.BA08841-74
Composed by Claude
Debussy. Edited by
Douglas Woodfull-Harris.
This edition: urtext
edition. Folded.
Barenreiter Urtext.
Single part. 4 pages.
Duration 10 minutes.
Baerenreiter Verlag
#BA08841_74. Published by
Baerenreiter Verlag
(BA.BA08841-74).
ISBN
9790006541218. 32.5 x
25.5 cm
inches.
Prelude a
l'apres-midi d'un faune,
often referred to as the
first composition of the
modern era, is one of
Debussy's most popular
and frequently performed
orchestral works. The
piece comes down to us in
an array of sources, and
several important ones
are drawn upon for the
first time in
Baerenreiter's new
scholarly-critical
edition. Most of the
currently available
editions are based on the
first edition from 1895
which, however, contains
many engraver errors.
When the corresponding
orchestral parts are also
taken into consideration,
countless discrepancies
are
revealed.
Baerenreiter
's Urtext edition
incorporates readings of
a printed copy of the
score from c. 1908 which
shows corrections and
emendations by the
composer. These important
changes, found in no
other source, include
metronome markings,
different pitches and
additional notes, as well
as added tempo and
articulation markings,
which all subtly enhance
Debussy's finely sculpted
work. There is even a
breath mark added to the
famous solo flute passage
which opens the
work.* Scholarly
critical edition with
many corrections in the
score and orchestral
parts * Clear
presentation of
orchestral parts in an
enlarged format.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Second violin (2. Violin) SKU: BA.BA08841-75 Composed by Claude Debussy. ...(+)
Second violin (2. Violin)
SKU: BA.BA08841-75
Composed by Claude
Debussy. Edited by
Douglas Woodfull-Harris.
This edition: urtext
edition. Folded.
Barenreiter Urtext.
Single part. 4 pages.
Duration 10 minutes.
Baerenreiter Verlag
#BA08841_75. Published by
Baerenreiter Verlag
(BA.BA08841-75).
ISBN
9790006541225. 32.5 x
25.5 cm
inches.
Prelude a
l'apres-midi d'un faune,
often referred to as the
first composition of the
modern era, is one of
Debussy's most popular
and frequently performed
orchestral works. The
piece comes down to us in
an array of sources, and
several important ones
are drawn upon for the
first time in
Baerenreiter's new
scholarly-critical
edition. Most of the
currently available
editions are based on the
first edition from 1895
which, however, contains
many engraver errors.
When the corresponding
orchestral parts are also
taken into consideration,
countless discrepancies
are
revealed.
Baerenreiter
's Urtext edition
incorporates readings of
a printed copy of the
score from c. 1908 which
shows corrections and
emendations by the
composer. These important
changes, found in no
other source, include
metronome markings,
different pitches and
additional notes, as well
as added tempo and
articulation markings,
which all subtly enhance
Debussy's finely sculpted
work. There is even a
breath mark added to the
famous solo flute passage
which opens the
work.* Scholarly
critical edition with
many corrections in the
score and orchestral
parts * Clear
presentation of
orchestral parts in an
enlarged format.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Violin-second solo (2. Violin solo) SKU: BA.BA04202-78 Composed by George...(+)
Violin-second solo (2.
Violin solo)
SKU:
BA.BA04202-78
Composed by George
Frideric Handel. Edited
by Frederik Hudson. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. Opus
3/2, HWV 313. 4 pages.
Baerenreiter Verlag
#BA04202_78. Published by
Baerenreiter Verlag
(BA.BA04202-78).
ISBN
9790006444946. 32.5 x
25.5 cm inches. Key:
B-flat major.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Second violin (2. Violin) SKU: BA.BA03517-75 Sequenz-Komposition fü...(+)
Second violin (2. Violin)
SKU: BA.BA03517-75
Sequenz-Komposition
für Solostimmen, Chor
und Orchester.
Composed by Antonio
Caldara. Edited by
István Homolya.
Stapled. Single part.
Baerenreiter Verlag
#BA03517_75. Published by
Baerenreiter Verlag
(BA.BA03517-75).
First violin (1. Violin) SKU: BA.BA03517-74 Sequenz-Komposition für...(+)
First violin (1. Violin)
SKU: BA.BA03517-74
Sequenz-Komposition
für Solostimmen, Chor
und Orchester.
Composed by Antonio
Caldara. Edited by
István Homolya.
Stapled. Single part.
Baerenreiter Verlag
#BA03517_74. Published by
Baerenreiter Verlag
(BA.BA03517-74).
Violin-second solo (2. Violin solo) SKU: BA.BA04672-78 Composed by Franz ...(+)
Violin-second solo (2.
Violin solo)
SKU:
BA.BA04672-78
Composed by Franz Joseph
Haydn. Edited by
Jürgen Braun and Sonja
Gerlach. This edition:
urtext edition. Stapled.
Single part. Hob. I:7,
No. 7. Baerenreiter
Verlag #BA04672_78.
Published by Baerenreiter
Verlag (BA.BA04672-78).
ISBN 9790006498321.
32.5 x 25.5 cm inches.
Key: C
major.
Urtext from
the G. Henle Complete
Edition of the Works of
Joseph Haydn.
First violin (1. Violin) SKU: BA.BA05231-74 Based on Johann Sebastian ...(+)
First violin (1. Violin)
SKU: BA.BA05231-74
Based on Johann
Sebastian Bach. First
edition. Composed by
Carl Philipp Emanuel
Bach. Stapled. After
Johann Sebastian Bach.
Single part. BWV 1052A.
Duration 22 minutes.
Baerenreiter Verlag
#BA05231_74. Published by
Baerenreiter Verlag
(BA.BA05231-74).
ISBN
9790006506668. 32.5 x
25.5 cm inches. Key: D
minor.
All eight
concertos are presented
in piano reductions with
separate orchestra parts.
Not only is the piano
reduction suitable for
conducting from the
harpsichord, it also
enables the works to be
played on two
harpsichords. All of
Bach's solo harpsichord
concertos are now
available with
theUrtextof the New Bach
Edition.
First violin (1. Violin) - Level 4 SKU: BA.BA07590-74 Composed by Giusepp...(+)
First violin (1. Violin)
- Level 4
SKU:
BA.BA07590-74
Composed by Giuseppe
Verdi. Edited by Marco
Uvietta. This edition:
urtext edition. Stapled.
Barenreiter Urtext.
Single part. 30 pages.
Baerenreiter Verlag
#BA07590_74. Published by
Baerenreiter Verlag
(BA.BA07590-74).
ISBN
9790006541614. 32.5 x
25.5 cm inches. Preface:
Marco Uvietta.
For
this scholarly-critical
edition, the editor has
consulted no less than 16
sources, many more than
were ever used for any
other edition of the
Requiem; some of these
sources were never
evaluated before and one
source, a hand-written
vocal score, particularly
relevant to the
evaluation of the Liber
scriptus, was newly
discovered.
As
such, this edition offers
new philological and
editorial decisions
regarding phrasing,
articulation and dynamics
and succeeds in
presenting practical
suggestions to solve
musical problems and
those concerning the
interpretation of this
famous work.
This
edition comprises a
concise Critical
Commentary in the score
as well as a detailed one
on the Barenreiter
website. The most
important editions
published in the 19th
century are compared with
regard to musicological
questions in the work.
The genesis of some
misunderstandings
included in the 1913 and
1964 Ricordi editions is
traced. The first version
of the Liber scriptus for
chorus is included in the
appendix while the later
version for mezzosoprano
solo is to be found in
the main part of the
edition.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Second violin (2. Violin) - Level 4 SKU: BA.BA07590-75 Composed by Giusep...(+)
Second violin (2. Violin)
- Level 4
SKU:
BA.BA07590-75
Composed by Giuseppe
Verdi. Edited by Marco
Uvietta. This edition:
urtext edition. Stapled.
Barenreiter Urtext.
Single part. 27 pages.
Baerenreiter Verlag
#BA07590_75. Published by
Baerenreiter Verlag
(BA.BA07590-75).
ISBN
9790006541621. 32.5 x
25.5 cm inches. Preface:
Marco Uvietta.
For
this scholarly-critical
edition, the editor has
consulted no less than 16
sources, many more than
were ever used for any
other edition of the
Requiem; some of these
sources were never
evaluated before and one
source, a hand-written
vocal score, particularly
relevant to the
evaluation of the Liber
scriptus, was newly
discovered.
As
such, this edition offers
new philological and
editorial decisions
regarding phrasing,
articulation and dynamics
and succeeds in
presenting practical
suggestions to solve
musical problems and
those concerning the
interpretation of this
famous work.
This
edition comprises a
concise Critical
Commentary in the score
as well as a detailed one
on the Barenreiter
website. The most
important editions
published in the 19th
century are compared with
regard to musicological
questions in the work.
The genesis of some
misunderstandings
included in the 1913 and
1964 Ricordi editions is
traced. The first version
of the Liber scriptus for
chorus is included in the
appendix while the later
version for mezzosoprano
solo is to be found in
the main part of the
edition.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through