Second violin (2. Violin) SKU: BA.BA10012-75 Cantata for the Sunday Ju...(+)
Second violin (2. Violin)
SKU: BA.BA10012-75
Cantata for the Sunday
Jubilate. Composed by
Johann Sebastian Bach.
Edited by Reinmar Emans.
This edition: urtext
edition. Folded.
Barenreiter Urtext.
Kantaten (Cantatas).
Single part. BWV 12. 4
pages. Duration 28
minutes. Baerenreiter
Verlag #BA10012_75.
Published by Baerenreiter
Verlag (BA.BA10012-75).
ISBN 9790006503117.
32.5 x 25.5 cm inches.
Text: Salomo
Franck.
Study score
= TP 1012.
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slight yellow tinge which
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First violin (1. Violin) SKU: BA.BA10012-74 Cantata for the Sunday Jub...(+)
First violin (1. Violin)
SKU: BA.BA10012-74
Cantata for the Sunday
Jubilate. Composed by
Johann Sebastian Bach.
Edited by Reinmar Emans.
This edition: urtext
edition. Folded.
Barenreiter Urtext.
Kantaten (Cantatas).
Single part. BWV 12. 4
pages. Duration 28
minutes. Baerenreiter
Verlag #BA10012_74.
Published by Baerenreiter
Verlag (BA.BA10012-74).
ISBN 9790006503100.
32.5 x 25.5 cm inches.
Text: Salomo
Franck.
Study score
= TP 1012.
About
Barenreiter Urtext
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Bärenreiter Urtext
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composerâ€â„Â
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alternate versions in
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- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
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slight yellow tinge which
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First violin (1. Violin) - Level 4 SKU: BA.BA07590-74 Composed by Giusepp...(+)
First violin (1. Violin)
- Level 4
SKU:
BA.BA07590-74
Composed by Giuseppe
Verdi. Edited by Marco
Uvietta. This edition:
urtext edition. Stapled.
Barenreiter Urtext.
Single part. 30 pages.
Baerenreiter Verlag
#BA07590_74. Published by
Baerenreiter Verlag
(BA.BA07590-74).
ISBN
9790006541614. 32.5 x
25.5 cm inches. Preface:
Marco Uvietta.
For
this scholarly-critical
edition, the editor has
consulted no less than 16
sources, many more than
were ever used for any
other edition of the
Requiem; some of these
sources were never
evaluated before and one
source, a hand-written
vocal score, particularly
relevant to the
evaluation of the Liber
scriptus, was newly
discovered.
As
such, this edition offers
new philological and
editorial decisions
regarding phrasing,
articulation and dynamics
and succeeds in
presenting practical
suggestions to solve
musical problems and
those concerning the
interpretation of this
famous work.
This
edition comprises a
concise Critical
Commentary in the score
as well as a detailed one
on the Barenreiter
website. The most
important editions
published in the 19th
century are compared with
regard to musicological
questions in the work.
The genesis of some
misunderstandings
included in the 1913 and
1964 Ricordi editions is
traced. The first version
of the Liber scriptus for
chorus is included in the
appendix while the later
version for mezzosoprano
solo is to be found in
the main part of the
edition.
About
Barenreiter Urtext
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- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Second violin (2. Violin) - Level 4 SKU: BA.BA07590-75 Composed by Giusep...(+)
Second violin (2. Violin)
- Level 4
SKU:
BA.BA07590-75
Composed by Giuseppe
Verdi. Edited by Marco
Uvietta. This edition:
urtext edition. Stapled.
Barenreiter Urtext.
Single part. 27 pages.
Baerenreiter Verlag
#BA07590_75. Published by
Baerenreiter Verlag
(BA.BA07590-75).
ISBN
9790006541621. 32.5 x
25.5 cm inches. Preface:
Marco Uvietta.
For
this scholarly-critical
edition, the editor has
consulted no less than 16
sources, many more than
were ever used for any
other edition of the
Requiem; some of these
sources were never
evaluated before and one
source, a hand-written
vocal score, particularly
relevant to the
evaluation of the Liber
scriptus, was newly
discovered.
As
such, this edition offers
new philological and
editorial decisions
regarding phrasing,
articulation and dynamics
and succeeds in
presenting practical
suggestions to solve
musical problems and
those concerning the
interpretation of this
famous work.
This
edition comprises a
concise Critical
Commentary in the score
as well as a detailed one
on the Barenreiter
website. The most
important editions
published in the 19th
century are compared with
regard to musicological
questions in the work.
The genesis of some
misunderstandings
included in the 1913 and
1964 Ricordi editions is
traced. The first version
of the Liber scriptus for
chorus is included in the
appendix while the later
version for mezzosoprano
solo is to be found in
the main part of the
edition.
About
Barenreiter Urtext
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- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
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Second violin (2. Violin) SKU: BA.BA10130-75 Cantata for the Feast of ...(+)
Second violin (2. Violin)
SKU: BA.BA10130-75
Cantata for the Feast
of St. Michael.
Composed by Johann
Sebastian Bach. Edited by
Marianne Helms. This
edition: urtext edition.
Folded. Barenreiter
Urtext. Single part. BWV
130. 5 pages.
Baerenreiter Verlag
#BA10130_75. Published by
Baerenreiter Verlag
(BA.BA10130-75).
ISBN
9790006490950. 32.6 x
25.6 cm
inches.
Study score
= TP 1130.
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Barenreiter Urtext
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¢s intentions - With
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- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
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First violin (1. Violin) SKU: BA.BA10130-74 Cantata for the Feast of S...(+)
First violin (1. Violin)
SKU: BA.BA10130-74
Cantata for the Feast
of St. Michael.
Composed by Johann
Sebastian Bach. Edited by
Marianne Helms. This
edition: urtext edition.
Folded. Barenreiter
Urtext. Single part. BWV
130. 5 pages.
Baerenreiter Verlag
#BA10130_74. Published by
Baerenreiter Verlag
(BA.BA10130-74).
ISBN
9790006490943. 32.6 x
25.6 cm
inches.
Study score
= TP 1130.
About
Barenreiter Urtext
Orchestral
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Bärenreiter Urtext
Orchestral
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editions as close as
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composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
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Second violin (2. Violin) - Level 3 SKU: BA.BA10010-75 Cantata for the...(+)
Second violin (2. Violin)
- Level 3
SKU:
BA.BA10010-75
Cantata for the Feast
of Visitation B. V.
M.. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. BWV
10. 7 pages. Baerenreiter
Verlag #BA10010_75.
Published by Baerenreiter
Verlag (BA.BA10010-75).
ISBN 9790006561568.
32.5 x 25.5 cm
inches.
About
Barenreiter Urtext
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Bärenreiter Urtext
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composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
First violin (1. Violin) - Level 3 SKU: BA.BA10010-74 Cantata for the ...(+)
First violin (1. Violin)
- Level 3
SKU:
BA.BA10010-74
Cantata for the Feast
of Visitation B. V.
M.. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. BWV
10. 7 pages. Baerenreiter
Verlag #BA10010_74.
Published by Baerenreiter
Verlag (BA.BA10010-74).
ISBN 9790006561551.
32.5 x 25.5 cm
inches.
About
Barenreiter Urtext
Orchestral
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Bärenreiter Urtext
Orchestral
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composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
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First violin (1. Violin) SKU: BA.BA07676-74 Cantata for the Second Day...(+)
First violin (1. Violin)
SKU: BA.BA07676-74
Cantata for the Second
Day of Christmas.
Composed by Georg Philipp
Telemann. Edited by Ute
Poetzsch. This edition:
urtext edition. Single
sheet. Barenreiter
Urtext. Single part. TWV
1. Duration 15 minutes.
Baerenreiter Verlag
#BA07676_74. Published by
Baerenreiter Verlag
(BA.BA07676-74).
ISBN
9790006526284. 30 x 23 cm
inches.
About
Barenreiter Urtext
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Bärenreiter Urtext
Orchestral
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editions as close as
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composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Second violin (2. Violin) SKU: BA.BA07676-75 Cantata for the Second Da...(+)
Second violin (2. Violin)
SKU: BA.BA07676-75
Cantata for the Second
Day of Christmas.
Composed by Georg Philipp
Telemann. Edited by Ute
Poetzsch. This edition:
urtext edition. Single
sheet. Barenreiter
Urtext. Single part. TWV
1. Duration 15 minutes.
Baerenreiter Verlag
#BA07676_75. Published by
Baerenreiter Verlag
(BA.BA07676-75).
ISBN
9790006526291. 30 x 23 cm
inches.
About
Barenreiter Urtext
Orchestral
Parts
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love to play from
Bärenreiter Urtext
Orchestral
Parts
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editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Second violin (2. Violin) SKU: BA.BA08809-75 Composed by Wolfgang Amadeus...(+)
Second violin (2. Violin)
SKU: BA.BA08809-75
Composed by Wolfgang
Amadeus Mozart. Edited by
Albert Dunning. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. KV
287 (271b, 271 H). 16
pages. Baerenreiter
Verlag #BA08809_75.
Published by Baerenreiter
Verlag (BA.BA08809-75).
ISBN 9790006569007.
32.5 x 25.5 cm inches.
Key: B-flat
major.
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Barenreiter Urtext
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enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
First violin (1. Violin) SKU: BA.BA08809-74 Composed by Wolfgang Amadeus ...(+)
First violin (1. Violin)
SKU: BA.BA08809-74
Composed by Wolfgang
Amadeus Mozart. Edited by
Albert Dunning. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. KV
287 (271b, 271 H). 19
pages. Baerenreiter
Verlag #BA08809_74.
Published by Baerenreiter
Verlag (BA.BA08809-74).
ISBN 9790006568994.
32.5 x 25.5 cm inches.
Key: B-flat
major.
About
Barenreiter Urtext
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Bärenreiter Urtext
Orchestral
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composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
First violin (1. Violin) SKU: BA.BA02985-74 Composed by Georg Philipp Tel...(+)
First violin (1. Violin)
SKU: BA.BA02985-74
Composed by Georg Philipp
Telemann. Edited by
Friedrich Noack. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. TWV
55. Baerenreiter Verlag
#BA02985_74. Published by
Baerenreiter Verlag
(BA.BA02985-74).
ISBN
9790006428526. 32.5 x
25.5 cm inches. Key: D
major.
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Bärenreiter Urtext
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alternate versions in
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enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Second violin (2. Violin) SKU: BA.BA02985-75 Composed by Georg Philipp Te...(+)
Second violin (2. Violin)
SKU: BA.BA02985-75
Composed by Georg Philipp
Telemann. Edited by
Friedrich Noack. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. TWV
55. 4 pages. Baerenreiter
Verlag #BA02985_75.
Published by Baerenreiter
Verlag (BA.BA02985-75).
ISBN 9790006428533.
32.5 x 25.5 cm inches.
Key: D major.
About
Barenreiter Urtext
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Bärenreiter Urtext
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- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
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First violin (1. Violin) SKU: BA.BA10134-74 Cantata for Easter Tuesday...(+)
First violin (1. Violin)
SKU: BA.BA10134-74
Cantata for Easter
Tuesday. Composed by
Johann Sebastian Bach.
Edited by Alfred Durr.
This edition: urtext
edition. Stapled.
Barenreiter Urtext. Third
version. Single part. BWV
134. Baerenreiter Verlag
#BA10134_74. Published by
Baerenreiter Verlag
(BA.BA10134-74).
ISBN
9790006491117. 32.5 x
25.5 cm
inches.
About
Barenreiter Urtext
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Bärenreiter Urtext
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¢s intentions - With
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- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
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Second violin (2. Violin) SKU: BA.BA10134-75 Cantata for Easter Tuesda...(+)
Second violin (2. Violin)
SKU: BA.BA10134-75
Cantata for Easter
Tuesday. Composed by
Johann Sebastian Bach.
Edited by Alfred Durr.
This edition: urtext
edition. Stapled.
Barenreiter Urtext. Third
version. Single part. BWV
134. 8 pages.
Baerenreiter Verlag
#BA10134_75. Published by
Baerenreiter Verlag
(BA.BA10134-75).
ISBN
9790006491124. 32.5 x
25.5 cm
inches.
About
Barenreiter Urtext
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Bärenreiter Urtext
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composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
First violin (1. Violin) SKU: BA.BA10021-74 Cantata for the 3rd Sunday...(+)
First violin (1. Violin)
SKU: BA.BA10021-74
Cantata for the 3rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
George S. Bozarth and
Paul Brainard. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. BWV
21. 8 pages. Baerenreiter
Verlag #BA10021_74.
Published by Baerenreiter
Verlag (BA.BA10021-74).
ISBN 9790006538058.
32.5 x 25.5 cm
inches.
Study score
= TP 1021.
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Barenreiter Urtext
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Bärenreiter Urtext
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editions as close as
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composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Second violin (2. Violin) SKU: BA.BA10021-75 Cantata for the 3rd Sunda...(+)
Second violin (2. Violin)
SKU: BA.BA10021-75
Cantata for the 3rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
George S. Bozarth and
Paul Brainard. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. BWV
21. 8 pages. Baerenreiter
Verlag #BA10021_75.
Published by Baerenreiter
Verlag (BA.BA10021-75).
ISBN 9790006538065.
32.5 x 25.5 cm
inches.
Study score
= TP 1021.
About
Barenreiter Urtext
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Bärenreiter Urtext
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composerâ€â„Â
¢s intentions - With
alternate versions in
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- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Second violin (2. Violin) SKU: BA.BA10068-75 Cantata for Whit Monday(+)
Second violin (2. Violin)
SKU: BA.BA10068-75
Cantata for Whit
Monday. Composed by
Johann Sebastian Bach.
Edited by Alfred Durr.
This edition: urtext
edition. Folded.
Barenreiter Urtext.
Single part. BWV 68. 5
pages. Baerenreiter
Verlag #BA10068_75.
Published by Baerenreiter
Verlag (BA.BA10068-75).
ISBN 9790006490462.
32.5 x 25.5 cm
inches.
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Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
First violin (1. Violin) SKU: BA.BA10068-74 Cantata for Whit Monday(+)
First violin (1. Violin)
SKU: BA.BA10068-74
Cantata for Whit
Monday. Composed by
Johann Sebastian Bach.
Edited by Alfred Durr.
This edition: urtext
edition. Folded.
Barenreiter Urtext.
Single part. BWV 68. 5
pages. Baerenreiter
Verlag #BA10068_74.
Published by Baerenreiter
Verlag (BA.BA10068-74).
ISBN 9790006490455.
32.5 x 25.5 cm
inches.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
First violin (1. Violin) SKU: BA.BA10006-74 Cantata for Easter Monday<...(+)
First violin (1. Violin)
SKU: BA.BA10006-74
Cantata for Easter
Monday. Composed by
Johann Sebastian Bach.
Edited by Alfred Durr.
This edition: urtext
edition. Folded.
Barenreiter Urtext.
Single part. BWV 6. 4
pages. Baerenreiter
Verlag #BA10006_74.
Published by Baerenreiter
Verlag (BA.BA10006-74).
ISBN 9790006489824.
32.5 x 25.5 cm
inches.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Second violin (2. Violin) SKU: BA.BA10006-75 Cantata for Easter Monday...(+)
Second violin (2. Violin)
SKU: BA.BA10006-75
Cantata for Easter
Monday. Composed by
Johann Sebastian Bach.
Edited by Alfred Durr.
This edition: urtext
edition. Folded.
Barenreiter Urtext.
Single part. BWV 6. 3
pages. Baerenreiter
Verlag #BA10006_75.
Published by Baerenreiter
Verlag (BA.BA10006-75).
ISBN 9790006489831.
32.5 x 25.5 cm
inches.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
First violin (1. Violin) SKU: BA.BA08841-74 Composed by Claude Debussy. E...(+)
First violin (1. Violin)
SKU: BA.BA08841-74
Composed by Claude
Debussy. Edited by
Douglas Woodfull-Harris.
This edition: urtext
edition. Folded.
Barenreiter Urtext.
Single part. 4 pages.
Duration 10 minutes.
Baerenreiter Verlag
#BA08841_74. Published by
Baerenreiter Verlag
(BA.BA08841-74).
ISBN
9790006541218. 32.5 x
25.5 cm
inches.
Prelude a
l'apres-midi d'un faune,
often referred to as the
first composition of the
modern era, is one of
Debussy's most popular
and frequently performed
orchestral works. The
piece comes down to us in
an array of sources, and
several important ones
are drawn upon for the
first time in
Baerenreiter's new
scholarly-critical
edition. Most of the
currently available
editions are based on the
first edition from 1895
which, however, contains
many engraver errors.
When the corresponding
orchestral parts are also
taken into consideration,
countless discrepancies
are
revealed.
Baerenreiter
's Urtext edition
incorporates readings of
a printed copy of the
score from c. 1908 which
shows corrections and
emendations by the
composer. These important
changes, found in no
other source, include
metronome markings,
different pitches and
additional notes, as well
as added tempo and
articulation markings,
which all subtly enhance
Debussy's finely sculpted
work. There is even a
breath mark added to the
famous solo flute passage
which opens the
work.* Scholarly
critical edition with
many corrections in the
score and orchestral
parts * Clear
presentation of
orchestral parts in an
enlarged format.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Second violin (2. Violin) SKU: BA.BA08841-75 Composed by Claude Debussy. ...(+)
Second violin (2. Violin)
SKU: BA.BA08841-75
Composed by Claude
Debussy. Edited by
Douglas Woodfull-Harris.
This edition: urtext
edition. Folded.
Barenreiter Urtext.
Single part. 4 pages.
Duration 10 minutes.
Baerenreiter Verlag
#BA08841_75. Published by
Baerenreiter Verlag
(BA.BA08841-75).
ISBN
9790006541225. 32.5 x
25.5 cm
inches.
Prelude a
l'apres-midi d'un faune,
often referred to as the
first composition of the
modern era, is one of
Debussy's most popular
and frequently performed
orchestral works. The
piece comes down to us in
an array of sources, and
several important ones
are drawn upon for the
first time in
Baerenreiter's new
scholarly-critical
edition. Most of the
currently available
editions are based on the
first edition from 1895
which, however, contains
many engraver errors.
When the corresponding
orchestral parts are also
taken into consideration,
countless discrepancies
are
revealed.
Baerenreiter
's Urtext edition
incorporates readings of
a printed copy of the
score from c. 1908 which
shows corrections and
emendations by the
composer. These important
changes, found in no
other source, include
metronome markings,
different pitches and
additional notes, as well
as added tempo and
articulation markings,
which all subtly enhance
Debussy's finely sculpted
work. There is even a
breath mark added to the
famous solo flute passage
which opens the
work.* Scholarly
critical edition with
many corrections in the
score and orchestral
parts * Clear
presentation of
orchestral parts in an
enlarged format.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
First violin (1. Violin) SKU: BA.BA10208-74 Congratulatory Cantata for...(+)
First violin (1. Violin)
SKU: BA.BA10208-74
Congratulatory Cantata
for the Birthday of Duke
Christian of
Saxony-Weißenfels and
of Duke Ernst August of
Saxony-Weimar.
Composed by Johann
Sebastian Bach. Edited by
Alfred Durr. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. BWV
208. Duration 38 minutes.
Baerenreiter Verlag
#BA10208_74. Published by
Baerenreiter Verlag
(BA.BA10208-74).
ISBN
9790006491803. 32.5 x
25.5 cm
inches.
Congratulat
ory Cantata for the
Birthday of Duke
Christian of
Saxony-Weissenfels and of
Duke Ernst August of
Saxony-Weimar.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Second violin (2. Violin) SKU: BA.BA10208-75 Congratulatory Cantata fo...(+)
Second violin (2. Violin)
SKU: BA.BA10208-75
Congratulatory Cantata
for the Birthday of Duke
Christian of
Saxony-Weißenfels and
of Duke Ernst August of
Saxony-Weimar.
Composed by Johann
Sebastian Bach. Edited by
Alfred Durr. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. BWV
208. Duration 38 minutes.
Baerenreiter Verlag
#BA10208_75. Published by
Baerenreiter Verlag
(BA.BA10208-75).
ISBN
9790006491810. 32.5 x
25.5 cm
inches.
Congratulat
ory Cantata for the
Birthday of Duke
Christian of
Saxony-Weissenfels and of
Duke Ernst August of
Saxony-Weimar.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
First violin (1. Violin) SKU: BA.BA10039-74 Cantata for the First Sund...(+)
First violin (1. Violin)
SKU: BA.BA10039-74
Cantata for the First
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
James Webster, Robert
Freeman, and Walther
Durr. This edition:
urtext edition. Stapled.
Barenreiter Urtext.
Single part. BWV 39. 6
pages. Baerenreiter
Verlag #BA10039_74.
Published by Baerenreiter
Verlag (BA.BA10039-74).
ISBN 9790006541409.
32.5 x 25.5 cm
inches.
Partitur
siehe TP 1039.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Second violin (2. Violin) SKU: BA.BA10039-75 Cantata for the First Sun...(+)
Second violin (2. Violin)
SKU: BA.BA10039-75
Cantata for the First
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
James Webster, Robert
Freeman, and Walther
Durr. This edition:
urtext edition. Stapled.
Barenreiter Urtext.
Single part. BWV 39. 5
pages. Baerenreiter
Verlag #BA10039_75.
Published by Baerenreiter
Verlag (BA.BA10039-75).
ISBN 9790006541416.
32.5 x 25.5 cm
inches.
Partitur
siehe TP 1039.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Second violin (2. Violin) SKU: BA.BA07567-75 Twelve Concertos for Viol...(+)
Second violin (2. Violin)
SKU: BA.BA07567-75
Twelve Concertos for
Violin, Strings and Basso
continuo. Composed by
Antonio Vivaldi. Edited
by Bettina Schwemer. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Volume II:
Concertos VII-XII. Single
part. Opus 4. 28 pages.
Baerenreiter Verlag
#BA07567_75. Published by
Baerenreiter Verlag
(BA.BA07567-75).
ISBN
9790006558476. 32.5 x
25.5 cm
inches.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
First violin (1. Violin) SKU: BA.BA07566-74 Twelve Concertos for Violi...(+)
First violin (1. Violin)
SKU: BA.BA07566-74
Twelve Concertos for
Violin, Strings and Basso
continuo. Composed by
Antonio Vivaldi. Edited
by Bettina Schwemer. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Volume I:
Concertos I-VI. Single
part. Opus 4. 40 pages.
Baerenreiter Verlag
#BA07566_74. Published by
Baerenreiter Verlag
(BA.BA07566-74).
ISBN
9790006558421. 32.5 x
25.5 cm
inches.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
